Colour photocopy of photograph, two images on page. Top image, on bottom 'View of tray in Portal' shows mining equipment with tray fully extended in portal entry. Sign fixed to RH side of portal: ' Stop if red light is on'. Bottom image, across image on bottom ' View looking out of portal' shows mining machine tipped on side, obstructing portal. Machine has name 'Bell' on front. Presumably, the tray has been up when the machine has attempted to enter the portal and 'flipped' the machine over. kangaroo flat gold mine, swan decline, portal, mining equipment, accident

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Information sheet for the New Bendigo Gold Project, detailing stages in the project. On top of sheet: ' New Bendigo Gold Project Information Sheet, Facts and Figures on the project'. Plan of proposed mine on bottom right of information sheet showing decline position at end of 2003. Portal, Sheepshead line and Deborah line of reefs shown on plan. Across bottom of page 'This newsletter is published in the interests of keeping the public of Bendigo informed of the activities at the New Bendigo Gold Project'.bendigo mining n.l., bendigo, mining, gold, kangaroo flat, new bendigo gold project, portal, decline, sheepshed line of reef, deborah line of reef

Collection of Frank Herbert HORN QX16945, 7th Division Portal Unit, who served in Middle East & South Pacific.Sepia / black / white photos taken 1942-1944 in Papua New Guinea.photographs, new guinea

Yields information about Geelong trams at the time of the closure of the Chilwell and East-West routes.Black and White photograph of Geelong No. 1 entering the depot portal on the closure of the Chilwell and East - West routes on 8/1/1956 This is a large format print of Reg Item 476.8, photograph by Geoff Grant.On Rear ink "Last day of operation Chilwell & East - West Line 8th Jan. 1956"trams, tramways, geelong, chilwell, closure, depot, tram 1

Spiral bound booklet, plastic cover, blue binding (copy of original)blue back page cover. Thirty four page report 'assesses ground conditions, mining advance rates and support requirements in the weathered zone of the proposed Bendigo decline'. Summary of contents: Bendigo rock mass; boxcut; portal development; decline development (weathered zone); structural domains; rock property data; rock mass classification; portal excavation and support requirements; decline in the weathered zone; shotcreting and boxcut design. western mining corporation, bendigo, goldmining, williams united, northern boxcut, decline, bendigo mining nl, geotechnical, rock mass, rock classifications, bendigo rock mass, shotcreting, rockbolts

WE REMEMBER ANZAC - 100 years of ANZAC - THE SPIRIT LIVES 2014-2018 - SECONDARY RESOURCE .1) .2) 'WE REMEMBER ANZAC' .3) 'COMMEMORATIVE CEREMONY' .4) 'Memories & Memorabilia - Recognising and Preserving Australia's War Heritage' .5) 'Candour. Stories in the words of those who served 1914-1918.' .6) Over a Century of Service 2015 (Calendar) .7) 'ANZAC CENTENARY' .8) 'ANZAC PORTAL' .9) '2015 Anzac Day School's Awards'.1) Box folder - cardboard, white & gold print front, spine, back. Illustrated - collage colour photographs - medals, poppy, rising sun badge, soldier in silhouette. .2) Softcover, cardboard with fold in front flap, white & gold print, spiral bound, colour collage photographs - poppy, medals, troops. Pages - 86 pages, cut, plain, white, illustrated black & white, colour photographs, work sheets. .3) DVD inside cover flap. .4) Soft cover, cardboard, spiral bound, black, print front, illustrated sepia photograph soldier with letter and slouch hat. Pages - 88 pages, cut, plain, white, illustrated black & white, colour photographs, posters. .5) Soft cover, cardboard, white print front & back, illustrated - collage colour and sepia photographs of service personnel, letters, pens, brooch. Pages - 56 pages, cut, plain, white, illustrated colour, black & white photographs, medals, paintings. .6) Calender - soft cover, cardboard, light brown and black print front and back. Illustrated - sepia and colour - in silhouette - Troops of 1st Australian Division and members of 4 RAR. Pages - cut, plain, white, illustrated colour, black & white photographs from Boer War to Afghanistan. .7) .8) Card, cardboard with Webkey attached. Card - white & dark red print, small colour, sepia illustrations. .8) Key - metal with words printed - 'ANZAC PORTAL'. In plastic pocket. .9) Leaflet - lightweight cardboard black, white, yellow print front and back. Illustrated - black & white photograph of troop ship dockside. educational kit, anzac centenary

