The origin of debutante balls was that the woman was old enough to be married, and part of the purpose of her coming out was to display her to eligible bachelors and their families with a view to marriage within a select circle. These balls were popular on the Island and held at the Shire Hall in Thompson Ave.HistoricalBlack and white photo of group of debutantes in white gowns with posies, dance instructor and Mrs Leggatt, wife of local MP Sir William Leggatt. Allan Murray was the photographer.List of names of debutantes, dance instructor, dignitary and photographer. Also notes re problems with photos from the night.Charlotte Cleeland's deb photo 1949. also names as above.photograph, charlotte cleeland, debutantes phillip island, allan murray, john claringbold, val spokes, joan westley, ruth grayden, heather burton, gwen jackson, margery forrest, fay redpath, mrs mcadie, mrs dorothy leggatt, verna gawith, eileen jones, mrs anderson

The Manifolds were a significant pioneering pastoral family in Western Victoria. The donated riding jacket originally belonged to Mrs Edward Manifold, formally Beatrice Mary Synnot Anderson. Beatrice was Edward Manifold’s cousin once removed whom he married in 1900. Edward, the son of John Manifold, was born on 15 November 1868 and educated at Geelong and Melbourne Grammar schools and at Trinity Hall, Cambridge (B.A., 1891). He chose the Danedite portion of land at Purrumbete, and on the death of his bachelor brother Thomas Peter (1863-1895), after a hunting accident, he took over his allocation, Wiridgil. He also owned Boortkoi, near Hexham and on these properties, he ran merino sheep, a Lincoln stud which dated back to 1870, and Shorthorn cattle. 3000 acres were also leased to dairy farmers. Edward was a member of Hampden Shire Council in 1909-31 and three times president at Camperdown. The town was largely bordered by Manifold land and partly dependent upon the local pastoral dynasties, which benefited the local area from the families’ various business interests. Though an offer to build public baths to commemorate the Queen Victoria Jubilee in 1897 was not proceeded with, the town acquired a hospital, a reserve on Mount Leura, a clock tower and a cricket pavilion, as well as notable donations from the Manifolds to St Paul's Church and the grammar school. Edward was a keen polo player and racing man. He was also a successful owner of steeplechasers and a committeeman of the Victoria Racing Club for many years. He was also a member of many Western District racing clubs. On the 16 July 1900, Edward had married his sixteen-year-old cousin Beatrice Mary Synnot Anderson by whom he had three sons Thomas Peter, Andrew and Robert Edward Manifold. Edwards's estate at his death was valued for probate at nearly £500,000. Edward died following an operation on 14 February 1931 at a private hospital in Yarra Vale Melbourne. Beatrice passed away in 1954, aged 79 in Ballarat where she was born in 1874. Contextual historic Family background: The Manifold brothers Thomas (1809-1875), John (1811-1877) and Peter (1817-1885) were the fourth, fifth and sixth sons of William Manifold and Mary, nee Barnes, of Courthouse Farm, Bromborough, Cheshire, England. The family had decided to emigrate to Van Diemen's Land. Thomas was sent ahead, arriving in Hobart Town on 23rd January 1828 with £1500 and a letter of recommendation from the Colonial Office. Thomas acquired 1280 acres on the west bank of the Tamar River. John and Peter, with their parents and three sisters, arrived on 8th July 1831. Land grants by then had finished but William brought ninety acres next to his son Thomas’ land and on the combined properties the family built Kelso House. The Manifolds’ properties were comparatively poor and when news of the Port Phillip District, in Victoria reached Thomas, he lost no time in coming to see for himself in February 1836. He was impressed with what he saw and hurried back to Tasmania to buy lambs and ewes. With one of his brothers, on July 9th he landed his stores at Point Henry and proceeded to occupy both sides of the Moorabool River. Thomas, at the end of the year, returned to Tasmania and left Peter and John to run the new property. Thomas, however, returned to Victoria for several visits and on one of these visits he, along with his brothers, examined the country near Ballarat. In December 1838 they managed to penetrate the Stony Rises, and Peter and John reached Lake Purrumbete and the Mount Leura country. During this time, on 4th July 1838, Thomas married Jane Elizabeth, eldest daughter of Captain Walter Synnot, formerly of Ballinate, County Armagh, Ireland, and then of Van Diemen's Land. Thomas joined his brothers, and they occupied the Purrumbete run in January 1839. On the journey to Purrumbete they could not take their stock and drays through the Stony Rises, so went north of Lake Corangamite, to the neck of land between it and Lake Gnarpurt. By April the move from Moorabool area was complete. As yet they had no hut and were working day and night, but their delight in their new run was unbounded. John wrote to his mother: “We are at last