2 copies black and white photograph and negative. 3 female students holding 2 draught horses. Students dressed in jodhpurs and long boots. Two of them in shirts and ties.1 Copy nearly life-size (part only) used in Centennial Display.On reverse, "Rodda."female students, draught horse, rodda, centennial display, jodhpurs, long boots, shirts and ties

John D'Alton was a member of a local militia, similar to the 'Army Reserves' today.Photo shows a seated man (John D'Alton) holding a rifle. He is wearing a slouch hat, long boots with spurs and has ammunition belts across both shoulders.people, d'alton

This small metal item is a boot pull. Boot pulls were usually sold in pairs for pulling long riding boots on. Good quality long boots had a small leather loop inside near the top of the boot and this hook would assist the wearer to put the boot on. Both men and women would have used this useful item and wearers of long riding boots may still use one today. This small boot pull is retained as an interesting example of a household item from 100 years ago or more. This is a piece of metal piping with a flattened hook at one end and a cross bar handle at the other end. The metal is very rusty.household items of the past, history of warrnambool

Part of old Lintonian collection No. 100.Black and white photograph of a gentleman wearing army uniform jacket with belt around waist and across right shoulder, jodhpurs, long boots and cap standing with left arm by his side, right arm at chest level holding stick.g.h.c. trengrove, old lintonian collection

Photograph: black and white framed photograph of 2 male soldiers in army uniform with long boots, spurs, gloves in left hands and sticks in right hands. Wooden frame with glass. On bottom Rh corner of photo 21/4/17 written in faded ink.organization, military, male portrait, male portrait, army, ww1

Photograph: individual portraits of two soldiers set in one frame. Wooden frame glass cover. Man on Lh side: standing with arms behind back holding whip, army uniform ( WW1) long boots with spurs. Man on Rh side, army uniform, gloves held in left hand, white stick in right.organization, military, male portrait, ww1, army, portrait

Man in photo was well known photographer and bushwalking guide Gilbert Rogers. He was also a Forest Officer so knew the Grampians well.Postcard shows a man standing beside a waterfall holding up a cup. the waterfall is flowing rapidly over rocks. The man has on a backpack and long hiking boots.'Good luck and good health from your old friend'( written on front) Rogers - (bottom Right) no,264people, gilbert rogers, scenery, waterfalls

Boots, leather. Long men's boot with the top rolled down.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, boots, leather, leather boots

Copy of a black and white photo of the Long Gully Football Club approximately 1926. The team are wearing football shorts, striped jumper, long socks and boots. Four men are wearing suits and one is wearing whites with long dark socks and boots.bendigo, history, long gully history group, the long gully history group - long gully football club approximately 1926

Twelve page knitting pattern book featuring black and white text and colour images. The colour cover features an image of a woman wearing long brown boots, tan corduroy pants and a cream knitted jumper.front: [printed] Swift & / Simple / SIRDAR / BOOK 523 / PRICE / CODE / Dfashion, design, knitwear, home made, wool, pattern book, sirdar

Starting in around 1850, women began wearing boots that resembled the ones already worn by men in high society. Women’s Victorian boots were slightly more feminine in nature, however, than those worn by their male counterparts. The boots first worn by women extended to the middle of the calf so that her ankle would stay properly covered underneath her many skirts. These boots often featured laces or a row of buttons to keep them secure to the foot and ankle. Although usually made from durable materials like rubber and leather, boots that were worn purely for fashion were sometimes made of more elegant materials like patent leather or dyed suede. Fashion boots from the Victorian era exude all of the opulence and decadence that are unique to that time period. Design elements like scalloped trims, intricate embroidery, and lace accents were also not uncommon when it came to elaborately designed Victorian boots. Unlike men’s boots, they also boasted a slight heel that was thinner and more feminine in design. How lavish a woman’s boots were greatly depended upon how much money her family had and her place within society. While footwear was standard during this time, shoes were still quite a luxury to the modern Victorian. Only very wealthy women owned multiple pairs of boots that featured eye-catching design elements. https://www.wardrobeshop.com/blogs/victorian-era/an-in-depth-look-at-victorian-footwear These boots appear to be of a practical nature, designed for comfort, warmth, and proof against the rain and mud, rather than high fashion.These ladies' boots are historically significant for their manufacture and use during the Victorian period.Pair of ankle length black ladies' boots with long tan coloured laces.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, boots, victorian, leather, footwear

