The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped flat toy soldiers early in the century. Mignot of France released three-dimensional solid figures and later around 1893 W. Britain, a toy company became known for its die-cast lead toy soldiers. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the Loch Ard foundered on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. It is, therefore, possible the two figures in the Flagstaff Hill collection were part of a new set intended for sale, rather than part of a passenger’s existing collection. Loch Ard History: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The toy soldier represents a 19th-century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history, allowing us to interpret Victoria's social and historical themes. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted, cream-coloured toy soldier, recovered from the Loch Ard. The figure wears a Napoleonic Wars-era uniform, a plumed helmet, a short jacket with tails, bib-front trousers with button closure, straps crossed at the front and back, and epaulettes. The figure is in marching posture with one foot extended forward, and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It is unable to stand on its own. There are reddish-brown and orange-brown stains on the head and body. The body has seams along both sides that are uneven at the lower leg. There is a hole in the back and the inside is hollow. The material has a rough texture.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch ard, toy soldier, napoleonic uniforms, military toy, moulded soldier

Poster - paper, black and white print with foreground silhouette of a statue of a soldier with background muted colour photograph of a group of soldiers. Frame - moulded black plastic with glass front and MDF Board backing; with metal clips.Lettering on poster "ANZAC/ DAY/ 2014/ HONOURING/ REMEMBERING/ THANKING/ RENEWING"framed accessories, poster, anzac day

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped ‘flats’ early in the century; then Mignot of France released three-dimensional ‘solids’; and later (1893) Britain of England made ‘hollow cast’ figures. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the LOCH ARD went down on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. If a similar attitude is assumed for the two virtually identical figures in the Flagstaff Hill collection, it is possible they were part of a new set intended for sale, rather than part of a passenger’s existing collection. A similarly light composite material of sawdust, glue and linseed oil (press-moulded onto a metal frame) was used by the German firm O & M Hausler to create toy soldiers, but this type of modelling was not commercialised until after 1912. The first heat-moulded plastic toy soldiers did not become available until after 1945.The toy soldier represents a 19th century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard that are in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted replica or toy soldier, presented in a Napoleonic Wars era uniform. The moulded figure is in a standing posture and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It wears a plumed helmet, short-fronted coat with longer buttoned tails at the back, button-fastened bib-front trousers, a pair of crossed bandoliers, and tasselled shoulder epaulettes. The figure is a creamy colour with red-brown stains on the head and shoulder. There is a hole in the end of the musket. The model is detailed and sharp. It was recovered from the wreck of the Loch Ard.Cataloguing numbers: “6599” on the rear of the left trouser leg “PWO 2308” on the sole of the left boot, (partially obscuring “R122” written in biro) “2218” on the sole of the right boot.flagstaff hill, warrnambool, loch ard, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, napoleonic uniform, toy soldier, replica soldier

Framed memorabilia of "WORLD WAR ONE /THE ANZAC LEGEND". Frame: Moulded timber frame, dark brown, coloured with gold painted inner edge. Glass front. Mount: dark green cardboard with gold inner individual mounts. Memorabilia: top - a colourised black and white photograph depicting a large group of soldiers on a pyramid. Middle: Collection of black & white photographs of various ANZAC locations. Lower section: Service and Bravery Award medals with two Rising Sun badges.Gold coloured information label within the mount with the heading "WORLD WAR ONE"AND "THE ANZAC LEGEND" with black printed information on back of frame - handwritten, blue felt tip pen "DONATED TO BGO RSL/ BILL YATES" .framed memorabilia, ww1, anzac

Every Anzac soldier who served on the Gallipoli Peninsula, or in direct support of operations there - or his family if he did not survive until into the late 1960s - was entitled to be issued with the Anzac Commemorative Medallion. The Medallion was issued in 1967. The medallion was sent by registered post and comes in a presentation case with a moulded velvet base to receive the medallion, with a silk lined hinged lid.Medallion presented to all army personnel serving at GallipoliANZAC Medallion Badge issued in memory of W.H. MathewsThe obverse of the medallion depicts Simpson and his donkey carrying a wounded soldier to safety. It is bordered on the lower half by a laurel wreath above the word ANZAC and the date 1915 above the donkey. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by New Zealand fern leaves and the name W.M. Mathewsmedallion, army, anzacs, australian army, world war 1, ww1, gallipoli

James Joseph Kirkham Regt No 685. The “A” on the Colour patch denotes he was an “Anzac”. The Rosette was called the “Anzac leave Rosette” Issued in September 1918 for 1914 enlistee’s who were sent home for 6 months leave. Worn on the arm it was to show they were not “Shirking” their duty. The War ended so after. Refer 1281 for his service history also 1283P.Coloured portrait, enhanced painted portrait of WW1 Soldier displaying on left arm a coloured A Patch above a red, white & blue rosette. Large, light timber frame with moulded decorations, brown boarded, with glass front.Rear of frame: "Family Tree, Wife & Children. James Joseph Kirkham. 8th Battalion. 1st Pioneers. 1st AIF ANZAC" "Married Elizabeth Cornelia Blackley, Wonthaggi Elsie Edith Kirlkham - Connell Olive Winifred Kirkham - Rothberger - Jenner Francis James Kirkham" Myrtle Florence Kirkham - McGillvray Alma Gwenth Kirkham - Baker George Thomas Philip Kirkhamphotography, framed, portrait, ww1

