Back Cover: At a time when black and white art was flourishing in Australia- with artists like Norman Lindsay, Will Dyson and Stan Cross at work - Percy Leason's creation of Wiregrass ranked him as an illustrator of surpassing genius. His early successes as a book illustrator and as a cartoonist for the Bulletin and Melbourne Punch, presaged a full flowering of his work with his creation of the mythical town and his endowment of it with a host of characters and comic situations. His inspiration came from his childhood town in Kaniva, Western Victoria but Wiregrass was every country town, with its general store, pub and church hall, its swimming hole, football ground and racecourse, its leading citizens, its battlers and mischievous children. Wiregrass flourished in Table Talk Magazine from 1926 to 1937 when Leason, seeking to escape his comic reputation and pursue "serious" art, went to live in America." Percy Leason lived in Eltham Softcover, 80 p. : ill., 1 port. ; 30 cm.ISBN 0850912490australian wit and humour, drawing, caricatures and cartoons, country life

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, vicki rethus

Whitehorse Film Society has lost a nine-minute colour film entitled 'Did August Schwerkolt dig the Blackburn Lake one Sunday morning?' - a satirical detective story mentioned in Nunawading News 1970 (photo).Whitehorse Film Society has lost a nine-minute colour film entitled 'Did August Schwerkolt dig the Blackburn Lake one Sunday morning?' - a satirical detective story mentioned in Nunawading News 1970 (photo).whitehorse film society, blackburn and mitcham film society, davidson, ian, kowaleski, pat, cockrum, peter

A colour photograph of a sign showing the mythical "Gunni" from Marysville in Victoria.A colour photograph of a sign showing the mythical "Gunni" (pronounced goon-eye) from Marysville in Victoria. A mythical creature believed to exist in the Central Highlands in the 1860s. There were unsubstantiated sightings in the late 1990s and a representative animal was created and displayed at the Marysville Visitor Information Centre. The Visitor Information Centre was destroyed in the 2009 Black Saturday bushfires.marysville, victoria, marysville visitor information centre, gunni, goon-eye, 2009 black saturday bushfires

A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria.A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria. A mythical creature believed to exist in the Central Highlands in the 1860s. There were unsubstantiated sightings in the late 1990s and a representative animal was created and displayed at the Marysville Visitor Information Centre. The Visitor Information Centre was destroyed in the 2009 Black Saturday bushfires.marysville, victoria, marysville visitor information centre, gunni, goon-eye, 2009 black saturday bushfires

A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria.A colour photograph of the mythical "Gunni" that was displayed in the Marysville Visitor Information Centre in Victoria. A mythical creature believed to exist in the Central Highlands in the 1860s. There were unsubstantiated sightings in the late 1990s and a representative animal was created and displayed at the Marysville Visitor Information Centre. The Visitor Information Centre was destroyed in the 2009 Black Saturday bushfires.marysville, victoria, marysville visitor information centre, gunni, goon-eye, 2009 black saturday bushfires

Bookplate featuring mythical creatures.jack ayerbe, bookplate, keith wingrove memorial trust

Framed bookplate featuring some mythical creatures.jack ayerbe, bookplate, keith wingrove memorial trust

Wooden plaque featuring crest with black mythical creature in waves with white background"BLACK ROVER"

