Early photograph of the Lorne Hotel showing path to the original bar and top and bottom verandahslorne hotel, bar entrance

Postcard picture of Lorne Hotel front and side view from Mountjoy Parade showing flagpole picket fence surronds and cyrpess hedgerose series p2134, lorne hotel, picket fence, hedge surround

Sketch of pier and Pacific Hotel at lorne

The Great Ocean Road was officially declared open on 26th November 1932 at a ceremony near Lorne's Grand Pacific Hotel, the site where the first survey peg for the road was hammered into the ground 14 years before. opening ceremony: lorne pacific hotel: 26/11/1932

At the Lorne Hotel on the opening of the Great Ocean Road on 26th November 1932g.o.r-opening; lorne hotel; 26th-november-1932

Group photo of men and women on the balcony of the Grand Pacific Hotel Lorne 1898. Centre front is Nell Gwynne the daugher of the proprietor grand pacific hotel, lorne 1898, nell gwynne

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Township of Lorne, and Loutitt Bay’ : Views of Victoria (General Series) No.60 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Loutitt Bay is fast becoming one of the most fashionable Watering-places in Victoria, partly from its easy access by Rail, combined with the magnificent scenery to be found in the Cape Otway Ranges, and the very moderate charges of the houses of accommodation. The large house near the foreground is that of Mr. Mountjoy, which is a Restaurant. Duncan’s Hotel can be seen in the distance, on the brow of the hill.’nicholas caire (1837-1918), lorne (vic), duncan's hotel, loutitt bay, landscape photography - victoria

Photograph of a post card Rose Series 1755, showing the opening of the Great Ocean Road near the Pacific Hotel Lorne dated 26 November 1932g.o.r. opening; pacific hotel; 26-november-1932:

Photograph of Eastern View Hotel promenade deck - hotel later destroyed in Ash Wednesday fireseastern view hotel; a.a. farthing; ash wednesday fires

Melbourne Cup Day at the Wye River Hotel, "Fashions in the Field" Gwen and Charlie Hart outside the hotelwye river hotel, melboure cup, charlie hart, gwen hart

Grand Pacific Hotel depicted on The Rose Series 2133 Postcard C. 1920rose series 2133, grand pacific, circa 1920

Coach leaving Considines Hotel with the Winchelsea football team bound for Mt Moriac. circa 1910Alice Jeffries, Ernie Richmond.winchelsea, tennnis team, netball team, considines hotel, alice jeffries, ernie richmond, mt moriac, 1910, sports group

Tolls were used on the Great Ocean Road from 192 until 19. . Toll gates were at Eastern View and Lorne. Money collected was used to help pay for the construction and maintenance of the road.The Great Ocean Road was built largely by returned serviceman from the First World . The road was built to link the coastal towns, provide better access, to foster tourism and employ the returned servicemen. Fewer private vehicles travelled the road then, most tourists came on coaches and buses. Tourists stayed in guesthouses and hotels. A laminated rectangular , beige , cardboard Great Ocean Road Passenger Service Annual Pass for 1936. Printing is in red lettering with black ink handwritingGreat Ocean Road Passenger Service/Annual Pass/For the year ending November 30th 1936 No 2/Issued to K Quicks Sedan Motors/Subject to compliance with Government Trust Regulations/For Passenger Vehicle Registered No 220529/For the Great Ocean Road Trust PTY LTD/ Date of Issued 3/12/35/ signature unclear/ Secretary/ This pass, which is for Driver and Vehicle only, must be carried by/ Driver, and produced to Toll Gate- keeper on demand, otherwise ordinary / Toll Fees are chargeable.great ocean road, great ocean road tolls

A magazine supplement of the Ballarat Courier containing articles, images and advertisement. Images include: St Patrick's Day March, Eight Hour Day procession Advertisements include: Morris undertaker, Olivers, Miller, Hanrahan's Hotelst patrick's day, ballarat townscape, st patrick's day parade, ballarat st patrick's day parade, ballarat courier, hanrahan, morris, labour day, 8 hour day, eight hours day procession, st patrick's day procession, mrs captain ellis, picture palace, grenville college, berry united company ullina, lewis s. smith architect, bolster brothers, buninyong butter factory, aquatic carnival, george e. deeble machinery, cape nelson portland, jelbarts, jelbart's telescope, lin hillman, presbyterian church snake valley, miss a.m. abrams, berry anderson and co, j.a. reynolds, maypole, w.f. coltman, ballarat boot palace, ben nevis elmhurst, jonathan reeve, victorian producers co-operative, r.u. nicholls, f.w. barnes and son, ballarat steam laundryballarat water reserves, yarra river warburton, erskine river lorne, john bray, eden studios, lake wendouree

A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

William Charles Vahland (born Carl Wilhelm Vahland; 2 October 1828 – 21 July 1915) was a German born and trained Australian architect who, after migrating to Bendigo in 1854 and becoming an Australian citizen on 20 July 1857, became known as the "premier architect of the Victorian goldfields". Vahland designed over 200 buildings in North Central Victoria, including many of Bendigo's largest public and private buildings. By encouraging other European artisans and artists to emigrate to Bendigo, Vahland's aim was to realise a vision of the city as the "Vienna of the South". Vahland and his firm designed and directed the building of many of Bendigo′s finest buildings, including the Town Hall, the Shamrock Hotel, the Bendigo Hospital, the Bendigo Benevolent Asylum, the School of Mines, the Mechanics Institute, the Princess Theatre, the Bendigo Masonic Temple, the Cascades in Rosalind Park, the Alexandra Fountain, the Sandhurst Club, the Commercial, National and Colonial Banks, the grandstand at Canterbury Park, Eaglehawk, as well as churches, commercial buildings, and private homes. The firm also opened an office in Echuca, and erected buildings in Hay, Deniliquin, Lorne, Lancefield, Rochester, Rushworth, Swan Hill, Yarrawonga and Benalla.. Fifteen page copy of paper on William Charles Vahland delivered in the Lodge by WBro David Beagley, on Friday 27th July 2001. Letter attached to the paper, addressed to Trevor Parsons, Secretary, Bendigo Historical Society, from Peter E. Hamilton, stating that the paper on Vahland 'was produced in the "Lodge of Research 2001'.sandhurst, bendigo, william charles vahland