The Grave of Humphrey Peers (died 10/06/1868) and Mary Peers (died 21/09/1924), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, peers family

The Teenager, His Family and His Peers was a paper presented to the 1968 Federal Conference of the Legacy Clubs of Australia by Legatee John Hall of Melbourne Legacy (held in Ballarat from 7th to 10th November 1968). By resolution of the Conference it was printed by Legacy Co-ordinating Council for distribution upon their request to Legacy Clubs. It was stored with another paper presented at the 1968 Conference 'The Fundamentals of Legacy' which had the notation H51 in blue pen to show that it was part of the archive project that was trying to capture the history of Legacy. An example of the type of subject matter that Legatees shared at annual conferences. Brochure on white paper with black type about the role of Legacy with teenagers and families x 16 pages.history, conference

Historical essay and timeline of the Women’s Art Register, including Vision Statement, Chronology, Publications, Associations, Overview of the unique Women’s Art Register including significant events and actions.Display copy of the softcover promotional booklet published by Women’s Art Register in 2005, with essay by Juliette Peers and design by Josephine Fagan. Contents: About the Women’s Art Register; Vision Statement, Pulications, Liasons and Associations, How to use the Women’s Art Register, Advocacy and Leading Issues, Chronology, Short HIstory of the Women’s Art Register, Membership Form, Resources and KitsThe word Corrections is handwritten on the cover.

Booknon-fictionHistory of the Society, founded in 1902, told through the stories of three generations of artists. Includes original research, unpublished primary sources and photographs and over 300 biographies of members. china painting, portraiture, self-portraiture, flower painting, sculpture, print making, art and craft

Joan Richard was a speaker at the Surrey Hills Historical Society meeting in November 2013. A watercolourist, she has been a long standing member of MSWPS, Past and Recent President in 2017 and a Life Member. The Melbourne Society of Women Painters and Sculptors was founded in 1902 by women who had been students at the Art School of the National Gallery of Victoria, to provide a forum for artistic discussion and an opportunity to view and comment on each other's work. Originally named the Students' Art Club, it became "Woomballana" (meaning either 'everlasting beauty' or 'search for beauty') Art Club, The Women's Art Club, the Melbourne Society of Women Painters and finally, in 1954, the present title was adopted. The history of the MSWPS and its members’ achievements, issues of the workplace, family and art commitments, the economic survival of artists, migrant artists and prejudice against women are also explored. Much of the information in “More Than Just Gumtrees” has not been available in previous publications; it includes hitherto unpublished sources - oral history interviews, minute books, reviews, letters, early photographs. There are includes biographies of over 300 artists, with individual exhibition lists, representation in public collections etc REF: MSWPS website. Artist Mabel Pye, who lived in Surrey Hills, is one of the featured artists.A history of the Melbourne Society of Women Painters and Sculptors and of the women who have belonged since 1902. Some of these women have become well-known to the art world, other have slipped by un-noticed. Incl. index, bibliography.To the Surrey Hills/Historical Society/Presented by/Joan Richard/19th November/2013melbourne society of women painters and sculptors, women painters, women sculptors, mabel pye, joan richard

Peers Family Grave. Sacred to the memory of Humphrey Peers late of Bedford England died June 19 1868 aged 52 years.. also Mary his beloved wife died September 21 1924 aged 93 yearsBorn Digitalst katherine's church, st helena, cemetery, peers

This item of dress would have been worn at summer entertainments or at pool parties. The bold floral pattern is typical of the styles favoured in the 1960s and 70s.This dress is of minor interest as an example of ladies’ clothing from the 20th century and will be useful for display.This is a floor length woman’s dress. It is made of polyester material and the print has a white background with mauve, aqua and pink flowers. The waist at the back is elasticized and there is a zip at the back. The front bodice has halter straps. The skirt is slightly flared. The maker’s label is attached to the back of the garment ‘Peer Gynt Size 12’ ladies fashions, floral 1960 dress, peer gynt

28 page booklet edited by Juliet Peersjuliet peers, april kaye ikinci, juli haas, meg benwell, meg beckett, mary meyer, elizabeth durak, anne graham, guelda pyke, melissa cater, bias binding, gala luncheon, 20th anniversary, reba schutenko, melissa black, jane lennon, pat hillcoat, obituary senator olive zakharov, julie mcdonald, obituary mary macqueen, m. mcguire

Bake house and stables demolished in 1974Edna Barrie and Lorraine Gillespie peering into the stables. local identities

Jan FEDER Born Barmera, South Australia Jan Feder was a student at the Gippsland Centre of Art and Design in the 1980s. She had started studying ceramics in Adelaide, deciding to continue here study at Churchill under Hedley Potts' tutelage after moving to Strezlecki. In her final year Jan was an on-campus weekday resident to save on the travel time. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. A group of ceramic vessels by Jan Feder, an alumna of the Gippsland Centre for Art and Design (GCAD). After her death in the mid 1980s her student peers amassed funds to create a memorial collection. jan feder, jan feder memorial ceramics collection, gippsland campus, alumni, ceramics

Copy of image: boy standing peering at wall mounting at Joss House.bendigo, buildings, joss house, joss house, chinese

Black framed A4 Mens' Health Peer Education, Veterans Affairs.veterans affairs certificate

