Showing 413 items matching photograph hand coloured
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Glenelg Shire Council Cultural Collection
Photograph - Photograph - M.E. Hedditch, OBE JP, Mayor 1956-60, c. 1960
... Hand-coloured photograph of a woman with glasses wearing.... Hedditch, OBE JP, Mayor 1956-60 Photograph Hand-coloured photograph ...Hand-coloured photograph of a woman with glasses wearing mayoral robes and mayoral chain. She is holding a rolled piece of paper in her hands. The background is tinted in green and mauve. Mounted in gold-coloured card in a decorative gold-painted plaster and wood frame.Front: Portland/Town Council (upper centre) Councillor/M.E. Hedditch, O.B.E., J.P/ Mayor 1956-60 (lower centre, printed black and red text). Back: (no inscriptions) -
Ballarat Tramway Museum
Photograph - Colour Photocopy/photocopies, Alan Marine
... Grenville Street . Copy of a hand coloured photograph. Image... Grenville Street . Copy of a hand coloured photograph. Image ...Colour photocopy of the front cover of a special Courier publication titled "Ballarat Business, Built a tradition", showing ESCo tram Westbound on Sturt Street, - photo taken from Grenville Street . Copy of a hand coloured photograph. Image added 5/12/16.ballarat, esco, sturt st -
Glenelg Shire Council Cultural Collection
Photograph - Opalotype Photograph, n.d
... Hand coloured photograph on glass of and elderly man... Photograph Hand coloured photograph on glass of and elderly man ...Portland Town CouncilHand coloured photograph on glass of and elderly man with white hair parted on the left and a full beard. He is wearing a dark suit, white shirt and blue cravat. Mounted in brown matt, under glass in wooden (birds-eye?) frame with inner gold grameFront: 'Thomas Must, Esq. / 1864 - 6' - black text ob brass plaque -
Glenelg Shire Council Cultural Collection
Photograph - Opalotype - portrait Thomas Must, W. Cornish, n.d
... Hand-coloured photograph on glass of an elderly man... Thomas Must Photograph W. Cornish Hand-coloured photograph ...Portland Town CouncilHand-coloured photograph on glass of an elderly man with white hair parted on the left and a full white beard. He is wearing a dark suit, white shirt and blue cravat. Mounted in brown matt, under glass in wooden (birds-eye?) frame with inner gold frame.Front: Thomas Must, Esq./1864-6- (black text on brass plaque).opalotype, photography, hand coloured, tint, portrait photography -
Glen Eira Historical Society
Stanley Street 14, Elsternwick
... and renovation details. Includes two coloured photographs., Hand-written.... Includes two coloured photographs., Hand-written details ...This file contains two items., MELBOURNE WEEKLY article dated 09/06/2010 giving brief details of house features and renovation details. Includes two coloured photographs., Hand-written details on occupiers of 14 Stanley Street taken from Sands and McDougalls directories.stanley street, elsternwick, architectural features, plaster moulds, bay windows, emery, mrs marian, emery, percy e., mcdonald, wm., riddell, yolande s. carre, riddell, consett carre, riddell, miss m. e. carre, riddell, stanley h., riddell, stanley mrs., riddell, walter j. carre, riddell, thos w. carre, chairman, board of works, cavers carre, ogg, charles a., noisewood, carre street, orrong road, housenames, biggin and scott -
Orbost & District Historical Society
framed photograph
... A hand-coloured photograph in an oval shaped wooden frame... gippsland framed photograph A hand-coloured photograph in an oval ...This is a photograph of Annabella McKenzie who trained at The Royal Melbourne in the 1890's. The Royal Melbourne Hospital was the first hospital in Victoria – established in 1848 to serve the young and thriving community of Melbourne. Prior to the transfer of nursing education to the university sector, nurses were trained in a course of instruction in hospital nursing schools that awarded a certificate in general nursing. These courses were generally for a three-year period, and nurses were paid employees of the parent hospital. Annabella Mckenzie Fisher was born into the Mckenzie family and married into the Fisher family. She married Fisher James Fisher, a Lochend farmer.The Fisher family was a very early Orbost farming family.A hand-coloured photograph in an oval shaped wooden frame. It is of a woman in a nurse's uniform of a dark coloured dress with a white bib apron and black belt. The cuffs of the long sleeved dress are white. She is wearing a white cap. The oval frame is painted gold and is decorated on each side with flowers in relief.On back in pencil - Anna Bella McKenziehealth nursing fisher_annabella-mckenzie royal-melbourne-hospital -
Melbourne Tram Museum