ALBERT HERBERT MULLER No 448, 4th LH Regt AIF. KIA. Refer Cat No 1233P for photo of his grave & Cat No 2077 for his and his 2 brother's service details. Old moulded, wooden frame, gold inlay with glass front. Rectangular, black & white portrait photo of WWI soldier. Written bottom R corner: "Mendelssohn" photography-photographs, frame accessories

JAMES WORLAND MILLS 59th Batt AIF No 3441 59th Batt AIF. Refer 169P for the same smaller photo for more details.Head & shoulders black & white portrait of soldier JAMES WORLAND MILLS 59th Batt AIF in great coat & peak hat. Wooden frame, tan colour with moulded edge, glass front with gold edge around portrait & cardboard backing.Stamped RH bottom corner: The Crown Studio, 240 Bourke St, Melbournephotographs- photography, military history - army, frames

Oval framed photograph of a WW1 soldier - Possibly "DALZIEL" Photograph - in colour, half length portrait of a soldier in WW1 uniform - khaki colour. Frame - oval shaped, timber, moulded edge, gold and red colour, painted finish. Glass front.photography-photographs, frame accessories, history, army, ww1

Musket balls are the ammunition used in muskets the weapons used during the English and American Civil Wars. The balls could be made from any metal alloy, but many were made from lead. Lead can be melted at reasonably low temperatures and so lead musket balls could be made over a camp fire. Lead could be readily sourced from such places like church roofs or even coffins, and recast from old musket balls, so it was an easy material to work with while preparing for battle. The soldier would carry a crucible in which to melt the lead, he would put the material into it and place it over the fire until it had formed into a liquid. Musket ball moulds like the subject item, had a small hole above one of the domes where the liquid could be poured into once the two domes were closed together. The soldier would wait until it cooled then opened the mould to reveal a solid lead ball inside. Because these were cast in halves even though pressed together, there would always be a small amount of liquid lead leakage which would form a thin crust around the ball. These needed to be filed off before being used inside a musket, so some soldiers would pop a few in their mouths and roll them around, chewing off the excess until the ball was smooth. The obvious downside to this method is that lead is poisonous. A tool used to make ammunition for black powder firearms either muskets or pistols from the early part of the 18th to mid 19th century. After this time enclosed brass cartridges that held the propellent powder and bullet were starting to come into wide spread use, negating the need for a firearm to first have black powder placed in a barrel then the ball rammed on top and finally the firearm primed with powder or a percussion cap.Musket rifle/ pistol bullet mold. Makes .50 -caliber- round balls with a sprew cutter to cut off excess lead.Marked 50flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shot pliers, lead shot, shot, armoury, firearms, bullet, cast bullet, lead ball, lead shot, scissor mould

Depiction of Australian Infantry soldier, Vietnam - typical of the soldier of the day. Statuette presented to the DViet in 2002 by Padre Noel Boyce in appreciation of his DViet connection.This item is significant in respect that, distinct from a 2D picture, it is a 3D depiction of how the vast number of Australian infantry soldiers appeared in the field, in Vietnam - infantry was the major component of the Australian Defence Force in Vietnam.Statuette, Moulded. Infantryman, in action pose; brown in colour. On a step-up wood base.Presented by the first DViet Padre, Noel Boyce, November 2002infantry, vietnam, soldier, figurine, vietnam war, diamond valley vietnam veterans sub branch

"William John SULLIVAN" VX 57829. Enlisted 20.06.1941 age 21 years. Taken POW. Gunner 2/1 Australian Heavy Battery - SPARROW. Discharged 14.01.1946. Records are not online. Paybook has entries re POW - Changi - Timor - Java. Photograph - sepia colour portrait of an Army soldier on photographic paper. Soldier in uniform with forage cap. Frame - metal backing with stand, front shallow cover shape with mid brown colour paper mount. Heavy plastic cover moulded to shape over photograph and mount.framed accessories, photograph, portrait, pow, william john sullivan

The service being held is in the front of the Soldiers Memorial Institute Pall Mall Bendigo post 2008.Photograph - colour copy of a photograph of a Cenotaph assembly on ANZAC Day. In background is a catafalque party with assembled public. Frame - brown colour moulded plastic frame with MDF back and glass front..brsl, smirsl, anzac day

Photograph - in colour, depicting a Dawn Service at an unknown War Memorial with soldiers in cataflaque party. Mount - green colour cardboard with white trim. Frame - black colour moulded plastic with glass front and MDF board and brown paper backing.framed accessories, photograph