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Tatura Irrigation & Wartime Camps Museum
Document, Personal recollections POW camp 13 guards - George Campbell and Gerald Peacock, 21/11/84
In response to an advert in the Age, George Campbell, a staunch supporter and donor to our museum, and guard of camp 13 Rudi Pruckner escape to prevent repatriation. It is Gerald Peacock's true story and details of special requirements for internees including family groups, internees, POW's, style of compounds,number interred in compound. Tatura camp 1 held 1000 German, Italian and Austrian internees from Aug1941 to Jan 1947. Camp 2 held 1000 POW's German and Italian internees from Sept. 40 to Feb.46. Rushworth 3 held 1000 family groups of European internees from Nov 40 to Aug 46. Rushworth 4 held 1000 Asian family groups Nov 40 to Aug 46. Murchison 13 held 4000 Japanese officers, German and Italian POW'sClear plastic folder, black margin with white paper insert on which is written "Personal recollections POW camp 13 guards - George Campbell and Gerald Peacock".As noted aboveinternment camp guards, escapees -
Stawell Historical Society Inc
Book, W Peacock, Selected English Essays by W Peacock, 1890's
Chosen and Arranged by W PeacockGreen Hard Cover gold print and design on spineSophie Dane. School girls notes on covers in pencil.stawell education -
Federation University Historical Collection
Photograph - Black and White, Alexander Peacock
Alexander Peacock was born in Creswick, Victoria in 1861. Upon leaving school he mined and was legal manager of mining companies in Ballarat. In 1882 he joined the Creswick branch of the Australian Natives' Association (ANA) and became branch secretary. He stood for parlimnet in March 189 and was elected to the Legislative Assembly representing Clunes and Allandale. Peacock assisted in the establishment f the Clunes Branch of the Ballarat School of MInes which opened in 1890. He was one of the Victorian delegates to teh Federal Convention in 1897. He laid the foundation stone of the new SMB Classroom building in 1899 while MInister for Public Instruction. Three photographs of Alexander Peacock. .1) Portrait of Alexander Peacock printed from an original .2) Portrait of Alexander Peacock in a jacket, balding and with a moustache. Photo is printed from an original. .3) Portrait of Alexander Peacock in a top hat and tails, holding a walking stick. Photo is printed from an original.alexander peacock, australian natives' association, ana, ballarat school of mines, parliamentarian, legislative assembly, mininster for public instruction, minister for education -
Falls Creek Historical Society
Functional object - Peacock Hand Warmers
These mid-1960s Peacock and Gold brand lighter fuel hand warmers were used in Falls Creek to keep out the cold. The concept behind the hand warmer is that through combustion (ignition) of lighter fluid (light petrol distillate) it becomes a catalytic heater, relying on a catalysed chemical reaction to break down molecules and create heat. The devices could get quite hot, not hot enough to set paper on fire, but hot enough to give a nasty burn if sustained contact against your skin occurred. The construction of the device is very simple. There is very fine rolled wire mesh which fits on top of the reservoir body. After you fill the reservoir with lighter fluid, vapor pressure builds up. The device ignites by heating the grill with a match or lighter until it glows red. There is no open flame. The hand warmer also had a velvet bag to place it in after igniting to prevent direct skin contact. They were able to generate heat for up to a whole day. The Japanese company Yamato Shokai Ltd was founded in 1923 in the city of Osaka. Destroyed during air raids in 1945, the factory was rebuilt in 1946. They manufactured the Peacock brand pocket-warmer and sold it internationally.These items are significant because they were commonly used at Falls Creek.The pocket warmer is a small, relatively flat device with a tank at the bottom and a burner mechanism a t the top. "PEACOCK/MADE IN JAPAN" is engraved near the burner. The warmer fits into a metal case which features a series of ventilation holes in the shape of a peacock's tail. JAPANESE PAT. 237413.483177 MADE IN JAPANhand warmers, ski equipment 1960s -
Puffing Billy Railway
NGG16 No.127 - Garratt Steam Locomotive, 1951
No. 127 is a 2'-gauge ex-South African Railways 'NGG16' class Beyer-Garratt locomotive. It was built by Beyer Peacock & Co of Manchester (builder's No.7428 of 1951) to their "Beyer Garratt" patented design of articulated steam locomotive. The South African Railways Class NG G16 2-6-2+2-6-2 of 1937 is a narrow gauge steam locomotive. Between 1937 and 1968, the South African Railways placed 34 Class NG G16 Garratt articulated steam locomotives with a 2-6-2+2-6-2 Double Prairie type wheel arrangement in service on the Avontuur Railway and on the Natal narrow gauge lines - The third order was for a further seven locomotives in 1951, numbered in the range from NG125 to NG131, once again from Beyer, Peacock. These and the subsequent locomotives had welded water and coal bunkers and flat-topped water tanks with rounded top side edges. The Beyer, Peacock locomotives ordered by the SAR, numbers NG109 to NG116 and NG125 to NG131, were shared more or less equally between the Natal and Avontuur lines No. 127 was purchased from the South African Railways by the Emerald Tourist Railway Board for the Puffing Billy Railway in late 2011 / early 2012, together with a container load of spare parts stripped from a derelict NGG16, and prepared for transport to Australia. The spare parts will assist in the restoration of sister NGG16 No.129 in the short term, while No.127 will provide the PBR with the option of restoring a second NGG16 at some future stage, if required. details from http://www.australiansteam.com/BP7428.htmHistoric - Overseas - South African - Narrow Gauge Railways - Steam Locomotive Garratt Steam Locomotive - 2-6-2+2-6-2 Beyer Peacock & Co NGG16 No.127 build No.7428puffing billy, ngg16, sar, beyer peacock & co garratt ngg16 no.127 build no7428, narrow gauge, steam locomotive, garratt -
Puffing Billy Railway
NGG16 No.129 - Garratt Steam Locomotive, 1951
Steam Locomotive - 2-6-2 2-6-2 Beyer Peacock & Co Garratt NGG16 No.129 build No. 7430 Loco - Garratt NG129 Date acquired - 1996 Acquired from - South African Railways State when acquired - Work done - Currently being rebuilt to 2 ft 6 in (762 mm) gauge as a backup for G42. Expected Return to service in 2019. Restored to service - Current State - Currently being Rebuilt It was built by Beyer Peacock & Co of Manchester (builder's No.7430 of 1951) to their "Beyer Garratt" patented design of articulated steam locomotive. The South African Railways Class NG G16 2-6-2+2-6-2 of 1937 is a narrow gauge steam locomotive. Between 1937 and 1968, the South African Railways placed 34 Class NG G16 Garratt articulated steam locomotives with a 2-6-2+2-6-2 Double Prairie type wheel arrangement in service on the Avontuur Railway and on the Natal narrow gauge lines - The third order was for a further seven locomotives in 1951, numbered in the range from NG125 to NG131, once again from Beyer, Peacock. These and the subsequent locomotives had welded water and coal bunkers and flat-topped water tanks with rounded top side edges. The Beyer, Peacock locomotives ordered by the SAR, numbers NG109 to NG116 and NG125 to NG131, were shared more or less equally between the Natal and Avontuur lines Historic - Overseas - South African - Narrow Gauge Railways - Steam LocomotiveSteam Locomotive - 2-6-2+2-6-2 Beyer Peacock & Co Garratt NGG16 No.129 build No.7430 made of steel, wrought iron and ironpuffing billy, beyer peacock, beyer peacock & co garratt ngg16 no.129 build no.7430, narrow gauge, steam locomotive, garratt locomotive, garratt ng129, garratt ngg16 no.129 -
National Wool Museum
Book, Knitting, Peacock Knitting Leaflet no. 50
Knitting leaflet produced by F.W. Hughes Pty Ltd, Sydney, in 1962.Peacock / KNITTING LEAFLET No. 50 / featuring / POODLE / 1'-knitting, f.w. hughes pty ltd -
Tatura Irrigation & Wartime Camps Museum
Book, Peacock Morning, 1998
Written about life in a Squatters homesteadRoyal blue soft cover book with picture of peacock feathers on the front and back covers. Red and yellow text.Hildepeacock morning, knorr h, camp 1, camp 13, tatura, ww2 camp 1, books, novels -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Lt Kevin Peacock
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Lt Kevin Peacock, a fixed and rotary (helicopter) wing pilot with 161 (Indep) Recce Flight, stationed at the 1st Australian Task Force Base, Nui Dat, Phuoc Tuy Province, South Vietnam. Lt Peacock was one of a very few with 'duel' pilot qualifications.photograph, lt kev peacock, 161 recon flt, 1st atf base, nui dat, phuoc tuy province, gibbons collection catalogue, denis gibbons, photographer, vietnam war -
Flagstaff Hill Maritime Museum and Village
Book, The Life of Thomas Love Peacock