Photograph - Block Mounted Photograph, c1936-37
... for "Brunswick" Photograph may be hand coloured by a studio photographer.... for "Brunswick" Photograph may be hand coloured by a studio photographer ...Block mounted photograph on a metal backing sheet which has a packing between a stippled card sheet and the photograph to give a curved effect with an outer plastic cover and a mounting cord on rear. Photograph of John McMahon as MMTB conductor badge Number 772 on the rear platform of cable car trailer No. 477, with one hand on a hand brake. Shows the MMTB style conductors bag and ticket folder or holder. Has the destination sign set for "Brunswick" Photograph may be hand coloured by a studio photographer.trams, tramways, cable trams, mmtb, conductors, brunswick, tram 477 -
University of Melbourne, Burnley Campus Archives
Album - Colour print, colour 35mm slide, CD, Picture of Plan of Burnley Gardens, 1965
... (1) Photograph of hand drawn and coloured framed picture... Album Picture of Plan of Burnley Gardens (1) Photograph of hand ...(1) Photograph of hand drawn and coloured framed picture of Burnley Gardens which used to hang in the passage in the Administration Building (missing). (2) CD of picture. (3) Postcard of picture, "Department of Agriculture Burnley Gardens Victoria". On reverse, "VCAH Horticultural College Centenary 1891-1991 Burnley". "Name Alan Gilbert Dept Vice Chancellor The University of Melbourne Parkville Victoria 3052"burnley gardens, administration building, vcah, horticultural college, centenary, alan gilbert, a l mitchel, plan of site -
Waverley RSL Sub Branch
Photograph, L.A.C. Leonard John Hudson 156990 7ACS R.A.A.F
... Hand coloured photograph of L. J. Hudson in RAAF tropical.... Hand coloured photograph of L. J. Hudson in RAAF tropical ...Leonard John Hudson was born in Prahran and moved to Castlemaine in his early years At the beginning of the war was refused entry to the services due to his "reserved occupation" as a motor mechanic working on farm machinery At night he worked as a machinist for Thompson's Foundry machining breech blocks for 25 pound field guns. (image) Eventually he was granted enlistment into the R.A.A.F. into 7 Airfield Construction Squadron as a Leading Aircraftsman 156990 and was sent to Milne Bay with the unit to build the air strip.As one of few diesel mechanics he was often required to assist the US troops with their maintenance problems at various sites in or near New Guinea. Rare surviving images of 7 ACS newsletter Hand coloured photograph of L. J. Hudson in RAAF tropical uniform 1944 Copies of the "Spruiker" Magazine illustrations from August 1945 published at Milne Bay by 7ACS (7th Airfield Construction Squadron) Photograph of 25lb. Field Gun at Thompsons Foundry Pages from Photo Album showing L. J. Hudson in uniform at Castlemaine (one with his wife R. J. Hudson ) and at Milne Bay7 acs, 7 a.c.s., milne bay, thompsons foundry, field gun, l. hudson, len hudson, castlemaine, 25 pound field gun, hudson, spruiker, 7th airfield construction squadron -
Glenelg Shire Council Cultural Collection
Photograph - Photographs - Hand Coloured, various Portland landmarks, c. 1940
... Valentine's Snapshots - 8 hand-coloured photographs of Portland 9200... Cliff Street Portland great-ocean-road Photographs - Hand ...Identification numbers 9200 a-g Folder containing Valentine's Snapshots - 8 hand-coloured photographs of Portland 9200 - folder grey green card, black print 9200 a-g a) Path in gardens, Portland b) Looking towards lighthouse, Portland c) View along beach, Portland d) Post office and Mac's Hotel e) The famous Portland Lifeboat of 1859 f) Edward Henty memorial g) Panorama of Portland -
Bendigo Historical Society Inc.
Photograph - Valentine's Bendigo Snapshots, abt 1940s
... ., No. 1. Eight real Photographs for your album, Hand Coloured... Bendigo, Vic., No. 1. Eight real Photographs for your album, Hand ...Valentine's Bendigo Snapshots Packet for Photos - Printed on the front of the envelope is "Valentine's Snapshots Bendigo, Vic., No. 1. Eight real Photographs for your album, Hand Coloured Published by the Valentine Publishing Co. Pty. Ltd, Melbourne" Photos of: No 1 Alexandra Fountain No 2 Town Hall No 3 The Conservatory Gardens No 4 The Swimming Pool No 5 View from Mitchell Street No 8 Queen Victoria Gardens No 9 King George 5th memorial, Conservatory Gardens No 10 Queen Victoria Gardenshistory, bendigo, valentines photos, alexandra fountain, no 2 town hall, no 3 the conservatory gardens, no 4 the swimming pool, no 5 view from mitchell street, no 8 queen victoria gardens, no 9 king george 5th memorial, conservatory gardens, no 10 queen victoria gardens -
Phillip Island and District Historical Society Inc.
Photographs, 1940's
... A selection of hand coloured photographs of Phillip Island...-island-and-the-bass-coast Photographs A selection of hand ...A selection of photographs sold to tourists. A selection of hand coloured photographs of Phillip Island. Following description as on the photographs. 344-01: Pyramid Rock, Phillip Island. No. 5. 344-02: Penguin Beach, Summerlands, Phillip Island No. 3. 344-03: The 'Killara' at the pier, Cowes. No. 10 (shows Cowes Pier with shed and Killara Ferry.) 344-04: Boat arriving at Cowes. No. 9. (shows the Killara near the pier full of people.) 344-05: The beach, Cowes No. 8. (beachgoers on the Cowes west beach enjoying the sun - many sitting under beach umbrellas.) 344-06: The Nobbies showing Seal Rocks, Phillip Island. No. 4. (Coastal scene at The Nobbies with Seal Rocks in the distance.) 344-07: Penguins, Phillip Island No. 11. (Penguins arriving on the beach at dusk after a day out fishing.) 344-08: Rocks at Cape Woolamai, Phillip Island. No. 7. 344-09: The Pier, Cowes. No. 1. (Photo taken from the end of the Cowes Pier looking towards Cowes Township. Jetty shed and Isle of Wight Hotel in the background.) 344-10: The Pier & War Memorial, Cowes. No. 12. (Taken looking from The Esplanade to the War Memorial and Cowes Pier. People and boats at the Pier.) 344-11: Seals at Phillip Island. No. 6. (Seals are on Seal Rocks out from The Nobbies.)As above.pyramid rock, summerland beach, the killara ferry, cowes pier phillip island, cowes beach phillip island, the nobbies, penguins, wildlife - penguins, cape woolamai phillip island, cowes war memorial, seals on seal rocks phillip island, wildlife - seals, cheryl burton -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a Boy
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Colour, Foto: Vinders, Frank Wright at Kerkrade, 1960's
Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Coloured photographs of the upper half of three men. Brass bands can be seen in the background. The left hand man is Frank Wright. The place is Kerkrade, Netherlands 2). Full coloured photograph of the same three men in the same place.Stamped on back - Foto Vinders, Markt 19 Tel.2447, Kerkradefrank wright, kerkrade, music festival, brass bands -
Federation University Historical Collection
Booklet, Oldhams Press Ltd, Daily Herald, National Brass Band Championships of Great Britain, National Finals, 1960, 15/10/1960
Programme with page about Frank Wright and photoNational Finals Programme soft coloured cover brown and white pages. Includes page with text and photograph of Frank Wright, Left hand upper corner foldedfrank wright, programme, brass bands -
Federation University Historical Collection
Photograph, Tesla Studios, Maurice Wright, 11/1919
Maurice Wright was the brother of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man standing in a formal pose holding the back of an ornate chair. The backdrop is a dark curtain and the man is standing on a floral carpet. The man is wearing a suit and light coloured hat with a dark hat band. The man is Maurice Wright.Hand written on back - With best wishes from Maurice Nov. 1919 Printed on back - The 'Tesla Studios', Wanganui, N.Z.maurice wright, frank wright, new zealand -
Federation University Historical Collection
Manual - Manual - Safety, VIOSH: "Vibration Solutions: Practical ways to reduce the risk of hand-arm vibration injury", 1997
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. This book is aimed at managers and shows that vibration problems can be solved in many ways. It offers real examples of how some companies have reduced vibration issues. This problem should be considered at the design stage of equipment. Case studies cover reduction of exposure to vibration, maintaining blood circulation, health surveillance.A4 size manual of 76 pages, bound. Glossy orange cover. Coloured photographs and diagrams throughout. Colour coding for sections - mauve for The Task, blue for The Problem, orange for The Solution, pink for The Cost, and aqua for The Result. viosh, victorian institute of occupational safety and health, vibration problems, solutions, hand-arm injury, health and safety executive, her majesty's stationary office -
Federation University Historical Collection
Photograph - Colour, Official Opening of the Ballarat School of Mines M.B. John Building, 1987, 11/06/1987
On 11 June 1987 The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs in the building include 3 Dimensional Art, Painting & Decorating, and Engineering Trades.Coloured photograph showing Premier John Caine shaking hands with Morgan Bevan John. John Mildren is seated in a brown suit, and Cr Elizabeth Sheedy sits beside him. m.b. john, morgan bevan john, morgan b. john, m.b. john building, albert street, trade building, ballarat school of mines, buildings, john cain, liz sheedy, john mildren, visitors -
