This is a set of eight photographs of 4th Field Survey Squadron personnel undergoing regimental training held at the Murray Bridge Training Area of South Australia in 1988. The aim of regimental training was typically to provide personnel a practical knowledge of infantry and minor tactics at the section level, navigation and map reading, RATEL and survival in the Field.This is a set of eight photographs of 4th Field Survey Squadron personnel undergoing regimental training held at the Murray Bridge Training Area of South Australia in 1988. The black and white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1988. CPL Steve McGuiness. .2) - Photo, black & white, 1988. L to R: Unidentified, SPR Charmian McKean. .3) - Photo, black & white, 1988. SPR Andrew Quin. .4) - Photo, black & white, 1988. L to R: Unidentified, LT Geoff ‘GT’ Ford. .5) & .6) - Photo, black & white, 1988. Unidentified personnel. .7) - Photo, black & white, 1988. L to R: Unidentified (x2), SPR Perry Langeberg, SGT Laurie Justin (3rd from right), remainder unidentified. .8) - Photo, black & white, 1988. L to R: Unidentified, SGT Laurie Justin, remainder unidentified..1P to .8P – There are no personnel identified. ‘1988 REGT ADV TRAINING MURRAY BRIDGE’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

Original negative and photograph held by The Age, before by Orm Cook, Echuca. Photo is of a drawing of Bridge work taking place in 1877, across Murray River at Echuca. Orm Cook gave The Age the photograph in 1981 as the round arches on the bridge were about to be removed.A bridge crossing of the Murray River was needed by 1877. It linked Echuca and Moama in a more tangible way. The bridge was funded privately and public use of it was discussed for the next several years.A black and white photograph of a drawing, depicting the construction of the iron Murray Bridge at Echuca, showing the Surveyor, the bridge workers, hoists , a crane, and much activity.Written in pen on the back, "Murray Bridge at Echuca under construction. Original to 'Age' came from Orm Cook. Also the numbers 6530 written in pen. Also on the back is a rectangular stamp with these words inside the rectangle. "COPYRIGHT. This photograph may not be reproduced without permission in writing from the Editor of "The Age" 250 Spencer Street, Melbourne, and 39/41 York St, Sydney.murray river, bridge work, bridge construction, bridge workers., the age newspaper., orm cook.

The plaque was originally intended for the Murray Road Bridge. The Murray Road Bridge is of state historical and architectural significance. With the Newlands Street Bridge it is one of a pair of bluestone bridges constructed by prison labour in Coburg and is situated within the immediate vicinity of the Pentridge Prison. The bridge has one of five largest spans of stone bridges built in Australia, of which at least three survive. (VHR)BluestoneErected by the Penal Department A.D. 1871 George Oliphant Duncan Inspector General

A copy of a black and white photograph of paddle steamer travel along the Murray river. It shows passengers (2 men, 1 girl, 1 boy) on the upper deck of the P. S. Kelvin, around the late 1890-1900. In the background is a third man, Hugh Price, at the wheel of the paddlesteamer. On the back of the photograph is documented as being on the mail run and at the Murray Bridge.Demonstrates passenger transport and travel along the river as well as the delivery of mail services between rural communities around the Murray Bridge, Blanchetown region in South Australia around 1890-1900.Copy of a Black and white photograph of 2 men, 1 girl and 1 boy on upper deck of P. S. Kelvin. In background is a 3rd man, Hugh Price, at the wheel. Documented as being on mail run and at the Murray Bridge (at Echuca)Kelvin on mail run, Murray Bridge. Hugh Price at wheel in rear.murray bridge south australia, p.s. kelvin, mail run, hugh price, cargo, price family collection

This photograph comes from the Dowell collection. Related to P000202. At the turn of the 20th century, the railway line carried produce from southern New South Wales and the Riverina to Melbourne. Goods trains were a very important mode to transport to our region and industrialisation of Echuca. Photograph of the Murray bridge at Echuca at low river with a goods train crossing the bridge. Image is seen from bank facing north from Echuca.Recto :"MURRAY BRIDGE Echuca"; Verso: "C.1910" "Low river"dowell collection, murray river bridge , echuca, murray bridge, echuca, steam engine goods train, railway, transportation, industrialisation

Part of the estate of Sergeant Trevor J Nicholson, who served in Royal Australian Armoured Corps, C Squadron and B Squadron 1st Armoured Regiment, 1969-70, Vietnam.Wooden plaque with cream, red, gold, silver and grey insignia of Range Control Murray Bridge, depicting a Koala riding a rocket. Beneath that is an engraved metal edication.Range Control/ Murray Bridge/ WO2 Trevor Nicholson/ Range Control Murray Bridge/ from 22/1/87 to 12/1/90range control murray bridge, 4410261 wo2 trevor nicholson., plaque, nicholson, t nicholson, shield, trevor nicholson, 4410261