GC took this photo at the entrance to Flinders Street Railway Station under the clock looking out as everytime he arrived by train from Eltham and reached this point, it was like a portal from the quiet country into the hussle and bussle of the city - there is a lot going on this picture.Digital TIFF file Scan of 35mm Ilford FP3 black and white transparencyflinders street station, melbourne, st pauls church, swanston street

Photos of the Kiewa Hydro Scheme and townships as they were in March 1960Pictorial record of the Hydro Electric Scheme in the 1960's when it was operated by the State Electricity Commission of Victoria (SECV). With the privatisation of the SECV in the 1990's the scheme passed to Southern Hydro and was then acquired by ALG Energy in 2005.4 black and white photographs of the Kiewa Valley area taken on a tour of the Kiewa Hydro Electric Scheme in March 1960 1. Mt Beauty township taken from the Mt Beauty Chalet 2. Mt Bogong, taken from Tawonga Gap 3. McKay portal pipeline 4. Bogong townshipmt beauty, kiewa hydro electric scheme, bogong, secv

Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centred around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. Large A3 size spiral bound display folder containing 21 pages of photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Mt Beauty Pondage inlet-Regulating weir 2-Langfords Gap Basalt Hill-Tunnel in quarry face.3-Rocky Valley Camp-from Engineering Office 4-Basalt Hill tunnel portal 5-No 1 Pressure Shaft Works Bench 6-No 1 Power Station 7-Overturned haulage wagons on the side of an embankment 8- Group of workers dressed in wet weather gear inside a tunnel 9-Workmen and vehicle in tunnel 10-Howman’s Gap campsite at 4,150 feet 1-1954 – Mt Beauty Pondage inlet – Regulating weir Page number 29 2-28/10/54 – Langfords Gap Basalt Hill – Tunnel in quarry face K7860 Page number 30 3-STATE ELECTRICITY COMMISSION OF VICTORIA Date: 17.8.55 Time: No K8132 Kiewa Hydro Electric Works ROCKY VALLEY CAMP – FROM ENGINEERING OFFICE Page number 31 4-28/10/54 – Basalt Hill tunnel portal K7859 Page number 32 5-No.1 Pressure Shaft Works Bench 5.7.56 Page number 33 6- No. 1 Power Station 26.4.59 Page number 34 7- No markings Page number 35 8-No markings (Wooden board on ground printed with - POLAR A.N.GELATINE DYNAMITE “75” DE 28.8.40) Page number 36 9-No markings Page number 37 10-Howman’s Gap campsite at 4,150 feet Page number 38 secv; kiewa hydro electric scheme; mt beauty; bogong; construction area

Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centered around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. Large A3 size spiral bound display folder containing photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Breakdown in Circuit Breaker (Isolating Contacts) 2-Big Hill Bench- Site of No 5 Devlopment 3-No 1 Power Station 4-No 1 Pipeline, Anchor No 8 5-Push Dozing-RD8 Tractor 6- Tractor and driver at work 7- Workmen in unnamed tunnel 8- Front page of Journal of SECV Vol 15. Photograph of No 1 pipeline viewed from McKay Portal 9-Rocky Valley Dam Core Wall 10-Workmen working inside tunnel loading rocks into a rail truck. 1-Breakdown in (generator) Circuit Breaker (Isolating Contacts) Handwritten underneath (This is not a picture of any part of a generator. It is a circuit breaker Signed Ron White Ron was the Principal Hydro Engineer of the SEC Kiewa Scheme Page number 39 2-Big Hill Bench – Site of No. 5 Development (abandoned) Page number 40 3-No 1 Power Station Page number 41 4-No. 1 Pipeline, Anchor No. 8 Page number 42 5-Push Dozing – RD8 Tractor, 12 cubic yard Carryall and FD Cletrac Tractor Page number 43 6-No marking Page number 44 7-No marking Page number 45 8-Journal of State Electricity Commission of Victoria SEC Vol 15 No… April-May, 19… No 1 Pipeline-A view from McKay Portal G Hempenstall and D Sutton stiffening pipe section for transport during construction (….indicates missing text) Page Number 46 9-Rocky Valley Dam Core Wall Page number 47 10-No markings Page number 48 secv; kiewa hydro electric scheme; construction area; power stations; reservoirs; aqueduct; mt beauty; bogong