Federation University Historical Collection
Photograph, Prospecting for Gold or Rewarded at Last, 1865-1869
See 2962Copy taken from a hand coloured lithograpgdiggings, tools, windlass -
Federation University Historical Collection
Card - Document, Ballarat Progress Association, Ballarat Progress Association Notice of Meeting Card, 1907
In 1906 the Ballarat Progress Association commissioned Powell and Co. to publish a booklet called Guide to Ballarat the Beautiful.This booklet contained many photographs (including coloured photography) and description of businesses and icons of which inhabitants of the city could be proud. Berry, Anderson & Co. were commissioned to produce: 1918 Beautiful Ballarat: The City of Charm & Beauty and 1923 Beautiful Ballarat: The City of Charm and Beauty. http://bih.ballarat.edu.au/index.php/Ballarat_Progress_Association The card was made out to Frederick Martell who was registrar of the School of Mines Ballarat (SMB). W. Coulthard was secretary of the Ballarat Progress AssociationTwo cream cards with black print and some hand writing 12067.1 Cream front and verso 12067.2 Light brown with cream strip on right hand side , cream verso12067.1 24 Sept 07 hand written in black ink towards top right hand side of card. "Election of officers etc" hand written towards bottom middle of card. "Mr Martell" hand written in black ink on verso 12067.2 "June 10th 1907 hand written in black ink on front. Mr Martell handwritten in black ink on backballarat-progress-association, martell, coulthard, meeting-notice, 1907, frederick martell, ballarat progress association -
Federation University Historical Collection
Photograph - Photograph Album, University of Ballarat Graduation Album, 1999
Coloured photographs of the Graduation Ceremonies of Ballarat University, 1999. The ceremonies were held over three days and two nights in Founders Hall, Mount Helen Campus - Wednesday 12 May to Friday 14 May 1999. The University of Ballarat was from 1994 to 2014 when it became Federation University of Australia.Blue coloured cover with gold border line on front cover. Hand written label - white ink on black cover paper - on front cover. Labels showing time of each group of graduating students.graduation, ballarat university, founders hall, federation university -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, c.1915
... goldfields PHOTOGRAPH, FRAMED Photograph Brown wooden framed, hand ...JOHN JOSEPH COLLINS No 3483 enlisted in the AIF in 8th reinforcements 21st Battalion on 4.8.1915 age 18 years. Embarked for Egypt 29.12.1915, transfer to 57th Bn 15.3.1916, embark for France 17.6.1916, appointed Driver 18.4.1916, return to Australia 8.5.1919, discharged from the AIF 15.8.1919.Brown wooden framed, hand coloured portrait of AIF Soldier JOHN JOSEPH COLLINS in uniform. portraits, photography, aif -
Bendigo Military Museum
Book, The Corps Committee of the Royal Australian Engineers (Department of Defence), Ubique. The Royal Australian Engineers. 3 Volumes, 1) 1977 .2) 1979 .3)1982
Three volumes. Dark Blue hard covers with dust jackets Author MajGen RR McNicoll CBE. .1) Ubique the royal Australian Engineers 1835-1902 "the colonial Engineers." Blue and While dust jacket with soldier in red and navy uniform standing with sword in right hand 203 PP .2) The Royal Engineers 1902 - 1919 " Making and Breaking." 232 PP. Author Maj Gen RR McNicoll CBE, cream and sepia coloured dust jacket photograph of the building of Watson's Rer Anzac Cove June 1915. .3) The Royal Australian Engineers 1919 -1945 "Teeth and Tail." 432 PP Author Maj Gen RR McNicoll CBE AM. Cream and Sepia coloured dust jacket photograph of sappers disarming anti vehicle mines near Derna, Cyremaica 1941..1) .2) .3) Donated by the Batham Family written in ink on title pages,books, military history -
Kiewa Valley Historical Society
Book - Non Fiction History, Australia's Royal Welcome 1954, circa 1954
This publication covers the mid 1900s and relates to a period where the majority of the Australian population was engrossed with the Queen of Australia, even though her Highness did not reside on this continent. The period covered was before the great immigration insurgence from Europe.The Labour Party's "White Australian" policy was a hinderance and a barrier towards the Asian and African prospective immigrants. The motto Queen and Country was still very ingrained in the rural population. This period in Australian domestic self reliance, brought about the growing strength and very active trade union movement and their staunch support for the Tariff protection against a growing swell of imported goods. This self reliance psyche was essentially a by product of World War II, and the isolation felt by the