white with navy trim - sleeve and bottomNavy bar on sleeveran, navy top

White. Navy colour with white trim sleeve and bottom, white and blue tiesblueran, navy top

Clothing. Ladies bathing costume. Ladies woollen bathing costume. One piece, sleeveless. Rust and navy top, navy bottom with skirt. Four loops for a belt ( not included).S & M Ganther swim suits, Knit to fit.Patented 4 July1922, pure Virgin wool . Granther & Mattern, San Francisco.costume, female, swimwear

Jewellery box, lower half and under lid covered in navy velveteen. Top, silver reposse' with black & white photograph of Collins St, Melbourne.(Paper label) Metal mounts, Made in England.keys, jewellery box, collins street melbourne

Part of Capt. William Robertson's collection. Early career in navy. Captain of S.S.Casino. RAN reservesSailor's cap: Navy and white topped sailor's cap with grey lining and navy ribbon6 7/8 size marking / 157 red inking marking on crown lininglocal history, uniforms, navy, robertson, mr or captain william, s.s.casino, royal australian naval reserve, hats

Square Beaded Edged Pin Cushion, Navy Velvet on top, wool work on Canvas back. stawell

The box was presumably made in Australia to be used as a gift container for Christmas gifts or greetings by people associated with the Mission or their acquaintances or family members. The box is dated and has the Mission to Seamen logo and description as a promotional way to describe and inform people of the Mission's purpose. The gift was sent by Mariner Merrylees to sister Marjorie in Manitoulin Island, CanadaThis everyday practical object represents in its function an acknowledgement by the Mission to Seamen organisation of the need for sailors and seafarers to stay in touch with friends and family at Christmas time and this sample box of a wartime Christmas marks a particularly difficult time in history for seafarers to stay in touch and connected with loved ones.Cardboard beige rectangular box in a small size, with blue stamped inscriptions on it detailing promotional information about The Missions To Seamen. The object also has a blue hand written inscription on it on the top side and also another hand written inscription at the back side detailing the recipient’s name "Marjorie". This object was sent to recipient with a coin bracelet inside (Reference: 600.2). Top side of the box, Christmas Greetings/1943/FROM/MELBOURNE/PORT MELBOURNE/WILLIAMSTOWN/THREE OF OVER TWO HUNDRED/CLUBS SCATTERED ALL OVER/THE WORLD TO SERVE/THE MERCHANT NAVY. Top right side of the box a flag crown and attached cord logo image, THE MISSIONS TO SEAMEN/MN Hand written inscription top side of the box, Jivaros Hand written underlined inscription back side of the box, for Marjoriecardboard box, christmas gift, mission to seamen, bracelet, canada, manatoulin island, seamen's mission, mission to seafarers, 1943, ww2, christmas, siblings, melbourne, port melbourne, williamstown, coins, robert leighton, marjorie merrylees, mn, merchant navy

This style of collar has a long history in the Royal Australian Navy, descending from the uniform style of the 19th century Royal Navy.Rectangular shaped collar with three white parallel lines running the border of the collar. Collar is light navy on top and striped white and blue on interior. Collar is held in place with nine buttons on the jumper, there are nine corresponding machine-stitched button holes on the collar. Handwritten on the interior at the back of the neck and on the edge of the square collar is "D. KRUEGER" On interior label on right side, "A.G.C.F./SIZE. 3/8406.66.078.0013/R.A.N./MADE IN/AUSTRALIA"royal australian navy, uniform, marine, australian defence apparel, ratings, collar

The Order of the British Empire was formed in 1917 to reward service to the British Empire in the United Kingdom and abroad. Originally having only a civil division, a military division was added in 1918 to acknowledge distinguished military service of a non-combative nature. The Order has five classes of appointment in each division and a medal of the Order. In descending order, the classes are: Grand Cross (GB); Knights and Dames Commander (KCB and DCB); Commanders (CBE); Officers (OBE); Members (MBE), and Medal (BEM). Mrs Joyce Hayward along with her husband Cyril, had a 30 year association with the Warrnambool Theatre Company. They acted, directed and produced a number of works from the 1950’s through to the 1980’s. Mrs Hayward taught drama and speech at Warrnambool High School and St Ann’s College. They both worked towards reviving the Warrnambool Arts Council.. They were involved in Christ Church choir, readings for the blind, Probus and Penguin club. They retired to Bribie Island in 1985. Joyce Hayward died aged 97 in 2007. Joyce Hayward played a significant role in the development of the performing arts in Warrnambool. The British Empire medal is an award of some importance and recognizes the contribution Mrs Hayward made to the Warrnambool Community. Both Mrs Joyce Hayward and her husband Cyril were awarded the British Empire Medal. Cream paper with black typed text. Navy blue seal at top. Framed in black and gold plastic frame. Governor General Commonwealth of Australia printed at top. warrnambool, joyce hayward, cyril hayward, british empire medal, joyce thora hagon hayward

