This exchange note was issued by the Bank of Australasia to Mr N A Coleman for one hundred pounds paid n 14th October 1847 at the Sydney branch. The interest rate was three per cent. This exchange note displays the insignia of the Bank of Australasia, which was incorporated by Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The bank exchange note has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The object is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Bank exchange note for the Bank of Australasia, Sydney, manufactured by Perkins, Bacon and Perch, printed in brown. Insignia depicts a heraldic shield with a lion and unicorn on either side and another insignia with "B of A". Exchange note paid on 14th October 1847. Issued for one hundred pounds and paid to Mr N A Coleman.. Inscriptions include the document number, the date, the amount paid, the receiving person, signatures and a stamp with the interest rate.Handwritten number "15101" "One hundred pounds" "14th October [18] 47" "Mr N A Coleman" Black stamp "ISSUED AT 3 PR CENT PREMIUM" Signatures of [Manager] and [Accountant].flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, banknote, currency, exchange note, commerce, banking, finances, bank of australasia, n a coleman, 1847, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, legal tender

A colour photograph of a King Parrot perched on a stone wall.A colour photograph of a King Parrot sitting on a stone wall. This postcard was produced by Nucolorvue Productions as a souvenir of Marysville.KING PARROT Marysville, Victoria. NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17 MA 012/ NCV 7778 ADDRESS/ POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd.,/ Telephone: (03) 560-1788 Made in Australiamarysville, king parrot, victoria, nucolorvue productions, postcard, souvenir

A colour photograph of a King Parrot perched on a stone wall.A colour photograph of a King Parrot sitting on a stone wall. This postcard was produced by Nucolorvue Productions as a souvenir of Marysville.KING PARROT Marysville, Victoria. NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY AFFIX/ STAMP/ HERE/ 17 MA 012/ NCV 7778 ADDRESS/ POSTCODE COPYRIGHT/ Nucolorvue Productions Pty. Ltd.,/ Telephone: (03) 560-1788 Made in Australiamarysville, king parrot, victoria, nucolorvue productions, postcard, souvenir

The ranger was helping the students from Bulla and MIckleham Primary Schools how to encourage the birds, that they were studying, to perch on their arms.The children were attending a school camp at Beechworth and one of their activities was to become acquainted with the native birds in the area.A non-digital coloured photograph of a park ranger with a crimson rosella perched on her arm.school camps, beechworth, crimson rosellas, bulla primary school, mickleham primary school

The Rufous Songlark is not a social bird and can only be seen and heard during breeding season. They have a brown appearance with a pale underbody. This species reside in open grass areas, grassy woodlands, farms and mulgas (an Australian plant). Although the Rufous Songlark can be seen all around Australia, they are most commonly found in Queensland, New South Wales, and Western Australia. Since this is a taxidermy mount, there are some inconsistencies to the real life bird. The main inconsistency being that the colour of the bird's wings, back, head and tail should be a darker brown. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Rufous Songlark has a beige belly and neck. The wings, back, head and tail are a dark brown colour. Near the tips of the wings are there are some spots of grey and light brown. On the throat, under the beak, there is a patch of dark brown. This specimen stands upon a wooden perch and has an identification tag ties around its leg.Swing-tag: 40a / Rufous-Tinted Cincloramphus/ See catalogue page 14 Wooden perch: 57taxidermy, taxidermy mount, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh jones, bird, rufous songlark, rufous, australian birds

This medal was presented to 'C.T.S. Teams Race 1939 A.Winn' by Collingwood Harriers. Arthur Winn was a student at Collingwood Technical School in 1939. He may have entered singularly or there may have been a Collingwood Technical School team or teams participating.When he won the medal, it was displayed at the school for a short time as an acknowledgement of his participation. When he took the medal home, his mother pinned it into the little Dunklings box, and it was kept in the box.This medal has social and historical significance. It is significant because it documents the participation of a Collingwood Technical School student in a Collingwood Harriers Teams Race in 1939. He may have entered singularly or there may have been a Collingwood Technical School team or teams participating. The box from Dunklings may also have some historical significance too.Sterling silver medal, circle within a Maltese cross. Centre of circle has a black and white magpie perched on a twig. This is surrounded by a black circle with insciption 'Collingwood Harriers' in gold lettering. There is an insciption on the back of the medal.On the front of the medal is a central white circle with a black and white magpie perched on a twig. This is surrounded by a black circle with insciption 'Collingwood Harriers' in gold lettering. There is an insciption on the back of the medal. The inscription reads 'C.T.S. / Teams Race /1939 / A. Winn'.collingwood technical school, collingwood harriers, student records, medal, award, arthur winn, nmit,

Map of the township of Ringwood with subdivisions between Maroondah Highway and Mt. Dandenong Road. the area applied for on lease No.8210 by E.G.Browne.Mining District of Castlemaine, County of Mornington, Parish of Ringwood T Area 58(A) 2 (R)15(P) Acres, Roods, Perches.Buff coloured sheet foolscap with black printing showing map of the township of Ringwood between Maroondah Highway and Mt. Dandenong Road. Mining District of Castlemaine, County of Mornington, Parish of Ringwood T Area 58(A) 2 (R)15(P) Acres, Roods, Perches +Additional Keywords: Browne E.G.

