Decorative plate commissioned by Eltham District Historical Society for use as gifts for guest speakers, etc. The decoration is a representation of the EDHS logo which features the Eltham Railway Trestle Bridge and Shillinglaw CottageSquare clay plate, glazed and fired, 14.5 x 14.5 x 2cmOn face decorated with the EDHS logo in colour. On revesre "Eltham District Historical Society" and "C. Pittard"chris pittard, decorative plate, shillinglaw cottage, eltham railway trestle bridge, artwork

Chris Pittard is a painter who has been working with clay for over 15 years. Pittard studied Fine Arts at RMIT and VCA and has exhibited paintings for a number of years. Pittard divides his time between teaching, drawing and painting and working in the ceramics studio where he creates distinctive pieces. Chris Pittard's ceramic pieces translate the narrative to the vessel. His vessels speak to us about our place and even his personal stories become more universal expressions.In early 2005 there was a flood which raged through the creeks cutting through the Shire of Nillumbik (Eltham). Not usually affected by catastrophe, these surging waters destroyed bridges and threatened roads. When the water subsided along the banks of the creek, trees had fallen, flotsam and jetsam piled up and even weeks later the long grass flattened by the flood continued to map the raging waters flow. The combination of slightly threatening and destructive forces and eerie beauty interested me. This at a time when world events of a far more horrific and tragic nature where presented to us by strangely beautiful coloured photos in our daily papers. These connections may not be obvious but it was certainly something I was thinking about while making this ceramic piece.flood, chris pittard, eltham, nillumbik

Image 26 Professor Jim and Barbara Pittard House - Commenced 1977 Designed by Alistair Knox Built by Maurice Wilson, Tony Ryan and the owners The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etchouses, jim pittard, maurice wilson, mud brick construction, professor and mrs jim pittard house, tony ryan, alistair knox collection

non-fictionThis is the story of the Pittard Families journey from England to Australiajames alfred pittard, annie searle drew

Linocut of a yacht and dogs.linocut, printmaking, alumni, dog, yacht, bird, fauna, requires framing, n. roberts, j. pittard

Mary-Lou began exhibiting in the mid 1980s and over the years has been involved in producing unique pieces as well as developing a large range of domestic ware. In 1984, six months after graduating from a Bachelor of Fine Arts at Phillip Institute of Technology, Mary-Lou was invited to present a solo exhibition at Devise Gallery in South Melbourne. This objective, she says, compelled her to find a studio and was an incentive to focus on developing her ceramic practice independently.Mary-Lou Pittard holds close ties to the Shire of Nillumbik - living and working within Eltham. Her Eltham North Mudbrick Studio employed 5 assistants until recently when Mary-Lou and partner Chris Pittard have scaled down operations. They now produce everything themselves and find that this enables them to focus on producing unique, sculptural ceramic works. Mary-Lou is currently exploring the fine qualities of porcelain and combining these with her ongoing passion for decorative colour and form. 'Decorative Bowl' is a wheel-thrown/moulded bowl, oblong in shape and has been manipulated by hand. Narrow sections have been incised from the main body, perhaps a practical design feature for air circulation, and the rim has been altered to form a jagged edge. Bold colourful shapes decorate the interior of the bowl. They have been applied directly to the bisque surface and subsequently covered with a transparent glaze which protects them and enhances their permanency.mary-lou pittard, ceramic, chris pittard, eltham, nillumbik

Mary-Lou began exhibiting in the mid 1980s and over the years has been known for producing unique pieces of domestic ware influenced by food and traditional ceramic ware of the past.Food and tradition have always played a big part in Mary Lou’s ceramic work. 'Serving Platter' is rich in colour. The decorative designs are inspired by her surroundings in a style reminiscent of the past. Mary-Lou and husband Chris have a studio and gallery attached to their residential property in Eltham North which is open to the public. They also participate in the Nillumbik Artists Open Studios program. Oval platter with bold, stylised flowers glazed in reds, blues and yellows.mary-lou pittard, eltham, nillumbik, ceramic