A wooden shield with a blue insignia with a crown on top. Inthe centre is a silver anchor and written above is Royal Australian Navy At the top of the shield are H.Q. and A.F.V. on silver plaques.H.Q. A.F.V. Royal Australian Navyshield, hmas cerberus, cerberus collection

Netball uniform circa early 2000's. Navy sleeveless netball playing top /green panel w velcro on front for bibsother meeting, netball

On the 2nd of May 1999, Wilma Young (nee Oram) and Vivian Statham (nee Bullwinkel), survivor of the Vyner Brooke tragedy in 1942, unveiled the Memorial to Banka Island Nurses located in Point Walter Reserve, Honour Avenue, Bicton, Melville, Western Australia.Glossy finish, 6x4 colour photograph of two women by a pond in a park. The woman on the left (Wilma Young) is seated, wearing a floral jacket where her medals and her name tag are attached to the left side. The second woman (Dorothy Venosta) standing next to her is wearing a white unbuttoned short sleeved shirt over a navy blue top.'2A' [left top corner, reverse, black ink] 'Wilma Oram Young / & / Dorothy Venosta / at the unveiling of the Memorial / to Banka Island Nurses, / POW & deceased, Pt Walter, Perth W.A. / 2.5.1999' [black ink on reverse]wilma elizabeth forster young (nee oram), dorothy myra janet venosta, bangka island, memorial

The owner of this blazer pocket is currently unknown - relevant information will be located and added at a later date.This is a significant sample of a 1940-1950 blazer pocket.Blue-grey wool blazer pocket, with gold embroidered school crest with green fabric behind the gold lantern. It also has a navy ribbon on the top of the pocket.Words embroidered around the crest "Sint Lucernae Ardentes".education, school, morongo, geelong, girls, uniform, 1920 1994, boarding, presbyterian, uniting, blazer

Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This piece is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Ensemble consisting of sleeveless crop top (.1) and full length pants (.2). Bold floral print features blue and white flowers on a navy blue background. Top has a white Peter Pan collar. Swing tag attached.Swing tag: "SIZE 34 / STYLE 186/11 / PRICE $13.00".swimwear, watersun, david waters, ada productions, melbourne designers

Opened by His Excellency Sir Eric Neal AC CVO on 30 September 2001, the Memorial is located in City Park, Port Pirie, South Australia. The monument commemorates those who were lost at sea while serving with the Merchant Navy. Mr Noel Smith, a resident of Port Pirie, former Merchant Navy seaman and Port Pirie tugboat officer designed the memorial, found the anchor located on the top of the memorial during a dredging operation in a creek near the Nystar plant and wrote the poem inscribed on the main plaque. Front Inscription Lost Ones They live in the curl of the breaking wave, They sing when the sea winds blow, They lay not confined in a land locked grave, Nor in dim dark depths below. Do you hear them laugh in the rippling tide, Call free in the ocean breeze ? Do you see them soar where great gulls glide At peace with the fearsome seas ? They live still in the hearts of those who wait Held strong in the bonds of love 'Til their souls unite and congregate In God`s great harbour above. Noel Smith Merchant Seaman For those who were lost to the depths of the sea Emma Hindmarsh Left Side Inscription Memorial unveiled by His Excellency Sir Eric Neal AC CVO Governor of South Australia and His Worship the Mayor Ken Madigan Port Pirie Regional Council Memorial blessed and consecrated by Right Reverend Garry Weatherill Bishop of Willochra 30 September 2001Colour photograph of the memorial made of an anchor on a bricks and stones base with a black marble plaque titled The Lost Ones. The logo of the Merchant Navy, MN, on the top left corner of the plaque.merchant navy, mn, port pirie, memorial

