pitt street, sydney,

Book, ''Boronia Babies'', May Gibbs. A selection of short stories, Angus & Robertson Ltd, Sydney. W.C. Penfold & Co Printers 183 Pitt Street Sydney. Stamp of R.H.S . of Victoria, Bendigo Branch on front page & last page. 'To Elma with love and best wishes'' inscribed on first page.W.C. Penfold & Co., Printers, 183 Pitt Street, Sydney.book, boronia babies, may gibbs.

A retired Uniting Church Minister, Dorothy McRae-McMahon was a former Minister of the Pitt Street, Sydney Church, which was renowned for its work in human rights and local activism. She received recognition for her work with the award of the Australian Government Peace Medal in 1987 and in 1988 with the Australian Human Rights Medal. In 1997, she came out as a lesbian at the National Assembly of the Uniting Church in Perth and resigned from her position later in the year, citing the focus on her sexuality, which she felt was affecting the church. She is active in publishing books of services of worship, prayers, etc.Rev. Dorothy McRae McMahon; head and shoulders portraitRev. D. McMahon (original name when photograph taken) Presbyterian Life 24 September ? p12rev. dorothy mcrae mcmahon, retired uca minister; pitt street sydney uca; author

Edgar Edwardes Walker was the first manager of the Australia Tesselated Tile Factory. Then in 1922 he bought the company which he ran until he was 73 years old.Black and white photograph of Edgar Edwardes Walker in Pitt Street, Sydney in 1936 See also ND22walker, edgar edwardes, australian tesselated tile co. pty. ltd

Dr Clair IsbisterDr Clair Isbister, Worldwide Photos, Pitt Street, Sydney.

Ten Pretty Girls was composed by Jimmy Kennedy and Will Grosz wrote the lyrics. The song was written in the 1930's. Broadcasting from Sydney from 1936, Jim Davidson’s ABC Dance Band, with the trumpeter Jim Gussey, the vocalist Alice Smith and the trombonist and arranger George Trevare, became the most popular in the country. It presented dance programs on Friday and Saturday evenings and played for other ABC shows including `Out of the Bag’ and `A.B.C. Parade’. In 1937-39 the band made three interstate tours, with a variety of artists including Bob Dyer, Tex Morton and Gladys Moncrieff. Davidson was a strict but encouraging leader who inspired great loyalty in his players. (ref adb.anu.edu.au/biography)This is an example of the kind of music popular in the first half of the 20th century.Sheet music for "Ten Pretty Girls". The front cover is red and green and has a photograph of Jim Davidson from the A.B.C. National Dance Orchestra. There are details of the composer and lyricist and in the bottom right corner the price -2/-.sheet-music-ten-pretty-girls music

This booklet gives you a brief History of the R.S.L.from its inception in 1916 to 1965.Handbook, Rectangular in shape with blue binding down rear edge. Has R.S.L. Handbook printed on the front with returned service emblem and AnzacJulibee issue 1965 printed underneath.handbooks. lara r.s.l.

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Specifically, the number of chevron stripes - here, there are three - are believed to signify a Sergeant ranking. The man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on card.Reverse: CARD / JAS.C.CRADDEN, / 182 PITT ST, SYDNEY. / Cecil Johnson / BMM2640.1 /military album, wwi, world war i, postcard, australian army, australian imperial force, aif, sergeant, warrant officer, non-commissioned officer, portrait

The photograph was taken in Sydney when John Black was about six months of age. John was the son of Constantinos and Efstathia Mavrokefalos (Black).The cross wore around John's neck is most likely his baptism cross. It is traditional in the Greek baptism for the godparent to gift the godchild a cross which is worn following the baptism.A scanned studio photograph of a baby sitting on a table wearing a cross and chain around his neck.