Post card photograph, black and white with some colour tinting.john foord bridge, murray river, bridges, murray bridge

Black & white photograph of 2 men, 1 girl and 1 boy on upper deck of P. S. Kelvin. In the background is a 3rd man, Hugh Price, at the wheel. Documented as being on mail run and at the Murray BridgeDemonstrates passenger transport and travel along the river as well as the delivery of mail services between rural communities.Black & white photograph of 2 men, 1 girl and 1 boy on upper deck of P. S. Kelvin. In background is a 3rd man, (Hugh Price) at wheel. Documented as being on mail run and at the Murray Bridge Echuca.In pencil on back : Kelvinp.s. kelvin, murray bridge, mail run, paddlesteamers, murray river, hugh price

Black and white photograph of a bridge.Written on back of photo: "Murray Bridge, Corowa N.S.W."murray bridge, bridges, murray river, corowa

Collection of Articles with a map of part of South Australia north of Adelaide. Contains articles and photos about Tailem Bend, Murray Bridge, Kapunda, Burra, Clare, Penwortham, Sevenhill, Eudunda, Mintaro, Watervale, The House of Quelltaler, Leasingham and Auburn. It also contains a story by Gaye Sprenglewski.societies, service clubs, german heritage society, german heritage society collection - colllection of articles about buildings, mines & places, tailem bend, murray bridge, kapunda, burra, clare, penwortham, sevenhill, eudunda, mintaro, watervale, the house of quelltaler, leasingham, auburn, gaye sprenglewski.

abbotsford bridge, murray river, floods

Blue cloth cover. faded blue spine (linen). Paper 384 pages.J.S.Edington - Murray Bridge.books, reference

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Black and white photograph thought to have been taken at the opening of bridge over Murray River at Howlongmurray river, howlong, bridge, opening ceremonies

The iron bridge was completed in 1878 and was used by the Deniliquin and Moama Railway company for goods trains only - it was another year before passengers were included in the transport service. On 4 March 1879 citizens of Echuca and Moama stormed the bridge, opened the gates and declared it open for their use.At the turn of the century the railway line carried produce from southern New South Wales & the Riverina to Melbourne, with goods trains being a very important mode to transport. When the bridge was being constructed, six workmen were killed and another maimed when a pile on the Moama bank collapsed. After the storming of the bridge by local people in March 1879 it was declared open for use of local residents traveling between the towns of Echuca and Moama. The bridge was shared by rail, road and pedestrian traffic.An image of the iron bridge at Echuca, taken looking East from Victoria bank.Verso: "Iron bridge"murray river bridge , echuca, murray bridge, echuca, iron bridge, echuca

Photo shows the view looking east along Bridge St from Grenville St. Bogie tram 35 is in the shadows. A bus is entering Bridge St, In the view are Dickins Self service grocery, Morseheads store, CTA Hotel, and the Bucks Head Hotel. On the rear, Wal Jack to Ken Magor of Newcastle has written "No. 35 bogie to Victoria St, 1948. Bridge St from Sturt and Grenville Sts. Note two green lights on the span pole under neon sign which guards the Bridge St (bottom light) and Victoria St single track. Mt Pleasant light is on opposite side pole. No. 35 is standing at the old city terminus up to 1937."Yields information about Bridge St Ballarat and its various buildings.Postcard black and white, divided back, with a handwritten note on rear.See image 2 for details of the handwritten note by Wal Jack on the rear. tramways, trams, bridge st, tram 35, buses, dickins, bucks head hotel

Footbridge over the Diamond Creek near Murray's Flats in a bad state of repair in the early 1980sColour photograph printeltham, bridges, diamond creek, murray, bridge, murrays bridge

