An information brochure regarding Barree Mud Brick Holiday Cottages in Marysville. The cottages were built of 110 year old recycled Jarrah from the Fremantle Wool Stores. They had 90 year old Mountain Ash (native to the area) posts and beams from the South Melbourne Wool Stores. Old red bricks were used to create feature walls within the cottages which were two bedroom and fully self contained. These cottages, along with the majority of the buildings in Marysville, were destroyed in the 2009 Black Saturday bushfires.An information brochure regarding Barree Mud Brick Holiday Cottages in Marysville.marysville, victoria, australia, information brochure, barree mud brick holiday cottages, accommodation, 2009 black saturday bushfires

The original painting of Waylett's Cottage was done by the artist Bill Walls. He did many paintings of buildings and places in and around Sunbury and further afield. James Waylett is thought to have built and settled in the cottage in Greenvale in the 1850s. The cottage is one of three mud-brick buildings build in the area in the early days of European settlement.A scanned copy of a watercolour painting of an old slab and mud-brick cottage with a verandah across the front of the building.waylett's cottage, greenvale, james waylett, mud-brick cottages, bill walls

A colour photograph of one of the Barree Mud Brick Holiday Cottages in Marysville. The cottages were built of 110 year old recycled Jarrah from the Fremantle Wool Stores. They had 90 year old Mountain Ash (native to the area) posts and beams from the South Melbourne Wool Stores. Old red bricks were used to create feature walls within the cottages which were two bedroom and fully self contained. These cottages, along with the majority of the buildings in Marysville, were destroyed in the 2009 Black Saturday bushfires.A colour photograph of one of the Barree Mud Brick Holiday Cottages in Marysville.marysville, victoria, australia, barree mud brick holiday cottages, accommodation, 2009 black saturday bushfires, photograph

The mud brick cottage and outbuilding was possibly built by James Waylett in the 1850's and it is only one of three remaining mud brick buildings in the Oaklands-Greenvale which were constructed in the late 19th Century.A coloured photograph of farm scene. A dam is in the foreground and the remains of a mud brick cottage and timber and corrugated building in the middle distance. Further farm buildings can be seen in the distance.mud brick buildings, waylett, james, farm buildings, sherwood, somerton road, oaklands hunt club, george evans collection

A tourist guide outlining services, accommodation, activities and places of interest to visit in and around Marysville and the local district.A tourist guide outlining services, accommodation, activities and places of interest to visit in and around Marysville and the local district.ACKNOWLEDGEMENTS:/ Marysville and District Tourist and Progress Association, Marysville/ Office of the Department of Conservation & Natural Resources, Shire/ of Alexandra Visitors Guide and all our advertisers whom without/ their support this publication would not have been possible.marysville, victoria, australia, tourist guide, mystic mountains, michael nash, dudley jones, marysville and district tourist and progress association, department of conservation & natural resources, shire of alexandra, paperwork professionals, pp art services, harrier printing, darrowby deer farm, heidi boesch, hidden talent craft gallery, olde yarra track shoppe, lady talbot forest drive, mathilde's of marysville country guest house, wishing well, taggerty river picnic area, taggery river, phantom falls, keppel falls, the beeches walking track, mount sugarloaf, beauty spot walk, tree fern gully walk, michaeldene track, keppel track, woods lookout track, marysville caravan park, baree mud brick cottages, cumberland scenic reserve, nanda binya lodge, cambarville, the big tree, barton's lookout, cumberland falls, our lady of the snows catholic church, anglican church christ, marysville christian fellowship, sovereign view, the big culvert, st fillan, steavenson's restaurant, the birches resort, cathedral range state park, tower motel, marysville post shop, lake mountain, wirreanda festival, cross country ski hire, marysville hotel motel, kerami house, marysville holiday cottages, missing links miniature golf, top shop pancake parlour, marylands guest house, dalrymples guest cottages, crossways country inn, esa camping & conference centre, scenic motel, the cumberland, maryton park holiday cottages, lomatia lodge holiday house, willowbank gallery and art centre, igloo roadhouse, a model tours, geoffrey pope & associates