Taken in 1944, depicted is a group of six young men part of the Army Signal Detachment Unit. They are seated on a rock at Mt. Stanley, Victoria. The man second from the left has been identified as David Pittard. A secret experimental micro-wave radio station was established and tested at this site by the Army Signal Detachment Unit during World War II. It was part of an experimental Ultra High Frequency (UHF) link between Melbourne and Sydney. At the time, it was highly classified. It intended to enquire into the hitherto unexplored transmission of micro-waves; that is, a radio signal which could only be transmitted by line of sight, and thus required hill-top to hill-top location.The photograph is historically significant as it pertains to World War II; the largest global conflict in history. This significance is enhanced by Australia's prominent involvement in campaigns across the Pacific, particularly on land in New Guinea and across the Huon Peninsula. It was also the first time that the Australian mainland came under direct attack by the Axis, with Japanese forces targeting north-west Australia and Sydney Harbour. These battles became Australia's largest and most complex offensives during the war. The record is also historically significant as it relates to the Royal Australian Corps of Signals, or "RA Sigs". This significance is strengthened by Australia's unique distinction of having the first established signal unit under the British Empire. This unit provides electronic warfare. They enable commanders to implement highly dynamic battle control against opposing forces by using a number of methods including radio, fibre optic, micro-wave, information systems and satellite links.Black and white rectangular photograph printed on matte photographic paper.Reverse: BMM5095.12 / David Pittard / 2nd from left in photo. / The Sig. Detachment / at Mt Stanley in 1944 /army album, military album, wwii, world war ii, army signal detachment unit, royal australian corps of signals, military, war, mt. stanley, victoria, beechworth, melbourne, sydney

Taken in 1944, depicted are members of the Army Signal Detachment Unit with local residents at at Lake Kerferd. David Pittard (back row, right) is standing beside Dorrie Elliot. The other people are unidentified. A secret experimental micro-wave radio station was established and tested at this site by the Army Signal Detachment Unit during World War II. It was part of an experimental Ultra High Frequency (UHF) link between Melbourne and Sydney. At the time, it was highly classified. It intended to enquire into the hitherto unexplored transmission of micro-waves; that is, a radio signal which could only be transmitted by line of sight, and thus required hill-top to hill-top location.The photograph is historically significant as it pertains to World War II; the largest global conflict in history. This significance is enhanced by Australia's prominent involvement in campaigns across the Pacific, particularly on land in New Guinea and across the Huon Peninsula. It was also the first time that the Australian mainland came under direct attack by the Axis, with Japanese forces targeting north-west Australia and Sydney Harbour. These battles became Australia's largest and most complex offensives during the war. The record is also historically significant as it relates to the Royal Australian Corps of Signals, or "RA Sigs". This significance is strengthened by Australia's unique distinction of having the first established signal unit under the British Empire. This unit provides electronic warfare. They enable commanders to implement highly dynamic battle control against opposing forces by using a number of methods including radio, fibre optic, micro-wave, information systems and satellite links. The record has strong research potential. This is due to the ongoing scholarly and public interest in war, military history, the ANZAC legend, and the continuing existence of the RA Sigs. The historic context of this record can provide insight into Australia's history, military, technological innovation and advancements, as well as national economic, defence and foreign policies after 1945.Sepia rectangular photograph printed on matte photographic paper.Reverse: BMM5095.5 / Relaxing with some of / the Stanley locals / David Pittard (back row Rt.) / next to Dorrie Elliot / I can't recall the others / Lake Sambell, I think / Kerferd /military album, army album, lake kerford, army signal detachment unit, royal australian corps of signals, military, war, wwii, world war ii, beechworth, victoria, sydney, melbourne