In 1920 Dora Sandow, the youngest daughter of George and Mary Ann Sandow, married William Spencer Grigg, a son of William Michael and Louisa Caroline Grigg. Dora and Bill Grigg purchased the house next to the primary school and called it 'Gnarkeet' after the district in which Dora had grown up, near Mt Bute pastoral station.Black and white photograph of a young woman with long hair, wearing boots and a relatively short skirt. She is holding a tabby cat.dora sandow, dora grigg, cats

Man In photo is Gilbert Rogers a well known photographer & tourist guide in the Grampians. He is looking out over the Wonderland Range from an are a close to the Balconies.Postcard shows a man standing on a rocky outcrop looking out over a range of peaks. The man is wearing a hat similar to a scout hat similar to a scout hat, is wearing shorts and long leather boots. He is carrying a back pack. Post card; Correspondece; Address onlyscenery, grampians ranges

Copy of a black and white photo of the Long Gully Rovers Football Team 1938. The team is wearing football shorts dark long socks, boots and dark jerseys with a white V from the shoulder to the centre front. There are some boys and other men wearing suits in the photo also.bendigo, history, long gully history group, the long gully history group - long gully rovers football team 1938

This photograph shows a young Wilfred Busse wearing work clothes in the Australian bush. These clothes were all chosen for their practicality in the Australian bush, and create together a distinctive style that is easily recognisable. While it initially appears that he wears long boots, he actually wears shorter shoes with an additional leg protection called gaiters. These protected the legs and were particularly useful to Australian settlers to protect from snake bites. His trousers, or breeches, are of a similar style to the ones issued as Australian Army regulation during the First World War, which were baggy around the thighs and became tighter below the knee. His long shirt protects him from the harsh Australian sun, and he wears an iconic Akubra hat for sun protection on his face. It is assumed that this photograph shows Busse when he was working on a Station in Victoria in his twenties, which is supported by the style of his clothing and his age.This photograph is significant as it shows Wilfred Busse as he appeared in his younger years, presumably on a Station in Victoria. It also provides a primary resource of working clothes for white settlers in the early 20th centuryBlack and white rectangualr photograph on matte photographic paper in wooden frameaustralian settlement, settlement, workmen, work, clothing, workwear, bush, wilfred busse, busse, busse author, chiltern, chiltern athenaeum, chiltern athenaeum museum, 1920s

Black and white postcard of young Harold Robert Todd known as Tommy seated on a white horse wearing boots, long socks, knee length trousers, jacket, shirt and tie and a straw boater hat. Lakes Entrance VictoriaTom on our pony Dandy on reverseclothing, genealogy

These boots may have been made as a sample as they are a very small size and do not appear to have been worn. They come from the New Zealand International Exhibition held at Hagley Park, Christchurch from November 1906 to April 1907. This exhibition was the brainchild of the New Zealand Prime Minister, Richard Seddon who died before the exhibition opened. Nearly 2 million people visited the exhibition at a time when the population of New Zealand was less than one million. The exhibition was thus rated a success even though there was a financial loss. No information has been found on the bootmakers, H. Perry & Co. In the 19th and early 20th centuries boots were an essential item for women who often had to walk through unmade streets and muddy paddocks. This item is of interest as it is a memento of an important New Zealand Exhibition early in the 20th century. This is a pair of a lady’s light brown leather boots. The boots have long leather tongues with 16 eyelets either side to lace up the front instep. The laces are missing. The wooden heels are slightly raised. H. Perry & Co. New Zealand International Exhibition Christchurch 1906-7 vintage footwear, christchurch new zealand exhibition, 1906-7