A tourist guide outlining services, accommodation, activities and places of interest to visit in and around Marysville, Lake Mountain and the local district.A tourist guide outlining services, accommodation, activities and places of interest to visit in and around Marysville, Lake Mountain and the local district.Acknowledgements/ Mystic Mountains Tourism Association, Marysville Office of the Dept. of Conser/ vation & Natural Resources, Mrs Elaine Postlethwaite, Ms Sue Henry & every/ advertiser without whose support this Guide would not have been possible.marysville, victoria, australia, tourist guide, mystic mountains, lake mountain, tourism australia, graeme haycraft, magic creek nursery, missing links miniature golf, phelps bakery, blackwood cottages, marysville hotel motel, tower motel, kerami house, marylands guest house, lomatia lodge, willowbank at taggerty, barree mud brick cottages, scenic motel, somerled mountain retreat, dalrymples guest cottages, nanda binya lodge, mathilde's of marysville country guest house, the birches resort, mystic mountains tourist information, marysville caravan park, the cumberland, igloo roadhouse, top shop pancake parlour, the silver birch restaurant, steavenson's restaurant, olde yarra track shoppe, danish coffee gardens, oscars take-away, country touch pottery studio & gallery, cumberland memorial scenic reserve, cathedral range state park, lady talbot forest drive, wishing well, taggerty river picnic area, taggerty river, phantom falls, keppels falls, the beeches walking track, mount sugarloaf, maryton park holiday cottages, snowviews, esa camping & conference centre, wirreanda festival, marysville post shop, hidden talent craft gallery, marysville automotive repairs, geoffrey pope & associates, beauty spot walk, tree fern gully walk, michaeldene track, marysville riding school, gerraty's ski centre, marysville holiday cottages, marysville triangle taxi service, fruit salad farm, lake mountain alpine resort, marysville ski hire, lake mountain ski school, cross country ski hire, lake mountain ski hire, marysville country club

A tourist guide outlining services, accommodation, activities and places of interest to visit in and around Marysville, Lake Mountain and the local district.A tourist guide outlining services, accommodation, activities and places of interest to visit in and around Marysville, Lake Mountain and the local district.Acknowledgements/ Mystic Mountains Tourism Association, Marysville Office of the Dept. of Conser/ vation & Natural Resources, Mrs Elaine Postlethwaite, Ms Sue Henry & every/ advertiser without whose support this Guide would not have been possible.marysville, victoria, australia, tourist guide, mystic mountains, lake mountain, tourism australia, graeme haycraft, magic creek nursery, missing links miniature golf, phelps bakery, blackwood cottages, marysville hotel motel, tower motel, kerami house, marylands guest house, lomatia lodge, willowbank at taggerty, barree mud brick cottages, scenic motel, somerled mountain retreat, dalrymples guest cottages, nanda binya lodge, mathilde's of marysville country guest house, the birches resort, mystic mountains tourist information, marysville caravan park, the cumberland, igloo roadhouse, top shop pancake parlour, the silver birch restaurant, steavenson's restaurant, olde yarra track shoppe, danish coffee gardens, oscars take-away, country touch pottery studio & gallery, cumberland memorial scenic reserve, cathedral range state park, lady talbot forest drive, wishing well, taggerty river picnic area, taggerty river, phantom falls, keppels falls, the beeches walking track, mount sugarloaf, maryton park holiday cottages, snowviews, esa camping & conference centre, wirreanda festival, marysville post shop, hidden talent craft gallery, marysville automotive repairs, geoffrey pope & associates, beauty spot walk, tree fern gully walk, michaeldene track, marysville riding school, gerraty's ski centre, marysville holiday cottages, marysville triangle taxi service, fruit salad farm, lake mountain alpine resort, marysville ski hire, lake mountain ski school, cross country ski hire, lake mountain ski hire, marysville country club

A newspaper article on Marysville, its local attractions, places to shop and dine, where to stay and ways of traveling to Marysville. This article was published in The Age on Saturday, November 22, 2008.A newspaper article on Marysville, its local attractions, places to shop and dine, where to stay and ways of traveling to Marysville.marysville, victoria, australia, the age, black spur, marysville visitor information centre, steavenson falls, lady talbot drive, taggerty river, keppel falls, phantom falls, beeches rainforest walk, cambarville, yarra ranges national park, the big tree, cumberland walk, lake mountain, steavenson river, acheron river, buxton bait and tackle, marysville trout and salmon ponds, buxton trout and salmon farm, bruno's art and sculpture garden, villa day spa, cathedral view natural therapies, marysville massage, murchison street, village walk, uncle fred & aunty val's old style lolly shop, country touch gallery, manical mechanicals, hidden talent craft gallery, carmyle farm boutique, marysville community market, marysville patisserie, marysville country bakery, fraga's cafe restaurant, terracotta room, marylands country house, the cumberland, mantirri blueberry farm, narbethong, marysville farmers market, the black spur inn, allawah country cottages, barree mud brick cottages

The wooden shingle roof is part of the roof of Waylett's Cottage at Greenvale in Somerton Road.A coloured photograph of the wooden ceiling and stone walls of part of a building.shingle roofs, mud brick cottages, waylett, james, farm buildings, george evans collection

