Stencilled with RAAF 401650

Chris WHITE Chris White is a sculptor and installation artist This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Welded metal sculture.art, artwork, sculpture

White Flat was an early gold diggings. As early as 1856 the White Flat Drainage and Mining Co. constructed water races, drained the swampy land, and changed the course of the Yarrowee Creek. This may be remnants of that work. See http://bih.ballarat.edu.au/index.php/White_Flat_Drainage_and_Mining_Co.#cite_note-0 Five colour digital imaged of a bluestone drystone wall at White Flat, Ballarat. The drystone wall is on the steep embankment between Hickman Street and Armstrong Street South. ballarat, white flat, white flat sports ground, hickman street, south street, armstong street, oval, cricket, football, white flat drainage, yarrowee creek drystone, bluestone

In 1925 there was a group known as the White Flat Improvement Committee. The White Flat Sports Reserve was officially opened on 18 March 1925 at which time Sir Alexander Peacock said that 'a wonderful change had been brought about at White Flat , and those who had brought it about would have the gratification of knowing that they were providing inestimable pleasure for the children and young people.' In 1934 the grandstand was moved to White Flat from the defunct Buninyong Racing Club. Albert Edward (Sonny) Mark was a foundation member of the Golden Point Cricket Club in 1910/1911 and part of the first Premiership side. He was a prominent A grade player and committee member for many years, including being Treasurer of the Club from at least 1933/34 to 1938/39. He acted as Golden Point delegate to the Ballarat District Cricket Association from 1934 to 1938. Sonny served as a Member of the White Flat committee from 1932/1933 to 1948/1949. Every year from the year 1933 until the Club went into recess in 1942 he took the chair for the election of President at annual meetings, an honour now reserved for Life Members. The B.D.C.A. B Grade shield named in Sonny Mark's honour for his contribution to the Golden Point Cricket Club and also to Ballarat cricket . He was instrumental in having the Grandstand at White Flat constructed and it was named in his honour. (http://goldenpoint.cricketvictoria.com.au/lifemembers.html)Five digital photographs of the grandstand at the White Flat Oval, Ballarat. Known as the A.E. 'Sonny' Mark Stand, it was opened in May 1934. ballarat, white flat, white flat sports ground, hickman street, south street, armstong street, oval

Set if 4 tickets: 1 - 2d - green print on a off white paper, No. 537299, with a Bushels coffee advert featuring a women washing clothes using a washing board and tub. 2 - MMTB blue 5 sections ticket - B890785 with 1981 written in ink on the rear 3 - Two MetroCard's - Off peak - brown print on Edmondson style car, Nos. 00840 and 841 for Preston to Melbourne, dated 12/3/1981trams, tramways, tickets, mmtb, metrocard, advertisements

The Herald Newspaper Dated 15/8/1945 (2 Off)The Herald Newspaper Dated 15/8/1945 (2 OFF)The Herald Newspaper Dated 15/8/1945 (2 Off)Victory Edition - Peace = World Hails Jap Surrender and pictures Americas Mighty Part (2 Off)victory edition - peace = world hails jap surrender and pictures americas mighty part

This pipe has been made by William White of Glasgow, Scotland, a firm that was producing this type of pipe throughout the 19th century. Pipe smoking for men was prevalent in the 19th century and early to mid 20th century but is no longer a popular pastime. This pipe has no known provenance but it is an interesting object from the past and is retained for display purposes.This is a white clay pipe. Part of the stem has been broken off. 657 W. White Glasgowmen’s accessories, history of warrnambool