3600 Bill Kinsella and Carmel Kinsella at Carmel's Birthday party. -1 Carmel Kinsella cutting her birthday cake. -2 Carmel Kinsella. -3 Three photographs of cloths belonging to the Kinsella family. -4 Three photos of clothing, one of a purple silk undergarment, one of black silk dress the third of a embroidered. -5 Three photos, one of a top hat, another of long boots and the third a Bullock drivers bell. -6 Photograph of Illumination given to Thomas Kinsella from the Magdala mine workers when Thomas left to travel back to Ireland to visit his sick mother. -7 Four photographs of objects, one of a Pianola, second of a clock Carmel Kinsella bought for her birthday (80th in 1993). Third wire strainers, Forth Croquet green numbers and mallet head. -a Wording on Illumination (see description, inscriptions and markings). -8 Photograph of Martin Cahill. Born 1881 died 21.06.1947. Married to Eileen Kinsella 1920. -9 Bill Kinsella at 3LK Radio Starion Lubeck where he worked for 38 years. Bill was also called William Jennings Kinsella after his father. -10 The iron decorative gates at Kinsella's farm also called "Magdala" -11 The original Kinsella house on "Magdala" farm. The back room with a flat roof and 4 windows was moved from "Mayo Park" where the Kinsella's originally lived across Station Creek. -12 Photo of Tom Capell as a young man. The son of Jane Teresa Kinsella & William A. Capell. -13 Sarah Kinsella nee Peardon married William Jennings Kinsella. -14 Photograph of Sarah & Jennings Kinsella children Thomas Wade Kinsella, Clare Best, Carmel Kinsella, Bill Kinsella. Photo taken at Kendal's farm near Lubeck Series of colour and black and white photographs taken at the Kinsella's farm "Magdala" Lubeck July 2006.stawell

Button hooks were used to fastens buttons on boots and long gloves. It is a tool used for the closing of shoes, gloves or other apparel that uses buttons as fasteners. The steel hook end is inserted through the buttonhole to capture the button by the shank and draw it through the opening. This hook is most likely to have been used to do up bootsWomen and young girls generally wore boots that were either front laced or side buttoned, particularly in the period from the 1870s . Buttonhooks were needed to do up the buttons on buttoned boots and were used by poking the metal hook through the buttonhole, grabbing the button and pulling it through the eyelet. This item is an example of a commonly used accessory no longer relevant.A button hook made of metal with a beaten silver handle ornately decorated with scrolls and foliate design. At the top is a small ring on the handle end. This could have been for a lady to attach the item to her chatelaine at her belt, or on a necklace. clothing footwear gaiters boots button-hook

Small portrait of a young boy. He is wearing knee length trousers, a jacket with a large front pocket, waistcoat, bowtie, long white socks and boots. He is standing beside a chair with his right hand resting on it. On the chair is a hat. The chair and part of the curtain have been coloured red and the floor red and green pattern. .photograph, portrait, boy, portrait of a boy

Hilda Hill Collection. A Combination of Sepia & Black & White Photos Taken Between 1920 & 1921 Total 8. The First shows the flow of the Kyneton Weir in September 1920 and the surrounding countryside. Black and white photo of a man sitting on a window ledge in a white shirt jodhpurs and long boots, foreground is a garden with a number of plants, window has internal Venetian blind. Photo of family members relaxing at their Kilmuir property, three ladies all in white with large sun hats standing in a garden with large trees in the background. A group of five men and three ladies standing on a tennis court, one man holding a tennis racquet, two of the ladies wear white tennis apparel of the day at 'Kilmuir' December 19th 1920. Photo showing two ladies and a child in the foreground against a background of a large tree and house further back, there are more houses to the right of the tree and a dead tree. Photo of man sitting in cane chair and boy sitting on step, in front of house that is in the background, window has a round column on the left side, titled below as 'Vin' Durvol September 1920. Three ladies and one man, the ladies are dressed in white and the man in black coat and white shirt, all have their hands behind their backs 'Kilmuir' 1920. Seven young girls standing on the front stepson the house 'Kilmuir' , one girl is dressed in dark clothing all the rest are in full white, to the left is a sun blind pulled right down, ornate fretwork along verandah below guttering, to the right of girls is a window with lace curtains, garden in front foreground, December 19th 1920.Hilda Hill Personal Collectionaustralia, history, images 1920-1921

Series of Black & White Images of Hill Family in the years 1921-1922. Total 7 Photos. Darkie the horse tethered to stable. Zita, Nora, Rita & Doreen one Zita is dressed in black with white scarf around her neck and wearing a dark coloured hat, other three are all dressed in white Nora has a dark hat and other two have broad brimmed hats, Rita and Doreen have black ribbons hanging from their necks, to the right are a man and lady seated on the ground and in dark clothing, a man with a pipe in his mouth and wearing a grey suit and hat in background, lady in black and lady in white looking in other directions, background has grandstand with gab le roof and fronted by a white picket fence and people sitting at tables and chairs, trees in right background, Queenscliff February 1921. Rita Nora Doreen lying face down on the beach, girl on left has dark hat on, background shows large shed and other housing with fences, 'Merry Mermaids' Queenscliff 1921.Four girls and one male, three girls dressed in white, one in dark colour, two have light coloured hats and two have dark colour hats, one girl dressed in dark colour, male is wearing white trousers and college coat with stripes, background shows skyline of the nearby city and beach buildings, two men occupy a seat right back ground and dressed in dark clothing, Queenscliff 1921. Cyril Fred Mollie Doreen in a conga line the boys in grey suits and the girls in white, one has circular bands on her skirt, hedge in near back ground, gable roofed building and trees further back,'Durvol' January 1922. Hal wearing dark coat and jodhpurs long boots sitting astride a bicycle, something balanced between the handlebars and on the top bar, paling fence with vine hanging overhead other plants in the corner of the yard, December 24 1921. Doreen riding in a billy cart and pulled by a large dog along a pathway, Doreen is wearing all white, background is bushes and hedge with large tree, Dog is dark colour, 'I'm coming' January 1921.Hilda Hill Personal Collectionaustralia, history, post war life

Black and white photograph on grey mount board. Cohn Bros. Vic. Brewery Picnic. Men dressed in suits and various styles of hats, females in dress of the period (1903). Large hats with decorations. Boys in long socks and boots, garments with sailor type collard. Girls in frilly dresses and some with aprons. Inscriptions: Printed on mount at front 'Cohn Bros. Victoria Brewery Col. Ltd. Employees Picnic, held at Cherry Tree on Saturday 7th March, 1903', 'Magnus Cohn, Julius Cohn (central)', hand written on back. 'From WL Newell 30/07/1974 (written in black lead pencil), 'Royal Historical society of Victoria, Bendigo Branch' in circular stamp (on reverse). History: Previous Acc. No. GP25WH Robinson Photo, Bendigoperson, group, cohn's brewery, see also 2001.201.01, 2001.202.01, 2001.203.01, 2001.207.01, 2001, 208.01

Coloured photographic postcard. Image is of an Asian man standing against a hedge. He is dressed in a quilted blue hip length jacket, cream trousers and black boots. A long plait of hair extends over his left shoulder. Along the bottom edge is printed the words Australian Series - Little Mary - Little Mar-y!! On the reverse is writing and is addressed to Mr J M O C/- Electric Telegraph Office Bendigo Vic. A One penny stamp is affixed to the top right hand corner and is postmarked Maryborough Vic.Australian Series - Little Mary - Little Mar-y!!postcard

Series of Black & White Photos Hill Family & Friends Life During The Final Years of The First World War. Hilda Hill and another, seated on steps , background building weatherboard construction and glass windows,girl at rear wearing dark dress with check scarf around her neck, girl at front wearing a lighter colour dress and white blouse, and medal on ribbon around her neck, S.H.L.C. November 1917. Jack & Frank, both dressed in dark suits white shirts and dark ties, man standing outside of vehicle with right arm resting on the car and one foot on the running board, with the family car, dark colour with wooden spoke wheels. Francie, wearing dark skirt and white blouse & the dog, kneeling in front of a netting fence with top rail, background is corrugated iron shed wall. Easter 1918. Man in dark suit white shirt and dark tie holding a tennis racquet over his head, brick wall to left and doorway, on the verandah of 'The Ranche' property. Horse & Gig, man and boy seated on the gig and boy standing behind all dressed dark clothing, man wearing a hat, boy at rear wearing shorts and long socks with boots, to right gable roof shed, 'Durvol' property Kyneton Victoria Australia. Frank & Sweep the dog up a ladder, high paling fence in right background. Six young ladies , three standing and three seated on a white wooden railing fence, all dressed in lightly coloured outer wear, some showing white blouses Kyneton Mineral Springs 27th September 1918. Group of four young ladies all dressed in white and wearing broad brimmed hats, two men one sitting and one lying on the ground, man at rear white shirt and dark tie with broad brimmed hat, man at front, dark trousers and white shirt with dark waistcoat, no person has been identified in this photo, In the shade Hanging Rock?Hilda Hill Personal Colllectionaustralia, history, post war life

Black & White Photographs Series of 10 depicting life for the Hill Family in 1919, young lady standing near large tree wearing a white dress with black waist sash and dark stockings rear background shows the gable roof and 4 chimneys all behind a large hedge, Durvol December 14 1919 In garden setting man on left wearing grey trousers and what appears to be a bag attached via a string to his waist, grey waistcoat white shirt and dark tie, other gentleman is wearing a dark suit white shirt and dark tie,background shows a hedge and tops of trees, a gable roofed building looms above hedge to centre right, Durvol December 14 1919. Dark photo shows a young lady sitting at the top of a trellis fence, she is wearing dark clothing, her blouse has a white collar, hat with bow above her right shoulder, background shows the tops of two trees, Durvol August 1919. 1 man dressed in dark suit and hat, one boy sitting on the seat, both boys are wearing dark clothing and the boy standing is also wearing long dark socks and boots, the large two wheeled carriage, to the right is a gable roofed shed and top right background a large tree branch, Durvol August 3 1919. 3 ladies seated on the ground first lady on left wears a large brimmed hat with light coloured clothing, other 2 ladies are wearing white blouses and dark skirts each with a light coloured hats. 3 men 2 facing the camera and the other facing to the rear, the front 2 are wearing grey trousers and waistcoats man on right has dark tie and smoking a pipe, man facing the rear wears a hat and grey suit, gable roof of a building is in the background November 29 1919. Group of men and women enjoying a picnic two of the men are seated and both wear dark hats and dark suits with white shirts and dark ties, all of the ladies are wearing hats white blouses, one a light coloured skirt and other 2 dark skirts, bush setting with hill in background, Hibernian Picnic 1919. Four wheeled carriage drawn by one dark horse, the two passengers are dressed in dark suits and hats, a whip is mounted in the front foot well, right background is a standing lady dressed in a white blouse and dark skirt, also tree in left background, 25 July 1924. Group of ladies seated two wearing light coloured hats and all wearing white blouses four are in dark skirts, background is wooded area right background is a post and rail fence, Hibernian Picnic 1919. Old vehicle with five passengers, two ladies in the front one driving and a man and two more ladies in the rear seat, all are wearing dark clothing, gabled roof house in background with white picket fence, left background shows another gable roofed building two chimneys dark appearance.Hilda Hill Personal Collectionaustralia, history, post war life