An information brochure regarding Barree Cottages in Marysville. The cottages were built of 110 year old recycled Jarrah from the Fremantle Wool Stores. They had 90 year old Mountain Ash (native to the area) posts and beams from the South Melbourne Wool Stores. Old red bricks were used to create feature walls within the cottages which were two bedroom and fully self contained. These cottages, along with the majority of the buildings in Marysville, were destroyed in the 2009 Black Saturday bushfires.An information brochure regarding Barree Cottages in Marysville.marysville, victoria, australia, information brochure, barree mud brick holiday cottages, accommodation, 2009 black saturday bushfires

Douglas' painting shows a mud farm cottage in Kangaroo Ground. The mud brick cottage at 145 Henley Road is on the Victorian Heritage Database This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (2) Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues. sepp, shire of eltham pioneers photograph collection, neil douglas, kangaroo ground, roads

Folder of information including: 1. Newspaper clipping of Real Estate adverisement for 85A Silver Street showing undeveloped land written underneath in pencil "30 Kerrie Cres Eltham". 2. Site Plan and Contours including structure scheme: Proposed residence for Janet R Boddy at Lot 3 Kerrie Crescent, Eltham, 25-9-72 (2 copies). 3. Handwritten notes (on the back of recycled paper for Paul/Boddy Gold Coast Studio offering painting tution in Surfers Paradise) by Janet Boddy to Ivan Stranger designed the house (3 pages). 4. Handwitten notes addressed to Mr L. Nelson, Greensborough requesting faults in the causeway at the Boddy property to be fixed signed possibly by Ivan Stranger (2 pages). 5. Hand drawn profile of a house. 6. Copy of a refined profileof the house as above. 7. Information sheet published by the Shire of Eltham; "General information to propspective builders in the Shire of Eltham" outlining obligations under the town and country planning control. 8. Printouts of a series of photographs and plan of the house, also replicated in Morrison Kleeman brochure, 2022 (3 pages). 9. Colour brochure produced by local Real Estate Agent promoting the sale of 30 Kerrie Crescent, Eltham. kerrie crescent, mud brick building, ivan stranger, alistair knox design

The mud-brick cottage and the adjacent shed at 62 Brougham Street, Eltham were built in 1969 by Peter Garner, who was in his mid-teenage years at the time. PETER GARNER MUD BRICK STUDIO AND ADJACENT SHED 62 BROUGHAM STREET ELTHAM, NILLUMBIK SHIRE https://vhd.heritagecouncil.vic.gov.au/places/55317jim connor collection, mudbrick construction, brougham steet, eltham, peter garner

“The Willows” home of John Butler Maling on south side of Whitehorse Road in Shepreth Street, near Banool Road. He built 2-roomed mud brick cottage in about 1861 extending it in stages into a weatherboard Victorian villa as his family grew. John Butler Maling's uncle (also John Butler Maling lived nearby at 'Ancyra' at 26 Weybridge Street). 'The Willows' was situated on a small farm of c13 acres with a creek running through it, lined with willows. The house was demolished after J B Maling's death in 1931 when the land was subdivided, some of it having been previously bought by the Education Department for the site of Chatham Primary School. J B Maling trained his six sons as builders. Charles Henry and his family are pictured in this photo. Charles Henry Maling (1875-1953) married Katherine Mitchell (1875-1958) in 1901. They lived at 9 Benson Street, Surrey Hills but came to live at 'The Willows' for 5 years prior to 1931 to care for Charles' father. Charles and Katherine are the older man and woman centre back with daughter Ellen Grace, known as Nell (1882-1960) in the front of them. Right front seated on the pillar is daughter Jane Emma (1872-1980) with her baby. Her husband Robert Wilhelm (Bob) Sutherland is the younger man at the back. The occasion is thought to be the christening of their first child. The other people are Rev O Cordell, his wife Mary and their children who are friends visiting from Africa where the donor, Rev Charles Maling, son of Charles Henry Maling was working with the Church Mission Society. A black and white photograph of a group of people standing (one lady sitting) on the front steps of a house.the willows, house names, (mr) john butler maling, whitehorse road, banool road, balwyn, surrey hills, (mr) charles henry maling, (mrs) katherine maling, (miss) nell maling, (mrs) jane sutherland, (mr) bob sutherland, (rev) o cordell, (mrs) mary cordell