This telescope was amongst various items collected from a sea dive in Port Phillip Bay. The diver was the caretaker of the Port Lonsdale Lighthouse, who dived on various wrecks in the bay during the 1960's. After the caretaker's death, his son sold off many of the shipwreck artefacts. The telescope was purchased from the caretaker's son in the 1990's by a previous owner of the Marine Shop, Queenscliff, Victoria. Many companies were making scientific instruments in Liverpool. Between 1730 up too today, they manufactured spectroscopes, telescopes, microscopes, barometers, photometers, cameras, ophthalmoscopes, and electrical equipment such as electric lamps. Liverpool was a major centre for the production of scientific items rivaling Glasgow and London from 1850 to 1920. This telescope appears to be of quality manufacture but the origins can only be surmised at based on the gold embossing to the leather surrounding the main brass tube as being associated with Liverpool England. There is no maker or owners mark, so again there is no sure way to determine the year of manufacture or maker. There were many opticians and scientific instrument makers working in and around Liverpool from 1730 through too today. Also the possibility the telescope could have been made outside Liverpool overseas should not be overlooked and may have been made as a souvenir item from Liverpool from the mid to late 20th century. The size and type of telescope is a traditional type that was used for many sporting activities in the mid to late 19th century for deer stalking, bird watching, or used generally. I believe the item dates from sometime around the early to late part of the 20th century as the use of the liver bird mark became popular in 1911. It began appearing on many manufactured items of the period up too today, denoting that these items were made by companies operating in or around Liverpool England. If the item had been made by a notable firm it would have been engraved with the makers name city of origin, or owner as was the accepted practice for these items. The writer has been unable to determine if any specific company had had exclusive use of the liver bird logo as it was widely used and was not copyrighted until the Liverpool football club successfully won a court case giving them the sole rights to the trademark in 2012.The item is also an example of the shipwreck artefacts gathered along the southwest coast of Victoria. It is also a sample of scientific instruments used up to the mid 20th century.Victorian style gentleman's three draw brass telescope with machine milling surrounding the end of each tube and around the objective end. The three tube draw has no split and all three cartridges are held within the main brass tube wrapped in leather with rope bindings at both ends 5 cm in length and beginning 7 cm from the objective end. The last 2.8 cm makes up the remainder of the brass tube which has a sliding brass sunshade. The eyepiece is flat and has a protective slide over the lens aperture. Two relay lenses are missing on the ends of the second and third tube. Gold embossed into the leather an inscription “Trade the Liver Mark” also embossed in gold a depiction of the mythical liver bird, associated with the city seal of Liverpool England. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shipwreck artefact, port phillip bay, port lonsdale lighthouse, wreck, 1960’s diver, queenscliff marine shop, liver bird, scientific instrument, telescope, three drawer telescope, liverpool, liver bird trade mark, trade mark

Carved wooden Chinese statue of a openwork mythical dragons and phoenixes on a wooden plinth which has Chinese script which is green, red and gold.

Square wooden plaque with crest featuring two gold mythical creatures holding up a shield with anchor, plants and boat on it on a blue fabric background. At base is a metal plaque. "FAMA ET PROGRESSUS" Plaque: "TO THE HONOURABLE/ SISTER PORT OF MELBOURNE/ OSAKA PORT GOODWILL MISSION/ TO AUSTRALIA/ FEBRUARY 23, 1981"

Golden head and shoulder bust of a mythical discoverer of Australia, Sir Samuel Moggs. Made of plaster on a metal pipe was originally on a concrete base with a nearby rough cairn of brickslNonesamuel mogg, mogg's creek

Probably embroidered by Mrs McHenryLinen cloth spoke stitch edge. Four different embroidered corners - grapes and leaves, stylized flower, rose, mythical beast. Two cut work, two surface embroidery.embroidery, surface stitchery, cutwork, table cloths, 1920-40, australia

Populated by mythical beings, these stories of heros, birds, rivers, lakes and shores have been passed down over generations and today offer a window of understanding into the powerful Aboriginal connection to the land.word listscreation stories, dreamtime

Five piece glazed, porcelain tea set including cup, saucer, sugar bowl, lid and milk jug. Wheel thrown with carved decorations depicting mythical figures similar to griffen.Signed bottom 'Christine Hare'.ceramic, tea set, porcelain, christine hare, alumni

Jade figure of a seated lion-like mythical creature baring teeth sitting upon a wooden table with a ball under one foot. Similar to 310.2 but a lighter shade of green and slightly smaller. "PMA 0206/1" " ¥ 180.00" on base: "PMA 0206/4" "726"

On Monday January 17th 2011,Wycheproof residents awoke to see the township surrounded by water. Record flooding on the Avoca River had forced the flood water up the semi-mythical Cooroopajerrup Creek. Digital colour photograph of the Cooroorajerrup Creek, depicting the flood-waters of 2011 surrounding Mount Wycheproof. The dwelling in the foreground is the home of Francis and Denise Dillon, barely visible to the left is the Public Hospital.cooroopajerrup creek, mount wycheproof, 2011, flood waters

Jade figure of a seated lion-like mythical creature baring teeth sitting upon a wooden table with a stone under one foot. Similar to 310.1 but a darker shade of green, stone is sitting under opposite foot, and is slightly larger."PMA 0206/2" " ¥ 180.00" on base: PMA 0206/3"

Figurehead. Plaster construction, painted gold. Mythical bearded human head with small horns. Maybe Tubal Cain? Paint in poor condition, turning black. Approx,. 80cm high. Possibly ex Bendigo Masonic Hall (Capital Theatre)cottage, miners

