The photograph is part of a series of five, depicting the Aniston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Aniston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ANISTON IN DRY DOCK / HOBOKEN NEW JERSEY / 26.8.47 / D (in pencil). There is also a small blue mark in the bottom left hand corner.allan-quinn, photograph, aniston, dry-docks, hoboken, new-jersey

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

The model has yellow cream deck on grey body and red bottom. It stands on greay base with texts "U.S. BATTLESHIP BB-62 NEW JERSEY". The ship has 3 turrets, 2 at the front, 1 at the back and a helicopter standing at the end.U.S. BATTLESHIP BB-62 NEW JERSEY LENGTH OVERALL 270.5m BEAM 32.95m DRAUGHT 116m DISPLACEMENT STANDARD 45000H DISPLACEMENT MAXIMUM 59000H POWER 212000HP SPEED 33KTmodel - combat ship, uss new jersey, uss forrest sherman

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of the battleship USS New Jersey refurbished at a cost of US$27 million to engage targets, as far as thirty (30) miles inside North Vietnam. The New Jersey was recommisioned after President Nixon stopped the aerial bombing of the Northphotograph, tonkin gulf, president nixon, gibbons collection catalogue, uss new jersey, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of the American 7th Fleet battleship, the USS New Jersey, operating on the Gunline, Tonkin Gulf, North Vietnam during 'Operation Sea Dragon'. This is the aft view.A black and white photograph of the American 7th Fleet battleship, the USS New Jersey, operating on the Gunline, Tonkin Gulf, North Vietnam during 'Operation Sea Dragon'. This is the aft view.photograph, 7th fleet, uss new jersey, operation sea dragon, tonkin gulf, gibbons collection catalogue, denis gibbons, photographer, vietnam war, gunline, north vietnam

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A coloured Photograph of an artists impression by Lt Com E Ramstead of the US Battleship USS New Jersey which operated with the US 7th Fleet in the Tonkin Gulf, North Vietnam, as a major gun platform on the "gunline",engaging North Vitnamese targets.photograph, uss new jersey, tonkin gulf, 7th fleet, gibbons collection catalogue, lt com e ramstead, us battleship, north vietnam, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of the American 7th Fleet Battleship, the USS New Jersey operating on the "Gunline", Tonkin Gulf, North Vietnam. During 'Operation Sea Dragon' they open fire on land targets thirty miles inside North Vietnam. The one (1) ton shells had a special 'rocket assist'.photograph, us 7th fleet, uss new jersey, tonkin gulf, gunline, operation sea dragon, gibbons collection catalogue, photographer, vietnam war, denis gibbons, north vietnam

Electric Motor driven automotive horns were commonly used from circa 1915 to circa 1935 on cars, trucks and some tractors They make a distinctive deep and loud 'Ahooga' growl sound. Commonly used on American made automobiles, but also on a few European makes.Car horn: 'North East Electric Co' Electric Motor Driven , 12 Volt made by North East Electric Company of Rochester, New Jersey, U.S.A. 1920's When horn button, usually on top of steering wheel, is pressed, the current activates the motor, which turns on a toothed ratchet, producing a 'Ahooga' sound, which is greatly magnified through the trumpet at the front.Brass badge, acid etched: "North East Electric Co./ Rochester, New Jersey/Pat Pen/Model X/Volt 12/Serial No"; with 'North east Electric' logo on leftcar horn, vintage car horn, klaxon horn, motor driven horn

Note associated with this photograph, "Removed from Record Book (B91.453) labelled, 'Stock Breeding Record,' Purple and Black [cows.]" Note by T.H. Kneen 8 April 1992, "Jersey cows moving from pastures at west end of property past the Egg-Laying Competition pens, heading for the milking shed."Sepia photograph. 3 jersey cows walking beside a fence with egg laying pens behind. Man walking behind them.stock breeding record, cows, jersey cows, egg-laying competition, dairy, lagoon paddock, milking shed, poultry pens, stockman

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Ariston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ARISTON IN DRY SOCK / 26.8.47 / D (handwritten in pencil). There is also a small mark in blue ink in the bottom right hand corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, ariston

Unframed realistic drawing of a jersey cow.christine rushworth, drawing, cow

This football jersey was worm by R. A. Slocombe while a member of the 1st XVIII in 1935. Mr Slocombe was in year 11 at the time. The item was badly damaged while in storage during World War 2. It is the only example of 1930's sport attire held by the schoolThe jersey has social significance because it exemplifies uniform requirements and manufacture during the 1930's. A black sleeveless, knitted, woollen football jersey with red collar. It has an 11cm wide red band on waist and a thin gold line 4cm above the hemline. There is a cotton bound neck opening with 3 buttonholes on left side of garment (buttons missing). The College insignia has been roughly appliqued at left breast. football, football jersey, sport uniform, 1936, r a slocombe