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandFrontal Photograph of a Koala perched in a tree fork.local history, photography, photographs, koala, black & white photograph, wildlife - koala, john jenner, bryant west

Photograph of v shaped stone reef with bathing boxes perched on topBathing Beach Port Fairybathing box, south beach, ocean, sea, rock, reef

Alan Marshall was an author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians. He is shown stroking a book to his heart, perched on a crutch, which references his disability (contracted polio when he was young), and his status as one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. The selectors at the time recommended that the work would be more suitably placed near the Eltham Library. It was commissioned and installed for the new Eltham Library, which was designed by Greg Burgess in 1994. It was partially funded by the then Shire of Eltham's Art Development Fund (Eltham Arts Council) and the rest donated by the artist Marcus Skipper. This work has significance for its reference to two well known names associated with Eltham and its history. The sculpture is a realistic statue of the famous Australian author Alan Marshall who wrote "I Can Jump Puddles". He lived and worked in the Shire. The artist Marcus Skipper represents a highly recognised family of artists associated with Monsalvat. The sculpture 'Alan marshall' has been classified as of regional significance by the National Trust of Australia. A realistic depiction (almost life size) of Alan Marshall cast in bronze with green patination. Dressed in a jumper and slacks, Marshall is shown perched on a crutch, holding a book to his heart, gesturing to his audience to come and listen to his words. alan marshall, bronze, skipper, i can jump puddles, eltham library, novalist, ekphrasis2017, figure, public art

Front cover has a large green question mark with a drawing of a kookaburra perched on it.non-fictionA reference book which identifies every bird species known throughout Australia.birds, australia, species, habitats

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Black Shouldered Kite perched on branch. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, black shouldered kite

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin perched on edge of nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin perched above nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

Jade figure of bird with long tail standing on perch of log with leaves. Similar to 311.2. "WMA 52"

Jade figure of bird with long tail standing on perch of log with leaves. Similar to 311.1."WMA 51"

Before metrication was introduced into Australia in the 1970s land was measured in chains and links. Many old parish plans show length measurements in chains and links. Area was shown in acres, roods and perches. Gunter's chain was used for measuring distance in surveying. It was designed and introduced in 1620 by English clergyman and mathematician Edmund Gunter (1581–1626). Gunter developed the measuring chain of 100 links. The chain and the link, became statutory measures in England and subsequently the British Empire. After metrication units of length were measured in meters and area in hectares. The chain was later superseded by steel ribbon tape.The 66-foot long (1 chain) Gunter's Chain was a fundamental instrument for land surveying. It is divided into 100 links (each 7.92 inches long) which are marked off into groups of 10 by brass tags with 'fingers' to indicate 10, 20, 30, 40 and 50 links from the hand grips, thus simplifying intermediate measurements. Each end of the chain is fitted with a brass hand grip. It was heavy and sturdy enough to be dragged through the bush and over rough terrain on surveying transects. Giving rise to the common forestry term "chainman" for the person tasked with dragging it. 1 chain = 100 links = 22 yards = 66 feet = 792 inches = 4 rods, poles or perches. 10 chains = 1 furlong 80 chains = 1 mile 1 acre = 10 square chains = 4 roods = 160 square rods, poles or perches.forest measurement, surveying, forests commission victoria (fcv)

Mairin Ni Shiochain Máirín Ní Shíocháin’s practice reflects a lifelong affinity with non-human animals. Her observation of animals and birds in natural habitats in and around Ballarat and district was the foundation for this research. She won a Ballarat Art Foundation Award in 2012. This item is part of the Federation University Art Collection. The Art Collection features over r000 works and was listed as a 'Ballarat Treasure' in 2007.Blue headed bird perched on a wooden stand. Individual feathers are made from paper, coloured with watercolour. art, artwork, mairin ni shiochain, bird, sculpture

Copy of the will of James Keogh, January 1897 involving land in Box Hill, Surrey Hills, Tunstall, Mitcham and Nunawading.Copy of the will of James Keoghkeogh, james, wills, thomas, ann, o'shannassey st, mitcham, mitcham road, albert street, haines street, springfield road, nunawading, springvale road, metropolitan avenue, watts street, box hill, victoria crescent, mont albert, whitehorse road, surrey hills, lightfoot street

Real Estate Agent's diagram showing dimensions of properties, two 10 acres and one 50 acres, 0 roods, 21 perches. (2 copies).C.E. Carter & Son, R.E.S.I., 126 Whitehorse Road, Ringwood, Telephones 870 6024, 870 6830, 870 2519. Handwritten notation indicating doubtful location of allotments in relation to any identifiable bend as marked on the map along Wonga Road in Ringwood or Warranwood area.

Colour photo (series of 3 photos) of possible stained glass window, depicting a Kingfisher type of bird perched on a branch, over water, in readiness for flight.photograph, bird