Hardcover book, 189 pages. Front cover of book has a colour image of a man and woman standing in front of a house.fictionRomance novel.olga gillman, romance, fiction

A photo of Rine (Ekaterini) Varvarigos (Sikiotis) and her younger sister Olga Varvarigos (Andrews). Rine was born in Ithaca in 1910. In 1914 her parents Ioannis and Giannoula Varvarigos departed for Rhodesia with their baby son Dimitrios (Jim), leaving Rene and older brother Nicholas on Ithaca in care of their maternal grandmother. Her parents' journey to Rhodesia encountered delays at the Port Said so they eventually boarded a boat headed to Australia from where they thought they would get passage to Africa. However with the outbreak of WW1 they eventually settled in Melbourne where three more children were born, Constantinos 1916, Menelaos (Dennis) 1918 and Olga in 1925. Nicholas joined his parents in Melbourne in 1923 aged 14; and Ekaterini arrive in 1916 aged 16. Family separations were not uncommon for early Ithacan immigrants. Typically the intention was the they would only be away for a short time or that other family members, usually spouses and children, would follow later, once the men were more established. A black and white photograph of a young woman in a garden with a little child.Written on the back and translated from the Greek: Olga with Renee.

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

The picture is Olga Varvarigos. Olga married Hector Anagnostatos (Andrews) who was president of the Ithacan Philanthropic Society 1953-55. They had two sons, Ross and Peter Andrews.A black and white photograph of child standing in a garden.

Olga Black, who is holding the flowers is photographed with her sister-in-law, June Black and her nieces, Julie-Anne and Samanda at a function at the Ithacan clubrooms celebrating Olga's 70th birthday. A colour photograph of four ladies. One of the ladies is holding a bunch of flowers.

Three generations of women are represented in this apron. The linen used was woven by Olga's great-grandmother Efstathia in the late nineteenth century with flax grown on the island of Ithaca. Olga's mother Toula Raftopoulos added the whitework around 1908 at age 16 - the first piece of lacework she made on her own - and embroidered her initials on the front. Olga embellished the apron with coloured embroidery around 1950 at age 20. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Cream linen embroidered half apron. White lace along hem, along with white embroidered initials, "T.P." Coloured floral and abstract embroidery along sides in red, black, blue and green.olga black, toula raftopoulos, migration, embroidery

People - "George Lipp, Olga Pretoria (Phillips) Lipp"

The photo is of Olga Kouvaras who was born in Sydney, the first child of Telemahos and Erasmia Kouvaras who both migrated from Ithaca. Olga attended Sydney Girls High School and was a keen and talented student of the music and in particular the piano. However with the shadow of WW2 she was compelled to leave school to work in her parent’s café. Following her marriage to John Cosmas in 1953, Olga settled in Melbourne and they had three children- Kosmas, Erasmia and Dallas. A scanned black and white photograph of a school girl dressed in school uniform. She is wearing a standard three pleated tunic, white blouse and dark tie. The photograph has been printed on A4 copy paper.In bottom RH corner. 9-4-44

Pictured are Anthi Chilianis and Olga Black in Anthi's back yard in Burwood. Both were much respected members of the Ithacan community and were made Honorary Life members of the Ithacan Philanthropic Society acknowledging their contribution to the Society. Anthi was renowned in Melbourne's Ithacan community for her Rovani - a traditional Ithacan sweet. A coloured photograph of two friendly ladies in a garden with a two storey building in the background.chillianis

Sepia photograph. Photograph depicts Dr Olga Bolitho as a baby, lying on a blanket in a garden, 1926. Writing in biro on the back of the photograph reads 'Dr Olga Bolitho 1926'.'Dr Olga Bolitho 1926

This waistcoat belonged to Olga Black, a long-time Brighton resident. Part of a Greek national costume, it was designed by Olga in the 1950s, with the silver cornelli work completed by a Collins Street workshop. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Black velvet waistcoat, decorated with silver cornelli work. Pale blue cotton lining. Fastens with hooks and eyes.greece, ithaca, migration, olga black

This bolero is part of a Greek national costume from the Peloponnese. Long-time Brighton resident Olga Black wore it to the 1956 Melbourne Olympic Games to represent her Greek heritage. She remembers the stands at the MCG being full of migrants wearing their traditional national costumes. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Red velvet bolero decrated with gold stitching and braid. Lined with red satin. Stand collar which fastens with two metal hooks and eyes. bolero, jacket, greece, ithaca, migration, olympic games, 1956 olympic games, olga black

Black and white photo of Eriksson Children outside Family Home - 17 Junction Road, Nunawading C.1903. Girls are probably Olga and Mary.eriksson, olga, mary, junction road, blackburn north, no. 17.