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Life of Thomas Love Peacock Author: Carl Van Doren Publisher: J M Dent & Sons Ltd Date: 1911Label on spine cover with typed text PAT 920 PEA Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Librarycovered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Warrnambool Public Museum warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the life of thomas love peacock, carl van doren -
Orbost & District Historical Society
bottle, Late 19thcentury - Early 20th Century
Tall, narrow purple bottle. Tomato sauce container. Maker's name is embossed on front.Front -OK Tomato Sauce, The Peacock Jam Company Ltd, Newtown.bottle container peacock-jam-company food-container -
Federation University Historical Collection
Photograph - Black and White, Oliver Peacock, Frank Wright at the Ballarat Gold Links, 1921, 29/4/21
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a dark polo neck jumper and trousers wearing a cap and holding a set of golf clubs in a golf bag. The man is standing on patchy grass with a fence, paddock and trees in the background. The place is the Ballarat Golf Links.Witten in pen on the back - Frank Wright, Ballarat Golf Links, 29/4/21, Oliver Peacockfrank wright, ballarat, ballarat golf links, cornet, conductor -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - gelatin silver photograph, Johnstone O'Shannessy & Co, Councillor John Peacock, Mayor of Brighton 1901, c.1901
John Peacock (1830-1905) entered Brighton Council in 1895 as a representative of the South Ward and was Mayor 1900-1901.councillor, local government, municipality, mayor, portrait, mayoral robes, mayor of brighton, cr. j. peacock, john peacock, south ward -
Ballarat Heritage Services
Photograph, Peacock Hall, Ballarat High School
Photographs of the interior of Peacock Hall at Ballarat High School. The windows were designed by Amalie Feild of the Ballarat Technical Art School, and were completed as a World War One memorial. Above the wall above the stage honour boards name students from the school who served during the first World War. The Central board lists the 42 alumni who made the ultimate sacrifice. peacock hall, ballarat high school, amalie feild, amalie colquhoun, war memorial -
Peterborough History Group
Book, J. M. MacKenzie, The Peacock From the Sea and The Mysteries of the Schomberg, c1970
Written by a Peterborough resident whose Grandfather salvaged the peacock from the Loch Ard wreck. Also includes information about the wreck of The Schomberg.Written by a Peterborough resident whose family were involved in the Loch Ard salvage, also whose family had memories of the wreck of The Schomberg.Paperback book including colour photosloch ard, loch ard peacock, schomberg, the schomberg, j m mckenzie, peterborough, schomberg rock, shipwrecks, shipwreck coast, great ocean road, bully forbes, the great circle route -
Robin Boyd Foundation
Letter, NSW Attorney General, Letter regarding Utzon and Opera House completion to Solicitors (Mr Barkell and Mr Peacock) for Peter Kollar and others, 23.03.1966
The advice given to the Attorney General regarding completion of Opera House in accordance with Utzon's design is at variance with the suit of Mr Barkell and Mr Peacock that works cannot be completed without Utzon's employment. The Attorney General will consider other expert evidence submitted by Mr Barkell and Mr Peacock. Utzon had resigned on 28 February, 1966. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Photocopy, 2 pages, part of plastic folder stuck on first pagesydney opera house, utzon, sydney opera house project, walsh st library -
Unions Ballarat
Killer Company: James Hardie Exposed, Peacock, Matthew, 2009
Matthew Peacock is an ABC journalist who researched the story of the company, James Hardy, that knowingly continued to sell asbestos products despite serious health risks to its employees and customers. Stories of past employees including the late Bernie Banton who publically crusaded against James Hardy.The book and its stories are significant to workplace health and safety in Australia and consumer safety.Paper; book. Front cover: red and black background; white and red text; photographs of Greg Combet, Bernie Banton and a man holding a banner that reads, "Killed by Asbestos".Front cover: title and author name.btlc, ballarat trades hall, ballarat trades and labour council, banton, bernie, james hardy industries, occupational health and safety, asbestos, workers' compensation, political activists, unions, asbestosis, biography -
Eltham District Historical Society Inc