A Copy of Australian Army commander's diaries (Vietnam): Headquarters units, item no. 1/4/111: Headquarters, 1st Australian Task Force: Annex M: After Operation Report Toan Thang (1-31 Jul 1968). See media files for more information.headquarters, 1st australian task force, operation toan thang, australian military forces, 1 rar, 2 rar, 3rar, 12 field regiment, c squadron, 1 armoured regiment, a squadron, 3 cav regt, 1 field squadron rae, brig ronald laurence hughes, 72, col donald beaumont dunstan, 2289, lt col phillip harvey bennett, 57004, lt col noel russell charlesworth, 235007, companion of the distinguished service order, dso, lt col jeffrey james shelton, 3395, lt col john david kelly, 235029, maj peter richard badman, 235121, maj john david keldie, 235100, maj john howard kemp, 335105, distinguished service cross, fire support base wattle, fire support base harrison, fire support base coral, fire support base hunt, fire support base andersen, fire support base thornton, fire support base dyke, fire support base evans, fire support base coogie, 161 (indep) recce flt, 9 squadron raaf, no 35 sqn raaf, nui thi vai, hat dich, ao surfers, 141 nva regt, 7 nva div, 165 nva regt, 274 vc regiments, 5 vc div, 275 vc regiments, ao giles, ao sturt, ao hume, ao kennedy, ao lawson, ao belize, ao taupo, ao murray bridge, fire support base anderson, fire support base balmoral, bearcat, maj ian hubert maclean, 235060, member of the order of the british empire, mbe, killed in action, viet cong killed, prisoner of war, ao columbus, ao hunter, ao swan, ao nepean, ao manly, ao bondi

Prior to World War II an international competition was held for design of a standard sailplane for use in Olympic competition in 1940 in Finland. The design chosen was the “Meise” from DFS in Germany and its designer Hans Jacob. The 1940 Olympics were cancelled due to the outbreak of war and post war international gliding competition has been organized as World Championships, not as an Olympic event. After the war the Meise was manufactured by firms in Europe and a few were built by amateurs from plans. In 1945, a United Kingdom firm, Chilton Aircraft Limited, revised the plans for the DFS Meise Olympia keeping its aerodynamic shape and prepared new technical drawings for the production of the Chilton Olympia. It engaged Elliotts of Newbury (a firm with aircraft production experience during the war) to built a set of wings for its prototype. The wings were made by Elliotts but it apparently refused to let Chiltons have the jigs required to build more wings. The matter was resolved by Chiltons transferring its production rights and equipment to Elliotts. Elliotts produced several batches of Olympias (the “EON Olympia”) – probably about 150 in total from 1947 including Marks 1, 2 and 3 versions (featuring some structural changes and design improvements). The Australian Gliding Museum’s Olympia is a Mark 2 (actually 2B according to the logbook) which can be distinguished by the built in main wheel and blown Perspex canopy. It was designated as serial number EON/O/34 by Elliotts. It was damaged badly at Bristol, UK, in 1949. The wreckage was acquired by a Melbourne based syndicate including Dave Darbyshire, and imported into Australia. Additional damage occurred in shipping due to the need to shorten the wings to fit them into a crate. The syndicate rebuilt the glider and re-launched it in 1956 (registration number VH-GHR). It was flown by the syndicate and several gliding clubs in Victoria and South Australia until about 1972. A potentially airworthy example of a now rare sailplane of historical importanceSingle seat wooden sailplane, partly restored.australian gliding, glider, sailplane, dfs, hans jacob, meise, olympics, eon olympia, chilton aircraft, elliotts of newbury, dave darbyshire, great eastern gliding club, barossa valley gliding club, murray bridge gliding club

Taken between 1928 and 1930, depicted is the Bethanga Bridge under construction. The Bridge was completed in 1930 and was built to assist residents of the Bethanga district to travel to Albury. Other bridges would become submerged by the backed-up water of the Murray and Mitta Rivers so the Bethanga bridge was built two miles above the Mitta Weir. The Bethanga Bridge was built north of the future Hume Dam which would be completed in 1936. At 2430 feet long, Bethanga Bridge was the longest road bridge in Australia at the time of its completion. The Bridge is 20 feet wide and made up of nine 270 feet long spans. Materials used include ten tons of paint for the steel works; 1600 tons of steel; 900 tons of timber for the decking; and reinforced concrete for the piers. The tender for the construction was awarded to C. Ruwolt Pty. Ltd., engineers who were located on Victoria Street, West Richmond. The contract was awarded for £71,890. It was predicted between 250 and 300 men would find employment on the project. The news was well received by trade unions at the time as there had been a drop in available engineering work.This photograph is historically significant as it depicts the progress of the Bethanga Bridge construction, which was important infrastructure for the area. It is also a good example of methods used in the area to assist in travel over the river prior to the construction of the Hume Dam.Black and white rectangular photo printed on matte photographic paper.Reverse: 1997 3186 / 84-19-3 / This is the bridge. / It is not yet open to traffic / yet. will not be completed / until May next / It is a wonderful bridge the / pillars are 100 feet high. / KODAK PRINT Envelope Obverse: Peterson PHOTO / Hume Weir Envelope Reverse: BMM 84-20-1,2+3. bethanga bridge, lake hume, hume dam, hume weir, murray river, bridge, bethanga, albury