Originally distributed by Abbott Laboratories. This device is used for the self-administration of Penthane, an analgesic. Designed for use in emergency rooms, obstetrics, orthopaedics and surgical outpatients.Wooden box with metal clasp and hinges and two sections inside, divided by balsa wood. One side contains an amber plastic and black rubber facial mask, along with a inhaler tube and felt square. The other side contains a cylindrical metal device with a black plastic handle secured to one end and a portal for attaching the facial mask at the other.penthrane, analgesia, self-administration

The No. 4 Tail Race Tunnel was commenced in 1947 from the downstream end at Mt. Beauty. Difficulties were encountered and driving from the top end in a downstream direction was commenced in January 1950 and the breakthrough between these two headings occurred on 22d July.Historical record of the construction of the Kiewa Hydro Electric Scheme.3 small black and white photographsPhoto 1 - on back in ink - 'Tour of area, crossing West Kiewa Branch Jan. 1949 Photo 2 - on back in ink - 'Kiewa Valley River - site of tunnel in rear. Dec. 1948'. Photo 3 - on back in ink - 'No. 4 Tail Race Portal Mt. Beauty Jan. 1949'.west kiewa river; tail race portal; mt beauty; kiewa hydro electric scheme

1.Tailrace and "Boating Shutters" were part of tthe SECV construction of the Kiewa Hydro Electric Scheme.(1948 - 1961) 2. House 20 Beauty Ave. was in the town of Mt Beauty and constructed in the 1950s.The tailrace (and house) were constructed by the SECV during the construction of the Kiewa Hydro electric Scheme. The Tailrace names some of the SECV workers. The house is in the snow - not a common occurence and in this case was thought to be in 1971.1. b & w photocopy of Mr Beauty Tailrace with 4 boats each with 2-3 people in them. On the back "Boating Shutters up tailrace - Mt Beauty for flume at West Kiewa Portal" "Photos taken by Ben Kable assistant SEC photographer Summer 1955". 2. Photo coloured 15cm x 15 cm. On back "20 Beauty Ave. / November/ 1971?" in the snow People in the boats (and the name of the event) are named on back of paper: "1st boat Ron Blake, Bill Jenkins, Norm Aldridge 2nd boat Stan Winch, Bill Seymour 3rd boat Noel Piera, Bill Reed 4th boat ..."(not given)tailrace mt beauty, boating shutters