Captain John E D White, Australian Army Training Team in Vietnam (AATTV) took over command of 11 Mobile Strike Force (Mike Force) Company in Da Nang, Vietnam, in February 1968. He was 26 years old. The 2 NVA Division was moving from Laos into South Vietnam and his mission was to establish contact with the division and trace its movements south. In mid-March the company was air lifted to the Special Forces camp of Kham Duc, near the Laotian border. They used an old French Foreign Legion fort as a temporary base from which patrols could be sent out. White called it Ngok Tavak after a nearby mountain. Initially, patrols failed to find the enemy, but in late April a patrol clashed with the enemy. At the same time, White received intelligence that the NVA division was closing in. At night they could hear explosions in the distance heading toward them. White decided their best chance was to leave the fort and take to the jungle to adopt guerrilla tactics. However, in the meantime a platoon of United States Marine Corps artillery arrived bringing with them two howitzers and a stockpile of ammunition. To abandon the fort was to abandon the guns. White contacted Da Nang, explaining the predicament, and was ordered to remain where he was. A Civilian Irregular Defense Group (CIDG) platoon was sent to reinforce his numbers. This was a para military force comprised mainly of indigenous highlanders, trained by United States Special Forces. They also brought with them two mortars and their crews. At 3.15am on 10 May 1968 some members of the CIDG chose to assist the NVA to attack the fort instead of supporting Mike Force, and close hand to hand fighting followed, along with grenade attacks and heavy machine gun fire. Air support offered a brief respite from the NVA attack, and some NVA forces were pushed back outside the perimeter by counter attacks, but at 9am White contacted Da Nang to advise that his position was untenable. A second attack was imminent and they could not withstand it, so they would have to withdraw. The wounded were evacuated by helicopter (under orders from Major Mai, the NVA had not attacked the previous medical helicopters that collected the wounded under the cover of air strikes) and at 1pm the rest of the force evacuated east, into the jungle. The NVA did not notice their withdrawal, and continued mortar attacks on the fort for another ninety minutes. Seven kilometres from the fort White called for a helicopter withdrawal of his forces. The force was successfully lifted to Kham Duc and then Da Nang. (Credit AWM)Coloured image of John (Jed) White, aged 26 arriving at Tan Son Nhut Airport in full uniform, bag straps over left shoulder. Close- up of chest and head with plane visible in the background.AWM - p 11058,001capt john (jed) white, aattv, battle of ngok tavak

Postcard to Miss M. Robb, Cowes " Maggie. With Janie's best wishes for a happy birthday June 28th 1915"Black & white postcard of the Genista ferry off San Remo with the bridge in the background"Genista"off from San Remoferry "genista", san remo, margaret robb, genista

Enid Johnston was an student at the Ballarat School of Mines Technical Art School. The work depicted was reproduced in the Ballarat School of Mines Students' Magazine, 1939. White Flat is in close proximity to the Ballarat School of Mines so would have been a favoured site for drawing 'en plein air'.Line drawing with a tree as the central focal point. I post and rail fence runs from the left to the centre and a number of miners cottage are in the mid and back ground. ballarat technical art school, ballarat school of mines, art, johnston, enid johnston, white flat, e. gribble, max coward, enid johnston, r. mchutchison, violet d'angri, marian peirce, f.p. manning, w. rowe, kookaburras, caricatures, graham hopwood, geoege crawley, assaying room, don refshauge, ballarat technical art school, linda baily, nornie gude

Kevin WHITE Born England. Kevin White studied Ceramics in England and Japan, obtaining an MA from the Royal College of Art, London. He has lectured in Ceramics at RMIT. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Demonstration piece undertaken while conducting a workshop at the Ballarat School of Mines. art, artwork, kevin white, ceramics

Colour photograph of an entrance arch at the White Hills Botanical Gardens.botanic garden, white hills, white hills botanic gardens, war memorial, arch, commemoration, bendigo

Clive MURRAY-WHITE (20 February 1946 - ) Born Walton-on-Thames, Surrey, England Arrived Australia 1959 With an impressive career that has included sculpting marble for over 25 years Clive Murray-White has informed his at practice by studying at Brisbane Central Technical College, Guildford School of Art, United Kingdom, Royal Melbourne Institute of Technology and Preston Institute of Technology, Monash University. His early work used welded and cast metal objects. In the 1980s he transitioned to marble sculpture Clive Murray White was Head of Sculpture at the Monash University Churchill (now Federation University Gippsland). He established the Cowwarr Art Space with Carolyn Crossley.Marble sculpture of Hygia, the Greek goddess of health and healing. Daughter of Asciepius the God of Medicine, Hygeia symbolises the preservation of good heallth and prevention of illness. Presented to the Gippsland Medical School from the Campus. churchill, gippslands campus, clive murray white, sculpture, clive murray-white