Items belonging to Mathew Redmond 3811680, 8237166. .2) black with red rat is British Army, 7th Armoured brigade, the desert Rats. Refer Cat No 3891 for his service details..1) Velcro cloth arm patch, blue centre with gold edges, mythical Easte figure in the centre. .2) Velcro cloth arm patch, black with a red Rat depiction in the centre. .3) Velcro cloth arm patch, camouflage colours with name in centre. .2) On rear in black pen, “RED”. .3) REDWOOD”patches, arm, military

Stories involving animals, gathered from Language groups throughout Australia. Gathered from often quite isolated Aboriginal groups throughout Australia and passed down over thousands of years, some of the myths have striking similarities. Aboriginal Myths gives a fascinating glimpse of the wild and entertaining deeds of the mythic beings populating Aboriginal spiritual life. Does not include a glossary.creation stories

Bendigo Advertiser "The way we were" from Tuesday, June 1, 2004. Mythical powers: the girls of Valkyrie 2 baskeball (now called netball) team, undated. From left: Janice Gregg - defence goaler, Madge Crawford - defence wing, Lesley Winzar - captain and wing attack, Gwen Panther - goaler, June McGowan - goaler, Frankie Bourke - defence goaler and Bev McGowan - centre.newspaper, bendigo advertiser, the way we were

Three colour photographs of paw prints near Lake Murdeduke, Winchelseaaustralian animal folklore collection, lake murdeduke, winchelsea, mythical, myth, folklore, legend

The cast of a captive African Lion was made by David Pepper-Edwards at Taronga Zoo, Sydney, NSW. This cast was taken in deep mud to demonstrate the abnormal shape of such casts. Sometimes cats claws are clearly visible from such casts and so being confused with that of a large dog. David Pepper-Edwards used a number of plaster cast footprints for comparison of unidentified field casts.Plaster cast of a Lion footprint. These casts were used in the identification of photographs and sightings of large cats in the Australian Bush. The plaster has remnant straw like material attached. Australian Animal Folklore Collectionaustralian animal folklore collection, pepper edwards, david pepper edwards, big cats, mythical, myth, folklore

Percy Leason (1889-1959) was born in Kaniva Victoria, Leason is best remembered as a cartoonist. His wiregrass cartoons in the Melbourne magazine “Table Talk” were based on a mythical country town. The inspiration was Kaniva but the happenings could be associated with many towns. Eltham residents thought they could identify with many cartoons. Leason was also an accomplished painter and an anthropologist. Leason was associated with the Montsalvat Artists’ Colony and in the mid 1930’s built “Landscape” in nearby Lavender Park Road. At the end of 1937 Leason travelled to America where he remained for the rest of his life. Paperback; 1 v. (unpaged) : ill. ; 22 cm.percy leason, artists

The Ballarat School of Mines circulated their annual reports to a number of collecting organisations.Foolscap correspondence to the Ballarat School of Mines, on letterhead from the Australian Museum. The majority of the letter is printed, with dtaes, signature and recipient handwritten. "The Australian Museum Sydney Oct 31st 1898 Sir I a instructed by the Trustees of the Australian Museum to acknowledge the receipt of the Publications named on the following page [Annual reports for 1896 and 1897], which you have been pleased to present to them and I am further directed to convey to you the expression of their grateful acknowledgement and best thanks for the same. I have the honor to be Sir Your most Obedient Servant S. Sinclair Secretary & Librarian. To The Secretary School of Mines Ballarat"ballarat school of mines, australian museum, s. sinclair, sinclair, annual report, mythical, myth, folklore

The semi-mythical stream, the Cooroopajerrup Creek. Before there were any channel banks and formed roads, this creek shared the Avoca flood waters with the Tyrrell Creek. In more recent times the Wycheproof channel prevented the major floods of 1956 and 1973 from following the old river course. Also there is said to have been some shifting of the sand-hills at Teddywaddy which have blocked much of the old Cooroopajerrup flow. Little is known of earlier records, but The Mount Wycheproof Ensign records flooding of the creek in 1909. 2011 saw the Cooroopajerrup flow again after 88 years. This 2011 photo was taken at about the same position as the 1923 photo. The modern steel roadway fence is submerged. see-Photograph-Record No 001997.Copy of a B&W photograph of the Cooroopajerrup-Creek in flood-1923. To the north is Mount-Wycheproof, with the hospital barely visible behind the trees just left of centre, and a few scattered dwellings. The nearer railway-fence follows the road leading to the current saleyards.The outer fence has been replaced with a modern steel fence.None1923, cooroopajerrup creek, flood, mount wycheproof