Prior to the development of standardized tape measures, tapes such as these were marked by hand. Represents the sewing tools of the era and the prevalence of them as souvenirsTape measure in a rectangular mother of pearl box. Five sides are mother of pearl veneer. Base covered with paper. Brass handle on front to wind the pale blue tape which is hand marked in inches (1-18, 27,36). End of tape stitched over tiny wooden rod. Souvenir. tape measure, mother of pearl

This brooch was typical of those produced at the beginning of the 20th century. It belonged to a member of the family of Mrs Jean Raper who donated a collection of assorted jewellery to the Wodonga & District Historical Society Collection.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A round silver brooch with natural coloured mother of pearl centre. The surrounding silver edging of 0.4 width is in a leaf design. The mother of pearl centre is 3 centimetres in diameter.fashion accessory, women's jewellery, vintage fashion jewellery

Fashion and search for novelty saw many different needlecases made. Mother of Pearl were mostly made in France or Italy, great skill to hollow into mother of pearl. Status symbol to own.Elegant demonstration of Italian or French artisan's skill to make container in which to store expensive needles.Slim rectangular mother of pearl needlecase with incised gold band around edge of capNonemother of pearl, needlecase

Mother of pearl particularly popular in early Victoria era. Mother of pearl covered needlebook with engraved covers. Maroon silk ribbon repair stitched through MOP forms back hinge and tie. Pink flannel leaf holding calyx-eyed needles.Engraved silk, flannel, mother of pearl, steel needles

Indicative of era of 19th century when sewing needles began to be sold in paper wrappers to prevent rusting and these needleboxes made to contain them. Mother of pearl items demonstration of social status. Needlepacket by Hardwidge - needlemaker to the late Queen Charlotte dates it as after 1818. Queen Charlotte had been very interested in needleworkEvolution of marketing of sewing needles showing era when began to be sold in paper wrappers and needlebox suitable shape for their storage. Needles made after death of Queen Charlotte in 1818. Mother of Pearl knife box shaped needlebox with sloping upper lid. Contents needle packets: two yellow needle envelopes with gold printing and one black needle packet with needles inside."Needles" on lid (navy blue). Front faces have two navy blue lines outlining the shape of those faces. Yellow Needle packets: H. Milward & Sons. Registered Needle Envelope Furnished with Selected Needles Licensed by Patentees. Verso: Registered March 16 1852, Sizes 8 & 9). Under flap: Washford Mills, Redditch. Engalnd Black packet label: Queens needles, 9, made by J Hardwidge, Needlemaker to Her Late Majesty Queen Charlotte. Long Lane, Southwark, Drilled Eyes. mother of pearl, needlebox

Pins are essential sewing tool, the second half of the 19th century saw mass production of them and many 'receptacles' to protect and keep them were made. Disc style pin cushions were very popular and this one has been made with mother of pearl which was very fashionable and with improved cutting and polishing equipment could be used on luxury items more affordably.Era of improving technology for both making pins and preparation of thinner sheets of mother of pearl led to production of pin discs such as this.Mother of pearl elongated octagonal pin cushion. Double sided with incised floral design. Padding covered with blue silk ribbon, ending in a bow, Stitching with matching navy blue threadFloral designmother of pearl, pin disc

Folding pen knives were used for many small needlework tasks, once used for sharpening nib of quill pen and in 18th century for parfilage (unpicking gold and silver threads) Tool often found in sewing sets, useful for many sewing tasks Folding pen knife with mother of pearl handle mother of pearl

Elegant portable containers for sets of sewing tools were elegant items to own in 19th century. Souvenir of Bournville Elegant portable sewing set Etui with pieced mother of pearl patterned lid with blue velvet lining. Lid fitted internally with satin with two pockets for needles. Base has paper transfer picture of Bournville offices on the left and Bournville pavilion on the right etui, mother of pearl

Item relates to Henry Victor Rooke, his next of kin is recorded as “Gwendoline”. Refer Cat No 4906.2 for service details.Mother of Pearl round badge with engraved lettering in black.Engraved, “Husband on Active Service”pearl, badges

Small cream lace fan (probably hand made lace) with mother of pearl sticks.lace, fans

Ornately Decorated Rectangular Wooden Box Inlaid mother of pearlstawell

Specific historical and contextual information pertaining to this object is unknown. There are no hallmarks or documentation to indicate provenance or historical significance. This coin purse appears to have a covering made of mother of pearl. Evidence of interest from over 20,000 years ago mark Aboriginal groups in Australia as some of the first people to value the power and beauty of pearlshell, while evidence of Australian pearlshell being taken across the sea to other countries dates back as early as the 1500s. The 1850s-60s saw the beginnings of the Australian pearling industry. Following the popularisation of plastic for items such as buttons the pearlshell market waned in the mid-twentieth century but was soon after began to re-forge in Australia with a new industry of cultured pearl farms. Most of Australian's pearling industry was initially located in Western Australia and off the Torres Strait Islands. The Australian War Memorial notes on their website that many tokens made from mother of pearl were sent home to loved ones throughout World Wars One and Two from the Middle East, England, the South West Pacific, Australia and elsewhere, but that unfortunately provenance such as the manufacture and sale of many of these items is not recorded.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular purse with silver edging and half clasp, covered in white and cream coloured shell (mother of pearl?)A01154burke museum, social history, accessories, mother of pearl, nacre, australian industry

