This patchwork cushion section was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century. It is believed that the note was added to the cushion at a later date and incorrectly refers to a different item.The cushion section is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Patchwork; a square and a rectangular shape of p patchwork prepared for making into a cushion. Shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.Pinned to the underside is a note on a piece of fabric.Handwriting reads "Patchwork done by my mother in 1898" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework, cushion

A large patchwork wall hanging made by women who attended patchwork classes at the Nunawading North Neighbourhood Centre was displayed at the Whitehorse Festival of Arts.A large patchwork wall hanging. nunawading north neighbourhood centre, patchwork, whitehorse festival of arts

Colour photograph of a patchwork quilt.tasmania, patchwork, quilt

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Two typed letters held together with a staple. The first letter has a grey printed letter head which includes a logo of a person with wings holding a heart.[printed] PATCHWORK QUILT TSUSHINquilt, wagga, home, house, housing affordability, design

Sunshine quilterDifferent styles of Patchwork. Patchwork quilt,

Part of the " Wagga collection" donated by the Running Stitch group. Maker unknown. c.1900. Possibly English. Was being used as packing material when found.Quilt, patchwork. Made from tiny hand worked patchwork squares reminiscent of medallion style quilts.quilting history, patchwork history, running stitch group, running stitch collection, england, quilting - history, patchwork - history

2 photographs from the Patchwork Gallery in Watsonia taken by Rosie Bray. Photo 1 and 2 are captioned "Quilts at quilt shop 2004".2 colour photographs, captions on back.layt family, the patchwork gallery, watsonia, quilting

3 photographs from the Patchwork Gallery in Watsonia taken by Rosie Bray. Photos are captioned: photo 1: "Hard at work. Debra Layt at Quilt shop"; photo 2: "Administration has to be done. Quilt shop - Debra Layt "; photo 3: "Workroom at Quilt shop"3 colour photographs, captions on back.layt family, the patchwork gallery, watsonia, quilting

This dressing gown was made from a patchwork quilt begun around the 1880s or 1890s by the daughters of William and Polly Hodgens, owners of the Adelphi Hotel near Montague Station, South Melbourne. The quilt became a communal project, added to over many years by the Hodgens children, relatives, friends and guests. Together, they filled the colourful patchwork with images and figures from their everyday lives, giving us a unique glimpse into the world of early Melbourne.Crazy patchwork dressing gown made from a patchwork bedspread. Made from irregular pieces of silk, satin, velvet and brocades and embellished with embroidered and painted motifs. Fully lined with maroon silk. Neckline trimmed with thick silk cord. Right over left fastening with two large metal press studs. One of the pieces on the back has an inscription dated 11/7/94 (1894).dressing gown, patchwork, embroidery, hand painted

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson). It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

Event promotion and planning document for the Watsonia Quilt Wander 20046p. programme promotion document, stapledlayt family, quilting, debra layt, the patchwork gallery

117 p., illus.non-fictionA mainly pictorial history of Chatham Primary School no 4314, located in Surrey Hills.chatham primary school, surrey hills

Photograph of a quilt made for the Carisbrook flood victims.

Compiled for the celebration of the 70th anniversary of the school's opening at the request of the Principal, Mrs Jan Morris. A number of oral histories were taped with early students to record their memories. Illustrated with many photos from the school's archive.A short pictorial history into the past and present of Chatham Primary School. includes a complete list of students from 1/8/1927 to 1/8/1996.chatham primary school, primary schools, educational and research establishments, (mr) pat dunne, (mr) adrian penistan-bird, (mrs) jenny holt, (mr) john butler maling, (mrs) julia ashby, (mrs) mary beno, (mrs) jane morris, (mr) william edds, (ms) maree mursell, (ms) geraldine pollock, (ms) susan barnett

Book donated on 5/9/2013 by Chatham Primary School following a talk to Grade 3s by Sue Barnett - at Sue's request to augment SHNCHC's library; the book is an update of 1996 1st edition. A short pictorial history into the past and present of Chatham Primary School; includes a complete list of students from 1/8/1927 to 17/11/2005.A short pictorial history into the past and present of Chatham Primary School; includes a complete list of students from 1/8/1927 to 17/11/2005.chatham primary school, weybridge street, surrey hills, primary schools, (mrs) susan barnett, (ms) geraldine pollock, (ms) maree mursell, (mr) adrian peniston-bird, (mr) pat dunne, (ms) mary beno, (ms) jenny holt, (mr) william edds, (mr) john butler maling, (mr) alfred a. homes, (mr) george f. corbett, teachers, (mr) edgar a. smith, (mr) horace fenton, belford t. keir, (mr) lewis tamblyn, (mr) robert j. currie, (mr) james p. nugent, (mr) frederick wenborn, (mr) william l kane, (mr) albert h singleton, (mr) louis e amiet, (mr) rupert r. francis, (mr) trevor j. mcevoy, (mr) ralph l. robertson, (ms) wendy hubbard, (mr) stephen rothwell

Compiled for the celebration of the 70th anniversary of the school's opening at the request of the Principal, Mrs Jan Morris. A number of oral histories were taped with early students to record their memories. Illustrated with many photos from the school's archive.A short pictorial history into the past and present of Chatham Primary School. includes a complete list of students from 1/8/1927 to 1/8/1996.chatham primary school, primary schools, educational and research establishments, (mr) pat dunne, (mr) adrian penistan-bird, (mrs) jenny holt, (mr) john butler maling, (mrs) julia ashby, (mrs) mary beno, (mrs) jane morris, (mr) william edds, (ms) maree mursell, (ms) geraldine pollock, (ms) susan barnett

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion with irregularly shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion with irregularly shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

Quilt made from pink patchwork curtain cloth, machine stitched and patched at a later date by hand. Part of the Wagga collection.Quilt made from pink patchwork curtain cloth, machine stitched and patched at a later date by hand.quilting history, patchwork history, running stitch group, running stitch collection, quilting - history, patchwork - history

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Bolster or sausage shaped patchwork cushion with irregularly shaped patches of a variety of design and fabric. A flower and stem are embroidered on one patch. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework