Grey felt nurse's hat, broad brimmed with black band with silver and red badge attached.Dunkerley Ltd. Akubra 1969 Royal Australian Army Nursing Corps Badge.nurse's hat

WW2 Nurse (Hat H089, Cape U105, Dress U939, Stockings U839, Shoes U111)uniform, ww2, army

Hat worn by Faith Hollow in Second World War. VFX58370World War 2 Nurses Army Felt HatRetailer Ball & Welch, Melbourne. Name attached to inside hat band hand written Faith Hollow Catalogue Number 275-28

VAD Nurse Jacket U107, Hat H089, Shirt U185a, Tie U186, Overcoat U108, Dress U101, Stockings U101a, Shoes U293.uniform

Peach coloured cover with a black and white image of four nurses wearing hats and holding the bottom of their dresses up while they stand ankle deep in the ocean. The title is printed above the image in red print with black subtitle. The author's name also appears in red text.non-fiction Ch.1 Overtures and Undertones : Britain, Ireland and Wider World 1901-1913 -- Ch.2 'Oh! We don't want to lose you but we think you ought to go' Dissent and Disaster 1914 -- Ch.3 'Good bye-ee' Men and Women of August 1914 -- Ch.4 'Keep he Home Fires Burning' Western and Home Fronts 1914 -- Ch.5 'Oh W4at a Lovely War' Living, Fighting, )ying and Nursing 1915 -- Ch.6 'Hanging on the Old Barbed Wire' Pro Patria: Right or Wrong 1916 -- Ch.7 'Pack up your Troubles' Spirituality, Inspiration and Esprit de Corps 1917 -- Ch.8 'When this Bloody War Is Over' Fortitude, Finale and Legacy 1918. [contents note from Trove record]military nursing, ww1, wwi, world war one, nurses - great britain, nurses - ireland

These are the first two Malayan nurse recipients of an Australian Imperial Force Scholarship. This entitled them to spend three months with the Melbourne District Nursing SocietyNurses from Malaya came to Australia under the Australian Imperial Force (A.I.F) scholarship program.Black and white photograph of Malayan nurses, Miss Alice Chia and Miss Ooi Soh Im. Both Malayan nurses have dark short hair and are wearing glasses. They are wearing long grey coats which have collars and a belt, and dark brimmed hats. The nurse on the left is carrying an oblong case in her right hand and the one on the right has a white folded document in her left hand. They are standing on a path. Part of a brick building is to their left and rear, and a set of stairs is to the right rear. Part of a window can be seen to the left and some low bushes in front of the building. melbourne district nursing society (1885-1957), rdns, royal district nursing service, aif scholarship program, miss ooi soh im, miss alice chia

1. Portrait, full length of a soldier standing at ease. He is holding a single rifle with bayonet fixed. He has a peaked cap and the 3"webbing belt on. he is standing in a yard of some sort. Corrugated iron shed in back ground. 2. Portrait, full length of a soldier. Standing legs apart. He is holding a riding crop. he has a leather covered watch. He has one chevron on his left forearm above that are crossed flags. He is wearing a leather bandolier. He has a peaked cap. 3. Group portrait of Australian soldiers on a ship. 13 men - bare headed and slouch hats and 3 peak caps. In the bottom foreground is a small monkey. 4. Group portrait of soldier patients and nurses. 11 men and 4 nurses. The three in front are seated.1. xx 2. On rear - To Dear Auntie from Walter McGillivray. 3. On rear - Thomas Robert Jones 6 Bn 1914, 5 Re-inforcements. No. 1982 23 years Tom Jones and mates. 4. On rear - Edwin W Jones 3511 46 Bn "Snap of some of the ward taken in the garden. I am on the very end, taken the first day I was allowed out of bed," On front is a card and name Ned.passchendaele barracks trust, photographs, ww1

Photos relate to James Worland MILLS No 3441 59th Battalion. .1) James MILLS is 3rd from R standing with arms crossed. .2) James MILLS is 2nd from L without a hat, 3rd row from front. .3) James MILLS is 2nd on L. Refer Cat No 169P for his service details..1) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .2) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .3) Photo, sepia, showing a large group of soldiers & nurses with 3 children standing outside outside a large building. .4) & .5) Photos, black / white, copies of .2) & .3). .1) “Versailles 18.6.19 YMCA” .2) “Paris 17.6.19 YMCA” .3) “Paris 20.6.19 YMCA” .4) “Paris 20.6.19 YMCA” .5) “ Paris 17.6.19 YMCA”photographs, 59th, paris, ymca