Black and white photo of Family Group outside Eriksson Family Home, 17 Junction Road, Nunawading, Mrs Erikson nursing Olga (Mrs Steel) L-R: Harold, Cecil, Edgar and Mary (Mrs Skinner).eriksson, olga, harold, cecil, edgar, mary, steel, skinner

A 1939 booklet of nursery rhymes designed to inspire Australian children with their own fairy stories. Olga Dorothea Agnes Ernst published the rhymes under her married name Waller. This copy was presumably used by Helen Gibson in her pre-school teaching and was donated to the society as part of her collection of materials.Stapled booklet with cardboard covers and twenty-four pages, containing lyrics and music to ten songs composed by Olga D. A. Waller M. A. (words) and Jean M. Fraser (music). The songs, described as "Mountain nursery rhymes" are all concerned with the Dandenong Ranges.In ink on flyleaf: To dear Rita, With love. June 1950. Marie. "There's joy in Remembrance."dandenong ranges

Sepia photograph. Photograph is of Dr Olga Bolitho as a baby, seated in a high chair in a garden, 1926. Writing in biro on the back of the photograph reads 'Olga Bolitho 1926'.

Two Salvation Army officers & Two Men in a barFreda Gray & Olga Collins on a Pub Crawl

David Beavis was secretary of the Queenscliffe Lifeboat Preservation Society Inc until his death in 1986Queenscliffe Lifeboat Preservation Society QLPS was established to oversee the restoration of the lifeboat Queenscliffe in the 1980s and the funding and construction of the current Queenscliff Maritime Museum.Sculptured bronze head of David Beavis O.A.M. mounted on wooden base Plaque: David A. Beavis O.A.M. Sculpture by Ethel Reynolds Presented by Olga Johnson 1985beavis david, sculpture, queenscliffe lifeboat preservation society, qlps

St. Mary's College, Tatura, Basketball Team 1928.|Anne Hogan, Tup Hunter, Eva Johnstone, Ann O'Brien, Grace Cussen, Kath McGonigal, Olga Walters.tatura, recreations, sports, costume, female

Copy of photograph of Kuhn family about 1906. Left to Right - Olga Wina Kuhn, Frederick Albert Carl Kuhn, Vincent Patrick Kuhn. Children of , Albert Charles Martin Kuhn and Ellen Ryan.photograph, person, kuhn, bendigo-german-kuhn

The Ballarat School of Mines Hockey team played in the Ballarat Hockey Association competition. Mounted black and white photo of the 11 women dressed in the Ballarat School of Mines Sport uniform. Verso " Ballarat Hockey Association SMB 1931 Back Row: Effie George, Jean Maude, Edith Curnow, Glad Dunstan, Al Duggan, Mary Fogarty Front Row: Mavis Whitehead, Olga Dulfer, Kath Windsor, Alice Bosher, Olga Lyons"effie george, jean maude, edith curnow, glad dunstan, al duggan, mary fogarty, mavis whitehead, olga dulfer, kath windsor, alice bosher, olga lyons, hockey, ballarat school of mines, ballarat hockey association

A portable note taker that allow the operator to input either Grade 1 or Grade 2 Braille and have the information read back to you. It holds up to 640K of RAM or 600 Braille pages.Cardboard box containing a cream coloured plastic rectangle device with 7 black keys, 1 carry bag, 1 adapter, 1 computer cable, 1 x 3 1/4 in. Blaze demo programs disk, 1 x 3 1/4 in. Resource disk, 2 cassette tapes "Braille'n'Speak manual" by Olga Espinola, 1 print book "Quick Reference: Braille'n'Speak command list", 2 Braille books "Braille'n'Speak Quick Reference" and "A user's guide to Braille'n'Speak" both by Olga Espinola.braille equipment, assistive devices

The photograph was taken at the wedding of Elly Black to Nicholas Cominos who was from Emerald, Queensland. Her sister, Olga was the bridesmaid. Elly and Olga were the daughters of Kosta and Efstathia (Toula) Mavrokefalos (Black).A scanned black and white studio photograph of a bride who is handing her bridesmaid who is seated on a chaise, her bouquet of flowers. They are in front of curtains.

Pictured are Ekaterini Varvarigos and her younger sister Olga. Ekaterini was born in in Ithaca in 1910 and came to Australia in 1926 to reunite with her parents. Her younger sister Olga was born in Melbourne in 1925.A black and white photograph with a white border of a young girl wearing school uniform and a little child. They are sitting on a seat in a garden.

The photo is of toddler Olga Varvarigos and possibly her mother Giannoula Varvarigos. A black and white photograph of a lady and a little child sitting on a seat in a garden.

The lady in the photograph is Vassiliki Raftopoulos, Nina and Olga Black's maternal grandmother. A photograph of a sepia photograph of a lady dressed in a long dark outfit. Half of the original photograph has been torn off.

Three sepia photographs of girls from the Chisholm street girls Hostel. Group photograph of all residents, three girls in front of hostel for girls sign and girls walking past hostel for girls sign. 1940, featuring Olga Rouvrat, Jean Kennedy, Priscilla Reid.