Showing 61 items
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Eltham District Historical Society Inc
Book, Ross Publishing, Wiregrass: A Mythical Australian Town, drawings by Percy Leason, text by Garrie Hurchinson, 1986
Back Cover: At a time when black and white art was flourishing in Australia- with artists like Norman Lindsay, Will Dyson and Stan Cross at work - Percy Leason's creation of Wiregrass ranked him as an illustrator of surpassing genius. His early successes as a book illustrator and as a cartoonist for the Bulletin and Melbourne Punch, presaged a full flowering of his work with his creation of the mythical town and his endowment of it with a host of characters and comic situations. His inspiration came from his childhood town in Kaniva, Western Victoria but Wiregrass was every country town, with its general store, pub and church hall, its swimming hole, football ground and racecourse, its leading citizens, its battlers and mischievous children. Wiregrass flourished in Table Talk Magazine from 1926 to 1937 when Leason, seeking to escape his comic reputation and pursue "serious" art, went to live in America." Percy Leason lived in Eltham Softcover, 80 p. : ill., 1 port. ; 30 cm.ISBN 0850912490australian wit and humour, drawing, caricatures and cartoons, country life -
Federation University Art Collection
ceramic - raku, [mythical creature]
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, vicki rethus -
Whitehorse Historical Society Inc.
Article, Mythical movie has sunk without trace, 2010
Whitehorse Film Society has lost a nine-minute colour film entitled 'Did August Schwerkolt dig the Blackburn Lake one Sunday morning?' - a satirical detective story mentioned in Nunawading News 1970 (photo).Whitehorse Film Society has lost a nine-minute colour film entitled 'Did August Schwerkolt dig the Blackburn Lake one Sunday morning?' - a satirical detective story mentioned in Nunawading News 1970 (photo).Whitehorse Film Society has lost a nine-minute colour film entitled 'Did August Schwerkolt dig the Blackburn Lake one Sunday morning?' - a satirical detective story mentioned in Nunawading News 1970 (photo).whitehorse film society, blackburn and mitcham film society, davidson, ian, kowaleski, pat, cockrum, peter -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of a sign showing the mythical "Gunni" from Marysville in Victoria.A colour photograph of a sign showing the mythical "Gunni" (pronounced goon-eye) from Marysville in Victoria. A mythical creature believed to exist in the Central Highlands in the 1860s. There were unsubstantiated sightings in the late 1990s and a representative animal was created and displayed at the Marysville Visitor Information Centre. The Visitor Information Centre was destroyed in the 2009 Black Saturday bushfires.marysville, victoria, marysville visitor information centre, gunni, goon-eye, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria.A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria. A mythical creature believed to exist in the Central Highlands in the 1860s. There were unsubstantiated sightings in the late 1990s and a representative animal was created and displayed at the Marysville Visitor Information Centre. The Visitor Information Centre was destroyed in the 2009 Black Saturday bushfires.marysville, victoria, marysville visitor information centre, gunni, goon-eye, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria.A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria. A mythical creature believed to exist in the Central Highlands in the 1860s. There were unsubstantiated sightings in the late 1990s and a representative animal was created and displayed at the Marysville Visitor Information Centre. The Visitor Information Centre was destroyed in the 2009 Black Saturday bushfires.marysville, victoria, marysville visitor information centre, gunni, goon-eye, 2009 black saturday bushfires -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
Federation University Art Collection
Artwork - bookplate, Andrew Sibley, Bookplate for Jack Ayerbe, 2014
Bookplate featuring mythical creatures.jack ayerbe, bookplate, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, Bookplate for Jack Ayerbe
Framed bookplate featuring some mythical creatures.jack ayerbe, bookplate, keith wingrove memorial trust -
Seaworks Maritime Museum
Plaque
Wooden plaque featuring crest with black mythical creature in waves with white background"BLACK ROVER" -
Seaworks Maritime Museum
Plaque
Square wooden plaque with crest featuring two gold mythical creatures holding up a shield with anchor, plants and boat on it on a blue fabric background. At base is a metal plaque. "FAMA ET PROGRESSUS" Plaque: "TO THE HONOURABLE/ SISTER PORT OF MELBOURNE/ OSAKA PORT GOODWILL MISSION/ TO AUSTRALIA/ FEBRUARY 23, 1981" -
Anglesea and District Historical Society
Bust - Samuel Mogg
Golden head and shoulder bust of a mythical discoverer of Australia, Sir Samuel Moggs. Made of plaster on a metal pipe was originally on a concrete base with a nearby rough cairn of brickslNonesamuel mogg, mogg's creek -