Letter sent to Neil Maxwell during Peer Appreciation Week, acknowledging his role as Peer and involvement in the Peer Program.Letter on VAF letterhead from Jayne Gallonon-fictionneil maxwell, vision australia foundation

Peter PILVEN (1956- ) Born Ballarat Peter Pilven is acknowledged by his peers for his high level of tacit skills, including throwing, and for his sound technical knowledge of materials.Training with John Gilbert's Edinborough Pottery from 1972-1975, Pilven trained with Joan Campbell in Fremantle in 1976. In 1977 Peter Pilven obtained a Diploma of Fine Art (Ceramics) from Ballarat College of Advanced Education (now Federation University). The following year he worked with Ian Dowling at Geraldton, WA, and with the Western Australian Aboriginal Education Unit in 1979. He next trained with Alan Cagier-Smith in England between 1980 and 1981. Peter Pilven established his own studion in 1982.Hand built anagama [woodfired] stoneware. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.ceramics, artwork, artists, jan feder memorial ceramics collection, peter pilven, churchill, alumni

MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.malcolm boyd, ceramics, artist, artwork, jan feder memorial ceramics collection, gippsland campus, alumni

This booklet was published in the year following the German occupation on 1940-1945. It celebrates the 700 years existence of the city.See itemA 104pp booklet by A. van Peer printed on poor quality paper. Illustrations are in black and white; the cover picture is of the Old Church in Delft. (See item The subtitle reads :1246 Delft 1946.

Alan Charles Quinn went to sea at the age of 16 and photographed his work and the places he visited. In keeping all of his photographs he created a pictorial autobiography. Also included in the Alan Charles Quinn Collection are letters written to and from his mother during his time at sea.Black and white photograph of the bow of the Queen Mary taken from a "street-level" view. On the very front of the ship there is a person visible as well as several people to the left of the photograph, peering over the railing.Blue/green ink, handwritten on reverse of photograph: "14.9.49" Handwritten on original page within photograph album: "Bow on at pier ninety"allan charles quinn, queen mary, ship liner, passenger ship, passenger liner, new york, usa

Black and white mounted photograph of Basil Watson in biplane . Half head of Basil Watson peering out of cockpit. Lower RHS: Photographer's logo: ''Kalm'' 57-59 Pall Mall, BendigoKalma, 57 & 59 Pall Mall Bendigo.person, individual, basil watson

John DERMER (1949- ) Born Melbourne, Victoria John Dermer studied Ceramics at the Royal Melbourne Institute of Technology and Hawthorne State College (Diploma of Education), before working in potteries in England. Upon his return to Australia he established "Kirby's Flat Pottery" studio at Yackandandah, Victoria in 1974. John is proudly a product of the Leach/Hamada movement in ceramics. He sees this as a tradition that for him represents the essence of working with clay. The lines are pure and balanced while the forms are honest, proud and passionate. Yars of research and experience in salt glazing were rewarded in 2006 when John Dermerwon the highly prestigious Saltzbrand Keramik International Award in Koblenz, Germany. Another avenue of ceramics for which John is renowned is in the field of terra sigillata. This passion had its foundation back in 1987 when he received a major commission from Romaldo Giurgola and Pamille Berg for the new Parliament House in Canberra. During the completion of these massive pieces for the Prime Minister’s suite and Cabinet entry he had to invent and develop methods for decorating and firing the pots successfully. The completed pieces are still regarded by John as some of his finest works. John Dermer was a visiting lecturer to the Gippsland Centre of Art and Design (GCAD). This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Salt glazed stoneware pot This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Signed on base 'John Dermer'john dermer, ceramics, artwork, artists, gippsland campus, jan feder memorial ceramics collection, salt glaze, kirby's flat pottery, stoneware

By 1960/61 all the factors operating against a narrow gauge railway were in place for the Colac-Beech Forest line. As well as using a 2-6-2 Tank engine over 60 years old, 14A, the train by this stage only had a louvre van, two NQ trucks and a guard's van to bring to Colac. It was very near the end.Locomotive 14A and a mixed goods trucks taking water at 10 mile tank in c.1960=61. The driver controlling the water is W. Brady while the fireman, Les Ogden, peers into the smoke box. B/W.colac; beech forest; ten mile creek; locomotive 14a; w. brady; l. ogden; railway;

The Bendigo based Sander family business Sander and Sons, were producers of eucalyptus oil/extract in the 19th and 20th centuries. Carl Sandner established Sander and Sons Eucalyptus Distillery in 1875. It operated until 1967Advertising card. The top half has a black and white illustration of a young woman peering between curtains. Printed in black and purple "I use Superba Skin Food. That's the secret of my beauty. Have you tried it."advertising, sander, sandner

Teal coloured, textured fold out programme, Iolanthe or The Peer and the Peri at the Royal Princess Theatre, Bendigo. With the Lord Chancellor's Compliments and 'Iolanthe' printed in gold on the front. The red printing is on cream silk. It contains the names of the actors and production workers.entertainment, theatre, programme, theatre programme, iolanthe, alex j hamilton, stan horwood, w cahill, e allen bindley, roy eddy, t pritchard, miss eva crowther, miss addie campbell, miss r o'mahoney, mill lillian orchard, miss rose spargo, miss addie keating, miss florence quinn, m b sluyterman, g coulter, coulter & smith, mesdames wisby, trant, j coates, m hamburger, o g c flight, a g finster, reed & co.