Contents include short articles and illustrations of historic properties within the municipalities of Banyule, Nillumbik and Whittlesea. Including The Griffin House, Rosehill, Lower Plenty, The Austin Hospital, Heidelberg, St John's Church, Heidelberg, Banyule, Heidelberg, Trestle Bridge, Eltham, Diamond Valley railway, The Shillinglaw Cottage, Eltham, Montsalvat, Old England Hotel, Heidelberg, Eltham Primary School, Mud brick homes, Eltham, Sweeney's Cottage, Eltham, Pound Pend Tunnel, The Gold Memorial, Potter's Cottage, Memorial Tower, Charterisville, Weller's Pub, The Barrel, Eltham, Hassall's Gallery, The Old Bridge, Greensborough, Diamond Valley Shire Offices, Greensborough, St Katherine's Chapel, Yan Yean Reservoir, Mernda Hotel, Mernda Mechanics Institute, Old Barn, Mernda, Parade College, La Trobe University.Hardback with jacket ; 63 p. : ill., maps ; 22cm. diamond valley shire, shire of nillumbik, city of whittlesea, city of banyule, shillinglaw cottage, weller's hotel

Image No. 1 Brocksopp House erected about 1860 Originally known as Souters Cottage Eltham's first mud brick building Falkiner's Cottage The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcbrocksopp house, falkiner cottage, houses, mud brick construction, souters cottage, alistair knox collection

William MacMahon Ball (‘Mac’ Ball) was Professor of Political Science at Melbourne University from 1949 to 1968, having lectured there since 1923. He became known as an ABC commentator on international affairs from the early 1930s to the early 1960s. Between 1940 and 1944 he was Controller of Overseas Broadcasting (which later became Radio Australia). In 1945, he was political consultant to the Australian Delegation at the conference leading to the establishment of the United Nations, and in 1946 was the British Commonwealth Representative on the Allied Council during the post-war occupation of Japan. Mac and his wife Katrine (plus daughter Jenny) came to Eltham in 1942, and in 1945 moved into an old timber cottage at the eastern end of York Street. With help from Alistair Knox, Sonia Skipper, Gordon Ford and John Harcourt, the house was totally renovated to become an early example of Eltham mud-brick. Mac died in 1986 and is buried in Eltham Cemetery with Katrine. Part of their land backing onto Bridge Street was donated to Eltham Shire Council and is now a reserve called MacMahon Ball Paddock. In Loving Memory W. MacMahon Ball A.C. 29. 8. 1901 – 26. 12. 1986 Also Katrine S. Ball 1st Nov. 1899 to 29th Oct. 1991 Loved wife of Mac. Ball Mother of Jenny Grandmother of Bronwyn, David and Michael Much belovedBorn Digitaleltham cemetery, gravestones, katrine s. ball, william mcmahon ball

Articles featuring local Eltham mudbrick houses designed by Robert Marshall, Alistair Knox, etc and landscape bush gardens by Gordon Ford • “At Home with the Browns”, pp114-116 ‘Cherrytrees’, home of Margaret and Neil Brown, originally built in 1917 for eminent Collins Street surgeon, Dr. Kent-Hughes. • “The Mud Brick homes of Eltham”, pp148-149 References to Alistair Knox and Robert Marshall • “Mudbrick Collecting”, pp150-155 Features a Robert Marshall designed home built by Barry Wild and Geoff Williams • “Mudbrick sophistication”, pp156-158 Features a Robert Marshall designed home with Gordon Ford landscape garden • “It grew like topsy”, pp160-162 originally designed by Alistair Knox then extended upon • “A love of the environment”, pp163-164 Features artist and local Councillor Jenni Mitchell’s mudbrick cottage designed by Bohdan (Danny) Kuzyk with influences of Alistair Knox • “Build your own muddy”. Pp165-167 • “Pioneer of bush gardens; Gordon Ford and his no mowing no weeding approach”, pp174-177 robert marshall, alistair knox, gordon ford, mudbrick, margaret brown, neil brown, cherrytrees, dr kent-hughes, eltham, barry wild, geoff williams, jenni mitchell, bohdan (danny) kuzyk, bush gardens

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, and a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.alistair knox, alma road, arthur munday, beryl bradbury (nee stokes) collection, cameron jackson, carina hack, charlie macgillicuddy, charlie stevenson, circus, clifton pugh, david stephens, dorian le gallienne, eltham, eltham college, eltham hotel, eltham living and learning centre, eltham town square, eltham village, george paul, graham bell, great hall, green wedge, harold holt, jazz, jim chinaman's road, justus jorgensen, kangaroo ground, lower plenty, marcus skipper, matcham skipper, montmorency, montsalvat, mud brick construction, mudbrick, myra skipper, professor dick downing, professor macmahon ball, professor richard downing, research (vic.), roger bell, shire of eltham, shire president, shopping centre, swiper's gully, tim burstall, white cloud cottage

