Nola (Nettie) Maher was born in Beechworth on 31st December, 1935. Her father returned from World War One and purchased a miner’s cottage in 1919 where Nettie lived in for the majority of her life. Nettie worked for ten years at the Pittman’s Shoe Factory, once located on Ford Street, which was in operation from 1 July 1947 to 28 August 1961. She fondly recalls the camaraderie amongst the staff and certain managers, and details the factory processes, union activities and the work she continued to do once she was married and had children. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Nola Nettie Maher’s account of her personal and working life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She details important details about life and working in the region post World War Two, including insights into women’s working roles, as well as the social aspects of town life. This oral history account is socially and historically significant as it is part of a broader collection of interviews conducted by Jennifer Williams which were published in the book ‘Listen to what they say: voices of twentieth-century Beechworth.’ While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town’s residents during the 20th century, many of which would have been lost had they not been preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Nola Maher /beechworth, nola maher, nettie maher, listen to what they say, jennifer williams, oral history, hospital, private hospital, birth, miner’s cottage, kerosine, eucalyptus, rabbit, laundry, dressmaking, dressing certificate, dry cleaners, hotel, shoe, leather, shoe factory, uppers, pittman, ford street, charlie king, union, wages, new years eve, dance, memorial hall, married women, flexible hours, ice cream, milk bar

Black and white photograph Nola Mills and Alana Guillot at Miss Australia fundraising event supporting Leonie Butcher. Lakes Entrance Victoriabeauty competition, fashion, fundraising

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for International bookplate designers and graphic artists.Image of masqueraded lady holding fan and book with Ex Libris on book cover and initialled MK on spine with Nola D on right corner and signed Mary Keep in the plate.Inscribed Mary Keep in pencil in plate below image. mask, masquerade, fan, gloves, book

Black and white photographList of student names attached to photograph: Back row (L-R): Peter Hodgson, Peter Fry, Ralph Stoel. Kevin Kane, Terry Dicini, Rod Young, Colin Warren, Michael Cotter, Daryl Pike, Gordon Schultz, Sid Gruar, Neil Reid. 3rd row: Carol Maggs, Susan Libby, Barbara Hill, Leonie Stirling, Dalia Karvellis, Margaret King, Pam Daniels, Marjorie Reynolds, Barbara Holden, Nancy McDonald, Lyndal Keene. 2nd row: Margaret Vergers, Juan Harris, Wendy McIntyre, Lorraine Norman, Lynette Reid, Anne Whitehouse, Dulcie Ellis, Carol Bruce, Margaret Seamon, Nola Burns, Ruth Chandler, Janice Mills. Front row: Barry Wedlock, Gordon Bould, Ken Baker, Bill Mann.

Ringwood Mail 9 October 1991 "What's happening at Eastland" article Refer to Artists in the Ringwood Area book (Russ Haines OAM) for further details

Ringwood Mail 6 September 1989 Refer to Artists in the Ringwood Area book (Russ Haines OAM) for further details

Hard cover book with dust cover. Hard cover - cardboard, gold colour buckram with white print front and spine. Dust cover - paper, with folded edges top and bottom. Dark grey coloured background with white and gold print on front, spine and back. Illustrated with front two two red poppies and names frtom Roll of Honour. Illustrations on spine - in colour portion of stained glass windows. 611 pages, cut, plain white, illustrated in colour, black and white photographs. Front and back end papers - dark grey colour, illustrated monochrome photographs. Bookmark - ribbon - brown. books, military history, australian war memorial

Currently, over 16,000 Indigenous students and 13,000 non-Indigenous students located in 260 Australian schools are involved in an Indigenous language program. More than 80 different Indigenous languages are taught. This project sought to present practice which would strengthen the quality of Indigenous language programs in schools. The report consists of a literature review, a mapping exercise to document current practices relating to Indigenous languages in Australian schools, an analysis of existing models of teacher preparation, and six case studies of good practice examples.colour illustrations, tables, word listseducation, curriculum development, language revival, language maintenance programs