The box was used for storing long gloves post W.W.II. The box was possibly later used as a pencil case. A long rectangular pale yellow plastic glove box with faux wood grain and a piano hinge. Engraved on the top in navy blue cursive script is the word 'Gloves', with extensive flourishes. 'Gloves'glove boxes, gloves, boxes, clothing storage containers

Clothing. Dark navy blue and red peaked hat or cap, with peaked shade over the face, featuring two heavy gold leaves 12 cm long, and curved from the sides of the shade, to meet in the centre. These may be woven or moulded gold work.A 1 cm wide black patent ribbon is held across the lower crown of the cap, with 2 x 2 cm diameter brass buttons - one at each end. Narrow braid (probably once gold braid) edges the 5.5 cm deep crown of the cap, which is dark navy in colour. A flat dark navy top of the crown is lined, and shaped on the underside with red woollen fabric. This is shaped to be wider and higher at the centre front. Two eyelets on either side of this section, ventilate the crown of the cap. A brass metal ''music stand'' topped by a crown and an oak leaf and acorn wreath at the sides is attached to centre front. A 5 cm wide leather band lines the crown, which is also lined with red cotton fabric, and a diamond shaped plastic ''hair-oil protection'' at the top of the crown.Inside crown, on a plastic protector, is a small white sticker, showing the number 7, this is probably an indication of size.costume, male uniform, civilian, cap

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. The decoration on this garment was embroidered by hand by a skilled worker at the Kathryn Knitwear factory Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.White short-sleeved polo jumper with patch pocket on left side of chest. Features a navy hand embroidered anchor motif on the patch pocket and navy accents on top edge of pocket and edge of collar. Style 853/P. .2 Cream paper tag with handwritten red text and printed blue text..2) [sample label] [OBVERSE] S/8 853/P – PULLOVER – ORLON – HAND EMBROIDER POCKET. 24” 26” 28” 30” 32” 34” 26/- 29/- 32/- 35/- 39/- 43/6 WHITE/NAVY. NAVY/WHITEchildren's knitwear, knitwear, clothing, children's clothing, cardigan, manufacturing, fashion textile production, machine knitting, embroidery, embroiderer, anchor, anchor motif, nautical, nautical fashion

Certificate to No 3363. Pte D. Scott 38th Battalion for gallantry in carrying messages under heavy fire near Bray 24th Aug 1918. Awarded Military Medal.Wooden frame with pink background, black and white photo of a man wearing glasses on either side of photo are two oval shaped flags that the top half navy blue and bottom half faded orange. Below in the centre is an Order Of The Day Certificate and medals on either side of the certificate.Left medal GEORGIVS V BRITT ??N REX ET IND IMP Hmilitary medals, pte d. scott, world war i

Handmade pale blue banner with chain stitched text in cream and gold cotton and chain stitched image in cream, gold, brown, green and blue cotton. The back is quilted in navy blue fabric. The top of the banner has four loops for hanging and it has a navy blue fringe at its bottom. NEPEAN UCAFuniting chruch adult fellowship nepean

Premiership cap presented to Hercules "Hec" Vollugi after Essendon won the 1901 premiership. Premiership caps were presented by both the VFA and the VFL until about 1924. The caps were traditionally made of navy silk. This one has had Essendon's colours embroidered on the peak in the shape of a shield. Vollugi was a fine wingman who played 70 games for Essendon from 1901 to 1906.Navy blue grosgrain silk cap with small peak; cap is divided into six segments separated by cream silk braid with navy button on top; embroidered badge in metallic and silk gold thread at front of cap; badge consists of monogram of interwined V F L with "Premiers" in a scroll beneath and "1901" beneath that; shield embroidered in red and black longstitch on peak. Cap is lined with "H. A. Vollugi 1901" handwritten in ink in centre."H. A. Vollugi 1901" is handwritten in ink on the inside of the cap

1. Older style Summer uniform, shirt insignia for Leading Seaman. 2. Summer Uniform Rank Insignia for Leading Seaman. 3. Winter Uniform Rank Insignia for Leading Seaman. Part of the O'Donahoo Collection.1. Rectangular white cloth badge with blue coloured fouled anchor embroidered in middle. Older style. 2. White coloured badge with square base and rounded top. Navy blue coloured fouled anchor embroidered onto badge. Edge overlocked with white thread. 3. Black coloured badge with square base and rounded top. Gold coloured fouled anchor embroidered onto badge. Edge overlocked with black thread.o'donahoo collection, leading seaman, rank insignia

