Red cloth large hardcover book. Title is written on the front cover and on spine in gold. Small gold circle pattern on front cover. The book contains 100 coloured plates, 32 b/w plates with images of peasant handicraft. The book includes table of content, index, bibliography and a library due date card inside back cover, it was borrowed by Donald Ferguson(an art lecturer)on 13 May 1957. Page numbers written in roman numerals. embroidery, europe, ceramics, ornaments, peasant art, h th bossert, folk art, embroideries, handicraft, decorative arts, textile fabrics

Purchased on the Pakistan/Iranian border and is the work of local peasant.Peasant figure on a natural linen material in bright colours using rows of chain stitch.afghanistan, embroidery, surface stitchery, sampler, 1940-60

Plaque on a spinning wheel, from year 1896, presented to Slovenian Association Melbourne at the occassion of the Kmečka Ohcet - Peasants Wedding in Ljubljana, 1974. At the special wedding were married Magda and Darko Hribernik.Inscription in Slovenian language: Kolovrat - 1896 v spomin SDM na kmečko ohcet 1974 v Ljubljani Darko in Magda Hribernik The spinningwheel - 1896 as a memento to the Slovenian Association Melbourne, of the Peasant Wedding 1974 in Ljubljana, Darko and Magda Hribernikplague, spinning wheel, slovenian association melbourne, kmecka ohcet

Black and white photo of a group of girls in elaborate costumes on the stage of the Melbourne Town Hall for an Annual Demonstration. It shows girls dressed as Russian cossacks and Russian peasants. The name of the routine isn't known. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of girls dressed in Russian peasant and cossack outfits.junior legatees, demonstration, annual demonstration, girls classes, costumes

Vietnamese Peasants Coolie Hatheadgear, vietnam, general

Daisy Vickers collection: Item 1 of 27.Nance Moore, nee Vickers has a collection of post cards which were sent to her older sister Daisy Vickers, (later Mrs Ogier) by her uncle Arthur Anderson between August 1916 and October 1918. There is also one card from Ike – assumed to be Ike Primmer, an uncle by his marriage to Ida Anderson sister of Daisy’s mother. There are seven envelopes addressed to Miss Daisy Vickers, Bushfield Post Office. Daisy was born in 1907, so would have been a young girl of about ten years. There are nine cards – Arthur’s were sent from France and Belgium, Ike’s from Glasgow. The messages are simple. There are three embroidered cards. Some of the messages are responses to Daisy who must have sent letters or cards to her uncles. Daisy Vickers/Ogier was a long serving, much loved and respected teacher and senior mistress at Warrnambool Technical School. The cards bring to life the family ties, the need for contact, and the difficulty of communication of a distant time.This postcard along with others connected to Daisy Vickers provide a link to one of the most significant events of the 20th century.This postcard depicts the King at the front greeting peasant s from the countrysidedaisy vickers, ww1 postcard, warrnambool history, the king of the front

German 1867 - 1945Etching and aquatint. K .94 ix b, Plate 1, Peasant War cycleInscribed 21 in plate l.l

German 1867 - 1945Etching, K.90 xiib, Plate 3, Peasant War cycle 1921 reprintInscribed in Plate 1921; artists stamp

German 1867 - 1945Etching/textile trough press, K.96 xi, Plate 6, Peasant War cycle

German 1867 - 1945Etching/textile through-press, K.98 xi, Plate 7, Peasant War cycle

From the collection of the late Dr. Georgina Sweet, who was the first woman veterinarian in Victoria and who travelled extensively in Middle Europe in the Early 20th century.Natural ground, multi-coloured embroidery, peasant style motifs in satin, straight and chain stitches.Szegedembroidery, surface stitchery, hungary, 1900-20, cushion covers, heart, flowers

Gold Mining2-5 South Scotchmans Co. waterloo Co. Newspaper Reports from Peasant Creek News 1869-1885

Photograph. Sepia photograph of Gertrude Perry in costume for her performance in musical Wildflower. Dressed in peasant costume with basket on arm. Wildflower written on the back.Allan B Martin, 4 Royal Ave, Bendigoperson, individual, personal/portrait, gertrude perry collection, perry gertrude, wildflower, martin allan b

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities, are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to a lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up a home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Chambers Encyclopædia Vol 8 Publisher: William and Robert Chambers Date: 1904 Further Information: A Dictionary of Universal Knowledge - Illustrated Edition Peasant to RoumellaThe label on the spine cover with typed text H 030 CHA Paste down front end paper has a sticker from Corangamite Regional Library Service.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, chambers encyclopædia vol 8, william and robert chambers

Photograph. Black & white photograph of Gertrude Perry in costume for her performance in musical wildflower. In peasant costume. On the back: Wildflower. Copyright. Bendigo Advertiser AG137.Bendigo Advertiserperson, individual, personal/portrait, gertrude perry collection, perry gertrude, bendigo advertiser, wildflower