Flagstaff Hill Maritime Museum and Village
Instrument - Three draw Telescope, 20th century
This telescope was amongst various items collected from a sea dive in Port Phillip Bay. The diver was the caretaker of the Port Lonsdale Lighthouse, who dived on various wrecks in the bay during the 1960's. After the caretaker's death, his son sold off many of the shipwreck artefacts. The telescope was purchased from the caretaker's son in the 1990's by a previous owner of the Marine Shop, Queenscliff, Victoria. Many companies were making scientific instruments in Liverpool. Between 1730 up too today, they manufactured spectroscopes, telescopes, microscopes, barometers, photometers, cameras, ophthalmoscopes, and electrical equipment such as electric lamps. Liverpool was a major centre for the production of scientific items rivaling Glasgow and London from 1850 to 1920. This telescope appears to be of quality manufacture but the origins can only be surmised at based on the gold embossing to the leather surrounding the main brass tube as being associated with Liverpool England. There is no maker or owners mark, so again there is no sure way to determine the year of manufacture or maker. There were many opticians and scientific instrument makers working in and around Liverpool from 1730 through too today. Also the possibility the telescope could have been made outside Liverpool overseas should not be overlooked and may have been made as a souvenir item from Liverpool from the mid to late 20th century. The size and type of telescope is a traditional type that was used for many sporting activities in the mid to late 19th century for deer stalking, bird watching, or used generally. I believe the item dates from sometime around the early to late part of the 20th century as the use of the liver bird mark became popular in 1911. It began appearing on many manufactured items of the period up too today, denoting that these items were made by companies operating in or around Liverpool England. If the item had been made by a notable firm it would have been engraved with the makers name city of origin, or owner as was the accepted practice for these items. The writer has been unable to determine if any specific company had had exclusive use of the liver bird logo as it was widely used and was not copyrighted until the Liverpool football club successfully won a court case giving them the sole rights to the trademark in 2012.The item is also an example of the shipwreck artefacts gathered along the southwest coast of Victoria. It is also a sample of scientific instruments used up to the mid 20th century.Victorian style gentleman's three draw brass telescope with machine milling surrounding the end of each tube and around the objective end. The three tube draw has no split and all three cartridges are held within the main brass tube wrapped in leather with rope bindings at both ends 5 cm in length and beginning 7 cm from the objective end. The last 2.8 cm makes up the remainder of the brass tube which has a sliding brass sunshade. The eyepiece is flat and has a protective slide over the lens aperture. Two relay lenses are missing on the ends of the second and third tube. Gold embossed into the leather an inscription “Trade the Liver Mark” also embossed in gold a depiction of the mythical liver bird, associated with the city seal of Liverpool England. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shipwreck artefact, port phillip bay, port lonsdale lighthouse, wreck, 1960’s diver, queenscliff marine shop, liver bird, scientific instrument, telescope, three drawer telescope, liverpool, liver bird trade mark, trade mark -
Victorian Aboriginal Corporation for Languages
Book, A W Reed, Aboriginal tales of Australia, 1998
Populated by mythical beings, these stories of heros, birds, rivers, lakes and shores have been passed down over generations and today offer a window of understanding into the powerful Aboriginal connection to the land.word listscreation stories, dreamtime -
Federation University Art Collection
Ceramic - Artwork - Ceramic, Christine Hare, 'Tea Set' by Christine Hare
Five piece glazed, porcelain tea set including cup, saucer, sugar bowl, lid and milk jug. Wheel thrown with carved decorations depicting mythical figures similar to griffen.Signed bottom 'Christine Hare'.ceramic, tea set, porcelain, christine hare, alumni -
Seaworks Maritime Museum
Jade Figure
Jade figure of a seated lion-like mythical creature baring teeth sitting upon a wooden table with a ball under one foot. Similar to 310.2 but a lighter shade of green and slightly smaller. "PMA 0206/1" " ¥ 180.00" on base: "PMA 0206/4" "726" -
Dutch Australian Heritage Centre Victoria
Jewellery Box (Sieradendoosje)
Links to Dutch East Indies, colonial and Dutch migration history.Wooden box with lid, brass hinges, inlaid design on lid depicting a farm worker, surrounded by foliage, birds and mythical creatures, possibly garuda. Multiple types of wood. Light coloured inlaid piping around sides.arts and crafts -
Wycheproof & District Historical Society Inc.