Although the Kiewa Hydro-Electric Scheme was first proposed in 1911, construction did not commence until 1938. As part of the push to cut electricity costs and diversify supply, the Victorian Government (circa 1930) initiated the conversion from primarily brown coal supply to hydro – electricity. Field investigations during the 1940’s resulted in a new proposal for a scheme that had more than double the capacity of the 1938 scheme. The Kiewa Hydroelectric Scheme became the largest scheme of its kind in the State Of Victoria and the second largest scheme in Australia. The number of personnel involved in the planning and construction of the scheme increased dramatically. During the late 1940’s, most activity centred around the construction of the West Kiewa Power Station, Rocky Valley Reservoir, McKay Creek Power Station and the Bogong Creek Aqueduct.A common thread across all the larger hydro scheme constructions was the need for workers, both qualified and unqualified who came from around the world seeking a new life for themselves and their families. New accommodation and facilities were required for the army of workers engaged in construction in often remote and wild areas. The SEC had a high demand for timber, and set up the first of a number of sawmills at Bogong Creek in 1939 and set up the first hardwood logging in the headwaters of the Kiewa River. These new ‘towns’ such as Mt Beauty and Bogong, survived, serving the needs of operational personnel and their families, and expanding with growth of new industries. Mount Beauty, and to a lesser extent Bogong, are among these places. Large A3 size spiral bound display folder containing 21 pages of photocopied black and white photographs of various aspects of the early days of the Kiewa Valley Hydro-electric scheme including equipment, various work sites and photographs of workers and their families. 1-Allis Chalmers Tractor School 2- Gardens outside Administrative Office – Mt Beauty 3- Mt Beauty house – 1950 4-Bridge over Pretty Valley River, Bogong 5-Rocky Valley Spillway Tunnel break through 6-Ni 1 Headrace Tunnel drilling face 7-No 4 Power Station Drilling 8-Clover Dam Flood Waters 9-No1 Head Race Tunnel Portal Building 10-Clover Dam 1-STATE ELECTRICITY COMMISSION OF VICTORIA Date: 5.9.49 Time: 10amm No K5174 Kiewa Hydro Electric Works Allis Chalmers Tractor School Page number 19 2-STATE ELECTRICITY COMMISSION OF VICTORIA Date: 22.2.50 Time: 3.30pm No K5601 Kiewa Hydro Electric Works Gardens outside Administrative Office – Mt Beauty Page number 20 3-Mt Beauty house – 1950 Page number 21 4-STATE ELECTRICITY COMMISSION OF VICTORIA Date: 23.10.50 Time: 11.15am No K6331 Kiewa Hydro Electric Works Bogong-Bridge over Pretty Valley River Page number 22 5-STATE ELECTRICITY COMMISSION OF VICTORIA Date: 23.6.50 Time: 2.30pm No K5844 Kiewa Hydro Electric Works ROCKY VALLEY SPILLWAY TUNNEL BREAK THROUGH Page number 23 6-20/3/52 – No. 1 Headrace Tunnel Drilling face (E.E.E. contract) Page number 24 7-6/6/52 – No 4 Power Station – Drilling Page number 25 8-STATE ELECTRICITY COMMISSION OF VICTORIA Date: 6/6/52 Time: No K7113 Kiewa Hydro Electric Works Clover Dam Flood Waters Page number 26 9-STATE ELECTRICITY COMMISSION OF VICTORIA Date: Oct 1952 Time: No K7239 Kiewa Hydro Electric Works No. 1 HEAD RACE TUNNEL PORTAL BUILDING. Handwritten underneath – This information from Ron White-the later Principal Hydro Engineer of the SEC. Oct 1952 Location incorrect? All work on No 1 had ceased after financial crash of 1951. This photo would refer to No 4 Headrace Tunnel? Page number 27 10-STATE ELECTRICITY COMMISSION OF VICTORIA Date: Jan 1953 Time: No K7307 Kiewa Hydro Electric Works CLOVER DAM Page number 28 secv; kiewa hydro electric scheme; bogong; mt beauty; construction area

Three page article, Bendigo Advertiser, January 9, 2007. Front page of paper, image of two miners walking into Bendigo Mining N.L. portal to Swan Decline. Sub-headlines '150 Jobs to go at Bendigo Mining, Doug Buerger departs, gold production to cease. Headlines of articles in pages two and three: Bendigo Mining managing director quits; City reels from news; Jobs to be slashed, Bendigo Mining halts its gold productionbendigo mining n.l., bendigo, mining, gold, douglas buerger, peter mccarthy, managing director, tim churcher, rod hanson

Photo shows one of the Maximum Traction Bogies trams built for the Prahran and Malvern Tramways Trust by Duncan and Fraser of Adelaide in 1913. Photographed in the Malvern depot yard - shows the very sharp curves. Most likely a newspaper photograph reproduced by the donor. The trams were only numbered on their ends at this time. Has two uniformed tramway men standing by the drop centre doors. On the end of the building portal is a "1" - possibly indicating the depot road number that it was numbered from the north end when new, rather than the south end when the depot was expanded during the 1920s.Yields information about PMTT bogie trams when new.Photograph - Black and White - PMTT bogie tram at Malvern Depot c1913 tramways, trams, malvern, pmtt, malvern depot, bogie trams, maximum traction trams

Henry Colville was educated at Eton and then entered the Grenadier Guards in 1870. He was appointed Aide-de-Camp to General the Honorable Sir Leicester Smyth, commanding the forces in South Africa in 1880. Colville had expeditions and was mentioned in despatches on numerous occasions. In 1893 he succeeded Sir Gerald Portal as Commissioner for Uganda, received the Central Africa Medal, made Knight Commander of the Order of St Micael and St George and received the second class Order of the Brilliant Star of Zanzibar. He served in the Second Boer War and during the early part he commanded the Guards Brigade, including during the Battle of Modder River in 1899.Individual image from photographed poster of tobacco and cigarette cards.henry colville, eton, greadier guards, aide-de-camp, south africa, commissioner for uganda, central africa medal, knight commander of the order of st michael and st george, order of the brilliant star of zanzibar, battle of modder river, second boer war