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This single sheet of typed paper has the printed header of the New Zealand Brass Bands' Association and is a letter of reference for Frank Wright signed by John G Osborne, the Secretary. The typing is purple.Signature in penfrank wright, john g osborne, new zealand brass bands' association, reference

Blue and gold Ballarat School of Mines Cycling Jerseytime capsule, cycling jersey, ballarat school of mines

Framed document. Governor Bruce King of The State of New Mexico issued a Proclamation Recognising Australian Contribution in Vietnam and Proclaiming October 2nd 1992 as "Australian Vietnam Forces Canberra Memorial Day"Seal of The US Secretary of State Signatures of Sec of State and Gov New Mexicoframed document, governor bruce king

ill, maps, p.304.non-fictionAn illustrated history of the Railways of New South Wales from 1855-1955 created to celebrate the centenary of the railway.railroads -- new south wales -- history., railways -- new south wales.

In 1932 the call was put out to the ABC to start a military band. The band’s task was to record music to play on air four times a week, and to perform live concerts for the public. By November 1933 a band was put together with 40 musicians from around Australia. The band was initially conducted by Captain H. E. Adkins, Director of the Royal Military School of Music, Kneller Hall, London. After the tour, Adkins returned to his position at Kneller Hall, and Stephen Yorke, a retired bandmaster of the Gloucestershire Regiment, was brought out to Australia to become the permanent director and conductor of the band, which he did until the band closed in 1951. During the band’s 17 year history they presented a sizable program of music. Their final concert received a standing ovation from its audience of 1500, with a teary-eyed Yorke. 34 parts concert band instrumentation Quick March Key Signature: Bb Major Instrumentation: Solo Bb Cornet (with Conductor pencilled) Eb Flute & Piccolo Oboes Eb Clarinets 1st Bb Clarinet 2nd Bb Clarinet 3rd & 4th Bb Clarinets 1st Bassoon 2nd Bassoon Eb Alto Saxophone Bb Tenor Saxophone Solo Eb Saxhorn 1st Eb Horn 2nd Eb Horn 3rd Eb Horn 4th Eb Horn Eb Trumpets Eb Soprano Cornet 1st Bb Cornet 2nd Bb Cornet 3rd & 4th Bb Cornets 1st Trombone (Tenor Clef) 2nd Trombone (Tenor Clef) 1st Trombone (Bass Clef) 2nd Trombone (Bass Clef) Bass Trombone 1st Bb Baritone 2nd Bb Baritone Bb Euphonium (Treble Clef) Euphonium Bombardon Bb Bass (Treble Clef) Side Drum Bass DrumOn envelope: QM146, On Jersey Shore Pryor, Q124, 291 (Scrubbed out) Stamped on the reverse of each card: Australian Broadcasting Commission *Sydney*, The Property of Musical Director & Arranger Charles Godfreybrass band, australian broadcasting commission, marching band, concert band

Compiled by the Geological Survey of N.S.W., Division of Regional Geology. Topographical base compiled from Snowy Mountains Hydro Electrical Authority, Department of Lands, County maps and Snowy Lease Map. Other sheet adjoin this map. There are 13 formation sections grouped into 9 - Quaternary, Tertiary, Middle Devonian, Lower to Middle Devonian, Lower Devonian, Upper Silurian, Silurian, Upper Ordovician and Ordovician.Large coloured map showing geological features, faults, bores, rivers and mineral deposits.Scale of map, longitude and latitude, river names. "Tallangatta 1:250,00" written in black pen.tallangatta, new south wales, geological survey, topographical base, snowy mountains hydro electrical authority, department of lands, snowy lease map, department of mines, quaternary, tertiary, middle devonian, lower to middle devonian, lower devonian, uper siluran, silurian, upper ordovician, ordovician

maps, p.55.non-fictionA submission to the Government of New South Railways about the future of the New South Wales Rail Transport Museum at Enfield Sydney NSWenfield railway museum - sydney nsw, tourist railways and museums - australia

Ill, p.48.non-fictionDescriptions of New Zealand railway accidents railway accidents - new zealand, railway safety - new zealand

ill, p.22.non-fictionPhotographs promoting the New Zealand Government Railways in around 1952.railways in new zealand - promotion, railway rollingstock - new zealand

index, ill, maps, p.248.non-fictiona history of the railways in New South Wales up to 1988 the bicentenary of the colonizing of Australia.railroads -- australia -- new south wales -- history., state rail authority of new south wales -- history.

ill, p.32.non-fictionDetails and statistics about the New Zealand Government railway in 1981.railroads -- new zealand., railroads - new zealand - pictorial