got to the land we wished for it is a beautiful place, and cannot be surpassed by any I have ever seen”. The three brothers occupied Purrumbete together, breeding both sheep and cattle until Thomas went to Grassmere run on the Merri River near Warrnambool in 1844. John and Peter soon gave up breeding sheep but retained the well-known '3M' brand for the cattle. These were Shorthorns, derived from four bulls originally imported by the Boldon brothers and later improved by further importations, and were renowned for size and quality. By the time of the gold rush in 1851, John and Peter were breeding over 1000 head a year, as well as fattening stores. The diggings at this time had disorganised Grassmere by drawing away Thomas's men, and his wife decided to take her two sons and two daughters to Europe for their education. Thomas gave up the property next year, went to England to join his family, and eventually brought the family back to live in Melbourne. At Purrumbete things were different. The brothers, John and Peter, preferred black stockmen to white, so the discovery of gold upset them very little while providing the very market they required. John was on his second visit to England when the rush started, and Peter went in his turn soon after John returned. On 2 September 1856 John married Marion Thomson, at Cormiston, Van Diemen's Land. They had four daughters and five sons, from three of whom, William Thomson, James Chester and Edward, the later generations of the family descend. Through the years the brothers had to contend with the scab, fluke and footrot, depression, rabbits, bush fires and pleuro-pneumonia. In 1861 they appointed as manager Henry Manifold Matson, their nephew, who had already been with them for five years. Thomas died in Melbourne on 7 November 1875, John at Purrumbete on 3 January 1877 and Peter at Purrumbete on 31 July 1885. Devout members of the Church of England, John and Peter, during their lives, gave generously towards building St Paul's Church, Camperdown, and guaranteed part of the vicar's stipend. Peter was a member of the Hampden and Heytesbury Roads Board from 1859 and carried on into the Hampden Shire Council when it was formed in 1864. However, it was not for public works that they were known, but for their personal example. In a new land where speculators and adventurers were all too common, the Manifold brothers were among those who intended it to be their home and their children's home. Industrious, unpretentious and hospitable, they were respected in their community as men of the highest integrity. This riding habit is a characteristic example of the type and style of riding clothes that well-dressed ladies wore in the 1920s. It highlights the changes that were beginning in society for women. Prior to 1918 ladies still had to ride side-saddle with skirts over Jodhpurs. Society of the time regarded women riding astride as unseemly and just not done. This riding habit is particularly significant on a number of levels, it shows the beginnings of change in society's attitudes through women's fashion after the First World War. A change that was to bring a start to a more liberating societal attitude towards women after the successful establishment of the Representation of People Act 1918 that gave women the right to vote. This garments provenance is linked to one of Victoria's important pioneering families the Manifolds, one of the first families that came from Van Diemen's land to settle the Western District of Victoria in 1844. Originally the garment belonged to the wife of the great-grandson of pioneer William Manifold, Edward Manifold who married Beatrice May Synnot Anderson, Edwards Cousin in 1900. The garment was made by the Mayfair tailors J. Busvine & Co. in the early to mid-1920s (estimate) who at the turn of the century were tailors to the Courts of Europe. Their clothing is highly collectible today and examples can be found in a number of significant museum collections around the world, notably the Metropolitan Museum of Art in New York and the FIDM in Los Angeles. A riding jacket, part of a three-piece, side saddle riding habit tailored for Mrs Edward Manifold. Knee length English woolen jacket black in colour, seamed and fitted to the female client's figure, fastening from the waist with three bone buttons to rather high lapels. The sleeves are long with closely fitted cuffs and one button and lined with cream satin. The jacket is fitted to the waist and flared to below the hips with a 35 cm vent to the back. Lower back to the jacket is reinforced with removable fabric and the jacket is lined with black twill cotton, there is a cream satin label, with makers' emblem Busvine. Circa 1920s Label to Jacket Embroidered in gold with a Royal logo on a Cream Satin label “By Special /Appointment” “To Her Majesty/The Queen”, “Busvine / Ltd / London 4 Brook St. W. / No” “hand written in purple ink 315 / Mrs Edward Manifold”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, side saddle riding habit, mrs edward manifold, edward manifold, busvines, shipwreck coast, flagstaff hill maritime village, great ocean road

