Sargent's, Mess Royal Air Force, Brize Norton Royal Air Force Brize Norton or RAF Brize Norton in Oxfordshire, about 65 mi (105 km) west north-west of London, is the largest station of the Royal Air Force. It is close to the settlements of Brize Norton, Carterton and Witney.Sgt's Mess Royal Air Force Brize Norton, R.A.F. Station, Oxfordshire, U.K. - Rules of Sergeant's Mess

Three 6x4" colour photos Croydon Wetlands, late 1999, Norton Rd end of the park plus three digital (PNG) photos only.On reverse, handwritten notes: Image 1 Wetlands, late 1999, Norton Rd end of the park. Image 2 Wetlands, late 1999, Norton Rd end of the park. Image 3 Wetlands, late 1999, Dandenong Creek Site, Norton Rd end park, Croydon.

1939 Norton Motorbike & sidecar at Sister Rocks c 1947 photo by Ken Withers owner of motorbike on road trip with future wife through area from Ballarat.Black & White photo of a motorbike in front of large Granite Boulders at Sister Rock's in c 19471939 Norton motorbike and side car at Sister Rocks in 1947 Photo donated by Ken Withers Ballarat 15.10.2009tourism

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

The Divine Comedy of Dante Alighieri ( Book 2 Purgatory) Author: Dante Alighieri Translated by C E Norton Publisher: Macmillan And Co Date: 1891 fictionThe Divine Comedy is a 14th-century epic poem that serves as a profound allegory of the soul's journey toward God. It is divided into three parts (Inferno, Purgatorio, and Paradiso). In book two, Purgatory follows Dante and his guide, the Roman poet Virgil, as they leave the horrors of Hell behind and climb Mount Purgatory. While Hell is structured as a funnel descending into the earth, Purgatory is a massive mountain in the Southern Hemisphere consisting of seven terraces, each representing one of the Seven Deadly Sins (Pride, Envy, Wrath, Sloth, Avarice, Gluttony, and Lust).flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the divine comedy of dante alighieri ( book 2 purgatory), dante alighieri, c e norton

The Divine Comedy of Dante Alighieri ( Book 3 Paradise ) Author: Dante Alighieri Translated by C E Norton Publisher: Macmillan And Co Date: 1892fictionThe Divine Comedy is a 14th-century epic poem that serves as a profound allegory of the soul's journey toward God. It is divided into three parts (Inferno, Purgatorio, and Paradiso). In book two, Purgatory follows Dante and his guide, the Roman poet Virgil, as they leave the horrors of Hell behind and climb Mount Purgatory. While Hell is structured as a funnel descending into the earth, Purgatory is a massive mountain in the Southern Hemisphere consisting of seven terraces, each representing one of the Seven Deadly Sins (Pride, Envy, Wrath, Sloth, Avarice, Gluttony, and Lust).flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the divine comedy of dante alighieri ( book 2 purgatory), dante alighieri, c e norton

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a black and gold label. Title: Listenin" In On Ruby Norton Artist: Ruby Norton. Publisher: The Lincoln Record Corporation N.Y. Number:2174 835 Size: 10 inchflagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, the lincoln record corporation n.y. 2174, listenin in on ruby norton, ruby norton, 835, 10 inch

Catalogue of lists of loom parts and a description sheet for the Northrop Automatic Worm Let Off Motion. "Sir James Farmer Norton & Co Ltd" - Noel P Hunt & Co Pty Ltd.Black hardcover loose leaf folder.textile machinery, noel p. hunt and co. pty ltd sir james farmer norton & co ltd british northrop loom co. limited, weaving looms, warping machinery

This sharpening stone was likely manufactured in the late 1940's to 1950's in Littleton.In 1932 the NORTON Company purchased the PIKE Manufacturing Company and changed the name to Norton Pike Company. In 1946, ground was broken for a one story brick and steel factory building in Littleton, New Hampshite was completed and occupied in the next year.Emery carborundum stone for honing shaving razors, produced by Norton Pike Company USA after 1932. It is contained in a cardboard box with directions for use on the cover. On the left hand side of the cover are numbers: '4/9', '5/45' and lettering: EK, with a backward arrow underlined underneath and below that a 'H' shaving, barber tools, norton pike co, christenson harry