Norval Guest-House Aginda and Wettenhall The original Norval The story of Norval begins in 1917 when it was built as a private residence for Mr and Mrs William Thompson. Mrs Thompson was a pioneer of the tourist business, having come from Ballarat to Hall's Gap in 1909 to manage Bellfield Guest-house According to Ida Stanton, in her history of Hall's Gap entitled "Bridging the Gap", Mr Thompson and his wife acquired the six roomed shearers quarters at "Hankelow", on land leased by the Wettenhall family, on the south side of Bellfield. Mr Thompson, she says, completely dismantled the quarters, carefully marking each board, then hired George McKeon to cart the material up to where the original Norval house stood. With great care, the rooms were rebuilt into a home for William and his wife Mathilda. Catherine Good, the daughter of Viola (nee Wettenhall) and niece of Dr Roland, in here "Recollections" entitled "Look to the Mountains - Viola's View 1887-1979", mentions Hankelow. Speaking of her days at Glen Holford, the Wettenhall home at Pomonal, Viola says "Verona and Francie Dennis, my cousins, and I went for one very exciting trip. Father (i.e Dr Roland's father) had bought 300 acres in the Gap to take sheep from Carr's Plains in time of drought, and had a little cottage there with one of the Glen Holford men and his wife in charge. It was called Hankelow. So we three set off over the Range from Glen Holford on foot and leading a pack horse with our night attire and no doubt sponge bags. "We stayed the night at Hankelow with Jim and Minnie. Minnie had been a housemaid at Glen Holford. I was very fond of her. It makes one laugh to think of the excitement of "roughing it"! Minnie gave us a lovely dinner with meringues, and cream, I remember, then early morning tea. After breakfast we were driven in the buggy to the foot of the Goat Rock (since renamed Mt Rosea) and off we went - walking in our long skirts and ankle boots. There was no track of any kind, nor blazed trail - we just made for the top. It was rather frightening at times because we couldn't see where the top was an it always seemed to get further and further away. The last mile was so terribly steep, with a lot of lose shale where you went up twelve inches and slipped back six. Now you motor to about a couple of miles from the top and then have a graded path. Anyway, we got there and back safely and were rewarded with a magnificent view" By a strange coincidence, Hankelow, the source of Norval Guest-house in times past (if the name can be applied to the property as a whole, which seems likely) is in fact also the source of our Wettenhall Campsite! Hankelow was named after a property owned by the Wettenhall family in England. In 1917 William and Mathilda retired to their newly built home (Norval) "to escape from the tourist business" However, so many people made requests to stay with them that they found it necessary to add several more rooms and sleepouts to their home. In this way, early in 1921, the guest-house began to take shape. Mr Thompson, a former librarian of the Mechanics Institute in Ballarat, named the house "Norval". The name "Norval" comes from a quotation from the play 'Douglas" by John Home. Written in the mid-16th century the play is set in the Grampian Mountains of Scotland. The story is of a boy who was parted from this mother during his early childhood, and was given to a shepherd who raised him. Some eighteen years later the mother by chance happens to meet here son, and not knowing his true identity, asks his name. He answers, "My name is Norval; and in the Grampian hills my father feeds his flocks." Perhaps it was simply because "Norval" was associated with the "Grampians" that it was chosen by Mr Thompson. He may also have been conscious of feeding "flocks" of tourists in his expanding, guest-house. Norval Guest-house prospered. It was known for its fine cooking and friendly atmosphere - a tradition which has carried through to the modern Norval! It closed between 1940 and 1949 because of the second world war. In 1949 it was decided to almost completely rebuild the house. Most of the old building (Hankelow plus) was demolished and rebuilt to a much larger and more modern plan. And then, on May 1, 1965, it was purchased by the Committee of Management of the Methodist and Presbyterian Conference Centres. At this time the guest-house was owned and operated by Marjorie and Lachland McLennan, Mrs McLennan being the daughter of William and Mathilda Thompson, the pioneers of the establishment. The McLennans had operated the Guest-house since about 1930.Photocopy 2 pages of article from book titled 'In the Making' title of article Norval guest House the original Norvalaccommodation, guesthouses, norval