Laminated copy of b/w photograph of 3 students sitting reading in the grounds with Jim Newell standing behind them.On reverse, "Burnley 1948. Jim Newell, C.R.T.S. Students-Francis (sic) Cross, Rita Brown, Shirley Pittard."students, jim newell, 1948, crts, rita brown, shirley pittard, frances cross, commonwealth reconstruction training scheme

light wooden instrument with metal part in centretag attached, written with pencil: " SPOKE SHAVE/ Donated by David Pittard/ PWO 1963" Written on instrument: "PWO 1963"

Bridge Street looking west Circa 1870-1880 from the Premier Album of Ballarat Views.. Pittard's Shoe Warehouse.bridge street, pittard's shoe warehouse, streetscape, commerical, ballarat, premier album of ballarat views

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, bridge st, looking west, pittard

Students posed for official team photograph. Top left to right. ? Peter Pittard ? Malcolm Robertson Bottom left to right. Keith Jeffs, Peter Ghent, ?, Ken Clark, Greg Kimptonpeter pittard, malcolm robertson, keith jeffs, peter ghent, ken clark, greg kimpton, cricket

This autograph record was compiled by Darren Pittard who boarded at Ballarat College as a junior 1948-49. Most entries originate from 1948-49 but the book also has entries from later years. Black cloth-covered commercial autograph book with coloured pagesSignatures and handwritten inscriptions through bookbruce rogers, ditty, humour

Back left to right - Rosemary Whitehead, Christine Watts nee Manning, Lorraine Broad, Margaret Monagle nee Nolan. Front left to right - Margot Cunningham nee Dean, Sue Wilson, Ellen Conroy, Julie Pittard nee Higgins.Digital Photomidwifery, 1979, school, bbh, nov, 2015

Back left to right - Rosemary Whitehead (Educator), Christine Watts nee Manning, Lorraine Broad, Margaret Monagle nee Nolan. Front left to right - Margot Cunningham nee Dean, Sue Wilson, Ellen Conroy, Julie Pittard nee Smith.Digital Photomidwifery, 1979, school, bbh, midwifery, 1978, school, bbh, whitehead, manning, broad, nolan, dean,wilson, conroy, smith

Jim Connor, President, Eltham District Historical Society presents Russell Yeoman with a special plate designed by Chris Pittard in recognition of 50 year’s service as Secretary of EDHS at the Society's August meeting in the Senior Citizens' Centre, Library Place, Eltham, 14 August 2019Born Digital (3 images)eltham district historical society, russell yeoman, jim connor, senior citizen's centre

Newspaper clipping from The Courier, Ballarat, 5/7/1972, about the Ballaarat City Council telling the Department of State Development, that while it is putting no obstacles in the way of the BTPS, it will not accept any responsibility for its future operation or maintenance. Mentions Cr. A Pittard, the Historical and Tourist Projects Committee of Council.In red ink top right hand corner '5/7/72'trams, tramways, city of ballaarat, museum establishment, a. pittard

Note by T.H. Kneen 17 June 1992, "The location of this project is the slope between the main entry from Swan Street and the Yarra Boulevard - this is inside the Burnley property. The work was conceived by Arnold Teese & carried out by C.R.T.S. students-visible are Shirley Pittard, Ted Hawkesworth (standing), Dave Hughan (white overalls),Arnold Teese (45-51) supervising."Black and white photograph. Laminated copy. Students and Staff member working on the rock terrace near the Swan Street entranceOn reverse, "The truth on how the Swan Street rockery was built. 1947 Arnold Teese, Dave Hughan, Arnold Teese was a student and then a staff member, 1945-57, David Hughan was a student."arnold teese, david hughan, j.w. newell, t.h. kneen, shirley pittard, ted hawkesworth, crts, rockery, group students and staff, commonwealth reconstruction training scheme, terrace