Black and white photograph of scene showing unmade road with two children, a boy and a girl standing outside a small wooden building. Lady is sitting by the side of road. Road dips down to a bridge then rises again towards distant settlement in background. (3 copies)Typed below enlarged photo, "Addison home, 1902 - Opposite present St. Paul's, Warrandyte Road". Written on backing sheet, "Andersons Creek Rd. 1903. Mrs. Addison (Annie Kennedy) and family - Annie, born 1897 and William. Their house at right was on a 5 acre block. Ringwood in background". Backing sheet of another copy reads, "Andersons Creek Road 1902 (Warrandyte Rd. looking south). Mrs. Addison (Annie Kennedy) and family. Annie (Jnr), born 1897 and Samuel John James William, born 1894. Their home, at right, was on a 5 acre block. Ringwood in background - burned down by pet magpie. T. Grant's land ploughed - now Eastland. Adelaide St. seen on right of it. Mullum Creek Bridge at foot of hill". Typed below this photograph, "Warrandyte Rd. Ringwood looking south from near Mullum Rd. Ringwood in background. Maroondah Highway at top of hill with Mullum Creek bridge seen in dip - 1902".

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails

This file contains four items about the history of the church: 1/Typed letter dated 17/05/1977 from Mrs. C. Fergusson for the Murrumbeena United Church to accompany Item 2. 2/Four original copies plus a photocopy of ‘St. Giles Presbyterian Church Murrumbeena (An Outline of Sixty-five Years of Progress) 1890-1955’. These include lists of clergy, significant congregational members etc. One of the books is noted ‘Doble’ on the cover, as sent by Allan Doble in Item 3. 3/Handwritten letter dated 15/01/1999 from Allen Doble which accompanied one of the books at Item 2. This letter includes information on Dr Seymour, first Minister at St. Giles. There is also a typed excerpt from the letter. 4/Handwritten note, undated, by person unknown about two Foundation Stones and the Aeneas McDonald Memorial Hall at St. Giles.st. giles presbyterian church, murrumbeena united church, murrumbeena, murrumbeena road, carnegie, rosella street, doble allan, pollock a.l. rev., mclaurin archibald, thomson jean a., ferguson c. mrs., davey. e.t., frith d., riach f.j., doble mrs., memorials, mclaurin jean, ‘frogmore’, ardyne estate, carnegie, rosstown, woornack road, oakleigh road, koornang road, will h. clay nursing home, wahgoo street , innellan road , ardyne street, dunoon street, bute street, toward street, ariadne avenue, burns avenue, thomson avenue, barkley-thomson jean, scott william jones, scott william, scott george, scott john, scott mrs., shearer john, lacey mr., merry mr., hitchcock mr., wilson mr., dawson mr., matters mr., shearer janet bone mcewan, shearer ariadne, shearer elizabeth, mclaurin elizabeth, carpenters, shearer peter, mclaurin archibald, seymour j.a. rev. dr, cullen robert j.s., hamilton james, hethersett grove, sutherland i.b., manses, churches, presbyterian church, clergy, ministers, robertson john kirkland rev., sunday schools, liddelow elsie, seymour elsie, day linda, macdonald aeneas, borland frank, falconer messrs n. and s.a., kelly hugh rev., shearer mary macpherson, mcnabb hugh, william louis r., architects, crabb t.f., murrumbeena presbyterian church, mcleod robert, elmore frank, cayser stella, dowding keith mccallum, howden william b., thompson w.h., lyle n., anderson mr., angus mr., inglis mr., donald w.g., thompson j.g., gilbert w.r. , dickson percy, van nooten j.w., moore r.s.m., wreen w., chambers paris, brown c., lavender e., price n., birtchnell o.e., shearer m., rae w.f., hurdman m., bates clarice, lawrie tom, morris t.w. and son, builders, macdonald elspeth, mckinnon j.s., buntine w.j., kerr w.j., porter a.j., cooper mrs., haddon and henderson, foundation stones, church groups, halls, mclean r.w. rev., macdonald a.e. rev., williams louis r. (architect), crabb t.f. (builder), aeneas macdonald memorial, millar d. right rev. moderator, falcolner n. and s.a. (builders), koornang uniting church