Perpetual golf trophy awarded by the Thomastown Golf Club for Best off the Stick, 1976-1988. Winners named on small engraved shields: 1976 Peter Wreglesworth; 1977 Ern Holland; 1978 Bob Mitchell; 1979 Peter Wreglesworth and Norm Wrest; 1980 Richard Langton; 1981 Ron Gibson; 1982 Michael Long; 1983 Ron Gibson; 1984 Garry Schreiders and Ron Gibson; 1985 Garry Schreiders; 1986 Kevin Bousfield; 1987 Alan Almond; 1988 Kevin Dousfield. Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Golf trophy, timber shield with "Thomastown Golf Club" and "Best off the Stick" engraved on plaques attached to shield with 15 small engraved plaques attached naming winners ."Best off the Stick" engraved on plaque attached to top of shield.thomastown golf club, golf trophies, bob jones, robert jones

The Boer War Memorial was created by sculptor James White in honour of Australian Soldiers who fought in the South African War (1899-1902). White used the electrolytic copper deposit method to produce this large statue, which is sometimes mistaken for a cast bronze work. The Foundation stone was laid on 18 May 1901 by H.R.H The Duke of York (George V). The sculpture was unveiled on the 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia and then Mayor of Ballarat, J. J. Brokenshire. Bravery and mateship are beautifully captured in depiction of a scene taken straight from the battlegrounds. Today the memorial is a much-photographed tribute and exploration of the friendships and struggles of men at war. A proud cavalry horse bears the weight of two men in the chaos of the battlefield. The Boer War in Africa was an early example of the Australian Colonies sacrificing men and equipment for Britain to defend it’s Empire against colonial insurgence. The memorial is of historical and aesthetic significance to the people of Ballarat.Horse and figures, bronze mounted on bluestone base and granite plinth, plaques list the war dead. The artwork depicts two soldiers and a horse. A British soldier is being succoured by an Australian mounted rifleman. In honour of Australian Soldiers who fought in South Africa 1899-1902. Foundation stone laid 18th May 1901 by H.R.H The Duke of York (George V). Unveiled 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia. J. H. Barker Chairman. J. J. Brokenshire Mayorboer war, south africa monument

Written for the centenary of Shire of Phillip Island and WoolamaiHistoricalHard cover book with dust cover in pale blue. Black and white with photos.Stamped 'Phillip Island & District Historical Society'. Signed by ? 11 councillors?phillip island, victoria, history, woolamai, shire, bass, joseph white, local government, phillip island shire councillors, grantville

560-page hardcover book subtitled 150 Years In Australia 1849-1999. The book traces the lives and descendants of Henry and Elizabeth White from the time leading up to their marriage in Melbourne in 1852 and subsequent move to the Doncaster district where they established a farm and orchard known as Deep Creek Farm in Doncaster East. Compiled & edited by the White Family Tree Committee 1993-1999 - Dorothy Aumann (Hill), Barry Fischer, Betty Geddes(Ford), Jean Gillinders (Dempster), Alice Latimer (White), Bill Latimer, Robert Latimer, Raney McAlpin (Mackinlay).

This work was originally published in serialised form in the Bathurst Free Press around the turn of the century by Charles White and afterwards syndicated to other newspapers and still later reached the galley-proof stage of publication. The text for this edition was obtained from a copy of the Ovens Register 1904-1905, held by the Burke Museum, Beechworth, Victoria. This edition includes some preliminary material, glossary, notes, index and bibliography prepared by Peter A Jones.maps, b&w photographs, b&w illustrationscharles white

Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Off mould' where, following the completion of the hull, the boat is 'righted' to allow for the finishing of the canoe.."Off mould"victorian canoe club, canoe making, river yarra, burke road, mornington, studley park, kew, steaming gear, canoe construction

stawell

Black plastic framed b&w photograph of dust off crew Nui Dat 1971. 2 Pilots, Medic, Gunner and CrewmanDust Off Crew Nui Dat 1971 2 Pilots, Medic, Gunner and Crewmandust off

