Showing 23 items matching "painting pastoral"
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Wangaratta Art GalleryPainting, Neville Connor, South of Gapsted, c.1982
... A watercolour landscape painting of a pastoral scene... watercolour painting gapsted pastoral Obverse: NEVILLE CONNOR/ (bottom ...Rural City of Wangaratta Collection, Wangaratta Art Prize 1982.A watercolour landscape painting of a pastoral scene in shades of brown, green, and blue.Obverse: NEVILLE CONNOR/ (bottom left corner)wangaratta art gallery, neville connor, landscape, watercolour painting, gapsted, pastoral -
Wangaratta Art GalleryPainting, John Colin Angus, North East Pastoral, 1984
... A pastoral landscape painting in oil using a tonal colour... painting landscape pastoral J. Colin Angus/ 84/ (bottom left corner ...Rural City of Wangaratta CollectionA pastoral landscape painting in oil using a tonal colour palette of greens, blues, browns and yellows.J. Colin Angus/ 84/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape, pastoral -
Wangaratta Art GalleryPainting, Doris Flockart, Meriwa Park Wangaratta, 1916
... -country wangaratta art gallery doris flockart painting pastoral ...Rural City of Wangaratta CollectionA landscape painting of cows grazing at Merriwa Park, Wangaratta.Obverse: D. H. Flockart/ (bottom left corner)wangaratta art gallery, doris flockart, painting, pastoral, landscape -
Wangaratta Art GalleryPainting, Ross Paterson, Morning, near Euroa, 1985
... painting pastoral...-country wangaratta art gallery ross paterson landscape painting ...Rural City of Wangaratta Collection. Wangaratta Art Show Grand Winner 1985.A landscape of a pastoral scene, painted in oil using shades o green, brown, blue, and yellow.R Paterson '85/ (bottom right corner) - GRAND WINNER 1985 -/ WANGARATTA ART SHOW/ (plaque mounted on frame)wangaratta art gallery, ross paterson, landscape, painting pastoral -
Wangaratta Art GalleryPainting, Ross Paterson, Riverbank Shepparton, 2007
... -country wangaratta art gallery ross paterson landscape painting ...Rural City of Wangaratta Collection, Wangaratta Art Show Grand Winner 2007.A pastoral landscape of cows grazing beside a river, painting with oils in shades of brown, green, yellow, red, and blue.Obverse: Ross Paterson/ (bottom right corner)wangaratta art gallery, ross paterson, landscape, painting, pastoral, riverbank, cows -
Wangaratta Art GalleryPainting, Len Pawluk, Kanga Country, c. 1983
... -country wangaratta art gallery len pawluk landscape painting ...Rural City of Wangaratta Collection, Wangaratta Art Prize 1983.A pastoral landscape painted in oils using shades of blue, green, white, yellow, and brown.Obverse: L. Pawluk./ (bottom left) WANGARATTA ART SHOW/ GRAND PRIZE WINNER/ 1983/ (plaque mounted on frame)wangaratta art gallery, len pawluk, landscape, painting, pastoral -
Wangaratta Art GalleryPainting, V. R. Watt, Untitled (Pastoral landscape with river), unknown
... -country wangaratta art gallery v. r. watt landscape painting ...Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, painting, pastoral -
Benalla Art GalleryPainting, J. H. SCHELTEMA, Cows, early morning, 1905
... Gardens Bridge Street Benalla high-country Nationalism Painting ...Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941NationalismGift of Wooleen Pty. Ltd., 1980Rural landscape with grazing cows and trees. Gold gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.r.c of compostion; Not dated; Not titled painting, landscape, pastoral, cows, animals, trees, grass, rural -
Wangaratta Art GalleryPainting, Ramon Horsfield, Golden Summer, 2001
... -country wangaratta art gallery ramon horsfield landscape pastoral ...Rural City of Wangaratta Collection. Wangaratta Art Show Grand Winner 2001.A pastoral landscape of a farming property painted in oil using a colour palette of yellows, greens, blues, browns, and creams.Obverse: RAMON HORSFIELD/ (bottom left corner) Grand Winner - 2001/ "Golden Summer"/ By Ramon Horsfield/ Judge Kevin Taylor/ (plaque mounted on frame)wangaratta art gallery, ramon horsfield, landscape, pastoral, painting -
Wangaratta Art GalleryPainting, V. R. Watt, Untitled (Pastoral landscape with sheep), unknown
... -country wangaratta art gallery v. r. watt landscape pastoral ...Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, pastoral, painting -
Eltham District Historical Society IncPhotograph - Digital Photograph, Alan King, Stonygrad, 34 Hamilton Road, North Warrandyte, 30 January 2008
... pastoral complacency. Their style influenced nearly every painting... pastoral complacency. Their style influenced nearly every painting ...Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135 Stonygrad, the home built by Expressionist painter and sculptor Danila Vassilieff, is reminiscent of a grotto and in parts, of a sculpture. Vassilieff, who amongst others influenced painter Sydney Nolan and Albert Tucker, was a member of the artists group the Angry Penguins. He was also a highly regarded art teacher at the nearby Koornong Experimental School and taught at Eltham High School. Art critic Robert Hughes described Vassilieff’s painting as ‘lyrical without social commentary’, and said Vassilieff was ‘the most oddly neglected artist in recent Australian History’. Vassilieff, who was born in 1897 in Russia, had an unusually adventurous life before he settled in Warrandyte. The 12th of 18 children, he lived on a farm in the Don Basin. Vassilieff trained with the Imperial Military Academy at St Petersburg and fought in World War One as an officer in the White Russian Army against the communists. In 1920 he was captured, then escaped from prison, stole a horse and rode bareback 150 miles to the Black Sea, helped at first by Tartar freebooters. He then travelled to India, Shanghai and arrived in Queensland as a refugee in 1923 where he began painting. He and his wife Anisia bought a sugar farm near Ingram, and later he constructed railway lines at Mataranka, in the Northern Territory.4 In 1929 Vassilieff went to Brazil for formal art training from former fellow-officer Dmitri Ismailovich, but he soon left to travel up the Amazon River. He then worked as a sidewalk artist in the West Indies and travelled for two years in England, France and Spain. In 1937 he arrived in Melbourne where he lived until his death in 1958. His first major Australian series was the Carlton streetscapes and from 1951 he sculpted in local hard limestone. Vassilieff rejected all dogma and regarded religious subjects as suitable only for decorative arts. In 1944 he helped defeat a communist attempt to take over the Contemporary Art Society. For a short time, from around 1955, Vassilieff taught at various Victorian schools. The Angry Penguins painted mainly between 1937 and 1947, and included Arthur Boyd, Albert Tucker, Sidney Nolan and Joy Hester. The group formed as they felt isolated from European thought and art (including Surrealism) from which their work was derived. They were also angry at what they considered to be the complacency and insularity of their society. They maintained Australians at first were scarcely aware of the threats of the Wall Street Crash and Hitler and were little interested in the Spanish Civil War. The Angry Penguins also objected to the White Australia Policy. Hughes said although most of the Melbourne Expressionists in the 1940s were unskilled and their work crude in style, they helped jolt Australian painting from its pastoral complacency. Their style influenced nearly every painting produced by significant figurative artists in Melbourne in the 1950s such as Charles Blackman. From 1939 Vassilieff built Stonygrad, mainly with local stone. The house stands at the end of a private road surrounded by trees with the quiet occasionally broken by the sounds of bellbirds. To build his house Vassilieff dynamited rock and cut trees from his own property. The original section of the three-level house is of irregular-shaped pieces of solid stone, exposed inside like the exterior. Vassilieff later built sections with timber and brick. Inside is rustic and cave-like, and several rooms are linked by arched openings with no doors. One undulating wall was carved out of rock from which two sculptured heads protrude. Several ceilings are of rough-hewn logs and the built-in table and bookcase are rough, as is a timber ladder leading to a bedroom. Not for the elderly or unsteady! Yet the general impression in the muted light is beautiful, with artistic originality.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Book, Pownall, Eve, Australian Pioneer Women, 1975
Traces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment.296 p. : ill., ports A hard cover book with a dust cover and a plastic clear cover over that. On the dust cover front and back there is a picture of a man and a woman ( early settlers) out in the bush.On the back cover the woman is holding a baby. The inside covers front and back show an old photo of a man leaning on a gate talking to a woman in the front garden of a house. non-fictionTraces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment. australia, pioneer, women, history, pastoral, goldfields. -
Eltham District Historical Society IncPhotograph, Peter Pidgeon, Heidelberg Artists Trail signs are through this area including local artist Walter Withers, 2 Sep 2017
The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one located in Wingrove Park Eltham pays tribute to Walter Withers and his painting "The Silent Guns" Transcription of sign: Walter Withers – The Silent Gums, 1909 Walter Withers painted this tranquil pastoral scene in the vicinity this park. Here he has captured the dairy cattle belonging to local Eltham farmer, Mr. Tom Orr, feeding and resting in the shade of the tall Manna gums. Wither’s daughter, Nan recalled how her father, for inspiration, often visited the property of their neighbour, Mr. Tom Orr, and in his later years, Withers painted many landscapes depicting Mr Orr’s sheep and dairy cattle. Heritage Excursion by EDHS Members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, walter withers, heidelberg artists' trail, wingrove park trail, the silent gums -
Benalla Art GalleryPainting, Lucien PISSARRO, Mt Tourris, Toulon, 1939
Born: Paris, France 1836; Died: London, England 1944ImpressionismLedger Bequest, 1993Rural landscape with stonewall, trees and mountains. Cream, green, gold and blue wood moulding frame.Recto: Signed with a monogram in blue paint l.r.c of composition; Dated 1939; Not titledlandscape, trees, mountains, pastoral, stone wall, europe -
Benalla Art GalleryPainting, Arthur STREETON, Pastoral design, 1912
... Gardens Bridge Street Benalla high-country Edwardian Painting ...Born: Mount Duneed, Victoria, Australia 1867; Lived and workd: England 1897-1919; Died: Olinda, Victoria, Australia 1943EdwardianGift of Wooleen Pty. Ltd., 1980Rural landscape with architectural form and figures naked and partially clothed. Gilded bronze timber frame.Recto: Signed "A. STREETON" in burgandy oil r.l.c of composition; Not dated; Not titledpainting, landscape, figures, nude, river, grecian, tree, animals -
Wangaratta Art GalleryWork on paper, Maurice Cantlon, Bontharambo, 1965
Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Bontharambo is a homestead located in Wangaratta and was built in 1857-9. This homestead plays a prominent role in the history of Wangaratta and the pastoral history of Victoria. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Bontharambo homestead on white paper.Obverse: Cantlon 65/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, bontharambo, homestead -
Wangaratta Art GalleryPainting, Malcolm Webster, Sky Storm, c. 2002
Rural City of Wangaratta Collection. Wangaratta Art Prize Grand Winner 2020.A realistic pastoral landscape during a storm, painted in watercolour using shades of blue, green, brown, yellow, and orange.Obverse: M WEBSTER/ (bottom right corner) Grand Winner 2020/ Malcolm Webster/ *** Sky Storm ***/ Judge - Amanda Hyatt/ (plaque mounted on frame)wangaratta art gallery, malcolm webster, landscape, painting -
National Wool MuseumBook, An autobiography or tales and legends of Canberra pioneers
"An autobiography or tales and legends of Canberra pioneers - Samuel Shumack, edited by J E & Samuel Shumack. Illustrations reproduced from the original Gray Smith series, Canberra paintings - the first hundred yearspastoral industry - settlement squatters, shumack, mr samuel, pastoral industry - settlement, squatters -
Friends of WestgarthtownVessel, drinking
Moulded glass drinking vessel with vitreous enamel lid mounted on silver base with lifting mechanism. Lifting lever decorated with fleur de lis. Painting on lid depicts a pastoral scene with a seated male next to standing female with a staff, a dog lying next to the man, and sheep in background. 8 cut planes of glass around 2/3rds of glass circumference, and a rounded, moulded handle.'Schalerin, Schalerin, fri auf der hut!'domestic items, food and drink consumption, drinking, vessel, enamel, picture -
![Print - Artwork, David Frazer, The Text Message [study] by David Frazer, 2015](/media/collectors/530576742162ef0fa09a2288/items/5695ba972162f1130461887c/item-media/5aba2d9e21ea6d0bbcba1e3a/item-fit-380x285.jpg)
Federation University Art CollectionPrint - Artwork, David Frazer, The Text Message [study] by David Frazer, 2015
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002.Framed limited edition linocut on paper.lls '2/36' lc 'The Text Message (study)' lrs 'D. Frazer 15'artist, artwork, david frazer, parallel prints, printmaking, linocut -
Federation University Art CollectionPrint - Artwork - printmaking, 'Messenger' and 'Woe' by David Frazer, 2002
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002. These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. Two limited edition prints by David Frazer using the wood engraving technique. They have been framed together. .1) Messenger Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 .2) Woe Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, frazer, david frazer, wood engraving, framed bookplate, printmaking, bookplates, churchill, gippsland campus -
Federation University Art CollectionArtwork - Bookplates, Suit of wood engraved bookplates by David Frazer
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He compled an Honours Degree in Fine Art (Printmaking( at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. David Frazer’s work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. david frazer, bookplate, wood engraving, printmaking -
Eltham District Historical Society Inc
Document - Folder, Stevenson, Joseph
