Robin Boyd met architect Neil Clerehan at the end of 1943 when they were both in the army. They worked together on Victorian Small Homes Service and were friends.Watercolour of a mining building in an outback landscape.On the reverse side "Neil Clerehan, 1945" on top left in blue pen, and "No 8" on bottom right in pencil.neil clerehan, robin boyd, ohm2022, ohm2022_29

The first article 'Robin Boyd dies, aged 52' contains an announcement of Robin Boyd's death and summarises his career. The second article, 'Achievements of a lifetime', is written by Patrick McCaughey, and the third article, 'A friend remembers', is written by Neil Clerehan. Each pays tribute to Robin Boyd in a different way. First of three articles.walsh st library, robin boyd, tribute

The first article 'Robin Boyd dies, aged 52' contains an announcement of Robin Boyd's death and summarises his career. The second article, 'Achievements of a lifetime', is written by Patrick McCaughey, and the third article, 'A friend remembers', is written by Neil Clerehan. Each pays tribute to Robin Boyd in a different way. First of three articles.walsh st library, robin boyd, tribute

This issue of 'Architect' is a tribute to Robin Boyd's life and work following his death on 16 October 1971.Soft Cover MagazineInscription inside front cover from Neil Clerehan - "Patricia: This is the first copy off the press. Many errors. Bad register on colour pages etc etc etc but it's here. for you. from Neil, Dec 10 '71". Retrospective of Robin Boyd's life and work.robin boyd, architecture, australian architecture, walsh st library

Soft Cover Magazinearchitecture, australian architecture, walsh st library

This issue was 'Architect' is devoted to the life and work of Robin Boyd who died on 16 October 1971.Soft Cover Magazine, Issue is dedicated to Robin Boydrobin boyd, architecture, australian architecture, walsh st library

Soft Cover Magazinearchitecture, australian architecture, walsh st library

Soft Cover Magazinearchitecture, australian architecture, walsh st library

Soft Cover Magazinearchitecture, australian architecture, walsh st library

Hardcoverwalsh st library

This is a review of Robin Boyd's book 'The Puzzle of Architecture'. Newspaper clipping. the puzzle of architecture, walsh st library

Hardcover"Neil Clerehan" inside front coveramerican wit, humour , walsh st library

Hardcover w/ Dust JacketCorrigenda inside. Entry for Robin Boyd (Written By Neil Clerehan) is on pp. 237-240biography, dictionary, australian biography, walsh st library

This is a reprint of the article by Robin Boyd published in Architectural Review, Vol.134, No.801, pp. 324-334. It most likely was a gift to Robin Boyd's friend, the architect Neil Clerehan. (It was donated to the Foundation in 2021). See also item P1271."For Neil - Robin" in Robin Boyd's handwritingarchitecture, walsh st library

This letter from Dr John Ritchie, General Editor of the Australian Dictionary of Biography informs Patricia Boyd Davies that Robin Boyd's biographical entry will be included in Volume 13 of the Australian Dictionary of Biography. It says that Geoffrey Serle is in possession of a draft of the entry. Note: Neil Clerehan, and not Geoffrey Serle, is the author of the entry first published in Australian Dictionary of Biography, Volume 13, 1993.One page letter plus seven page photocopy of the draft ADB entry for Robin Boyd in envelopePatricia Davies (formerly Boyd) has written on envelope 'Dr John Ritchie'

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The Ernest House (former) at 75 Walpole Street was designed by Harry Ernest in 1955/56. It is one of ten Victorian dwellings in Neil Clerehan’s important 1961 book Best Australian Houses, which illustrated cutting-edge residential design of the day. The house is also significant as Harry Ernest’s first residential commission, introducing elements that characterised his subsequent output.This drawing of the house is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 75 Walpole Street, Kew by Margaret Picken.75 WALPOLE ST., KEW / MARGARET PICKEN '90 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 75 walpole street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The Ernest House (former) at 75 Walpole Street was designed by Harry Ernest in 1955/56. It is one of ten Victorian dwellings in Neil Clerehan’s important 1961 book Best Australian Houses, which illustrated cutting-edge residential design of the day. The house is also significant as Harry Ernest’s first residential commission, introducing elements that characterised his subsequent output.This drawing of the house is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 75 Walpole Street, Kew by Margaret Picken.75 WALPOLE ST., KEW / MARGARET PICKEN '90 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 75 walpole street -- kew (vic.)