Photograph, Len Storey, Cooroopajerrup Creek 2011, 17/1/2011 (exact)
On Monday January 17th 2011,Wycheproof residents awoke to see the township surrounded by water. Record flooding on the Avoca River had forced the flood water up the semi-mythical Cooroopajerrup Creek. Digital colour photograph of the Cooroorajerrup Creek, depicting the flood-waters of 2011 surrounding Mount Wycheproof. The dwelling in the foreground is the home of Francis and Denise Dillon, barely visible to the left is the Public Hospital.cooroopajerrup creek, mount wycheproof, 2011, flood waters -
Seaworks Maritime Museum
Jade figure
Jade figure of a seated lion-like mythical creature baring teeth sitting upon a wooden table with a stone under one foot. Similar to 310.1 but a darker shade of green, stone is sitting under opposite foot, and is slightly larger."PMA 0206/2" " ¥ 180.00" on base: PMA 0206/3" -
Bendigo Historical Society Inc.
Decorative object - FIGURE HEAD : TUBAL CAIN?
Figurehead. Plaster construction, painted gold. Mythical bearded human head with small horns. Maybe Tubal Cain? Paint in poor condition, turning black. Approx,. 80cm high. Possibly ex Bendigo Masonic Hall (Capital Theatre)cottage, miners -
Bendigo Military Museum
Accessory - SHOULDER PATCHES
Items belonging to Mathew Redmond 3811680, 8237166. .2) black with red rat is British Army, 7th Armoured brigade, the desert Rats. Refer Cat No 3891 for his service details..1) Velcro cloth arm patch, blue centre with gold edges, mythical Easte figure in the centre. .2) Velcro cloth arm patch, black with a red Rat depiction in the centre. .3) Velcro cloth arm patch, camouflage colours with name in centre. .2) On rear in black pen, “RED”. .3) REDWOOD”patches, arm, military -
Victorian Aboriginal Corporation for Languages
Book, A W Reed, Aboriginal myths : tales of the Dreamtime, 1999
Stories involving animals, gathered from Language groups throughout Australia. Gathered from often quite isolated Aboriginal groups throughout Australia and passed down over thousands of years, some of the myths have striking similarities. Aboriginal Myths gives a fascinating glimpse of the wild and entertaining deeds of the mythic beings populating Aboriginal spiritual life. Does not include a glossary.creation stories -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: MYTHICAL POWERS
Bendigo Advertiser "The way we were" from Tuesday, June 1, 2004. Mythical powers: the girls of Valkyrie 2 baskeball (now called netball) team, undated. From left: Janice Gregg - defence goaler, Madge Crawford - defence wing, Lesley Winzar - captain and wing attack, Gwen Panther - goaler, June McGowan - goaler, Frankie Bourke - defence goaler and Bev McGowan - centre.newspaper, bendigo advertiser, the way we were -
Federation University Historical Collection
Plaster cast, David Pepper-Edwards, Plaster Cast of a Lion Footprint, 04/2004
The cast of a captive African Lion was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. This cast was taken in deep mud to demonstrate the abnormal shape of such casts. Sometimes cats claws are clearly visible from such casts and so being confused with that of a large dog. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster cast of a Lion footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. The plaster has remnant straw like material attached. Australian Animal Folklore Collectionaustralian animal folklore collection, pepper edwards, david pepper edwards, big cats, mythical, myth, folklore -
Federation University Historical Collection
Photograph - Photograph - Colour, David Pepper-Edwards, Paw Prints, 04/1999
Three colour photographs of paw prints near Lake Murdeduke, Winchelseaaustralian animal folklore collection, lake murdeduke, winchelsea, mythical, myth, folklore, legend -
Federation University Historical Collection
Document, Articles on the Bunyip, 1983 - 1989