Mrs Constance Clucas, a talented musician in the Holy Trinity choir, started 'The Surrey Hills Operatic Society' in 1931. She trained members of the Society to concert standard. Mrs Clucas produced operettas for some ten years. Titles included 'The Arcadian', 'Princess Ju Ju', 'The Quaker Girl', and 'Miss Hook of Holland'. Local musicians formed the orchestra which was extended for the concert presentation by a few guest artists among whom were locals Marion de Saxe, a flautist, and Fred McBeath. Rehearsals were held in the Surrey Hall and a small Canterbury Road Lodge Hall with final staging in the Surrey Hall and Camberwell Town Hall. Scores and costumes were hired from J. C. Williamson.The photo is reflective of the cultural life of Surrey Hills in the 1930s.A sepia coloured photograph of a lady standing in a garden dressed in a peasant looking outfit and holding a (?) feather duster. She is wearing a hat in traditional Dutch-style.(mrs) constance clucas, holy trinity choir, churches, surrey hills, (ms) marion de saxe, (mr) fred mcbeath, the surrey hall, canterbury road lodge hall, (mrs) ethel cerini, camberwell town hall, surrey hills operatic society, 1930-1939

Purchased by donor in Lisbon 1969.Black cotton, with peasant style design embroidered in bright colours, red, yellow,blue, pink and white, perle thread. Satin, buttonhole and cross stitches.embroidery, sachets, surface stitchery, 1960-80, portugal

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400. Colour photo of 6 Arab Peasants with 4 Camels. World's Fair, St Louis Addressed to Miss Stapleton, Arcade, Bendigo Sender - A.M. Dated 25.4.05 postcard, collector, alice mcgregor

Donor believes it is Hungarian and over 100 years old (1872) worked by peasants.Small square of linen cloth with stylized motfis on a drawn thread ground. The technique resembles Sicilian drawn thread work.embroidery, sicily, drawn thread, white work, hungary

Donor believes it is Hungarian and over 100 years old (1872) worked by peasants.Square cloth with drawn ground and a design of stylized animals, finished with a crocheted edge echoing the main pattern. Technique resembles Sicilian drawn thread work.embroidery, table cloth, white work, drawn thread, sicily, hungary

Purchased by donor in Lisbon in 1969.Pale cream cotton, embroidered, design in light brown cotton (perle) in satin and stem stitches. Central heart has 4 sided stitch in centre. A peasant style design.embroidery, sachet, surface stitchery, 1960-80, portugal

Purchased in Greece, 1961. Made from a sleeve, one of many peasant designs from Bosnia.Natural linen with pattern darning in dark blue, light blue, brown and dark grey. Plaited edge stitch on one long edge. Wide tasselled fringe in cream wool.embroidery, darning stitches, cushions, late 19th century, mid european

Yang Deliang was from the Jinshan Peasant Painting Academy where Chinese folk art of southeastern Yangtze River area of Shanghai is undertaken. The paintings integrate the folk arts of printing and dyeing, embroidery, paper cutting, wood carving, and cook stove painting, and depict the peasant's colorful customs and daily life. This style of folk art was born in 1972, under the guidance of a professional painter Wu Tongzhang. Jinshan Peasant Painting made its international debut in the Expo 1980 in Brussels, Belgium. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed silkcreen An artist's 'chop' is evident on the lower right cornerart, artwork, yang deliang, chinese, silkscreen, jinshan peasant painting academy, j

This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, hollow inside. It is carved to represent a peasant girl and goat with a vase shaped like a tree stump in the background. The ornament has remnants of gold, red, brown and green paint. There is an inscription on the base."3943:warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, ornament, flagstaff hill, flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, girl and goat, vase

Used by peasant women when in Chador (local dress), the decorative corner is used as a viewing corner through which to view the passers-by without their own faces being seen.Pale blue linen (local) with hem stitched edge and self coloured surface embroidery. A band of drawn thread work with a lighted blue incorporated in the design, with one corner having a large area of the open work embroidery.embroidery, handkerchiefs, 1960-80, middle east, surface stitchery

Embroidered cream crepe short-sleeved blouse in peasant style. Rouleau work around the neckline, joined to blouse top by insertion stitches. Front embroidered with floral motifs around crochet star motifs. Smocked sleeve cuffs and around bodice.Note stitched to front states "Rouleau work, crochet 8 point motif, buttonhole edging, running stitch, satin stitch, smocking and other".

Donor's note - purchased in Brussels 1912 and which the donor called a 'Bertha'. When received this and No. 648 were blouses of tussore silk onto which the embroidered parts of an original peasant blouse was inserted.Handwoven cotton material with geometric design in cross stitch of red, blue, brown and green. The edge has been buttonholed.embroidery, garments, blouses, 1900-20, southern europe, cross stitch