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, main road

The O'Maras, of Sandringham fishermen. Early mud brick house. Located in Moorabbin and was still there in 1940. The house was situated in Reserve Road, almost opposite Wangara Road, (formerly Cemetery Road). About twelve years ago, (* the writer states no year), there was a vacant block where the house used to be - it was next to a electrical factory. 2x Black and White Photographs. (i) An 1898 photograph showing two men with a fishing boat on the beach. A beach house / shed , paling fence and tall tea-trees are seen in the background. (ii) A large early mud brick house with a tin roof, chimney and a water tank sitting on a block of grassed landWritten on back (i) The O'Maras / Sandringham / fishermen 1898 (ii) Mud brick house at Moorabbin ( house was there in 1940) / Situated in Reserve Road almost opposite Wangara Road / ( formerly Cemetery Road ). About 12 years ago there was a vacant block where the house used to be and it was next to an electrical factory. unsigned undatedthe o'maras, sandringham fisherman, 1898, mud brick house, moorabbin, wangara road, reserve road, electrical factory, early settlers, pioneers, shire of moorabbin, sandringham, beaumaris, mentone, fishermen, dairy farmaers, poultry farmers, market gardeners,

Image 2B Montsalvat Early Pise cottage built 1935-36 designed by Justus Jorgensen The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etchouses, justus jorgensen, montsalvat, pise construction, alistair knox collection

Covered under National Trust of Australia (Victoria) State Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p103 The Eltham railway trestle bridge is the only one of its kind still regularly used in Melbourne’s metropolitan railway network. Opened in 1902, it is also one of Victoria’s very few timber rail bridges that still carries trains.1 The bridge is part of the railway line extension from Heidelberg - extended to Hurstbridge in 1912. This extension resulted in one of the greatest social changes experienced in Eltham Shire, as it considerably lessened its isolation attracting tourists, artists and suburban commuters particularly after World War Two.2 The bridge has been classified by the National Trust as historically, scientifically, aesthetically and socially significant at state level. But this has not always been recognised, and in 1977, locals fought to save it from destruction. The Victorian Railways proposed to replace the bridge with an earth embankment and large culverts to avoid maintenance problems and fire. This was rejected by the Eltham Council who protested that the bridge helped maintain the area’s rural character, historic link and beauty, as well as avoiding possible serious flooding on the flood plain if a culvert was blocked. The bridge stands as part of a National Trust classified landscape which includes the Alistair Knox Park, named after the local conservationist and architect who helped to make Eltham famous for its mud-brick houses. The landscape includes tall and spreading manna gums and candlebarks, and the historic Shillinglaw Cottage. Artist Walter Withers, one of the Heidelberg School of painters, painted the bridge early in the 20th century. The 38 span single-track railway bridge over creek and road has 34 timber-beam spans and four steel-joist spans, supported by four-pile timber piers and timber abutments. It has almost 200m of timber deck. All of the timbers have been replaced over the years, but the only change to the bridge’s character was the addition of pylons and wiring for electric trains in 1923. A petition for a railway to the shire was first made in 1883. A large deputation of local citizens to the Commissioner of Railways proposed a route passing through Alphington to midway between Greensborough and Eltham up the Diamond Creek valley towards Queenstown and Kinglake. As a result the Princes Bridge-Heidelberg Railway was opened in 1888. From 1888 locals demanded a railway extension. Kangaroo Ground farmers in particular, led by Shire Councillor and Member for Evelyn, Ewen Cameron, said it would assist local farmers and orchardists send their produce to the Melbourne market. In 1890, before the severe economic Depression, an extension of the line to Hurst’s Bridge (now Hurstbridge) was included in a new Railways Bill. The parliamentary delegations were regaled with a banquet at Hurst’s barn and entertained by the Diamond Creek Brass Band, but the extension was abandoned when the Depression struck in 1892-1893. The extension of the railway to Eltham, completed in 1902, was one of the few built in those hard times. That is why the Eltham timber-trestle railway bridge is a rare example of a broad-gauge rail bridge constructed between 1893 and 1910. At the opening, despite persistent drizzle, 300 children waving flags and banners were among the large crowd welcoming the first train, carrying official dignitaries, to Eltham. It had taken 24 years to bring the railway to Eltham. From then Eltham became a popular destination for outings. Mr Orford of Eltham recalled that after the railway came to Eltham ‘the craze for picnics on weekends and holidays began…. During the wattle season, wattle trains came to Eltham frequently. The visitors roamed the creek pulling great armfuls of wattle blossom to take back with them to Melbourne’.3 In 1926 the railway line was electrified as part of the metropolitan rail network. But the Victorian Railways decided not to complete the formerly planned Diamond Valley Railway to Queenstown (now St Andrews) and Kinglake.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham railway trestle bridge, eltham trestle bridge