The discovery of the first telescope in 1608 can be attributed to Hans Lippershey of the Netherlands when he discovers that holding two lenses up some distance apart bring objects closer. He applies for a patent on his invention and this becomes the first documented creation of a telescope. Then in 1668, Newton produces the first successful reflecting telescope using a two-inch diameter concave spherical mirror. This opened the door to magnifying objects millions of times far beyond what could ever be obtained with a lens. It wasn’t until 1729 that Chester Moor Hall develops an achromatic lens (two pieces of glass with different indices of light refraction combined produce a lens that can focus colours to almost an exact point resulting in much sharper images but still with some distortion around the edges of the image. Then in 1729 Scottish instrument maker James Short invents the first parabolic and elliptic, distortion-less mirror ideal for reflecting telescopes. We now come to John Dollond who improves upon the achromatic objective lens by placing a concave flint glass lens between two convex crown glass lenses. This had the effect of improving the image considerably. Makers Information: John Dollond (1707-1761) London England he was a maker of optical and astronomical instruments who developed an achromatic (non-colour distorting) refracting telescope and practical heliometer. A telescope that used a divided lens to measure the Sun’s diameter and the angles between celestial bodies. The son of a Huguenot refugees Dollond learned the family trade of silk weaving. He became proficient in optics and astronomy and in 1752 his eldest son, Peter joined his father in an optical business, in 1753 he introduced the heliometer. In the same year, he also took out a patent on his new lenses. He was elected a fellow of the Royal Society in May 1761 but died suddenly in November and his share in the patent passed to his son Peter. In subsequent squabbles between Peter and the many London opticians who challenged his patent, Peter’s consistent position was that, whatever precedents there may have been to his achromatic lenses, his father had independently reached his practical technique on the basis of his theoretical command of Newtonian optics. As a result of maintaining his fathers patent, Dollond s became the leading manufacturer of optical instruments. For a time in the eighteenth and nineteenth century the word 'Dollond' was almost a generic term for telescope rather like 'Hoover; is to vacuum cleaner. Genuine Dollond telescopes were considered to be amongst the best. Peter Dollond (1731-1820) was the business brain behind the company which he founded in Vine Street, Spitalfields in 1750 and in 1752 moved the business to the Strand London. The Dollonds seem to have made both types of telescopes (reflecting and refracting), possessing the technology to produce significant numbers of lenses free of chromatic aberration for refracting telescopes. A Dollond telescope sailed with Captain Cook in 1769 on his voyage to observe the Transit of Venus. Thomas Jefferson and Admiral Lord Nelson were also customers of the Dollonds. Dollond & Co merged with Aitchison & Co in 1927 to form Dollond & Aitchison, the well-known high street chain of opticians, now fully part of Boots Opticians. They no longer manufacture but are exclusively a retail operation.    John Dollond's experiments in optics and how different combinations of lenses refract light and colour gave a better understanding of the divergent properties of lenses. That went on to inform and pave the way for the improvement of our understanding of optics that are represented today. Dollond was referred to in his time as the "Father of practical optics" as a leader in his field he received many prestigious awards. The telescope in the collection is a good example of one of Dollonds early library telescopes and its connection with one of England's 18th-century pioneers in optical development is in itself a significant and an important item to have within the collection. One tube ships day & Night Telescope brass inner tube with timber main tube covered in leather. Unavailable to inspect Inscriptions to determine authenticity.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, telescope, dolland, shipwreck-coast, flagstaff-hill-maritime-village, royal national life boat institution