Nine pages of handwritten account of businesses from Mitchell Street, along Lyttleton Terrace and McIvor Road to the City boundary on the Bendigo side of Murphy Street.document, let's travel east in 1858 - 60's, moorabbee sheep run, curr's sheep run, glasgow bakery, lachlan frazer, mr hardiman, steen and holm coach painters, mr h haisman coach builder, scholton and march, march and s brown, haisman factory, city hall, police court, city lockup, market square, senior citizens club, weighbridge, dunlop tyre service station, tommy burns, matt lynch, tom & mick kennedy, darling hotel, the innes, mr bullens fruit shop, bricklayers arms hotel, cheshire arms hotel, mr i boffey, newcombe's timber yard, quinns monumental establishment, alexandra fountain, cumberland hotel, sannaman's coach factory, town hall hotel, her majesties open air picture show, mr r anderson, john ohagan, sandhurst hotel, the melbourne café, haymarket hotel, the old haymarket hotel, the market ale house, the prince of wales theatre, manchester hotel, mr john doran, dr backhaus, manchester hall, the bendigo star, james griffen coach factory, mr george lansell, whitting's marine store, cartrights marine store, sandhurst flour mills, mr john buckley, moorhead hay and corn mills, brian boru hotel, mr m r?dea, mr worth, mr condon, mr c cahill, nolan family, mr sides, the nailons, mrs boyan, jacky bryant, john oconnell general store, mr pierce, mr matthews, mr neil ward, mr hagan, william clapton, mr joseph dowd, mr morris, ancient briton hotel, the woolpak, the railway bridge, ampol service station, farrells dairy, farringtons brickworks, jacksons hide & tallow yard, fergusons, royal oak hotel, mr jackson, mr knight, st marys common school no812, mrs rersol, w d quinn, mr march, mr fred randall, mr steeple, the limerick hotel, back creek police shooting range, police station, stone lockup, holts service station, steepe's butcher shop, joch, john hattam

The Duke and Duchess of York (future King George VI and Queen Elizabeth, later Queen Mother) visited Australia in April/May 1927 for the official opening of Parliament House in Canberra. Before leaving Australia they passed through South Melbourne and Port Melbourne on 11 May 1927 stopping for brief civic receptions outside both town halls. The royal couple stood in their open car during both receptions. This photograph shows the royal couple standing in the car with Port Melbourne citizens and dignitaries in front of the town hall. The tall man to the left of the chauffeur is Syd ANDERSON, Town Clerk, Cr William HOWE, Mayor is to the right of the chauffeur with presumably Mrs HOWE next to him. Mrs HOWE presented the Duchess with a bouquet of flowers tied with white ribbons inscribed "Bon Voyage" saying the flowers were a "token of love and loyalty of the citizens of Port Melbourne".Photo of Duke and Duchess of York in open car at a civic reception outside Port Melbourne Town Hall - 11 May 1927. royal visits and occasions, social activities - celebrations, william howe, sydney sims anderson, mrs w howe