Photograph a group of six men at the Civic Reception for the AETA Commemoration of Electric Tramways in Ballarat, Town Hall. Keith Kings on the left, Les Denmead on the right. Mayor, Cr. A. Pittard possibly second from the right, Mr. Linaker 3rd from left (the tall one). See image i2 for rear of photograph. See Reg Item 5617 for newspaper report on this event.Yields information about the celebration of the Golden Jubilee of electric trams in Ballarat by the AETA and those who attended a dinner.Digital image from the Wal Jack Ballarat Album.On rear of photograph in ink "Ballarat AETA Commemoration of Electric Tramways - Group at Civic Reception at Town Hall. 20/8/1955" and Keith Kings stamp in top right hand corner with number "P(c)(1)" written in.trams, tramways, aeta, tours, golden jubilee of trams, civic reception

St Peter's Church was established in 1861 in the school house. In 1864 the question of building a church was seriously discussed. A foundation stone for the church was laid on 16 November 1864 by Bendan S. Hassell. The architect was Charles Davenport Cuthbert; the trustees were Somerville Learmonth, W.P. Whitcombe, Robert Wynne and J.B. McQuie. The church building committee consisted of Horace walker, J.S. Carver, John M. Fisher, Robert Williams, Thomas Gibson, John E. Hodgson and W. Lindisay Richardson. The foundation stone of the Soldier's Chapel was laid on 06 April 1917. The beautiful stained glass in the chapel was donated by Mrs W. Tunbridge and H.C. Curwen-Walker, in memory of their sons who were killed during World War One. In 1929 a new three manual organ by London's Hill, Norman and Beard was installed. It was the first in Ballarat with electro-pneumatic action.White soft covered booklet outlining the first 100 years of St Peter's Anglican Church, Ballarat. The book includes information on each of the ministers until 1961, a programme of the Centenary Celebrations, and black and white photographs of the exterior and interior of the church. Images include the Pittard Memorial Windows, the Crocker Memorial Windows and baptistry, and H.W.H. Adeney.st peter's anglican church ballarat, churches, religion, charles d. cuthbert, stained glass, w. tunbridge, h.c. curwen-walker

.1 Newspaper clipping from the Courier, titled "Tram No. 37 off to Sydney", 28/9/1971. Has a photo of the tram being loaded in Wendouree Parade with two cranes. Gives a short history of the tram. .2 - on front page - "Move for speed removal of tram lines" and the possibility of borrowing funds to enable their removal more quickly rather than that agreed to with the SEC. Quotes Crs. Chisholm and Pittard.tramcars, sydney, sper, closure, bogie trams, track removal

Yields information about the appearance of SEC trams early 1960's at the Railway level crossing and the streetscape.Black and white photograph of Ballarat tram 28 crossing the level crossing. Dated 21/3/1962. Printed on Agfa Gevaert paper in a postcard format. Tram has the destination of Grey St Sebastopol, roof adverts for Castrol Oils and footrest shoes from Pittards of Ballarat and a front panel advert for SEC Briquettes. In the background are Ballarat "B" signal box and Victoria House accommodation facility. Photo by Lloyd Rogers.In ink "Car 28 on railway crossing - Lydiard St Ballarat 21/3/1962" and "7/42" and in pencil "ex M113".trams, tramways, level crossings, lydiard st, tram 28

Newspaper clipping from The Courier, Ballarat, 5/7/1972, about the concerns of the Brown Hill Progress Association that the tramway preservation project does not become "a plaything" for people who may want to play trams". Spoke about control of the organisation by Ballarat people. Cr. Chisholm noted the BTPS had six Ballarat based members on the Board, including the President. Cr. Pittard moved that a copy of the letter be sent to the BTPS.In red ink in top right hand corner '5/7/72'trams, tramways, brown hill progress association, museum establishment, btps, city of ballaarat

Black and white photograph (copy) mounted on boardOriginal photograph has inscription. See image - 1921 hockey team back. "Hazel & Sheila Crossley, Marie Scott, Miss Lake, Linda Little, Bessie Franks, Jean Campbell, Edna Fryer, Vera Burrows, Eunice Pittard, Clarice Woolf, Violet Keay, Linda Fassell. Mrs E Johnson 27 Giffard St." See also 32.10 for original photograph on brown card.williamstown high school, hockey team, 1920s