Bertie HARWARD No 3854 AIF. Refer Reg No 341P for his service details..1) Post card photo, sepia, portrait of a soldier with slouch hat, background clear. .2) Post card photo, sepia showing 1 seated & 1 standing soldier in studio background. .3) Photo, sepia, showing a large group of hospital inmates, nurses & 2 small boys..1) On rear: To Mrs HARWARD 48 Arnold St Bendigo - (3854) Pte B Harward 12th Reinforcements 5th Battalion 2nd INF Brigade, On Active Service AIF .2) On rear: France 22.12.17 Yours affectionately Bert Harward .3) On rear: 28.9.18 Sulby Hall Hospital Welford Rugby England Bertie Harward 2nd from right front rowhospitals nurses, australian soldiers

Part of a nurses' uniform during the Second World War. Khaki wool felt hat with wide brim and burgandy-brown grosgrain ribbon band with bow on right side. The hat also has a grosgrain sweatband with a maker's label sewn in on the interior. This is marked in ink with manufacturers' label. Elastic chip strap on interior has deteriorated and broken in half.Label on interior reads "MADE IN AUSTRALIA/UIM/N451-1943/SIZE 6 5/8 - 21 1/4 in." second world war, world war ii, world war 2, world war two, wwii, nurse, medical, women

Part of a nurses' uniform during the Second World War. Khaki wool felt hat with wide brim and burgandy-brown grosgrain ribbon band with bow on right side. The hat also has a grosgrain sweatband with a maker's label sewn in on the interior. This is marked in ink with manufacturers' label. Elastic chip strap on interior is secure and matches colour of grosgrain.Label on interior reads "N513/1943/MADE IN AUSTRALIA/6-5/8"second world war, world war ii, world war 2, world war two, wwii, nurse, medical, women

Part of a nurses' uniform during the Second World War. No exact matches for a female "W Wilson" were found in research, though the hat could have belonged to Nancy Wilson, born in Carlton to W Wilson.Navy wool felt hat with wide brim and navy grosgrain ribbon band with bow on right side and black rising sun badge on centre front of ribbon. The hat also has a synthetic sweatband on the interior, on to which a cotton label has been sewn with the name "W. WILSON". Elastic chip strap on interior has deteriorated and broken in half.Label on interior reads "W. WILSON" second world war, world war ii, world war 2, world war two, wwii, nurse, medical, women

The Sutherland Homes for Children on Yan Yean Road, Diamond Creek cared for thousands of children from when it was opened in 1912. The site closed for this purpose in 1991 and was sold and later developed for commercial and office purposes. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p107 The Sutherland Homes for Children at 14 Yan Yean Road, Diamond Creek, cared for thousands of children since they opened in 1912, after beginning at La Trobe Street, Melbourne in 1908. In 1994 Sutherland Homes (then called Sutherland Child, Youth and Family Services) amalgamated with Berry Street Child and Family Welfare. Together as Berry Street Victoria, they formed Victoria’s largest independent provider of support and accommodation services for children, young people and families in crisis.1 However with the move from institutional to community care, the Diamond Creek site had not been used since 1991 and was sold to private purchasers in 1999. More than 2000 former residents, staff, neighbours and friends attended a farewell in February, 2000.2 The Sutherland Homes red-brick and stuccoed building in Diamond Creek (a rare design in the Eltham Shire), was opened in 1929 by Lord Somers, the Governor of Victoria. Destitute children lived in dormitories bathed in natural light through large windows. However in 1958 as the cottage–parent system replaced the dormitory system, the first of eight residential cottages accommodating ten to 12 children was built. The site also included Special School 3660 and a farm, and the children were able to form relationships with people outside Sutherland, by staying with holiday hosts. Children were originally placed at Sutherland because of extreme poverty, or because single parents could not cope. However later, most placements occurred due to family violence, abuse or neglect. The property was originally bought from the Crown in 1869 by Timothy Mahony. Later owner, Augusta Meglin, ran a 40-acre (16ha) farm there. In 1909 she bequeathed this, including the house, orchards, vegetable gardens, vineyards and the balance of her income to The Sutherland Homes for Neglected Children. Sutherland Homes’ founder, Selina Sutherland, was known as ‘New Zealand’s Florence Nightingale’. In 1888 she became Victoria’s first licensed ‘child rescuer’3 and was to rescue around 3000 waifs from Victoria’s streets and slums.4 Born in Scotland in 1839, Sutherland joined her sister, who had emigrated with her husband to New Zealand. Sutherland trained as a nurse and led the establishment of a public hospital at Masterton. In 1881, while holidaying in Melbourne, Sutherland was so touched by seeing young people living under Princes Bridge, that this determined her future work. Meanwhile Sutherland instigated the Melbourne District Nursing Society, (now Royal District Nursing Service). She also led the founding of The Victorian Neglected Children’s Aid Society (now Oz Child) and the Presbyterian Neglected Children’s Aid Society (now Kildonan). From 1894 Miss Sutherland was Melbourne’s best known woman and cut a distinctive figure, wearing an alpine hat with a prominent feather. In 1906 Prime Minister Alfred Deakin named her Melbourne’s most successful philanthropic worker. However she was to face some difficult times. That year she suffered severely from an injured shoulder and dizzy turns and was pressured to resign as Superintendent of The Victorian Neglected Children’s Aid Society. In 1908 the committee of management offered her 12 months leave with pay. Sutherland declined – but soon after, was dismissed. However she continued her work from Latrobe Street, Melbourne, with the help of Sister Ellen Sanderson and several committee members. Sutherland attempted to register her new organisation but the Victorian Neglected Children’s Aid Society objected to the government, alleging that Sutherland, because of increasing infirmity, was unable to satisfactorily carry out such duties. They accused her of cruelty and of intoxication. However the charges were not proven, so The Sutherland Homes for Neglected Children was registered.5 Sadly, in 1909 Sutherland died, the day she was to move the children to the ‘country property’ at Diamond Creek. At her death she owned less than £10. Today Berry Street recognises Sutherland’s enormous contribution to child welfare with a memorial and an annual Selina Sutherland Award, presented to an outstanding volunteer.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, diamond creek, sutherland home for children

Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Six men sit in front of the group (Mr Imhose stands fourth from the left in front row), upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 10 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2491 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardHandwriting reads: "Mental Hospital / Beechworth / Miss A. J. Ross / about 82 in 1944".mental asylum, beechworth, mayday hills, mayday hills hospital, victoria, mental health, history of mental illness, treatment of metal illness, asylum, hospital for mentally unwell, miss a.j. ross, nurse, staff, doctors

Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Five men sit in front of the group, upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 12 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2490 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardFrazer & Vallance Photographers Melbournemental asylum, beechworth

This hat is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Grey felt hat with 60mm brim. Brown hat band 30mm wide with narrow stripes top and bottom. Narrow stripes red and grey at top of band, grey and red at bottom of band.Inner hat band marked with "N231, 6 7/8, 1942"

Hat Voluntary Aid Detachment "VAD" nurses (part of UC003) (Also can havea Rising Sun hat Badge for late WW2)(Also Part UC013)headgear, army

Combination Sepia and Black & White Photos Total 5 dated from 1921-1924 depicting life for the Hill family at that time. Posing for photo after a swim Queenscliff February 1921, four ladies dressed in white two wearing hats 1 boater1 broad brimmed, Dressed For Dinner on a Sunday Rita, Dora, Doreen and Zita, two on left are dressed in white one with black band at waist, third girl wears a white blouse and dark skirt girl at right white top and patterned dress, all appear to have necklaces date unknown, Leisure time at Hanging Rock 1923, Five men all in dark suits with white shirts and hats, four ladies two wearing white dresses one with large brimmed hat another hidden by a man dress has circular pattern, two vehicles of the same make canvas roofs no side curtains, note small circular windows at back, Hanging rock 1 January 1923, background large trees. Nurse in all white nursing Rosa also dressed in white in the grounds of the Bendigo Base Hospital 1924. Two girls one in drivers seat and other in back-seat both dressed in white another persons left hand on the back door of the car Hanging Rock 1 January 1923.Hilda Hill Personal Collectionaustralia, history, post war life

Hardcover book with a dark blue border and spine. There are two panels on the cover, a rectangle across the top third and a square box filling in the remaining cover. The top box has an illustration of four heads (two ladies wearing hats and two men), above them is a yellow bubble with 'famous Australians' printed in red. The lower box has a photo image of a hospital with the title and author printed in white in the top left corner.non-fictionDescribes the careers and discoveries of famous Australian medical people: Elizabeth Kenny, Vivian Bullwinkel, William McBride, Sir Norman Gregg, Sir Howard Florey. [From Trove]elizabeth kenny, vivian bullwinkel, nurses