Details the sign on / sign off times for each run number operated by Motormen / Conductors and where they signed on, either depot or city and the total time worked for that particular shift. Has "LJD / 3/70", showing that Les Denmead authorised the roster. Was part of D. J. Everett papers. 2296.1 - as above, but typed original in a vertical or portrait format, rather than a landscape format. From the SEC 1971. 2nd copy of 2296 added 10/1/2007. 2nd copy of 2296.1, added 2/8/2012. See item 9939 for an original typed copy.Demonstrates aspects of the Ballarat Tramways management system of operations, the way the crews were given information on operating times, lunch breaks etc. The last timetable alteration.Single sheet of off white duplicating paper titled "On and Off - Total Times of Duty". Printed by wax cut stencil or Gestetner method. trams, tramways, ballarat, rosters, employees, shifts, timetables

The Black and White committee started in 1936 to raise funds for the children supported by the Sydney Industrial Blind Institute (later Royal Blind Society of NSW) through a variety of events. One such major fundraiser was a Ball, initially began as the White Ball then changed to Black and White Ball in 1948. Ball programs were created to provide opportunity for sponsors to advertise their involvement with this prestigious event, as well include information on the time progression of the night, a menu, a list of the current committee (Patron, President, various positions and members) and the Black and White Derby race sheet. First run in 1956, the Derby gave individuals or businesses the opportunity to sponsor a 'horse' in the race, which was ridden by a 'jockey' who rolled up a line to reach the finish post. Later programs included auction items, information on performers at the Ball and photographs from other events organised by the Black and White Committee (Casino Cruise, Women of Achievement lunch, previous year's Ball, etc.)Booklets with black and white covers with illustrationsCover on title changes: The Black and White Ball (1981-3) The Black and White programme (1985-1988) The Black and White Ball ((1992, 2003, 2005)black and white committee, royal blind society of nsw

John Gerald Gray and another man standing beside the memorial dedicated to those drowned by the wreck of S S Monumental City May 1853 on Tullaberga Island off Mallacoota VictoriaBlack and white photograph taken of memorial dedicated to those drowned by the wreck of S S Monumental City May 1853 on Tullaberga Island off Mallacoota Victoriaroads and streets, transport

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. View of "Genista" steaming towards San Remo. Phillip Island on left. Old suspension bridge in background."Genista" off from San Remolocal history, photography, photographs, postcards, black & white postcard copy, san remo, suspension bridge, phillip island

Black and white photograph in light wood timber frame. Huey evacuation.'Dust off ' Qui Nhon , Vietnam,1969.air ambulance, qui nhon evacuation, hueycobra (helicopter), photograph

British painter Howard Jarvis was best known for his maritime landscape paintings. An early member of the Society of Marine Artists (UK), formed in 1939, he went to sea on merchant ships and served in the Royal Navy during World War II. His works were influenced by marine artist Kenneth Shoesmith. Jarvis was commissioned by the Cunard-White Star Cruises to create a stone litho poster, which was quite well known, giving passengers a birds-eye view of a cruise ship.SS Orsova, built in 1954, was a British ocean liner for the Orient Steam Navigation Company until 1960, then P&O Orient Lines between 1960-1966, although the Orient ships retained their corn-coloured hulls and sailed under their own house flag. The colour of the hull on the print indicates it was made between 1954 and 1966. On 24 May 1956, Orsova ran aground off Port Phillip Bay, Melbourne, for twelve hours. In 1966 P&O acquired the balance of the Orient Line shares and all their ships were painted white. In the 1960s, Orsova carried many thousands of emigrants from Greece and Italy to Australia. It was staffed by approximately 600 crew and carried over a 1000 passengers. Maritime Art, Marine artColour printed reproduction of a painting or lithograph print featuring 20th C passenger liner, hull and superstructure primarily painted pale yellow, under steam at sea. Print is mounted glazed with thin gilded and moulded frame.Printed inscription on border of print at lower centre edge: "Orient Line S.S. Orsova / Off San Francisco"s.s. orsova, passengers ships, steamship, emigration, greece, italy, australia, passenger liner, melbourne, port phillip bay, artwork-paintings, w. howard jarvis, orient line, p and o, peninsular and oriental steam navigation company, ocean liner, passengers liners, passenger ships