The bunyip is a large mythical creature from Aboriginal mythology, said to lurk in swamps, billabongs, creeks, riverbeds, and waterholes. The origin of the word bunyip has been traced to the Wemba-Wemba or Wergaia language of Aboriginal people of South-Eastern Australia. However, the bunyip appears to have formed part of traditional Aboriginal beliefs and stories throughout Australia, although its name varied according to tribal nomenclature. Various written accounts of bunyips were made by Europeans in the early and mid-19th century, as settlement spread across the country. (http://en.wikipedia.org/wiki/Bunyip) This material was collected and used for resarch purposes by David Waldron A number of articles on the Bunyip * The Nessie Mystery Solver by Roy Fraser (October 1983) * Developers meet match (Wagyl) (The Age, 06 Jan 1989) * Narrandera's bunyips burst into tourism's limelight by Melanie Sincock (wagga Advertiser, 18 November 1986) * Hunting the bunyip by M.A. Troyahn (Australiasian Post, 06 October 1883) * Beware the bunyip, you Moomba skiers by Edel Wignell (The Age, 05 March 1982) * The yarn that grew the bunyip legend (Australasian Post, 30 December 1971) australian animal folklore collections, bunyip, bunyipswagyl, shane picket, narrandera, swan river, david waldron -
Federation University Historical Collection
Letter, S. Sinclair, Australian Museum to the Ballarat School of Mines, 31/10/1898
The Ballarat School of Mines circulated their annual reports to a number of collecting organisations.Foolscap correspondence to the Ballarat School of Mines, on letterhead from the Australian Museum. The majority of the letter is printed, with dtaes, signature and recipient handwritten. "The Australian Museum Sydney Oct 31st 1898 Sir I a instructed by the Trustees of the Australian Museum to acknowledge the receipt of the Publications named on the following page [Annual reports for 1896 and 1897], which you have been pleased to present to them and I am further directed to convey to you the expression of their grateful acknowledgement and best thanks for the same. I have the honor to be Sir Your most Obedient Servant S. Sinclair Secretary & Librarian. To The Secretary School of Mines Ballarat"ballarat school of mines, australian museum, s. sinclair, sinclair, annual report, mythical, myth, folklore -
Wycheproof & District Historical Society Inc.
Photograph, Mr Ernie Taylor, Cooroopajerrup Creek 1923, 1923 (exact)
The semi-mythical stream, the Cooroopajerrup Creek. Before there were any channel banks and formed roads, this creek shared the Avoca flood waters with the Tyrrell Creek. In more recent times the Wycheproof channel prevented the major floods of 1956 and 1973 from following the old river course. Also there is said to have been some shifting of the sand-hills at Teddywaddy which have blocked much of the old Cooroopajerrup flow. Little is known of earlier records, but The Mount Wycheproof Ensign records flooding of the creek in 1909. 2011 saw the Cooroopajerrup flow again after 88 years. This 2011 photo was taken at about the same position as the 1923 photo. The modern steel roadway fence is submerged. see-Photograph-Record No 001997.Copy of a B&W photograph of the Cooroopajerrup-Creek in flood-1923. To the north is Mount-Wycheproof, with the hospital barely visible behind the trees just left of centre, and a few scattered dwellings. The nearer railway-fence follows the road leading to the current saleyards.The outer fence has been replaced with a modern steel fence.None1923, cooroopajerrup creek, flood, mount wycheproof -
Eltham District Historical Society Inc
Photograph, Percy Leason, Cartoon by Eltham resident, Percy Leason, 1928
"Jones purchased a quiet little weekend retreat in the hill', published in 1928. Black and white drawing from a Bird’s eye perspective showing a house with veranda surrounded by shrubbery and a large gum tree. It features numerous people in the garden with a road full of various automobiles at the top of the picture. The image is reminiscent of the artists “Wiregrass” series of a mythical country town which were published in the Weekly “Table Talk” magazine from 1926 to 1937. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. Published by Thomas Nelson, Carlton date unknown. Published in "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall" (1971) Chapter 16 Eltham in Modern Times, page 97.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, percy leason, drawing, illustration -
Federation University Historical Collection
Plaster cast, David Pepper-Edwards (probably), Plaster Cast of a Big Cat Footprint, c 2004
David Pepper-Edwards used a number of plaster cast footprints made at Taronga Zoo in the identification of Big Cat sightings in the bush.Plaster casts of big cat footprints. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. Australian Animal Folklore Collectionaustralian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, plaster cast, footprint, mythical, myth, folklore