Document. National Theatre Movement Bendigo. Choral and Orchestral Concert Programme. Performed at Capital Theatre, Friday 9th October 1953 with performances by Gertrude Perry.person, individual, gertrude perry, gertrude perry collection, national theatre movement bendigo choral & orchestral concert programme

Contains information about the formation and growth of the National Theatre Movement and statistics about the construction of the new National Theatre in the building formerly known as the Victory Theatre, on the corner of Carlisle and Barkly Streets, St Kilda. A dinner to launch the final stage of construction was held on 4 December 1973. Completion was planned for 15 June 1974 and the official opening date was to be 24 August 1974. The dinner was hel at the Stardust, Marine Parade, St Kilda and was hosted by the Victorian Ministry for the Arts.Yellow coloured card printed in black on one side and brown on the othernational theatre, stardust

Inside front cover "Minute Book of the National Theatre Movement Bendigo Branch"

Invitation to celebration of the proclamation of Ringwood as a City on 23rd March 1960 at Ringwood Town Hall, The National Theatre Ballet.. All material is from Gwen Horman’s three albums that she owned.

National Theatre Movement of Australia Bendigo Branch presents 'The English Duo' Viola Morris, Victoria Anderson. Girton College Hall, Saturday, 11th October 1952. The First Programme of the 1952 October Arts' Festival. Programme: 6d. Cambridge Press. Bendigo. Pink with purple printing.event, entertainment, music, the english duo, national theatre movement of australia, viola morris, victoria anderson, cambridge press

now the National Theatre, year unknown, the photograph indicates that Errol Flynn in Uncertain Glory was playing.black and white photograph (2 copies) un mountedHoyts Victory Picture Theatre. now the National Theatre, year unknown, but would appear to be mid-1940's. Errol Flynn in Uncertain Glory (1944) with Paul Lukas. Basil Rathbone in House of Fear (1945) with Nigel Bruce.

historic buildingNational Trust Collection: Princess Theatre, cnr View & McKenzie Streets, Bendigo Plan and section of the layout of the Princess Theatre. A negative showing three levels of patrons in attendance of a performance; undated. The Royal Princess Theatre was opened on 31st August 1874. The cost of the building was £12,000 with a capacity of 2,000 people. The building was designed by William Charles Vahland. The site was at the corner of View Street and McKenzie Street, with the frontage facing View Street. The auditorium was on three levels and seated 650 in the pit (rear stalls), 200 in the stalls, 250 in the dress circle and 850 in the gallery. A further 50 were seated in the six stage boxes. The frontage of the theatre was 80ft wide x 60ft, which inside the auditorium the proscenium was 30ft wide by 18ft high. The stage was 56ft deep. Stage lighting at the time was by gas until the Electric Supply Co, of Victoria Ltd. had DC power available in 1898. The theatre was described as comparable to anything Drury Lane in London had to offer. The original proprietors of the theatre John Croley died on 26th March 1899 aged 72 years, while William Billy Heffernan died 23rd March 1891 aged 81 years

Capital Theatre Typed article from the Bendigo Advertiser 2/4/1890 re opening of the Masonic Theatre. Six photos, copies from the Australian Sketcher 1873 Article from the Bendigo Advertiser 27/1/1978 re demolition. Article from the Bendigo Advertiser Sept 1983 Valuation Letters re original door of Masonic Hall. History of the Masonic Hall by Mr. A Stone. Letter re load of photographs from Doney Photographic Collection Newspaper from Bendigo Advertiser 19/7/1987 and 29/1/1988. Letter and articles concerning the Capital Theatre and council involvement. Typed copy of articles from the Bendigo Advertiser 7/6/1873 and 22/10/1874 re opening of the Masonic Hallbendigo, buildings, capital theatre

Program, Bendigo Repertory Society with National Theatre Movement of Australia presents ''Sixteen'', a play by Aimee and Phillip Stuart. Girton Hall Saturday September 24th, 1949. Program 6d.Cambridge Pressprogram, theatre, bendigo repertory society

Program, Bendigo Repertory Society (Affiliated with National Theatre Movement) presents ''Blithe Spirit'', by Noel Coward. Girton Hall, Friday & Saturday 17th & 18th December 1948,Souvenir Program 6d.Cambridge Press, Bendigo.program, theatre, bendigo repertory society

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. National Film Theatre, Southbank, London, EnglandMade in Australia / 15 / MAY 69M2slide, robin boyd

A Bendigo Advertiser newspaper article titled '1899 - 1977 - and still the heart of fire fighting - Bendigo Fire Station classified by the National Trust by Amy Huxtable.' This article is an historical account of the history of the Bendigo Fire Station since the foundation stone was laid in View Street on September 23, 1898 by the Hon. J. S. Sternberg, MLC. Prior to that from the 1850s fire fighting involved a bucket and a horse. With the laying of the foundation stone came the merger of the three central brigades to become one strong unit under one control. There are some historical photos included in the article. Note the first motorised fire-fighting vehicle - the Horace Lansell, acquired in 1912. 25/06/77.essential services, firefighting, history, lydia chancellor collection, collection, fire, fire fighting, organisation, bendigo fire station, national trust, capital theatre, history, amy huxtable, trophies, machinery, safety

2_1952 - 1. Reg Rudd founded the City of Heidelberg Repertory Group. It was a breakaway group from the Heidelberg National Theatre, which is believed to have been active in the district from the 1930s. It is understood the Heidelberg National Theatre folded in the late 1950s 6_1952 articles2 - Cuttings, including articles advertising first meeting of the City of Heidelberg Repertory Group on the 1st February, 6_1952 articles7 - Article reporting on AGM held in February, 1953 with Cr F. Boyd presiding, when comprehensive reports were read by Mr Reg Rudd, the director, the financial report was presented by Mr Mel Morgan. Photocopies of original articles from Theatrecraft and other unidentified newspapers1952, htc general memorabilia