Born 1823 West Indies, commenced ministry 1847, died 1890 in Rookwood, NSW. Joseph Horner Fletcher (1823-1890), Wesleyan minister, was born at St Vincent, Windward Islands, the eldest son of Rev. Joseph Fletcher, Wesleyan missionary, and his wife Mary, née Horner. In 1830-37 he attended a Methodist school in Kingswood, England, and then his uncle's school in Bath. He entered business but in July 1842 became a local preacher. He was accepted for the Wesleyan ministry in 1845 and after training at Richmond College, Surrey, he married Kate Green in December 1848. He was sent to Auckland, New Zealand, where he became the founding principal of Wesley College. In 1856 poor health obliged him to take up circuit work in Auckland and New Plymouth, where he witnessed the Maori war. He moved to Queensland and in 1861-64 was on circuit in Brisbane. In 1863 he became the first chairman of the Queensland Wesleyan District. In 1865 Fletcher was serving at Ipswich when invited to succeed Rev. John Manton as president of Newington College, Sydney. He acknowledged that the main business of the school was secular education in a Christian atmosphere and believed that education could help to overcome sectarianism. He invited distinguished academics to examine Newington students and strongly supported (Sir) Henry Parkes's education policies. He opposed the formation of a Methodist university college until a strong secondary school was established. He believed that boys should be taught to appreciate orderly conduct rather than to fear punishment and that corporal punishment was degrading and to be used only in extreme circumstances. Under Fletcher Newington developed a high moral tone and a tradition of order and respect. After he retired in 1887 the old boys gave him an address of appreciation and a portrait in oils to be hung in the hall. In addition to his normal duties from 1883 he had taught resident theological students. From 1887 he was an effective and progressive full-time theological tutor. As a preacher Fletcher had exceptional power: he expressed his thoughts in a fresh way with sparkling illustrations and characteristic humour. He combined humility with great spiritual power, prophetic vision and administrative ability. He encouraged the development of institutional church work which grew into the Central Methodist Mission in Sydney. Fletcher was elected as the first president of the New South Wales and Queensland Wesleyan Methodist Conference in 1874 and again in 1884, when he was also president of the General Conference of the Australasian Wesleyan Methodist Church. As conference editor in 1868, 1871 and 1873, Fletcher contributed more than fifty articles, numerous essays and reviews of books to the Weekly Advocate. He read widely, deeply and with discrimination. Never robust in health, he suffered months of illness before he died aged 66 at Stanmore, Sydney, on 30 June 1890. He was survived by three sons and two daughters, and buried in the Wesleyan section of Rookwood cemetery. In 1892 his eldest son, Joseph, edited a memorial edition of his Sermons, Addresses & Essays. Information from Australian Dictionary of Biography, Vol. 4, 1972. Sepia toned carte de visite. Seated studio portrait of the Rev. Joseph Fletcher.Rev Joseph Fletcherrev. joseph fletcher, joseph horner, wesleyan minister, newington college sydney, new zealand, queensland, president general conference, wesleyan methodist church, central methodist mission

6th Light Horse Regiment was raised in New South Wales in 1914 and served at Gallipoli, Sinai, Palestine and Syria. The regiment wore wallaby skin hat bands instead of cloth puggarees, hence the reference to furred hats.A rare first edition of a regimental history. It was told and published immediately after the war so gives an authentic and unvarnished account of the experience of a relatively small group of young men from New South Wales during their four years at war.Hardback book; 1st edition. Written by Lieutenant G L Berrie 6th Light Horse Regiment AIF. Published by W C Penfold and Company Ltdbook, light horse

Book belonged to Mrs Lily Taylor, wife of Christopher Taylor. They were married on March 29th 1923. Bookmarks replaced with acid free paper to record recipes in use at the time.The book has a worn blue cloth cover with black printbooks, cookery

Rev Robert Schuller and unidentified peopleRev Robert Schuller. Worldwide Photos, Pitt Street sydney. E2030-10

Annie VallottonPilgrim Films, Pitt Street, Sydney. Miss Annie Vallotton. See also F532-8

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.photographjim, jeya? For further copies of this photo quote this number. Speciality Studio Piccadilly arcade 220 Pitt Street Sydneysecond world war; west sydney; australia 1940's

Badge probably sold as a fund raiser for the war effort during World War I.Badge, circular. Pin back, celluloid cover. White badge printed with a Union Jack in red, white and blue.MADE IN AUSTRALIA / ALFRED E.S. STOKES / Manufacturer of / Photographic reproduction, / colored Patriotic, Carnival, / & Campaign Buttons, Etc / 228 PITT STREET / SYDNEYworld war i

Badge produced as a souvenir of the Barwon Rowing Club, and was possibly made for a regatta or carnival day.BARWON ROWING CLUB MADE IN AUSTRALIA / ALFRED E.S. STOKES / Manufacturer of / Photographic reproduction, / colored Patriotic, Carnival, / & Campaign Buttons, Etc / 228 PITT STREET / SYDNEYbarwon rowing club, sport

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.On reverse, handwritten "4583 Alma Figuerola" Photographer stamp" Copy Right This photograph may not be reproduced without permission in writing from the Editor of "The Age", *** Collins Street, Melbourne, and Pitt Street, Sydney"alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

Black and white photograph depicting a group of five male surf lifesavers wearing lifesaving caps crouched down on a beach, administering oxygen through an inhaler and oxygen tank to a male lying on the ground. There are five male onlookers watching behind the lifesavers, four are standing and one is crouching.•Printed stamp in black in on reverse: AN / AUSTRALIAN / PHOTOGRAPHIC / AGENCY / PICTURE BY / DONALD MCPHEDRON / NEWSPAPER HOUSE - 44 PITT STREET. / SYDNEY - AUSTRALIA / TELEPHONE 8U 7341 / NEGATIVE NO. •Handwritten in blue ink on reverse: 4/621939.oxygen tank, oxygen, surf lifesavers, beach