Photograph, End of year concert, “The Peacock and the Willy Wagtail”; Fiona Berry, Karen Whalley, Peter Whalley, Susan Field, Eltham Christian School, 1982, 1982
End of year concert, “The Peacock and the Willy Wagtail”; Fiona Berry, Karen Whalley, Peter Whalley, Susan Field, Eltham Christian School, 1982 The Stokes family settled in this area of Eltham in the 1940s and were associated with the Eltham Christian Church. In the 1970s this church had met in temporary premises in Eltham. Lots of the original 1920s subdivision remained south of Nyora Road and a number of these lots were utilized for the Eltham Christian School, which was established by the Eltham Christian Church in 1981. The school operated on this site until 2000. The premises were owned by the Nillumbik Community Church who were in operation till November 2010 when the Eltham Baptist Church commenced a lease arrangement until the site was purchased by them in April 2012. The building is constructed of brick and timber with a balcony on two sides that looks over an expanse of grass. Sources: STOKES ORCHARD – AN INCOMPLETE HISTORY February 28, 2015 http://www.elthamhistory.org.au/ Australian Christian Church Histories - Eltham Baptist Church http://www.churchhistories.net.au/church-catalog/eltham-vic-baptist/ From an album featuring a series of photographs (some cropped) from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.black and white photographeltham christian school, nyora road, concert, fiona berry, karen whalley, peter whalley, susan field, the peacock and the willy wagtail -
Ringwood and District Historical Society
Memorabilia - Trowel, Trowel used for laying the Foundation Stone of the Ringwood State School - 1921, 1921
? Trowel used by Mrs J K Turnbull to lay stone of the Ringwood State School 1889? Then used by Alexander Peacock on 27-Oct-1921Bone handled trowel with Sheffield silver blade - ornamented with oval area in centre.; Inscription: Presented to The Hon. Sir Alexander Peacock K.C.M.G. Minister of Education on the occasion of his laying the Foundation Stone of the Ringwood State School 27-10-[19]21. Thompson & Chalmers, Builders. +Additional Keywords: Peacock, Alexander, Hon. Sir, K.C.M.G.Presented to The Hon. Sir Alexander Peacock K.C.M.G. Minister of Education on the occasion of his laying the Foundation Stone of the Ringwood State School 27-10-[19]21. Thompson & Chalmers, Builders. -
Coal Creek Community Park & Museum
Jar
Round glass jar with frilled cloth on lid and a label on side depicting a peacock, a star, a fountain and fruit with some text in white, black, yellow, green, red, blue and orange.Peacock's Pickles Trade Mark -
The Beechworth Burke Museum
Audio - Oral History, Linda Peacock, Ernie Warner, 2000
Ernie Warner was a local of Beechworth, a third generation inhabitant of the town. His grandfather arrived as a prospector, and his parents married there and established a sheep/wool farm, which passed to his brother. Ernie was the owner of the hardware store in Camp street, which was the former Post Office Hotel, from 1955 to 1979, having previously worked there as a teenager in the 1930s/1940s. He did not go to war due to injury, but during the wartime was employed in the hardware, at Zwar Bros. Tannery and by bookkeeping for his father. Ernie married in 1948 and had 6 children. This oral history recording was part of a project conducted by Jennifer Williams (and Linda Peacock) in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Ernie Warner's oral history recording has social and interpretive significance due to his discussion on life in Beechworth during the Depression, War and post-war eras. He discusses his work in the hardware shop on Camp Street and his work in the Zwar Bros. tannery during the wartime, when it supplied leather to the army. His recording also has social significance because he discusses his family; his grandfather had arrived in Beechworth from England to prospect for gold and his father and brother were sheep farmers. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Ernie Warnerzwar brothers tannery, beechworth, gold prospecting, world war two, hardware store, sheep farming -
Federation University Historical Collection
Letter, Letter to Ballarat School of Mine from William Peacock
Ballarat School of Mines is a predecessor of Federation UniversityHandwritten letter on lined paperbroadbent bros & co, quartz rubble, ballarat school of mines, william peacock, fred j. martell -
Federation University Historical Collection
Letter, Letter to Ballarat School of Mines from William Peacock