Thin cream coloured book with title printed in blue ink across the top of the cover. Below the totle is a blue illustration of a person leaning against a rail fence wearing a large hat and oversized boots. The author's name is printed in blue at the bottom of the page.non-fictionMiss McQuade White was the Matron of the 119 AGH at Adelaide River NT during WW2. This is the story of her time in the NT. Probably privately published in 1950. (from Trove)nurses, edith mcquade white, australian army nurses, ww2, wwii, world war two

Main story Mrs Wilma Young (nee Oram) is speaking for the first time publicly about certain happenings during World War Two, when she and other Australian Nurses were held as POWs in Sumatra. Of the 65 nurses who fled from Singapore on the Vyner Brooke in February 1942, 54 made it to Banka Island after the ship was bombed, with 21 being massacred on a beach. Over the next three years the remaining nurses were imprisonesd by the Japanese in a series of camps in Sumatra and on Banka Island, before being liberated. The group of surviving nurses had not spoken of certain events publicly before, but at 78 Mrs Wilma Young has decided to. The Japanese tried to force the nurses into participating in a makeshift brothel, or 'club' as the Japanese called it. The instructions were for four nurses to go to the 'club', but instead 28 went. They made themselves as horrible as they could, and made use of their time there by stealing sugar, toilet paper and anything else they could. Eventually four women were pressured into staying behind, but they were able to hold out against the Japanese. Eventually the Japanese gave up on this idea. The Japanese' treatment of the the nurses, as well as the other women and children in the camp was brutal. Punishments could include being made to stand out in the punishing sun for hours without a hat, or being slapped on each side of the face, hard enough to be knocked over. The daily food rations consisted of a cup of rice, sometimes supplemented palm oil, rotten vegetables or similar. Daily work for the nurses included caring for the sick prisoners, rarely with medicinal aid. In brief stories do not appear relevantA large newspaper clipping consisting of a large black and white photo with a story of four columns of text underneath, with a column of brief stories to the right. The black and photo features an older woman looking at a photo of a young woman in uniform. The story is written by John Lahey.wwii, ww2, 13th australian general hospital, major gideon jacobs, royal marines, indonesians, dutch

Gladys Elva Mole VFX17199 Australian Army Nursing Service. Refer Cat No’s 1899, 1901.4 medals and service history. .1) Two photos, colour, side by side in the one frame. On the left is a Nurse in grey uniform with hat & tie. On the right is same Nurse in uniform with red cape. The frame is brown stained wood with gold band. .2) Photo, colour showing Gladys Mole standing beside her uniform that is on a mannequin. The frame is brown stained wood with gold band,.1) " Capt Gladys Mole VFX17199" .2) "Gladys Mole with her wartime uniform prior to going on display."photography - photographs,, frame accessories, medicine, nursing, military history, army

Sister M Morrison and R B Keeble were nurses at 28 Camp hospital TaturaBlack and white photo of Sister M Morrison and Sister B Keeble. Both wearing a suit with buttoned up jackets, tie and hat. Lace up shoes.sister morrison, sister keeble, nurse, 28 camp hospital, camp 1, danson, "tatura" by wh bossence

28 Camp Hospital TaturaBlack and white photograph of four hospital staff. Sister J Berryman in Nurses uniform with veil; an A.W.A.S Cook; a German Orderly; Sister E. Henderson in army uniform and hat. Standing in front of an unknown object on a path. Trees behind.28 camp hospital, tatura, nurse, awas nurse, orderly, uniform

Alfred student nurses always wore arm bands to identify their level of seniority. This specific style was used from 1950-1992.New nurses in preliminary training school had no arm badge and a red pattee cross on their hats. The 'signed on' first year student exchanged the hat with a red pattee cross for a hat with the hospital badge shown in the picture and wore the arm badge of the white pattee cross on a light blue square; the second year nurse wore a red skeletal cross on a white square and the third year nurse a filled in red cross on a white square. Prior to the 1950s the nurses from 1880 were identified by only two arm patches, a red skeletal cross and a filled in red cross which were on arm bands and were worn above the elbow on the left sleeve. This system meant that all hospital staff could tell at a glance what stage of training the student was at and behave accordingly.student nurse training alfred hospital, ahnl

Illustrated book with white binding, Title in black print on front cover and spine. Also on the front cover is a coloured photograph of a grey-haired woman (Norma Tongue) wearing a dark coloured dress and light coloured hat, holding a glass containing liquid in her left hand. On the back cover is another small coloured photograph of a dark-haired woman (Norma Tongue) wearing a blue and white top, a watch and a mug in front of her.An anthology of work by Norma Joan Tongue between1981 and 2002.poetry, norma tomgue