Two printed copies (one purple and one blue) of an agreement between The New Moon Company No Liability whose Registered Office is situated at Camp Chambers, Eaglehawk and The Australian Mining and Gold Recovery Company Limited of 113 Pitt Street Sydney. The agreement is for the treatment of tailings and has a number of conditions. It is dated March, 1907.document, gold, mining in bendigo, mining in bendigo, agreement to treat tailings, the new moon company no liability, the australian mining and gold recovery company limited, vincent fairfield shallcross, stock exchange biuldings sydney

Danks Catalogue - Tool Section of General Catalogue Joseph Dixon - Standard Tools for Saddlers, Leather and Plastic workers Reprinted via courtesy of The Hand Tool Preservation Association of Australia Inc.Red book with black writing. Danks Catalogue - Tool Section of General Catalogue John Danks & Son Pty Ltd, 391-403 Bourke Street, Melbourne Telephone m2381 (12 lines) and at 3211-330 Pitt Street, Sydney With picture of building with John Danks on front. Enclosed is a small booklet 'The Joseph Dixon Tool Co. Ltd Standard Tools for saddlers, leather & plastic workersAs abovejohn danks & son p/l, tools, the joseph dixon tool co. ltd.

This chart was compiled using information compiled by Gray & Co Auctioneers of 135 Pitt Street, Sydney and contains information relating to the streets of Port Jackson with the property numbers and dates of sale until 1930, the dimensions of the properties and the purchase prices. It was most likely part of the School of Mines Ballarat collection.This dirty cream chart is of the streets of Port Jackson with the property numbers and dates of sale until 1930, the dimensions of the properties and the purchase prices. Some property numbers have been added by hand. It has timber ends, top and bottom.Some information has been added by handport jackson, reference to city properties, chart, gray & co auctioneers, sydney, kenneth craigie sydney, property information

Book - narrative of the Philippine Campaign WW2.Hard cover book. Cover - cardboard, red colour buckram with black print on spine. 128 pages - cut, plain, off white paper. No illustrations. Owner's stamp. Book seller's adhesive label and handwritten information on front end paper. Owner's stamp on back end paper.End paper's - Owner's stamp in black ink - "BENDIGO DISTRICT/ RSL SUB BRANCH INC./ PO BOX 449/ BENDIGO VIC 3552" Book seller's label - black print on yellow adhesive label "Moore's Bookshop Pty Ltd/ 264 Pitt Street/ Sydney" From "Inscription's and Marking's" - Handwritten black ink - "30/11" - "donated by/ Peter Morrison".books, military history, ww2, campaigns

These wool undervests were purchased by Edith Bender for her husband Edwin, prior to 1963. Edwin would catch a ‘Red Rattler’ train along the North Shore line to go to work in Pitt Street., Sydney. Edith was concerned Edwin would catch a cold in the unheated train or in his unheated office, so she brought these woollen undervests for him to wear to work. Edwin would wear the undervests under a woollen suit and with a woollen overcoat. Edwin passed away in 1963, at which point Edith stored the undervests away. They were passed to Edith’s daughter when Edith passed away in 1980. They were then passed to Tanya Davis on the death of her mother. Tanya donated the undervests to the National Wool Museum in 2021.2x cream wool undervests. Henley style with short sleeves and three buttons at the front. Labels from the maker ‘Braemar’ have been stitched to the neckline of both vests. An additional label is stitched under the first button on the front of both undervests. Label stitched to neck of vest: BRAEMAR / MADE IN SCOTLAND / OPTIMUS / PURE WOOL / TREATED TO RESIST / SHRINKAGE / QUALITY / B. OPTIMUS Label stitched to front buttons of vest: MADE IN SCOTLAND / FOR FARMER’S / SYDNEY Attached swing tag: BRAEMAR / The WASHING of WOOLLENS / PREPARE a bath of good bar or flake soap, thoroughly dissolved in water not hotter than the hands can bear. Squeeze the garments through the hands several times in the bath. Don’t rub them on a board. Rinse in warm water until soap is thoroughly removed. Wringing should be done in the hands. Stretch well to width and length and dry at once, preferably in the open air Stretch again in the hands when dry. Attached swing tag. Reverse: IMPORTANT POINTS / Do not use soda or washing powders. / This garment must not be subbed on a board, or subjected to mechanical friction.red rattler, wool clothing

McKenzie Family CollectionBlack and white photograph of steam ship R.M.S. Marmora. The photo has been mounted on card which has many signatures. The photo is credited to the Exchange Studios, 47-49 Pitt Street, near Circular Quay, Sydney. Rear notation 28.9.1916history, social event