Photograph of opening of remodelled auditorium, Red Cross Ball, 24 May, 1938. Some identifiable people are Mr and Mrs W HOWE; Councillor J P CRICHTON; Mrs J P CRICHTON; Mrs Ivy Lavinia WEBER (MLA Box Hill); Councillor H M FENNELL; Councillor J BERTIE, Syd ANDERSON, Town Clerk.local government - city of port melbourne, port melbourne town hall, red cross ball, city engineers, elizabeth branton crichton nee portbury, james peter crichton, sydney sims anderson, fred cook, joseph bertie, henry melville fennell, william howe, mrs w howe, ivy lavinia weber

Black book with red cloth tape spine and a sticker on the front with Share Register printed on it. Written inside front cover is Ordinary Share Register. Share entries dated from 1926 to 1929. Register contains shareholders name, address and occupation, shares held and their numbers which are listed, who they may have been transferred to, Nos held, date and amount. Shareholders names are: Harry Francis Longstaff, William Hall Russell, Thomas Miller, Charles Handschin, Consortium Hanro, Mrs Catherine Hunter, Favaloro Bros, George Victor Lansell, Edith Lansell, William Wright, William John Stephens, Audry Edith Lansell, Marie Gwendolin Lansell, Patrica Hope Lansell, Alexander Lewis Robertson Goldie, Mrs Lillie Goudie McGregor, Herbert Keck, Smalley Palmer & Cook, William Neill, Hanna Bowman, Ronald Alexander Rankin, John Jepson Stanistreet, Eugene Bloch, Eugene Gerber, William Crowley, William Hall Russell, Stirling, Vernon Rymer, Mabel Gittins, Mrs Mary Anderson, Kenneth Smalley, John Raeburn Balmer, William Reddish Cook, Domeric Favaloro, Johnathon Smalley, Katie Bloch, Evelyn Adrienne Neill, Rosemont and Elizabeth Neill.hanro, clothing, share register, hanro collection - ordinary share register 1926 - 28, harry francis longstaff, william hall russell, thomas miller, charles handschin, consortium hanro, mrs catherine hunter, favaloro bros, george victor lansell, denderah, edith lansell, fortuna, william wright, advertiser office, william john stephens, audry edith lansell, marie gwendolin lansell, patrica hope lansell, alexander lewis robertson goldie, mrs lillie goudie mcgregor, herbert keck, smalley palmer & cook, william neill, hanna bowman, ronald alexander rankin, john jepson stanistreet, eugene bloch, eugene gerber, william crowley, william hall russell, stirling, vernon rymer, mabel gittins, mrs mary anderson, kenneth smalley, john raeburn balmer, william reddish cook, domeric favaloro, johnathon smalley, katie bloch, evelyn adrienne neill, rosemont, elizabeth neill