Ballarat School of Mines is a predecessor of Federation UniversityHandwritten letter on lined paper ballarat school of mines, william peacock, extracting gold -
Ringwood and District Historical Society
Photograph, Ringwood High School - 1954, Form 1D. Boys standing (L-R): 1. Alan Carter, 2. David Lightfoot, 3. Maurice Henry, 4. Peter Van Ketwick, 5. Douglas Hume, 6. Alistair Wilkie, 7. John McCallum, 8. Robert Summerville, 9. Geoff Barker, 10. Ken Landy, 11. Peter Gluth, 12. Alan Richards, 13. Geoff Edwards, 14. Len Armfield, 15. Ray Davidson. Girls standing: 1. Sally Wilson, 2. Brenda Shore, 3. Jeanette Hancy, 4. Lea Boyce, 5. Carol Kennedy, 6. Joy MacDonald, 7. Diana Richards, 8. Racheal Nield, 9. Jeanette Martin, 10. Muriel Peacock, 11. Jennifer Bradley. Girls seated: 1. Barbara Tortoise, 2. Barbara Gotts, 3. Janice White, 4. Fay Clarice, 5. Wendy Pyke, 6. Moya Crane, 7. Dianne Dewer, 8. Dorothy Hunter, 9. Nola Hind, 10. Barbara Johnson, 11. Meryl Hearnes
Written on list in sleeve, "High School - Bedford Rd. Ringwood. Photo Pupils - Form 1D. Reading from Left to Right: Back row boys: 1. Alan Carter, 2. ??, 3. Maurice Henry, 4. Peter Van Ketwich, 5. Douglas Hume, 6. ??, 7. John Callam, 8. ??, 9. ??, 10. ??, 11. Peter Gluth, 12. ??, 13. Geoff Edwards, 14. Len Armfield, 15. Ray Davidson". -
Stanley Athenaeum & Public Room
Geological specimen - Bornite, Bornite (Peacock ore) - geological specimen
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Department of Health and Human Services
Photograph, Bundoora Repatriation Hospital - Day Centre - Peacock walking close by at Picnic Fishing Trip
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Darebin Art Collection
Photograph - David Wadelton, David Wadelton, The Peacock Inn, 1982
peacock inn, northcote -
Bendigo Historical Society Inc.
Decorative object - BRASS PEACOCK ORNAMENT
Small brass ornament in shape of a peacock, painted in red and purple colours.ornaments, metal, peacock -
Flagstaff Hill Maritime Museum and Village
Decorative object - Peacock, Minton Majolica life-size model, Paul Comolera, artist, Designed: c. 1873; Made: c. 1875
This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire -
Warrnambool and District Historical Society Inc.
Book, Hymns Ancient & Modern, 1906
This Hymn Book was given to Margaret (Peggie) Peacock by the Christ Church Choir, Warrnambool when she left Warrnambool in 1912. She was the sister of Archdeacon Andrew Peacock, the fourth Vicar of Christ Church, Warrnambool. Their brother was Sir Alexander Peacock, at one time Premier of Victoria. Margaret Peacock kept house for her brother and assisted him in his pastoral work. Her brother died in Warrnambool in 1912 and Margaret left the town. She died in 1947.This book is of considerable importance as it belonged to a Warrnambool resident in the early 1900s. She worked as a housekeeper for her brother, Archdeacon Peacock and assisted him in his pastoral duties in the Anglican Church. The sketch in the book shows that Margaret Peacock was interested in art work and the caption, ‘Where Memory Lingers’ shows that she had fond memories of her time in Warrnambool. The book was in the possession of her sister, Mrs Uglow, the wife of a Colac physician and this lady was a friend of Gladys Angus, the wife of a well-known Warrnambool doctor, Roy Angus. Mrs Uglow gave the book to Mrs Angus’ daughter, Berry McDade and she has handed it over to the Warrnambool and District Historical Society for safe-keeping. This is a maroon-coloured leather-bound book of 514 pages of hymns (music and words) and 31 pages of additional material at the end of the book. The inside of the cover has an ornamental gilt pattern on the edges and the page ends have red gilt shading. There are four loose pages, three of them relating to the ownership and donation of the book and one is a prayer for members of the Girls’ Friendly Society. The front cover has been personalised with gold lettering with the initials of the owner and there is an inscription inside relating to the original presentation of the book to the owner, Margaret Peacock. This is in silver and black script. There is also a sketch of Christ Church, Warrnambool by Margaret (Peggie) Peacock inserted into the third page. There is some small damage to the first page.Front Cover: ‘Hymns Ancient and Modern, M.P., HIS’ Inscription: ‘To Miss Peacock, A parting gift from the Choir, Christ Church Warrnambool, October 1912’ Sketch: ‘Where Memory Lingers’ christ church warrnambool, archdeacon peacock, margaret peacock, warrnambool