Pt 1 History and contexts: 1. Australian Aboriginal and Torres Strait Islander mental health: an overview 2. A history of psychology in Aboriginal and Torres Strait Islander mental health 3. The social, cultural and historical context of Aboriginal and Torres Strait Islander Australians 4. The policy context of Aboriginal and Torres Strait Islander mental health Pt 2 Issues of Aboriginal and Torres Strait Islander mental health and wellbeing: 5. Mental illness in Aboriginal and Torres Strait Islander peoples 6. Social determinants of Aboriginal and Torres Strait Islander social and emotional wellbeing 7. Preventing suicide among Indigenous Australians 8. Anxiety and Aboriginal and Torres Strait Islander young people 9. Substance misuse and mental health among Aboriginal Australians 10. Trauma, transgenerational transfer and effects on community wellbeing 11. Indigenous family violence: pathways forward Pt 3 Mental health practice: 12. Working as a culturally competent mental health practitioner 13. Communication and engagement: urban diversity 14. Issues in mental health assessment with Indigenous Australians 15. Reviewing psychiatric assessment in remote Aboriginal communities 16. Promoting perinatal mental health wellness in Aboriginal and Torres Strait Islander communities Pt 4 Working with specific groups: models, programs and services: 17. Ngarlu: a cultural and spiritual strengthening model 18. Principled engagement: Gelganyem youth and community well being program 19. Dealing with loss, grief and trauma: seven phases to healing 20. The Marumali program: an Aboriginal model of healing 21. Mental health programs and services.colour photographs, tablesmental health

Hard cover book with dust cover. Hard cover - cardboard, gold coloured buckram with white coloured print front and spine. Dust cover - paper with folded edges top and bottom. Background - dark grey coloured with white and gold coloured print on front, spine and back. Illustrated front - two red poppies and names from Roll of Honour. Spine - in colour is a portion of a stained glass window. 611 pages, cut, plain white coloured paper. Illustrated colour, black and white photographs. Front and back end papers - dark grey colour, illustrated monochrome photographs. Bookmark - ribbon, brown coloured.publications, books, military history, australian war memorial

This items was part of the Ivy Wilson Collection. Ivy Wilson married Frederick Henry Russell on 23 December 1933 at St Mary's Church of England Caulfield, and had one daughter - Nola. Ivy died on 17 November 1998 at Caulfield.Photograph of the actor Thomas Meighbar. Gift of Nola Jones, daughter of Ivy Wilson, 2016ivy wilson, theatre, silent movies, actress, hollywood, thomas meighan

This items was part of the Ivy Wilson Collection. Ivy Wilson married Frederick Henry Russell on 23 December 1933 at St Mary's Church of England Caulfield, and had one daughter - Nola. Ivy died on 17 November 1998 at Caulfield.Photograph of the Canadian actress Mary Pickford in a lace dress. Gift of Nola Jones, daughter of Ivy Wilson, 2016ivy wilson, mary pickford, theatre, silent movies, actress

This items was part of the Ivy Wilson Collection. Ivy Wilson married Frederick Henry Russell on 23 December 1933 at St Mary's Church of England Caulfield, and had one daughter - Nola. Ivy died on 17 November 1998 at Caulfield.Photograph of the Canadian actress mary Pickford in a lace dress. Gift of Nola Jones, daughter of Ivy Wilson, 2016ivy wilson, theatre, silent movies, actor, rudolph valentino, performing arts

Ivy WILSON (1907-1998) Ballarat | Australia Ivy Wilson was born on 05 July 1907 to Charlotte and Edward Wilson of 167 Mair Street, Ballarat. She attended Humffray Street Primary School and the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1922. Wilson's student folio contains several stencils hand-cut from paper and card. Among them are stylised graphics of correa, waratah, gum, and kangaroo apple as well as kookaburras, cockatoos and a koala. With diverse applications, stencilling attracted a range of students at the Ballarat Technical Art School. Stencilling was applied to interior surfaces like cushions and curtains. Commercial briefs included wall friezes and murals. One of Wilson's examples, a wreath was subsequently translated into embroidered needlework. Wilson’s folio possibly consists of mostly junior technical work, as she appears to only have sat a single senior Education Department examination, Drawing Plant Forms from Nature. Alternatively, given her focus on textile-based arts, she may have been an evening trade student. Ivy Wilson married Frederick Henry Russell on 23 December 1933 at St Mary's Church of England Caulfield, and had one daughter - Nola, who gifted this folio to the University’s permanent Historical Collection. Ivy died on 17 November 1998 at Caulfield.Silver cloth covered photo album of artworks by Ivy Wilson. Gift of Nola Jones, daughter of Ivy Wilson, 2016 Contains original stencils, plus four photographs of a works kept by Ivy Wilson's family (2016).(Handwritten note) This art is the work of Ivy Wilson. born" 5th July 1907 to Charlotte & Edward Wilson of 17 Mair St. Ballarat. Attended Humffray St. Primary School and Ballarat School of Mines 1922. Married: Frederick Henry Russell December 23rd 1933 at St Marys CofE Caulfield Died 17th November 1998 at Caulfield. Mother of one daughter, Nola. ivy wilson, ballarat tecnical art school, artwork, dana street primary school, alumni, stencilling, stencils, embroidery, textiles, design

In around 1990, the Arthritis Foundation of Victoria conducted an Arthritis Self Management Workshop. This photo depicts eight participants pairing up for some floor exercises. They are (from left to right): Bill Cahill sitting on Allen Stewart, Jodie Bowmeester sitting on Margaret Bick, Nola Jew sitting on Pauline Ruse, and Esme Hemburrow sitting on Doris Morris.Colour photo of eight people taking part in an exercise workshop. Four of the people are lying on their backs on some blankets, while the other four people are sitting across them while kneeling on the blankets. They are in a large hall with brick walls.[Handwritten in black ink] L. to R. Bill Cahill sitting on Allen Stewart Jodie Bowmeester on Margaret Bick Nola Jew on Pauline Ruse Esme Hemburrow on Doris Morrisarthritis foundation of victoria, afv, arthritis self management workshop, bill cahill, allen stewart, jodie bowmeester, margaret bick, nola jew, pauline ruse, esme hemburrow, doris morris, c1990

This dress belonged to Nola Jennings, a long-time Brighton resident. Nola purchased and wore this in the 1960s; she recalls that navy and fluorescent yellow were a popular colour combination at the time.Sleeveless navy blue crepe dress. Scoop neck and high waist. Bodice features three self-covered fluorescent yellow buttons and fluorescent yellow bow. Two fluoresecent yellow stripes around hem. Zip at back. Label, cream with green text: "STYLED BY / Zal Miller / OF MELBOURNE" Two smaller labels attached underneath: "crepe / Finesse / an Alcorso fabric / 100% TRIACETATE / washable" and "XSSW".nola jennings, zal miller, 1960s, melbourne designers, flinders lane

Shop was purchased from John and Lorraine Britton, it was previously known as Patties Cake Shop, Esplanade Lakes Entrance Victoria Australia opened under new name 1st March 1993Black and white photograph of Jason and Nola Mills of Janola's Bakehouse Shop 6 Centrepoint Arcade Lakes Entrance Victoriabusinesses, tourism, commerce

Women's B grade champion 1995: Nola Mills and caddy Lucy RasingColour photograph of women with trophiesheidelberg golf club, women's champions, hgc women's golf

Women's HGC Bowl winners 1996: Barb Aylen, Nola Mills and Alison RosebyColour photograph of women with trophiesheidelberg golf club, hgc women's golf, heidelberg bowl

Taken in 1994, this photograph depicts the reunion of four women, all of whom were former workers at the Beechworth Shoe Factory. Pictured from left to right are: Nettie Maher, Beryl Pope, Alice Adams and Leila Doig. Nola (Nettie) Maher, who donated this photograph to the museum in 2001, was born in Beechworth on the twenty-first of December 1935. She is one of the many - primarily women - workers employed by the Beechworth Shoe Factory (also known as Pitman's Shoe Factory). Once located on Ford Street, the factory was established by Mr T. Nagle Pitman as a branch of the company Elgins Shoes, and was in operation from the first of July 1947 to the twenty-eighth of August 1961. In an interview given in 2000, Nettie recalls the close trust and friendships that were built amongst the factory workers. A sense of this bond is reflected in this reunion photograph, taken several decades later. This photograph is historically significant as it provides insight into the experiences of women factory workers in Beechworth during the twentieth century. Colour rectangular photograph printed on matte photographic paperReverse: 13 / 6981 /beechworth shoe factory, pitman shoe factory, t. nagle pitman, reunion, female friendships, nola maher, nettie maher, beryl pope, alice adams, leila doig, beechworth shoe factory reunion 1994, elgin shoes, women factory workers, beechworth factories

Club members Bernie Healy, Nola Mills, John Nation, Kevin Hartley (course architect) 2001, Heidelberg Golf ClubColour photograph of men on a golf courseheidelberg golf club, hgc members

From Ringwood Post 19 May 1993. Art Society President was Nola Clarke. Refer to Artists in the Ringwood Area book (Russ Haines OAM) for further details

This dress belonged to Nola Jennings, a long-time Brighton resident. Bindi of Melbourne was the youth label of Australian commercial fashion house Len Vogue.Long-sleeved crimplene dress (.1) with white bodice and short purple skirt. High collar, cuffs and waist have a purple and yellow checkerboard-patterned trim. Four self-covered buttons down the centre front of skirt. Zip at back. Long purple tunic vest (.2) worn over the top.Label in both dress and vest, white with black text: "Fashioned for / Bindi / of MELBOURNE" Two smaller labels at bottom: "SIZE 10 / TO FIT / BUST 32" / HIP 34"" and "CRIMP TERY. / C 145 4".nola jennings, 1960s, bindi of melbourne, len vogue