Interpreting from the details that can be read it is believed that on 6/3/1912 Mr. M. Norton paid by cheque the sum of 5 Pounds 19 Shillings and 5 Pence, of which 5 Pounds 3 Shillings and 11 Pence was for a Summons possibly issued on 23/2/1912, while 15 Shillings and 6 Pence was the charge for the costs of the Summons. This is not a document issued by a Court of Law so use of the word 'Summons' is confusing to us at this stage. Was it just standard practice to send out a bill and call it a Summons, or was Mr. Norton late in paying and so had to pay an extra charge after being 'summoned' a second time. Could this receipt be part of a 'promissory note' exchange, payment for which had to be summoned? Another thing that can't be explained at this stage is the use of the symbol % after the amount of money written in figures, just after the Pence amount. The symbol for Pence in those days, and until decimal currency, was d as can be seen from the Duty Stamp. In 1912 and before did % also stand for Pence when the money amount was written by hand, or could it have been a shorthand way of indicating something like 'portion of amount'? This receipt is very intriguing and so we will endeavour to try to fully understand the information it contains. If any person can provide information that may assist us, then please contact the Sunshine & District Historical Society. The receipt is significant to our Society because it was issued by Sunshine Harvester / Hugh V. McKay more than 100 years ago. It also appears to contain information that at this stage is not fully understood, such as the use of the % sign, and why the word summons is used. Of further interest, but perhaps not surprising for the times, is that only Mr. is printed on the receipt. It appears that they never expected to issue these type of receipts to females.Very light tan coloured paper receipt No.1773 issued on 6/3/1912 by Sunshine Harvester / Hugh V. McKay to Mr M. Norton. The receipt has fire damage on the left side and so some details are missing. Details are hand written in ink in the spaces provided. A greenish coloured one penny (1d) Victoria Stamp Duty stamp is affixed.6 3 1912 ......ved by Cheque from Mr. M Norton ......ne the sum of Five ...... nineteen Shillings and five Pence, with ......being £5.3.11% of Enclosed Summons 23. 2.12 & 15/6 % Costs of Same.receipt no. 1773, sunshine harvester, hugh v. mckay, mr m. norton, 1912, victoria stamp duty, 1d

Ill, p.341.non-fictionStory of the captivity, experiences and escapes of of British airmen in World war Two.world war 1939-1945 - prisoners of war - germany, world war 1939-1945 - personal narratives

Index, ill, maps, p.443.non-fictionHow could an ordinary town become a site of...terror? Why was this particular town chosen? Who conceived, created, and constructed the camp? This unprecedented history reveals how an unremarkable Polish village was transformed into a killing field. Using architectural designs and planning documents recently discovered in Poland and Russia and over 200 illustrations, Auschwitz tells how this town became the epicenter of the Final Solution. auschwitz concentration camp - history, holocaust - jewish - 1939-1945

Illustrated textbook with red binding and black printnon-fictionAn historic textbook for student and post graduate nurses on the essential points of nursing patients with diseases of the chestnursing, medical equiptment, thoracic surgery

Black and white portrait of Colin Kirkcolin kirk

ill, p.96.non-fictionA collection of railway stories from railway worker John Simpson in New South Wales.railways - new south wales - personal reminiscence, australian folklore. special subjects: railway services. personal observations. collections.

Description and characteristics of anti-tank weapons of various countries. The book concentrates on ant-tank weapons available to infantry, either directly, or as support weapons. From Brassey's Modern Military Equipment series. ISBN 1 85753 177 9 ISBN 1 85753 177 9mines, anti tank, weapons, missiles, anti armour, rocket launcher, shoulder fired, rcl, john norris, brassey

p. 298.fictionA searing and compelling piece of fictionenglish fiction- irish authors, fathers and daughters-fiction

104 page paper covered book. Through women's eyes at pioneering days / compiled by B. Leitch for the B.P.W. Club Wangaratta. ISBN 0958970416Written at top of title page: "Jeanette D Jasper"pioneer women, north east victoria, wangaratta

Black and white photograph of an unknown man. The photo is glued to the cover of a card. Part of the Barker's family collection.Norton Revaire Melbourneman, photograph