This 35mm Westrex 14 projector was purchased from Waverley Theatre (Cnr Burke Road and Waverley Road in Malvern, in 1962) last used by "Cosmopolitan Motion Pictures" as follows: from 1962 to 1967 - National Theatre, Richmond. from 1967 to 1970 - in a small leatherette on Bridge Road, Richmond. from 1971 to 1985 - Galaxy Theatre Brunswick. After that it was stored at the back of Westgarth Theatre in Northcote. This projector has a primary historic significance as it covers the largest part of the history of film shows by "Cosmopolitan Motion Pictures", and cultural/social significance since it has been used to project a number of other language films (about 10 different languages) by the company. It also carries a secondary significance of rarity being the last used projector by the company at Galaxy Theatre.This metal (most probably steel) projector is part of a number of projectors owned by "Cosmopolitan Motion Pictures". It is in dark blue/grey colour and still operational to project 35mm films if needed. It has two inscriptions detailed below and was last used at Liberty/Galaxy Theatre in Brunswick in 1985 (for more details about the history of Galaxy Theatre follow this link http://technicolouryawn.com/?page_id=2988)INSCRIPTION 1 (red background) Westrex 14, High Intensity Arc Lamp, Serial Number A.5401018. Manufactured for Westrex (Australia) Pty. Limited by G.B.H. Electronic Laboratories - Made in N.S.W. Australia INSCRIPTION 2 (blue background) Westrex R4A Reproducer Made in Australia Western Electric Co. (Aust) Pty. Ltd.projector, film, culture, language, greek, entertainment, γιαννούδης, yiannoudes, προβολέας

John Millington Synge's plays were produced by the Irish National Theatre Society in 1905. Program notes reveal that the first performances "were the focus of some of the bitterest scenes ever witnessed in a theatre. Audience unrest ... grew to full-scale riots, and Yeats claimed that by the end of the week's run 70 police were keeping order inside the theatre, while 500 patrolled the streets outside".Unruly gatherings have been witnessed in the Athenaeum Theatre and Collins Street, such as in 1843, a year after the building was completed: "The first election for the Melbourne seat in 1843 turned into a sectarian battle between a Catholic and a Presbyterian candidate." Supporters of the losing candidate "massed outside the Mechanics Institution where the official declaration of the poll was to occur, and tried to storm the building. The police arrived and did disperse them but only to send them on a rampage throughout the town, ...("Building a Free Australia : Places of Democracy" by John Hirst, 2009)Paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, the playboy of the western world, john millington synge, athenaeum theatre, katy wild, riots

This magazine was first published in January 1959 and was a fortnightly edition which was distributed for free. The story is that in May 1963 at the National Theatre in Richmond when the film titled "KRYSTALLO" ("Κρυστάλλω") was about to be screened for the first time "Cosmopolitan Motion Pictures" thought of a very unique way of promoting it. Apart from the usual publications to the "Kinimatografikos Astir" (Film Star) magazine and the flyers, they decided to display on the theatre roof 25 live sheep in a scene from a typical Greek village stable with a shepherd etc. They also assigned the task of creating a large banner sized 2 metres by 8 meters approx. to an Australian artist (name unknown) to adorn the front of the National Theatre. When these sheep and the banner were finally displayed before the first screening there was so much traffic congestion created in front of the theatre that it became a standstill. Very quickly the police was informed and the RSPCA who attended and ordered the organisers to dismantle the setup of sheep on the roof as it was considered cruelty to the animals and that it was organised without a proper license. Nevertheless the film had so much success, that it was unprecedented for the times. First showing was 9th May 1963Primary historic significance to the Greek Film and Entertainment industries in Australia. Secondary Social and Rarity publication significance.Bi-weekly magazine size A4, published in black and white by "Cosmopolitan Motion Pictures" for the purposes of film shows and distributed free of charge."Κινηματογραφικός Αστήρ" magazine, entertainment, film, greek, language, publication, plutarch, yiannoudes

Speaking Made Easy is a registered name of The Penguin Club of Australia Inc which was founded in Sydney in 1937 by women for women. The late M. Jean Ellis O.B.E. was the co-founder of the Penguin Club and developed the organisation in each State and Territory of Australia, and in Port Moresby and Mount Hagen in Papua New Guinea. In an era when women were not so active in public life, one woman’s courage and foresight has inspired members during the decades to continue to support women to develop their speaking skills and become articulate, confident women in all aspects of their lives. Well-known Penguin Club members have included the late Margaret Whitlam, wife of the late former Prime Minister Gough Whitlam; Mary Tenison Woods, first female lawyer and public notary in SA; and Gertrude Johnson, Australian coloratura soprano and founder of the National Theatre in Melbourne.Grey cover booklet. The booklet has twenty pages and is titled the constitution of the Penguin Club of Australia. Incorporating amendments up to September 30th, 1949. published by Oxford Press, 2-4 Bedford St. Sydney. Aileen and John Ellison Collection.penguin club, consitution

Postcard - titled "Sturt St Ballarat Vic" showing the view along the south side of Sturt St from Grenville St looking west. Has tram No. 12 in the view, part way fitted with dash canopy lighting - c1960. In the view are the 8-hour monument, the T&G building, the Mechanics Institute advertising Davies Bread and Robur Tea, the Odeon Theatre, the National Mutual building, and the Town Hall. Yields information the buildings, buildings and scene along Sturt St from Grenville St.Postcard printed by Kodak and a copy photograph of Rose Stereograph Co. postcard, No P 13491 with trimming marks along the top edge.ballarat, trams, tramways, sturt st, town hall, tram 12, ballarat tramway

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes