This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002)

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.Athletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport

This commemorative signature panel was signed by athletes who competed in the Sydney 2000 Olympic Games. The panels were originally housed in Woolmark Woolshed located in the Expo area of the Olympic Games site during the games. Over 300 Olympic athletes from 25 countries and competing in 20 different sports visited the Woolshed and every athlete who paid a visit was invited to sign the 'Athlete's Wall'.sAthletes signature panel from the Woolmark pavilion at the Sydney 2000 Olympic Games.woolmark company, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002)

Given to the donor by Mr R.H. Cochrane who worked in Panama for 2 years with the food and agricultural organisation mounted by Mc Cochrane himself.A Mola panel from the San Blas Islands. Design is black on white to represent five cats with red and white eyes and delicate running stitch and stem stitch on the cats' faces. Panel is framed in plain wood and then set on another wood frame with a hessian mount.patchwork, panel, reverse applique, 1960-80, san blas, south america

Bought for the Guild, found in an antique shop by Mrs Beryl Warne (member) March 1974.Silk background with a peach brocade edging natural colours of silk embroidery in long and short stitch for the design of two deers with fir tree branch.embroidery, panel, late 19th century, japan, silk embroidery - oriental

Immigration Museum Exhibition panelTitle panel: Where to? To a New Beginning . . .

Presented to Latrobe Valley & District Ambulance Service By Frank Dean Morwell Panel Works 26 August 1966. At one time, this model was located on the board room desk of the Latrobe Valley District Ambulance Service (refer to photograph inside AHSV1343)Pressed tin station wagon model on timber base with Ambulance Service Victoria logo mounted on poles behind car. Car has flashing lights, electrical mechanism inside car and on/off switch on right hand back doorPresented to Latrobe Valley & District Ambulance Service By Frank Dean Morwell Panel Works 26-8-66 latrobe valley ambulance service

The Mola or Molas is a hand-made textile that forms part of the traditional women's clothing of the indigenous Guna people from Panama. Their clothing includes a patterned wrapped skirt (saburet), a red and yellow headscarf (musue), arm and leg beads (wini), a gold nose ring (olasu) and earrings in addition to the mola blouse (dulemor). Two groups, Choco and Guna lived side by side without intermarriage and without adopting a similar culture.In Dulegaya, the Guna's native language, "mola" means "shirt" or "clothing". The mola originated with the tradition of Guna women painting their bodies with geometric designs, using available natural colors; at a certain point, after the arrival of the Spanish, these same designs were woven in cotton, and later still, sewn using cloth "acquired by trade from the ships that came to barter for coconuts during the 19th century". Red cotton background with black reverse applique mounted on grey cotton. Design includes the serpent symbol.applique, mola - reverse applique, south america, panels

Digital image of one of the side panels from tram 35, on display in the Ballarat Tramway Museum, new building. Photo by Peter Knife 5/9/2023.Yields information about former Ballarat tram 35.Digital image of one of the side panels from tram 35.tramways, tramcars, btm, tram 35, displays, tramcar part

Example of wood work and woodgraining popular in 1901 when the room was decorated. Mantel and mantel surround of pine turned and carved with this central panel beneath the mantel shelf all woodgrained in an oak finish.Fireplace surround featuring under-mantel panel with decorative carved acanthus leaves in urn with a rose at each extremity all in a woodgrain finish.woodgrain, decoration, mantel, oak finish, pine

Black material mounted on cardboard depicting soldiers, aircraft, villages & villagers in motion. Middle depicting people swimming in river. Bottom is peaceful scene with figures in black with colourful dress. All embroided.Hand made panel.embroidered panel

North Central Panel Beaters 1987, formerly Charlton Motors Pty Ltd Service StationColour photograph showing North Central Panel Beaters building on the corner of High and Armstrong Sts. Red car in front of shop on High St, blue & white vehicle on LH side on Armstrong St. Sign attached to verandah showing St Arnaud 42. Signage on front window says Mechanical Repairs, Automotive Service Centre, Ph S?. 1389. Safety tape around tree on LH side of photo and barricades on the High St kerb at the end of the verandah. Telstra tower visible in background.north central panel beaters, charlton motors, business, industry, armstrong street, charlton

Metal panel with various instruments and controlsavro anson, control panel, instrument panel, cocpit

Exhibition panel depicting the Question Where to?Where to? and Pregled in Slovenian language

Photograph of an interpretive panel on the Avoca River.avoca, avoca river

Colour photograph of an interpretation panel at Camberville. camberville

Purchased from 1971 Georges ExhibitionFramed panel. Red and pink striped woollen fabric as background. black, pink and beige machine embroidery in an abstract design including some small black beads. Some hand stitching. embroidery, england, creative embroidery, panel, 1960-1980

Exhibition panel of the Slovenian Exhibition at the Melbourne Immigration MuseumA New Beginning V novo bodocnost (in Slovenian)

Local historical significanceLocal historical significance3 Panel Framed photo of first ever Brimbank Festival

Ian SPRAGUE (1920 - 18 April 1994) Born Geelong, Victoria Ian Broun Sprague's initial training was in Architecture, completing a degree at the University of Melbourne in 1950. After a serious car accident in England, Sprague was encouraged to take up a craft to restore the strength in his arms. He studied at the Central School of Arts and Crafts, London for three years, and spent two months at the David Leach Pottery in Devon, before returning to Australia in 1962. In 1964 Ian Sprague established the Craft Centre in Toorak Road, South Yarra, and the Mungeribar Pottery in Upper Beaconsfield, with Robin Welch, Mungeribar being an Aboriginal word meaning 'red clay'. In 1981, he moved to Mooney-Mooney, NSW (Mungeribar was gutted by bushfires shortly after he left), and to Noosa in 1992. The Mungeribar Pottery mark is an impressed 'm', and Sprague's own mark is an impressed 'IS' with the S rendered in Morse code. Ian Sprague's Mungeribar apprentices were Grattan Burley, Victor Greenaway (1969–73), Christopher Sanders (1976-78}, Trevor Hanby (1978–80). In 1981, he moved to Mooney-Mooney, NSW , and Noosa in 1992. Greenaway's mark in his Mungeribar years was an impressed capital G. Grattan Burley (for six months), The Craft Centre in South Yarra was owned and stocked entirely by Ian Sprague, and he travelled all over Australia in search of the best possible textiles, glassware, woodwork and jewellery, not just pottery. The opening exhibition showed the pottery of Robin Welch. Sprague sold the Centre in 1967, but soon started a campaign for a government funded centre, eventually established as the Meat Market Craft Centre in North Melbourne. In 1971 Sprague became president of the recently created Craft Association of Victoria. Dismayed by the quality of teaching in art schools and technical colleges, he ran many workshops around the country on the textural treatment of clay. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Contemporary ArtTexture fire clay slab and partly glazed wall panel. Ian Sprague produced his hand modeleed wall panels by cutting them from fireclay blocks, heating and scraping them, and applying bold simplified motifs. A strong solution of salted wated was poured onto the rugged clay surfaceswhich produced a warm toasted surface effect. The panels show a clear understanding of the modulation of two dimensional relief sculpture. Artists stamp on lower RH cornerceramics, ian sprague, gippsland campus, jan feder memorial ceramics collection, mungeribar, meat markery craft centre, craft centre south yarra

D. King unveils the wording on the glass panel of research centre.stawell

Panel saw for relatively thin material requiring long cuts. Teeth are close spaced and small.Poor Condition Note: conditions are either excellent, good, fair or poor. saws, tools

A wooden four panel Russian Orthodox icon, c.1800s, with two images of the Virgin Mary, one icon of the Holy Belt and one icon of an unknown saintUnknownicon, russian art, orthodox spirituality, virgin mary

State Assessment Panel for Translators and Interpreters (SAPTI) , Minutes Meeting 13th May 1983, National Accreditation Authority for Translators and Interpreters (NAATI)Black binder 31cmHx28cmW, 245 pages