Australian People. The Queen (royalty) was the binding force holding the British Empire together which was emphasised with her popularity when touring Australia Queen Elizabeth's visited the MCG twice in 1954 1. to attend an assembly of ex-servicemen and women's organisations 2. to attend a Children's Display. She also visited Government House and visited Country Victoria on the Royal train from 24th Feb - 9th March.The Kiewa Valley and all the rural areas in the region were still very much tied to the "mother land" and trade between Britain and Australia was very strong. Trade with Asian manufacturers was minimal and needed the late 1900s to see both the trade and immigration barriers fall. This book was produced during a time when the majority of Australians looked more to England for trade and companionship. The agricultural trade with England and Europe was very high and the motto of the time was "Australia grows on the sheep's back". Late 1900's saw the motto "Australia grows on the miner's back" The Queen was still very popular then which was emphasised by the large crowds which greeted her on tour. Residents of Mt Beauty including Cubs, Brownies, Scouts and Guides travelled to Benalla to see the Queen. Clare Roper was a founding member of the KVHS and attended a garden party at Buckingham Palace representing the local CWA. She has purchased this book and therefore giving this a close historical significance connection, it has good provenance and interpretive capacity. This hard(blue coloured) covered book contains thirty six double sided pages. Both the first and last pages (inside cover included) has the royal crest of Australia (kangaroo and emu) balancing the individual six states crests ,united under the royal crown. The first six double pages, each portraying a coloured free hand sketches of various Australian scenery enclosing the Queen's day by day and State by State itinerary. There are 115 black and white photographs and 25 coloured photographs contained in this book.Third page has free hand penned signature "Clare Roper"1954 royal tour, queen elizabeth ii monarchy, british empire in the 1900s, god save the queen. -
Yendon History Group
School photograph of Queen Elizabeth II, 1954 (estimated)
Coloured photograph of QE II, in a white wooden frame, which used to hang in Yendon State School. Photo probably taken in 1954 during her visit to Australia. She is wearing a yellow dress (photo now faded), a sheer stole, long white gloves, a sprig of wattle on her right shoulder and a blue sash over her left shoulder. She is waving with her right hand.noneroyal visit 1954, yendon state school, yendon public school, elizabeth ii, photograph of queen -
Bendigo Military Museum
Album - ALBUM, PHOTOGRAPH, H E James, 1941 - 1942
The album belonged to Henry Edward JAMES No VX38489. Enlisted 31.7.1940. On discharge from the AIF he was a Pte in HQ Vic L of C Area. Photo album that belonged to H E JAMES. Salmon coloured buckram hardcover, hand painted & printed in white with decoration. Contains 201 black & white photos of Palestine, Gaza, Tel Aviv & surrounding area, including people & places of interest, camels, etc. Bound using a partly missing red leather strap fastened with buckle made possibly of shell.On cover top left: VX38489 H E James 2/3 MMGBn AIF MEF Middle centre: PALESTINE 1941-1942books - albums, photographs, military history, photography, souvenirs -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED
Brownn wooden frame, glass front, ply wood backing. Coloured photo of Her Majesty Queen Elizabeth II in long white robe, hands together in front, watch on L wrist, necklace & tiara. Brown settee in background, portrait of Captain Cook on wall.Printed on bottom on white mounting: Her Majesty Queen Elizabeth II.photography - photgraphs, frame accessories, royal souveniers -
Bendigo Military Museum
Postcard, c.1914 - 1918
Sent by FRANK BARNES (AIF 4156) TO UNA FRANKLING of Harcourt. Refer Cat No 2380 for details re Frank Barnes service.Rectangular hand coloured post card of a convoy seen from a Battleship.documents - photographs, military history, photography -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, 08-07-1917
Robert Allen No 7925 enlisted in the AIF on 30.7.15 with 6 Field Artillery Brigade age 30 years 6 months. Embarked for Egypt 22.11.15, hospital 26.1.16 with Pyrexia, embark for France 17.3.16, hospital 26.1.17 with Diarrhoea, WIA 24.4.18 Gassed, transfer to A.A.M.C 30.11.18, discharged from the AIF 24.9.19 medically unfit. Refer 1777, 1778, 1787.4.B & W scan, photo of soldier WWI re R.H.Allen with writing in lower left hand corner. Gold coloured patterned metal frame wooden back section. Written on front "Yours with love/ Bob 8-7-17"photography - photgraphs, frame accessories, military history