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, a nd a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141 At the eastern tip of York Street, Eltham, stands Shinrone, the former home of one of Australia’s intellectual leaders. Professor William Macmahon Ball, was one of the first to bring Asia as a foreign policy issue to the Australian public.1 He was a political scientist, writer, broadcaster and diplomat. The house was one of the first in Eltham Shire to incorporate mud-brick,2 because of the acute shortage of building materials after World War Two. Its novice builders later become leaders in Eltham’s built and garden design. Mac (as he was usually called), who was the son of a Church of England minister, was born in Casterton, Victoria in 1901 and died in 1986. In 1945 he helped establish the United Nations, as political consultant to the Australian Delegation at the San Francisco Conference.3 Then in 1946 Mac was appointed British Commonwealth Representative on the Allied Council for Japan, which is recorded in detail in his diary.4 In 1948 Mac led an Australian Government Goodwill Mission to South East Asia. However, Mac was perhaps most successful as an academic and public speaker.5 He was a commentator on the Australian Broadcasting Commission, from the early 1930s to the early 1960s. He was also Controller of the Short-Wave Broadcasting Unit during World War Two, which later became Radio Australia. From 1923 he taught at The University of Melbourne, then became foundation Professor of Political Science in 1949 and was Chair until his retirement in 1968.6 In 1942, as the government expected a Japanese invasion, Mac’s wife Katrine and their only child Jenny, moved from Kew to Eltham as temporary evacuees. However Mac and Katrine lived in Eltham for almost the rest of their lives. After staying with friends, they rented a house in Reynolds Road, where, as it was wartime, they needed to keep horses for transport and a cow and poultry for milk and eggs. In 1945 the family moved to the house at York Street, which was then a timber cottage, built around the 1890s and in poor repair. The underground well, cellar and part of the garden are all that remain of what stood on the original 18 acre (7.3ha) allotment. Thanks largely to Katrine’s hard work, the house was gradually renovated and extended. The long rambling house was partially built by several young neighbours, who were inspired by the cheap mud-brick and stone building style of Montsalvat, the Eltham artists’ colony. Mac asked Alistair Knox to renovate Shinrone, named after an Irish village near Katrine’s family home. Knox later popularised the mud-brick style of house construction, for which Eltham became known. He expanded the living area and added verandas. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Another neighbour, Gordon Ford, who was to have a major influence on the Australian garden style, made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in short-wave broadcasting, to build a pisé (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms – including an attic bedroom – a balcony with a shower and toilet, and a fireplace and chimney of local sandstone. With pioneering work naturally came mistakes, including one particularly dramatic incident when Harcourt was building walls with unsupported sections. Jenny Ellis, Mac’s daughter, remembers being awakened from sleep by a thundering shudder. The wall of her room had fallen down – fortunately away from her! In 1950 artist Peter Glass – another neighbour and later landscape designer – built Katrine a mud-brick pottery. As a result, the house features at one end Harcourt’s characteristic steep gable roof, while at the other the flatter construction characteristic of Knox. Mac referred to the home as the Eltham ‘experimental building site’.7 Surprisingly, the combination works, perhaps partly because it has the warm inviting feel of timber, mud-brick and stone.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