'Record gold output at Kangaroo Flat' Bendigo Advertiser, Financial Update, 21 November, 2009. On top of article, photo of Mr. Rod Hanson addressing shareholders at the Bendigo Mining annual general meeting. Mr. Hanson discussed the positive exploration results at the Henty Mine. 'Global financial volatility had helped keep the price of gold up as people turn to the metal as an investment haven.'bendigo mining n.l., bendigo, mining, gold, rod hanson, portal, swan decline, henty mine, gold price, shareholders, annual general meeting

Photo album, black cover, gold border. One hundred colour photos, some with annotations. Label on front of album: Portal, machinery, underground shots 1998; drilling in Deborah St.; mines rescue vehicle; various staff; E.E.S. Displays; Board Meeting 1998. Staff photos: Rob Charlton, pump at Red, White Blue Cons.; Andrew Breen Workshop Manager; John Cahill; Patrick O'Boyle Mine Rescue Vehicle; John Cahill; Ben Clayton; Ricky Hannah; April Westcott; Ivette Maggs site clerk McMahons; Wayne Woodward; Fiona Hunt; Steve Woodall.kangaroo flat gold mine, bendigo mining nl, new bendigo gold project, goldmining, personnel, doug buerger, colin burns, tarnagulla, new moon, displays, box cut, unity mining, aerial photos, 1998

'Bendigo keeps the old dream alive' Australian newspaper, 9 July 2007. Photo on top of article shows Rod Hanson inside the Kangaroo Flat gold mine entry to the Swan decline. Article discusses the consequences of Bendigo Mining over estimating the recovery of its gold grades. Cash reserves, investment and future possibilities are explored by Rod Hanson in the context of the poorer than expected results. bendigo mining n.l., bendigo, mining, gold, douglas buerger, mine opening, rod hanson, garden gully reef, sheepshead reef, deborah reef, grenfell reef, portal, swan decline

Photo album, red cover with black binding. Seventy colour photos, some with annotations. Label on front of album: 'Office Move 1998. Bendigo Show, E.E.S. Display, 'Board' on site 1998, Residents visit Tarnagulla, shaft shots, E.E.S Display Central Deborah, Drilling at New Moon, Box Cut (2), Aerial site photos Nov. 1998' Album includes mine personnel photos of Doug Berger, Geoff McDermott, John Cahill, Colin Burns, Ken Belfrage, Dean Turnbull, Courtney Chamberlain, 'The Boys' - Frank, Woody, Pratty and Jason, and Jason Bourke. Mining photos include: Carshalton site 24.7.98, drilling at New Moon and portal reef mining Tarnagulla 1998.kangaroo flat gold mine, bendigo mining nl, new bendigo gold project, goldmining, personnel, doug buerger, colin burns, tarnagulla, new moon, displays, box cut, unity mining, aerial photos

The SECV constructed the Kiewa Hydro Electric Scheme from the late 1940s to the early 1960s. Dams, Power Stations, towns, etc. were built during this timeThese photos show a lot of detail of the work involved in constructing large structures eg. power stations, dams etc. Also they give an insight into safety eg. clothing etc. at the time. These photos were displayed on the walls of the hotel when the building was the SEC Workmans Club x12 Most of them framed. Large black and white photos of construction of the Kiewa Hydro Electric Scheme: 1. Clover Dam Construction 2. Clover Dam Construction suspended on a crane 3. Power Station Clover Dam 4. Hauling tunnel muck. Tunnel "Ruston" locomotive on rail entrance.5. McKay Power Station 6. Connecting the headrace pipe to turbo turbines - large pipes and workman (double pipe) bifurcate pipes. 7. Installing a generator - seven workmen with hard hats (assembling). 8. V3536 number plate - fire fighting truck - filling up with water. 9. 1939 after bushfire. 10. West Kiewa Power Station - labelled. 11. Lining the portal of a tunnel 12. Camp and offices on left, tunnel entrance on right.khes, construction of khes