Joseph Stevenson came to Australia in 1837, eventually settling near Kangaroo Ground. He was active in local affairs.. Contents Handwritten and typed notes by Winifred Joy Ness, 1985, "Joseph Stevenson of Kangaroo Ground". Handwritten extracts from "Pioneers and Painters" by Alan Marshall, relevant to Joseph Stevenson. Handwritten extracts from "Pastoral Pioneers of Port Phillip"by R V Bills and A S Kenyon, relevant to Joseph Stevenson. Photocopy of photographs: Stevenson daughters; a stevenson daughter with baby; Joseph Stevenson. Handwritten Stevenson family tree (on 2 sheets). Photocopy of photograph: Robert Stevenson and family, "Bankhead", Kangaroo Ground (ref 423). Photocopy of two prints/paintings, annotated on reverse (information from R B Ness: Punt over Yarra River at Melbourne which Joseph Stevenson helped build, from "History of South Melbourne", published 1930s; First bridge over Yarra at Melbourne which Joseph Stevenson helped build. Photocopy of Death Certificate: Joseph Stevenson, 1 November 1878. Photocopy of Death Certificate: Ruth Sevenson, 1 November 1868. Photocopy of Marriage Certificate: names illegible 16 November 1868 Photocopy of extract of Marriage Certificate: Joseph Stephenson and Ruth Boyd, 14 June 1837. Newspaper article: "Resting in peace", Diamond Valley News, 23 March 1982. Judith Furphy and early Kangaroo Ground families buried in Kangaroo Ground Cemetery. Newspaper article: "Grounds for celebration", Diamond Valley Leader, 23 November 2005. Lynette Beale traced her ancestor Joseph Stevenson to Kangaroo Ground. Letter Diana Bassett-Smith to EDHS, 10 August 2005. Donation of a moulding plane marked Joseph Stephenson, property of descendants.Newspaper clippings, A4 photocopies, etcjoseph stevenson, ship willington 1837, ruth stevenson nee boyd, david stevenson, jane stevenson, kirk's bazaar, first punt across yarra river, princes bridge melbourne, stevenson street melbourne, saltwater creek, river plenty, christmas hills, david christmas, diamond creek, isabella stevenson, robert stevenson, five mill creek, watson's creek, "bankhead" kangaroo ground, ellen stevenson, yarra glen road, yarra glen cemetery, stevenson's corner kangaroo ground, stevenson's creek, presbyterian church kangaroo ground, eltham district road board, margaret stevenson, ruth stevenson, emma stevenson nee peers, margaret hargreaves nee stephenson, robert peers, cyrus peers, charlotte peers, jane mess nee stevenson, robert mess, pearl mess nee mills, james mess, george mess, janet mess, joseph mess, william mess, alexander mess, barbara mess, isabella mess, ruth gosling nee mess, john gosling, jessie gosling, evelyn sinclair nee gosling, william gosling, vera rowland nee gosling, florrie rawland, ethel rawland, john rawland, isobel gilson nee mess, bruce mess, joy mess nee masefield, janet crook nee mess, rodney crook, judith rodgers nee mess, ray rodgers, dean crook, jenine crooks, carolyn rodgers, merryn rodgers, beryl nansen nee mess, robert nansen, gerry oliming, roberta oliming nee nansen, bernard nansen, michele nansen nee blackie, rohan nansen, janet nansen nee britton, vera cope nee mess, cliff cope, graeme cope, louise cope nee thimpton, shannon cope, lucas cope, peter cope, marilyn cope nee turnley, oliver cope, sarah cope, kelvin cope, donald mess, joan mess, geoffrey mess, peter mess, rosemary mess, kerrie mess, isobel gibson nee mess, ellen stevenson nee armstrong, james stevenson, john stevenson, elizabeth stevenson, joanna stevenson, ellen little nee stevenson, william little, francis little, janet little nee armstrong, ruth lorimer nee little, david lorimer, ruth cameron nee lorimer, francis lorimer, val wade, elizabeth lorimer, david kelso, willaim lorimer, jean lorimer nee hewitt, nancy mitson nee lorimer, stan mitson, john hewitt, alison hewitt, john cameron, beryl ryan nee cameron, robert cameron, maryann ryan, peter ryan, margaret ryan, steven wade, andrew wade, jonathan wade, jennifer wade, ruth sadlernee stevenson, thomas sadler, alexander sadler, isabella booth nee sadler, angus sadler, heather sadler, ruth sadler, andrew sadler, nancy sadler, benjamin sadler, robert sadler, alice sadler nee smith, margaret smith, david sadler, anne mcclusky nee sadler, hope sadler, anne carson nee sadler, ruth edwards nee carson, david carson, joseph sadler, isabella bond nee sadler, ian bond, ruth bond, isabella bond, john sadler, thoas sadler, mary sadler nee stewart, stewart sadler, keith sadler, glen sadler, peter sadler, terry sadler, pamela sadler, armstrong family kangaroo ground, bell family kangaroo ground, rogerson family kangaroo ground, barr family kangaroo ground, harkness family kangaroo ground, jardin family kangaroo ground, thompson family kangaroo ground, johnson family kangaroo ground, walters family kangaroo ground, sir ewen camerson, flora margaret cameron, ewen cameron, sir ewan camerson, sir herbert gepp, "garden hill" yarra glen road, andrew moss museum kangaroo ground, lynette beale, noel beale, mick woiwod, diana bassett-smith
