non-fictionA study of the development and role of the Bonegilla Migrant Reception Centre near Albury Wodonga and its impact on the residents and the community.immigration policy australia, bonegilla, albury wodonga, post ww2 immigration

non-fictionIn this book the author discusses the effects of one-time Minister for Immigration Arthur Calwell's approach to choose fair-haired people from the Baltic countries to persuade Australians to accept non-British migrants who were housed at Bonegilla.bonegilla migrant reception centre., arthur calwell, immigration australia, bonegilla, post-war immigration policy

non-fictionAn overview of the Bonegilla Migrant Reception Centre and Heritage Museumbonegilla migrant reception centre, immigrants australia, post-war immigration

non-fictionA full-colour catalogue to support the Sharing Bonegilla Stories exhibition at the Albury LibraryMuseum which was curated by Bridget Guthrie in 2009. The exhibition drew from a successful earlier Belongings partnership with the Centre. The catalogue tries to make sense of people’s different memories of, and responses to, Bonegilla.bonegilla, migrant experiences, immigration victoria

The earliest development around Glengala Road began in the mid‑1920s, when the Glengala Estate was laid out on the western side of Kororoit Creek. At this time, the area was semi‑rural, with the Sunshine Golf Club being one of the few notable landmarks nearby. The area did not grow significantly until after World War II. Sunshine West, including Glengala Road, expanded rapidly during the 1950's and 1960's post‑war immigration boom. The Glengala local shopping strip emerges during the 1960's and the 1970's and they were simply known as the Glengala Road shops.5673.01 - Glengala Rd looking west from Gregory St (Sun Adv 337) 1992 Photo 01.JPG 5673.02 - Glengala Rd Cnr Pellew St (Suns Adv 377) 1992 Photo 01.JPG 5673.03 - Glengala Rd Cnr St. Andrew St (Sun Adv 377) 1992 Photo 01.JPGglengala road, sunshine west

The four men were teachers who were supervising the Grade 5 and 6 children from Bulla Primary School. The children were attending the Somerset Camp in July 1961. The younger man wearing glasses is Mr. Clifford, who was the head teacher at Bulla Primary School in 1961. Somers Camp became a camp for school children in 1959 and was run by the Education Department. The programs organised at the camp were outdoor education and environmental studies for Grade 5 and 6 children attending Victorian Primary Schools. Prior to 1959, the site was initially used as an RAAF training camp and later became a migrant camp during the immediate 1940s post-war immigration.Children attending the Somerset Camp participated in a variety of outdoor activities in the natural environment that they could not experience at school.A non-digital black and white photograph with a cream border of four men standing in front of a building. A tall tower is visible behind the building. somers camp, bulla state school no. 46, mr. clifford, outdoor education, environmental studies, school camps

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.

Topic ;Moorabbin Library Statement The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) The Original Newsletters reflect the history and heritage of the former City of Moorabbin — derived from Mooroobin, ‘a resting place’ in the Bunurrung spoken language. In 1994, the City of Moorabbin was integrated into the Cities of Bayside, Glen Eira, Kingston and Monash. This is Newsletter No. 5 Vol. 4 of the CMHS May 1964 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 1 x Foolscap paper printed on 2 sides folded for 4 pages CITY OF MOORABBIN HISTORICAL SOCIETY NEWSLETTER / Vol. 4 No. 5 May 1964 / city of moorabbin historical society 1961, sheehy t.a., newsletters, library