Laminated plans for greenhouse (1) Burnley Low Energy Greenhouse, (2) Solar Boosted Heat Pump - Greenhouse Bench Heating System. C photographs pasted on cardboard and labelled (3) Loading 20 mm gravel into Rock pile. (4) Reinforcement at Bottom Gravel level. (5) Sealing the Top of the Rock pile. (6) Top of Rock pile Before A-Frame Construction. (7) Corner Detail of Portal Frame. (8) Glazing Frames for Solar Panels. (9) Structure Partially Clad, with Solar Panel Supports at Rear. (10) Back of Solar Panels in Place. Laminated C photographs pasted on cardboard and labelled. (11) Burnley Low Energy Greenhouse. (12) Greenhouse Covering Materials Burnley. Pamphlet (13) Burnley College Institute of Land and Food Resources (slightly damaged)burnley, greenhouse, solar energy, construction, pamphlet

Newspaper article/obituary with photograph, detailing the life of L/Cpl "Donald David Parker" who was Killed in Action in Korea in 1952. The DVA nominal roll has him as No 3400693 (born Bendigo) 20.2.1932, served with 3 RAR in Korea from 14.8.1952 - 2.9.1952, KIA 2.9.1952, rank L/Cpl. The article states he was born in Kurumburra and moved to Bendigo as a child. Began his National Service Training last February, sailed for Japan 4/5 months ago, he was in 12 Pl D Coy age 19 at death. Given he turned 18 on 20.2.1950. (Persons 18 or turning 18 on 1.11.1950 had to register for National Service Training) That makes Donald 20 years 8 months when he was KIA. The Anzac Portal states there was at least 3 National Servicemen who then enlisted in the Regular Forces and were KIA in Korea. 3 RAR served in Korea from September 1950 - 1954.Rectangular cutting from a newpaper. Black and white photograph of a soldier in uniform is included. Article heading and text in black type.donald david parker, korea, newspaper

Interpretation of the Gervasoni farms at Yandoit Creek using a fauvist colour palette.Lisa J. GERVASONI Born Melbourne, Victoria Graduating from Royal Melbourne Institute of Technology where she received a Bachelor of Applied Science-Planning, and the University of Melbourne with a Master of Environmental Studies Lisa Gervasoni's artwork reflects her passion for the landscape and built form. Lisa Gervasoni specialises in photography, embroidery and acrylic paintings on canvas. Many of her works have the theme of interpretation of heritage and cultural spaces. Dedicated to recording cultural heritage in situ Lisa Gervasoni has used photography to document urban areas, heritage sites and natural resources of Australia.She has provided over 70,000 images to the National Library of Australia Trove database via the Flickr portal. In 2004 Lisa Gervasoni won the Daylesford Small Art Prize for an embroidered depiction of the Savoia Hotel in Hepburn Springs, and in 2022 she was shortlisted in the Harden Landscape prize. Her art mediums are photography, embroidery and acrylic on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces. abstract, modernPainted stretched canvas depicting an abstract aerial oblique of Yandoit Creek, Victoria.gervasoni farm yandoit creek, lisa gervasoni, yandoit creek, italo-australians

I have been interested in urban design and landscape since a child. My early fascination with maps corresponded to early mark making inspired by maps, topography, legends and aerial depictions. This developed into the use of a bold colour palette often used by map makers to delineate sections, contours and geology. Over time I experimented with a range of techniques and enjoy pushing expected techniques and materials to their limits. Often referred to as having a natural aesthetic, my works use various media, most often paint, textiles and photography. Lisa J. GERVASONI Born Melbourne, Victoria Graduating from Royal Melbourne Institute of Technology where she received a Bachelor of Applied Science-Planning, and the University of Melbourne with a Master of Environmental Studies Lisa Gervasoni's artwork reflects her passion for the landscape and built form. Lisa Gervasoni specialises in photography, embroidery and acrylic paintings on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces. Dedicated to ensuring Lisa Gervasoni has used photography to document urban areas, heritage sites and natural resources of Australia.She has provided over 70,000 images to the National Library of Australia Trove database via the Flickr portal. In 2004 Lisa Gervasoni won the Daylesford Small Art Prize for an embroidered depiction of the Savoia Hotel, and in 2022 she was shortlisted in the Harden Landscape prize. Her art mediums are photography, embroidery and acrylic on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces. A depiction of the Dean Store in stitchery. lisa gervasoni, dean, dean store, stichery, textiles, embroidery