Out in the Cold - Australia's involvement in the Korean War 1950 - 1953.Soft cardboard cover, black white & gold print on front, spine & back. Front cover has 3 black & white photos - top navy, middle air force, bottom army; with a muted black & white photo of a group of soldiers in a single file in the background. Spine has dark gold background. Book is black, front end paper & fly leaf black & white photo. 92 pages, cut, plain, white. Illustrated black & white & colour photos & maps.books, korea, military

A song composition by Helen Ellis, of Kew, first known to have been performed in 1942 at the BBC for the 'Shipmates Ashore Programme it was then published 1943. A copy of this song and one other composition the composer Helen Ellis is held by the National Library of Australia. Promotional text also indicates that the song was performed by the notable Australian singer Peter Dawson. The song "The M.N. ships get through" carries an important acknowledgement of the oft forgotten vital role of the Merchant Navy as carrier of goods and supplies, and especially so in wartime. The publication is of special significance to the MTSV as an example of the many skilled and creative women who have supported the Missions to seafarers.Commercially printed single fold music score for a 2 verse song and chorus. Front cover with blue band at top and lower edge features the Merchant Navy insignia at top left with depiction in half tone blue of a Merchant ship convoy and at right a sketched depiction of head and shoulders of a Merchant Navy officer with binoculars in hand. Music score and full text printed on p.2 and 3. The back cover features text of chorus and a handwritten notation in blue ink with reference to performance of the song on a BBC programme, 'Shipmates Ashore'.Back cover-handwritten notation in blue ink: "Sung by Raymond ?(indecipherable) in the B.B.C. London / 'Shipmates Ashore' programme,1942." This inscription is found after the printed sample of chorus words accredited to Helen Ellis, Central Club, Victoria, Mission to Seamen. See images for design and printing.peter dawson, music, sheet-music, composers australia, merchant navy, mn, helen ellis, ww2, shipmates ashore, bbc, 1942

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Children’s two-piece outfit set, consisting of a top and leggings. Knitted in colour blocks of navy, red and white. Top has ribbed navy bodice section with white stripe separating red skirt and closes at back neck with two navy plastic buttons. Leggings are primarily red, with a white stripe at the ankle and navy-blue feet. Leggings are constructed primarily as one piece and seamed up at centre back and inseam, with additional gusset piece..1) [tag stitched into back neck of top] KATHRYN REGD 100% ACRYLIC FIBRE SIZE 0 WEIGHT 10 LENGTH 76 MADE IN AUSTRALIA .3) [blue sample label] STYLE 574/ Pop Top and B’tts S.26. Acrylic. SIZES: 00 0 PRICE: $8.95 COLORS: Navy/Wht/Red Red/Wht/Navy P.Blue/Wht/Navy Dec on Del.knitwear, clothing, children's knitwear, children's clothing, manufacturing, fashion textile production, machine knitting, clothing set

Medals mounted together on a large badge awarded to WWII serving nurse Thelka Maitland Wells. The medals are: 1939-45 Star, Pacific Star, Defence Medal, War Medal 1939-45, Australia Service Medal [Pacific five].Array of five World War Two medals mounted together on a long pin. 1939-45 Star and Pacific Star are all made from yellow copper zinc alloy, with somewhat sharp 6 points. They each have a central textured design. The Defence Medal, War Medal 1939-45 and Australia Service Medal made from nickel-silver, the fronts have various central and textured designs. Their ribbons are tactile, in various colours including dark blue, red, pale blue, white, green, yellow, orange, pale green, royal blue and black. All medals are attached to a copper coloured metal bar and pin. There is also a set of matching miniatures and a WWII metal badge with two loops on the reverse and the front embossed with army, navy and airforce emblems topped with a crown and set on a boomerang, and 'RETURNED FROM ACTIVE SERVICE' in text.'VFX53661 / T. M. WELLS' [Stamped or engraved on the back or bottom edge of each full-sized star and medal]wwii, ww2, world war 2, medals, war medals, thelka maitland wells