Photograph: WW1 male soldier seated, wearing army uniform, gaiters, spurs, sergeant stripes. Written on front ' Mina Moors'Mina Moors, auditorium building, Collins Street, Melbourneorganization, military, male portrait, ww1, soldier, sergeant

"Mathew Ernest Rumbelow" Lance Bombardier 2/7th Field. Enlisted 17/3/42 VX78073 at age 21. Served overseas Middle East 23/8/42 - 25/2/43 then Borneo 8/4/45 to 6/12/45.Black and White photo of Mathew Rumbelow posed in front of a building in full uniform.photograph, artillery, 2/7th field regiment, mathew ernest rumbelow

Photograph: black and white photo of soldier in uniform. Head/shoulders portrait. Framed with glass and wooden frame. Bone mat. Signed with pencil on bottom of photo : ' L. Keith Dammatt ? 'Surbiton & Wokingorganization, military, male portrait, army, ww1

VX35204 NORMAN THOMAS CALLAHAN Enlisted 1940 - Returned to Australia 1945. 2/24 AIF 9th Div AIF. Served in Siege of Tobruk, Tel El Eisa, El Alamein, South West Pacific, Lae, Finchhafen, Wareo-Lakona, Borneo, Tarakan.Photograph - sepia portrait of a soldier with plastic cover.passchendaele barracks trust, ww2, norman thomas callahan, 2/24 aif

Soldier in WW1 Australian Imperial Expeditionary Force No 5998 Christopher Clark 59th Battalion Born in StawellChristopher was a WW1 Serviceman from Stawell who returned to Australia Framed Studio Portrait of Soldier No 5998 Christopher Clark Australian Imperial Expeditionary Force WW1,59th Battalion Christopher Clark was born in Stawell on 25th December 1892 and was brought up on the family farm in Callawdda and worked in the district and then in Queensland where he obtained an engine drivers licence and drove the sugar trains then worked on the steam boiler engines in the sugar mills. When the First World War started he came back to Stawell and enlisted in the army on 11/4/1916. He was sent to France in the 59th Battalion. He was in the army 1175 days, serving 1029 days abroad. During his service he was promoted to Lance Corporal. Details from his daughter Ruth Clark of Ararat December 2017.ww1, serviceman, soldiers, military, stawell

This portrait, taken at Ainar Studios during the First World War, captures a soldier stationed at Broadmeadows Camp, Victoria—one of Australia’s primary military training facilities during the early 20th century. Broadmeadows Camp played a pivotal role in preparing thousands of recruits for overseas service, particularly during WWI. Studios like Ainar and Kitchener, often operating near or within the camp, provided soldiers with the opportunity to send formal portraits home to loved ones—a cherished tradition that blended personal memory with national service. These images now serve as poignant historical records of Australia’s wartime experience and the individuals who served.This portrait of a soldier from Broadmeadows Camp, captured by Ainar Studios during the First World War, holds enduring historical and cultural value. It represents a deeply personal yet widely shared wartime ritual—soldiers commissioning studio portraits before deployment, often to send home as keepsakes. Broadmeadows Camp was a major training ground for Australian troops, and such images document not only individual service but also the broader national experience of mobilisation and sacrifice. The photograph is significant for its ability to humanise the war effort, offering a visual connection to the identities, emotions, and stories of those who served. As both a personal memento and a historical artifact, it contributes to our understanding of Australia’s military and social history during the early 20th century.Black and white portrait pasted onto cardboard. Portrait of a soldier from Broadmeadows Camp.Below Photo Front: The Kitchener Studio/Broadmeadows Camp/Under Vice-Regal Patronage/The Ainair Studio/571 Burwood Road/Auburn, Victoria Back: Soldier posing for Portrait/from Broadmeadows/Army Camp/Taken/Ainair Studiobroadmeadows |army camp, the ainair studio, auburn

Clark Family  Portrait photograph of soldier in uniform holding a swagger stick. Mounted on embossed backing cardJoe Clark Barroni & Co Melbourneww1

Refers to the Service of NR 463 - Norman Bassett 29 Bn WW1.,This is a full length portrait of an Australian soldier. He is wearing a peak cap. He is holding a cane in both his hands. He is wearing puttees and leather boots. The portrait was taken in a studio. The photo is set on a stout cardboard frame.On rear is written in ink: Norman Bassett, son of Samuel Bassett and Margaret Bassett.portrait, ww1

Photograph: black and white photo, wooden frame, buff surround on tan background, of soldier in uniform. Taken from waist up, seated. Sergeant stripes on sleeve. Written on bottom ' Chesney Ltd., 50 Strand, London'Chesneyorganization, military, male portrait, army, ww1

Photograph: black and white photo enclosed in buff coloured folder with Vincent Kelly, Bendigo embossed on bottom Rh corner. Photo is mounted on tan card with Bartlett Bros Bendigo imprinted on bottom. Man is posed standing with hand on hip, wearing jodhpurs and gaiters with spurs, bandolier across chest.organization, military, male portrait, army, ww1

Private James Edward Matthews (3174) was one of four first cousins living in the Myrtleford district killed during World War 1. He was in the 60th Battalion, A.I.F. action at Fromelles, France, and was killed in action, aged 19 years, on July 19,1916. He was the son of Richard and James Matthews of Myrtleford and has no known grave, but is "Remembered with Honour" at V.C. Corner, Australian Cemetery and Memorial, Fromelles. James attended Myrtleford State School 955; his death is recorded on honour boards at the Uniting (formerly Methodist) Church, the school honour board and at the Soldier's memoral Square. A memorial window at the church includes names of the four cousins.The portrait reminds viewers of the youth of many A.I.F. volunteers, the outcome of actions such as that at Fromelles in 1916 and the impact on families in small communities. It also relates to the ongoing search for identifiable remains of those personnel without a known resting place. Framed original sepia photograph, head and shoulders, of World War 1 soldier in full dress uniform.James E. Matthews, 60th Battalion, Killed in Action, 19 July, 1916. Photography: Talma & Co., Melb.james matthews 60th battalion fromelles

Black and white, full length image of a young Australian WW1 soldier. He is wearing a slouch hat and has WW1 style webbing, .303 Lee Enfield rifle. His boots are dull and he has no badges of rank and is not wearing the metal "Australia" shoulder badges. One ammo pouch is undone. This all suggests he was in basic training for the photo. The portrait was taken by"Kalma Studios, 57-59 Pall Mall, Bendigo". The photo is mounted on a cardboard backing sheet.Written on the back, in ink, is: "To Elsie, from Charlie Oct 15th 1914".ww1, photograph, australian soldier

Oval framed photograph of a WW1 soldier - Possibly "DALZIEL" Photograph - in colour, half length portrait of a soldier in WW1 uniform - khaki colour. Frame - oval shaped, timber, moulded edge, gold and red colour, painted finish. Glass front.photography-photographs, frame accessories, history, army, ww1

The portrait depicts Sgt. A.D. Lowerson V.C. after receipt of his award at Buckingham Palace on March 1, 1919. It links the town and the Lowerson family to events in World War 1. A.D. Lowerson was awarded the Victoria Cross as the result of bravery and leadership in the capture of Mont St. Quentin on September 1, 1918, particularly for his bombing of a German strongpoint. He refused to leave his post, despite wounds, for two days. He is the only winner of the V.C. in north east Victoria, beyond Euroa. Lowerson's name has been memorialized in a street name, the local swimming pool and Soldiers Memorial Square and with others on church and state school honour boards. Monochrome portrait of Sergeant Albert David Lowerson, Victoria Cross (1896-1945), standing, in gold frame.a.d. lowerson, v.c. mont st. quentin

Part of the Meade Collection. See Cat No. 10785P for details of service for Ernest James Meade's (No. 2112). Postcard sent by a Bert Reed.Black and white photograph of an Australian WW1 soldier seated. Household objects in background. Bottom third of photograph overexposed. Handwritten message across bottom RH corner.Handwritten on front in black ink: “Yours Respectfully. Bert Reed, 30.4.19”.meade collection, ww1, photograph, bert reed, ernest james meade

Photographworld war 1, anzac, ww1, young, soldiers, australian, portrait, uniform

"Norman Middleton HART" No 13839 (born Newbridge, enlisted Melbourne) on 2.10.1916 in AASC age 26 years 4 months, embark for England 16.12.1916, hospital 4.4.1917 with Bronchitis, rejoin Unit 28.4.1917, embark for France 16.7.1917, attached to 3rd Div Train, hospital Contusion/Fracture L Ankle serious, 7.10.1917, RTA 12.3.1918, discharged 25.7.1918 MU. (Asthma) 1. Wooden frame, deep construction, quite ornate. Originally gold paint on inside trim next to photo. Glass in front. Rear has lots of brown paper missing. The frame has a screw ring on each side for hanging. 2. Portrait. Black and white showing an Australian soldier with peaked cap. He is wearing a great coat. On his right epaulette is the word 'Australia' plus a metal badge with roman numerals - half obscured. Rising Sun badges on his collar and bakelite buttons on jacket.portrait, norman middleton hart, ww1, aasc

Refer Cat No 10938P. This is possibly a relation to Norman Hart, no other information at this point. Frame: Hardwood timber frame - stained. The frame is rectangular and the inner edge is gold painted where it touches the glass. Under the glass between the frame and the photo is a hardwood section with a slight bevel o the photo. The back has a raised timber section, within which the photo is mounted. It has a layer of cardboard over the photo. Photo: Black and white photo shows a young serviceman. he is wearing a large overcoat with collar up. It has dark buttons on the coat with a pattern but not clear enough to determine corps. The subject is wearing a darkish colour shirt with matching tie. He is wearing a knitted woollen scarf around his neck and tucked into his coat. A small portion of the photographers name can be seen on the bottom RHS, possibly “TALMA”ww1, portrait, serviceman

Refer Cat No 10938. This soldier is possibly relation of Norman Hart, no other information at this point.Frame - Hardwood stained picture frame. Gold painted section closest to glass. Under the glass is more timber with a slightly bevelled edge leading to the actual photograph. The frame is rectangular. on the back is a raised timber edge, within which the photo is placed. A heavy duty cardboard lining covers the back of the portrait. Photo - Black and white photo shows head and shoulders. The soldier does not have a hat. He is wearing a uniform with Jacket visible. Rising Sun badges on the collars. Bakelite buttons on front and pocket.Bottom right side of photo is word "TALMA".ww1, portrait, newbridge

Book

Ill, p.102.non-fictionA description of the Australian soldier fighting in Greece, Syria and Egypt during the Second World War soldiers - australia - pictorial works, world war 1939-1945 - campaigns - north africa

VX37836 Andrew Keith GUY - Refer Cat No. 131P.Photograph - sepia coloured portrait.portrait, soldier, ww2

John Joseph LOWERY No 1926. KIA. Refer 3060 for his service history details, also 2564P.Sepia photo of a soldier in uniform with 3 Sergeant stripes & holding a riding crop. Photo is pasted to cardboard & glued to a piece of white painted MDF.Printed top: Lance Sgt J.J.LOWERY 22ND BATTALION Printed at bottom: KILLED IN ACTION 2nd OCT 1917 BROODSEINDE RIDGE ANZACphotograph, ww1, portrait soldier

Taken on an unknown date, depicted is a full-length portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Specifically, the number of chevron stripes - here, there are two - are believed to signify a Corporal rank. The man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular postcard printed on card.Reverse: Mendelssohn & Co., / Swanston St., Melbourne / POST CARD / KODAK / CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / KODAK / BMM 2640.3 /military album, world war i, wwi, corporal, portrait, soldier, australian imperial force, aif, postcard, uniform

photoww1, world war 1, aif, a.i.f, portrait, soldier

Les Chandler. Pacifist who was a stretcher bearer on the Western Front. Photo by Les Chandler. portrait, soldier, ww1, world war 1, aif, a.i.f

Oval shaped portrait of chest and head of a WW1 soldier. The photo is mounted on a cardboard backing. The soldier is hatless. He wears glasses. He is wearing a Sam Brown belt over his army uniform. He is wearing two ribbons that appear to be WW1 issue. On his left upper arm is part of a triangular shape colour patch. On his eppaulettes are the copper "Australia" badge. He has a small diameter lanyard over his left shoulder. No name on portrait.Nilww1, bendigo, portrait

There are no last names listed with the spelling Valty - Valtz..1) Post card portrait photo, sepia, of a soldier in uniform with slouch hat. .2) Post card portrait photo, sepia, of a soldier in uniform minus hat..1) On rear in black pen appears to be: Valtyportrait postcard, soldier, ww1