Mother Of Pearl wall Hanging 11,609-2 Floral Mother Of Pearl Hanging 10,609-3 Floral Mother Of Pearl Hangingmother of pearl, wall hanging

A very tall Mother of Pearl inlaid vase on a stand. vase, mother of pearl

Mother of pearl finish on pocket knife blade. Knife blade.pocket knife, mother of pearl

Knotting was a popular pasttime for eighteenth century women, often made from luxury materials. Knotting uses a thicker thread to produce a cord for applique on surface embroidery that thread can be fastened using the hole in the blocckKnotting shuttles were both elegant tools for display and leisureMother of Pearl knotting shuttle, Brass rivets and bone central block with a central hole. Undecorated bladesknotting, mother of pearl

Inspected by George Rawlings 6.2.2013.Fossils are among the most valuable sources of information about the Earth's history.A large oyster shell fossil from the Miocene Era. There is evidence of borers. It is a Mother-of-Pearl flap.oyster fossil mother-of-pearl miocene

Two silver butter knives with mother-of-pearl handles. Etchings on handles are different with different maker's marks.Anchor Birmingham Lion - silver r = 1916 1. C.P. (Co) Charles Perry & Co. 2. (B) & Co - W.I. Broadway & Co. Etchings on blades - each one differentbutter knives, silver, mother-of-pearl

C. 9 large 2.5 cm mother of pearl buttons with thistle design with pink and green. Mounted on purple velvet by Norma Bain.buttons, late 19th century, diamente, mother of pearl, metal/cut steel

Knotting was a popular pasttime for eighteenth century women, often made from luxury materials. Knotting uses a thicker thread to produce a cord for applique on surface embroideryKnotting shuttles were both elegant tools for display and leisureMother of Pearl knotting shuttle with floral design on top. Dot design border. Brass rivets and bone central block with a central hole. Incised decorative pattern flowers near centre, dotted form around edgesknotting, mother of pearl

These shirt accessories, including studs and collar stiffeners, were worn by Dr. Roy Angus when dressing in formal wear. They were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Jar of accessories for Formal Wear. Sets of various designs of shirt studs including Mother of Pearl, plus collar stiffeners. Part of the W.R. Angus Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, formal shirt accessories, shirt studs, collar stiffeners, mother of pearl shirt studs, shirt accessories

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Black rectangular box with mother of pearl inlay on lid. Keyhole located on one side. Box interior lined with patterned paper. Light engravings on lid show leaf motifs.mother of pearl, emma thomas, emma courtis, jewellery box

VX27255 Kevin M Doherty enlisted in the Australian Army on 15 June 1940 and became o Prisoner of War. The items in this collection I believe would have been collected during this mans enlistment.The Items are original and provide a service history of VX27255 K M Doherty5 reproduction photographs, 2 silk scarves, 1 mother of pearl necklace1 Photograph - Kevin Michael Doherty Private VX27255 1 silk scarf with the Rising Sun embriodered on one corner 1 mother of pearl necklace, hand made?vx27255 k m doherty, silk scarfs, photographs, prisoner of war

A Lady's white, long, cotton nightdress, with lace inserts and small mother of pearl buttons, was made by an early settler woman in Moorabbin Shire c1900. The women of the pioneer families made and repaired their families clothing as they developed the market gardens , dairy farms and fruit orchards This Lady's white long cotton nightdress with lace inserts is an example of the needlework and dressmaking skills of the early settler women in Moorabbin Shire ,Lady's white, long, cotton nightdress with lace inserts, short sleeves and small mother of pearl buttons clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire blackburn nance, dairy farms, fruit orchards

Four large wall hangings joined depicted the Trung Sisters on Elephants defeating the Chinese Rule over 2,000 years agomother of pearl, wall hanging

B. 7 x small pearl buttons with incised thistle design coloured pink and green. 9 l.5 cm small round carved pearl buttons in Rococo style, gold and black colour. Mounted on purple velvet by Norma Bain.buttons, late 19th century, diamente, mother of pearl, metal/cut steel

D. Metal floral . 4 large bronze alloy buttons with flowers and lizard . Mounted on purple velvet by Norma Bain.buttons, late 19th century, diamente, mother of pearl, metal/cut steel

E. Shoe or dress buckle - metal alloy with floral design. Mounted on purple velvet by Norma Bain.buttons, late 19th century, diamente, mother of pearl, metal/cut steel