Two typed copies of notes titled 'Theatre on the Goldfields' by Mr. Frank Cusack. Notes mention the early theatres on the Goldfields, the actors, actresses and singers, owners and places where the theatres were. Also mentioned are some of the plays that were performed.entertainment, theatre, bendigo, theatre on the goldfields, mr frank cusack, john hawkins, bulwer lytton, 'lady of lyons', the theatre royal, gregg, yates, stark, carncross's royal exchange restaurant, the argus, the casion, charles thatcher, burton's theatre, c h rignold, george rignold, royal victoria theatre, the princess, the criterion, walsh and fawcett, george fawcett rowe, fawcett rowe, lola montez, henry coleman, madame carilly, the advertiser, victoria reef, william kelly, g v brooke, burralls assembly rooms, nicholls assembly rooms, royal hotel, shamrock concert hall, bendigo hotel, billy heffernan, john crowely, mrs hancock, miss urie, m langlaise, sarah flower, madame caradine, thatcher the inimitable, greville, joe small, fanny young, frank varley, hugh anderson, porter's stars of the australian stage and screen, abbott, lyceum theatre, mr & mrs robe, robert heir, g w daniels, bendigo histrionic club, carrick club, 'the old curiosity shop', benjamin farjeon or b l farjeon, louis quatorze, robert younge, woolridge's eagle saloon, fry's troupe, coleman's rotunda theatre, old house, rainer's ethipian serenaders, jacobs, mrs macgowan, the golden age, foos & fitzgerald, madame arnati, gibson, pearsons harmonic hall, london hotel, little joe and the comical wonder, pick and shovel, united states hotel, john hunter kerr, marsh troupe, lyster opera co, miss avonia jones, cobb & co, billy heffernan, shamrock hotel, st james hall, crowley, royal princess theatre, offenbach's duchess of gerolstein, james cassius williamson, maggie moore, hal porter, grattan riggs co, garner, musgrove, george rignold, bland holt, harry rickards, london gaiety co, alfred dampier, dan barry co, harold stephen, coghill brothers, paine, waterman & balfe, the australian bijou opera co, williamson & musgrove's royal opera co, nellie stewart, the alfred dampier co, ward lyons dramatic co, george darrell, william elton, charles arnold's co, masonic theatre, the capital), the bendigo dramatic society, the bendigo glee club, the bendigo amateur dramatic club, bendigo orchestra, bendigo liedertafel, alice crawford, wilson barrett co, ernest toy, emily dyason, gertrude alger, william murdoch, a c bartleman, madame benda, amy and eileen castles, erna mueller, madame bertha rossow, e a bindley, kate samuels, jan kubelik

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white paper. 128 pages.Front Cover: THE RUYTONIAN / MONDAY 5 DECEMBER 2011 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white paper. 128 pages.Front Cover: the / Ruytonian / Monday 10th December 2012 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

Although the portrait of Graham is still in existence, the rest of the memorbilia on the wall is no longer in the hands of the Association. Members of the Old Colonists' Association in the Old Colonists' Hall. Front Row (left to Right): Messrs. S. Walker, J. T. Sleep, W. H. Stokeld, J. A. Blight (Trustees), R.U. Nicholls (Vice-President), Wm. Robertson (Vice-President). E. E. Llewellyn (Councillor). Mrs. R. Smith, Messrs, A. Sheppard, J. T. Clarke. Second Row: Messrs. J. Lamb, T. W. Scott, S. Walmsley, C. Robinson, G. R. Coutts, J. Lammin, A. W. Crowe, J. Don, W, G. Chalmers, J, Jones, C. Simpson, A. M. Palmer, H. Fields, W. Trahar, H. C. Handford. Third Row: Messrs. S. Walsh, A. Cant, J. Nicholls, J. Longstaff, A. Robertson, J. Welham, J. King, C. E. Wright, J. Pounder, C. R. Anderson, G. Merz, and D. M. Paterson. old colonists' hall, s. walker, j. t. sleep, w. h. stokeld,, j. a. blight, r.u. nicholls, william robertson, e. e. llewellyn, mrs. r. smith, a. sheppard, j. t. clarke, j. lamb, t. w. scott, s. walmsley, c. robinson, g. r. coutts, j. lammin, a. w. crowe, j. don, w. g. chalmers, j, jones, c. simpson, a. m. palmer, h. fields, w. trahar, h. c. handford, s. walsh, a. cant, j. nicholls, j. longstaff, a. robertson, j. welham, j. king, c. e. wright, j. pounder, c. r. anderson, g. merz, d. m. paterson