Plum Cottage is covered by Heritage Overelay HO256 in the Nillumbuk Planning Scheme This two-lot land holding was created as a subdivision and sold to Charles Stuart McNeil by May 1955. Sometime in the period 1955-1960, the builder-designer, John Harcourt had created a pise house on the site, straddling the two subdivision lots. The designer, John M. Harcourt was a pioneer builder in pise-de-terre and mudbrick in the Eltham Shire, Eltham being synonymous with alternative lifestyles and building practises until the onset of suburbia in the late 20th and early 21st centuries. This hipped-roof house is set high above Main Road on a V-shape plan characteristic of the Arts & Crafts style, with rammed earth or pise walls, timber joinery and a cement tiled roof. The V shape plan was used by important English and Eltham Arts & Crafts designers. The use of natural materials such as stone and timber construction is an essential part of the Arts & Crafts style and Harcourt’s work. So too is the application of the style on both the exterior and interior of the house as a holistic concept. The house adjoins the Lim Joon adobe house built and designed by Alistair Knox in the same era (HO119), thus forming a distinctive pair, both using an uncommon plan form. This house was identified in the Shire of Shire of Eltham Heritage 1992 as contributory to the Eltham Gateway Conservation Area, then proposed as an urban conservation area (now Heritage Overlay Area). Land Ownership Emily Jane Smith of 12 Woodside Street Fitzroy owned Crown Allotments 1 & 2 Sections 14, 27 by August 1918, selling to William Henry Smith of 12 Woodside Street, Nth Fitzroy May 1921. (John) James Isherwood of Main Road, Eltham owned the property by 1928 (the year of his death) with the beneficiary of his estate and next owner of this site being his widow, Minnie Maria Isherwood of Cemetery Road, Eltham. His holding in Main Road included parts of what was described in rate records as allotments1 & 2 Section E6. In the late 1930s, early 1940s her son Alfred John Isherwood was also rated for the land around this site, with the rated nett annual value varying between £2 and £5. Alfred Isherwood also lived at Main Road, Eltham with his wife Ellen: her early death at the age of 24 was reported in the Argus of 1923. Part of the Isherwood land was divided off and sold to Charles Stuart McNeil by May1955. Sometime in the period 1955-1960, the builder-designer, John Harcourt had created a pise house on the site, straddling the two subdivision lots. The house is visible on an aerial photograph from 1960s. Reputedly the house was called Plum Cottage and erected for Harcourt’s mother-in-law. A garage was added in 1959. Charles McNeil died in1971 aged 87: he was the son of Don McNeil and Margaret Arkell. Available rate records from the construction era start in the of the 1970s (1972-3) and list Mr H.C. & M/S A.V. Charity at 616 Main Road Eltham of this property with a nett annual value of $740. More recent valuer's data describes the property as lots 1 & 2 LP25668, located in the Central Riding of Eltham Shire, owned by Ann Valerie Charity and later, in 1990, by the Chincarini family. Building Description This hipped roof 11 .5 square house is set high above Main Road on a characteristic-shape plan and has rammed earth or pise walls, timber joinery and a cement tiled roof. The V-shape plan was used by Important designers such as C.F.A. Voysey (UK) who interpreted medieval domestic architecture as part of the Arts & Crafts style of the late 19th and early 20th centuries. The pise walls are covered with a textured render while the cement roofing tiles are also seen in the Harcourt Hill examples. Reputedly the ceiling joists are of a deep section and span long lengths with no need for hanging beams in the roof space. The ceilings are low and panelled in main rooms with apparently Caneite soft board infill panels between the exposed ceiling beams. These are painted white but may have been stained at one time. The focus of the house is the large living area with its vast random stone fireplace. Significance Plum Cottage is significant to the locality of Eltham because: Historically: • Plum Cottage is closely associated with the important historical theme of earth construction evident in Eltham and elsewhere in the Shire since theear1y Arts & Crafts inspired creations at Penleigh Boyd's The Robins (1912, HO101) and those at Montsalvat (1934-, HO82) but more prominent from the Second War period when earth building in Eltham was promoted in national periodicals as an alternative building method that avoided the building materials shortages of that era; • The choice of the earth building technique also expresses the theme of refuge or alternative living, synonymous with Eltham in the early to mid 20th century; • as a good example of domestic architecture from John Harcourt who was the first major post Second War figure in an important phase of Eltham’s earth building development, using his characteristic Old English or Arts& Crafts style that relies in this case on the pise wall construction, pitched roof forms, exposed ceiling joists, half timbering, random stonework, and panelled internal wall finishes. Architecturally: • Plum Cottage's pise wall construction is uncommon among the early earth-walled structures in the Shire, that are mainly of adobe or mud brick, and as a building material is uncommon among the Shire’s suburban dwellings generally which are clad typically with either fired clay bricks or timber boarding. Aesthetically: • Plum Cottage is a good and well preserved example of a modern Old English or Arts & Crafts style earth-walled building in the Shire • For the proximity of the significant Lim Joon adobe house designed by Alistair Knox adjoining to the north, providing a distinctive earth wall house pair, with uncommon plan forms. Reference Heritage Assessment of Plum Cottage, 616 Main Road, Eltham; Graeme Butler & Associates 2010main road, eltham, property, houses, (john) james isherwood, alfred john isherwood, ann valerie charity, arts and crafts style, charles stuart mcneil, chincarini family, eltham gateway zone, emily jane smith, h.c. charity, heritage assessment, john harcourt, john m. harcourt, lim joon house, main road eltham, minnie maria isherwood, pise construction, plum cottage

Mudbrick cottage, heritage listed, Lillies on Brougham Street Peter Garner Mud Brick Studio Victorian Heritage Database Listed https://vhd.heritagecouncil.vic.gov.au/places/55317 From Shire of Eltham Heritage Study (Bick 1992) Cultural Significance: Constructed by Peter Garner when he was just 16 years old, this studio exemplifies the highly creative structures erected in the Shire of Eltham during the I960s and 1970s and the social movement behind them, both of which Eltham is well known for. The Garner studio is one of the two finest small examples of these structures anywhere in the Municipality and is distinguished by the quality of its fittings, also all designed and made by Peter Garner. Sharing the common use of mud brick and second-hand materials, these structures reflect the physical involvement (and individual creativity) of their owners, often, as in Garner' s case, through building the building and making all of its fittings and artworks. The tree branch framed spiral stair and wrought metalwork are particularly fine. History: Arthur F. Munday who was associated with the Montsalvat Artists' Colony, subdivided a property bounded by Maria Street (now Main Road) and Brougham Street in 1964. The largest portion, three acres of land facing Brougham Street in Lot 2, was sold to Leslie and Lenore Garner. A sketch in Lodge Plan 65141 drawn at the time of the subdivision showed that the southern part of the land was subject to flooding. By 1967 a brick house with an iron roof and outbuildings had been constructed for the Garners and Peter Garner's separate studio followed in 1969. DESCRIPTION: Studio Style Eltham style. Design unique. Plan rectangular; living room occupies northern two thirds, with kitchen in remainder and bedroom on top of the kitchen. A store adjoins the kitchen. Single storey with attic bedroom; living room has a cathedral ceiling. Walls adobe (solid single skin mud brick), bluestone chimney. Roof gabled with eaves, corrugated iron clad. Features are the modest size, living room into which the front door opens directly, exposed mud brick walls internally, fireplace, most unusual spiral stair and small gallery off the bedroom, herringbone brick floor, log faced internal doorway that separates kitchen and living room, timber lined ceiling, exposed truss, the various second-hand windows and their placement and the outbuilding. Also the kitchen doorway, adzed table and benches, fireplace high relief metal panel and other art works are features and all were presumably made by Peter Garner, following the ethic of the time. The present owner has advised (4 May 2025) the spiral staircase was removed prior to their taking possession of the property.david taylor collection, eltham, 62 brougham street, peter garner adobe studio

Mudbrick cottage, heritage listed, Lillies on Brougham Street Peter Garner Mud Brick Studio Victorian Heritage Database Listed https://vhd.heritagecouncil.vic.gov.au/places/55317 From Shire of Eltham Heritage Study (Bick 1992) Cultural Significance: Constructed by Peter Garner when he was just 16 years old, this studio exemplifies the highly creative structures erected in the Shire of Eltham during the I960s and 1970s and the social movement behind them, both of which Eltham is well known for. The Garner studio is one of the two finest small examples of these structures anywhere in the Municipality and is distinguished by the quality of its fittings, also all designed and made by Peter Garner. Sharing the common use of mud brick and second-hand materials, these structures reflect the physical involvement (and individual creativity) of their owners, often, as in Garner' s case, through building the building and making all of its fittings and artworks. The tree branch framed spiral stair and wrought metalwork are particularly fine. History: Arthur F. Munday who was associated with the Montsalvat Artists' Colony, subdivided a property bounded by Maria Street (now Main Road) and Brougham Street in 1964. The largest portion, three acres of land facing Brougham Street in Lot 2, was sold to Leslie and Lenore Garner. A sketch in Lodge Plan 65141 drawn at the time of the subdivision showed that the southern part of the land was subject to flooding. By 1967 a brick house with an iron roof and outbuildings had been constructed for the Garners and Peter Garner's separate studio followed in 1969. DESCRIPTION: Studio Style Eltham style. Design unique. Plan rectangular; living room occupies northern two thirds, with kitchen in remainder and bedroom on top of the kitchen. A store adjoins the kitchen. Single storey with attic bedroom; living room has a cathedral ceiling. Walls adobe (solid single skin mud brick), bluestone chimney. Roof gabled with eaves, corrugated iron clad. Features are the modest size, living room into which the front door opens directly, exposed mud brick walls internally, fireplace, most unusual spiral stair and small gallery off the bedroom, herringbone brick floor, log faced internal doorway that separates kitchen and living room, timber lined ceiling, exposed truss, the various second-hand windows and their placement and the outbuilding. Also the kitchen doorway, adzed table and benches, fireplace high relief metal panel and other art works are features and all were presumably made by Peter Garner, following the ethic of the time. The present owner has advised (4 May 2025) the spiral staircase was removed prior to their taking possession of the property.david taylor collection, eltham, 62 brougham street, peter garner adobe studio