Pressed flowers from the Abbott family bible.ephemera, mementoes, pressed flowers

souvenirs from the middle Eastern Countries during WW2A wooden covered book; 10 pages with post card and on left hand side and pressed flower arrangements on opposite page. Pages separated by translucent tissue paperBlack inked drawing depicting camels , cameleers and palm tree on front cover; central back wooden cover 'Jerusalem' printed Inside cover in handwriting " To Mother From Dad 18th January 1941" Book title " Flowers and Views of the Holy Land - Fleurs et vues de la Terre Sainte" postcard pressed flower book

The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor is Ossie or Oswald Underdown.HistoricalLarge pale green sketch book with blank pages covered in native wildflower specimens and each page covered with transparent paper. a few pages of sketches at back of book. Completed in 1912Australian Sketch Bookdrawing book, wildflower collection, native flowers, oswald underdown

This is an example of a hand crafted item made to personalise and add aesthetic value to a home.A pressed dried native flower arrangement in a large oval frame of wood. It has a glass front. It is handmade.handcraft pressed-flowers picture

This Harmsworth Atlas and Gazetteer was inherited by one of the donors, a gift from her father who was Tasmanian.Large hard covered book with maps, charts and tables. The cover is green linen with green leather, gilt trimmed corners and decorative spine, It includes 500 maps and diagrams in colour, with commercial statistics and gazetteer index of 105,000 names. Jan 1908. Also inserted between the pages of the book were 2 folded sheets of waxed paper, each with carefully placed flowers pressed between them; native orchids and wattle. Published at Carmelite House, Carmelite Road, London flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, harmsworth atlas and gazetteer, atlas 1908, maps 1908, gazetteer 1908, book 1908, pressed australian native flowers, pressed wattle, pressed orchid

On Friday the 26th and Saturday the 27th of May, 1978, an art and craft exhibition was held as a fundraising event in support of the Rheumatism and Arthritis Association of Victoria (RAAV). Titled, "Living with Arthritis - Aids to Daily Living", the exhibition was held at St Andrew's Parish Hall in Brighton. A second "Living with Arthritis" exhibition was held two months later in Footscray. Henceforth, the respective events were commonly referred to as "the Brighton exhibition" and "the Footscray exhibition". A fashion parade and panel discussion were also held as part of the two-day event. In this photo, Mickie Ross attends to her greeting card display at the Aid to Daily Living art & craft exhibition. A cropped version of this photo appears on page 5 of the Vol 9, March 1978 edition of RAAV's quarterly newsletter, News Review. It is captioned: "All those who see the beautiful designs Mickie Ross creates on her cards are amazed and im-pressed with her patience and skill. Although she has made and sold many hundreds of these cards for RAAV, she would still appreciate orders, also help with the pressing of the flowers. Photo - Ben Baxter." The photo accompanies an article titled, "AIDS TO DAILY LIVING", and sub-titled, ART AND CRAFT".B&W photo of a woman leaning over a trestle table as she arranges some cards for display.[handwritten in light blue ink] Page 5 Mickie Ross [in pencil] designed cards for Aid to Daily Living art & craft at St. Andrews Hall Brightonrheumatism and arthritis association of victoria, raav, living with arthritis, aids to daily living, art and craft, cards, pressed flowers, mickie ross, exhibition, market stalls, fundraising, news review, 1978

Given to donor by her father, Sergeant Richard Osborne, in Palestine (now Israel) while serving in the A.I.F. during World War 11Wooden covered book with illustration of three camels on front. Pressed flowers and photos of Jerusalem.To Barbara with love Daddy Xmas 1940books, religion

Sent to Ian's mother shortly before he was killed in action in 1941.Wooden book containing postcards and pressed flowers from Tobruk. Three camels painted on the cover with palm trees.postcards, gibson collection

Annie Cameron was the daughter of John and Elizabeth Cameron. Her father was a keen geologist and botanist. Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex. He was listed as a significant plant collector at Orbost, Victoria who collected on the Bemm, Cann and Snowy Rivers. (Based on the list published by J.H. Willis, D. Pearson, M.T. Davis, and J.W. Green, Western Australian Herbarium Research Notes Number 12, August 1986. Enhanced with information from George, A.S. (2009) Australian Botanist's Companion, Four Gables Press, WA.)These items are significant as a record of the occurrence of a plant species at a particular place and time and are a useful research resource. They are associated with the Cameron family, early Orbost settlers. Two albums of pressed flowers. 765.1 has a red cover with gold trim and printing. 765.2 has a blue cover. 765.1 - "Collected at Cann River 1874-98 by Annie Cameron " 765.2 - "Collected we believe by Robert P. Cameron in 1890's"botany australian-plants-flowers cameron-robert-pullar cameron-annie

1. Wooden covered album of photos and pressed flowers. 2. Gents wrist watch engraved Harrison, W A. VX27978

Wooden items are made from Banksia baueri. Local women made wooden items and jewellery of pressed flowers for sale (1960-1990s).Photo shows wooden items on a round display stand with a fringe tacked to bottom tier . Arranged flower vases cn be seen in background. events, wildflower show

The album was bought home from the Middle East by Eric Leslie Bugge. He enlisted No VX6316 on 13.11.1939 age 34 years. At discharge from the 2nd AIF on 2.1.46 he was a Pte in 2/4th Base Workshops. Refer also 180. Rectangular Album. Covers made of wood with desert and camel scene in black on front, leather bound spine. Contains postcard views and pressed flowers re Eric Bugge.On back cover, painted in black - "Jerusalem." Inside cover - "VAL ROWLEY 10 GLADSTONE PDE, GLENROY. W9photography-photographs, books-albums, natural history specimens-botany

This is a photo of items made out of Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a display of wooden items standing on a white dip[lay stand. Dried flowers and grasses can be seen in the background, as well as a sketch on the wall to the right.events, wildflower show

The wooden items are made from Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows stuffed animals displayed on a sawn branch and leafed twigs. Items made from wood and Banksia cones can be seen in the top, left hand corner, and other small items can be seen hanging on a branch on the right.events, wildflower show

The wooden items are made from Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a collection of wooden items displayed on a white stand. There is a brown cloth draped amongst the display.events, wildflower show

This is a World War One souvenir post card. Postcards such as this were sent by Australian soldiers to loved ones in Australia or brought back to Australia when they returned.This item is a beautiful example of the souvenir postcards made in France during World War One.This is a white card with a bunch of embroidered and pressed flowers tied with a red white and blue ribbon (depicting the French colours). On the back is blue printing in French and English and space for correspondence and an address.Flowers of France Gathered for you CARTE POSTALE _ POST CARD Correspondance adresse world war one, souvenir postcards

The cards were sent to Geoff Murray by Sister Augustine from the Baria Orphanage South Vietnam. On Geoff's 2nd tour of Vietnam with Survey Corp 15.10.69 to 15.10.70 he was a great supporter of the Orphanage with food and rations. Refer 594.2, 610.2P, 611.8 re Geoff and the Orphanage. His first tour was with 3 Cav Regt 27.11.67 to 22.10.68, refer 638P..1) Christmas card with scene of Vietnamese village. .2) New Year's card with paper cutout birds and pressed flowers. .3) Christmas card with painting of birds and nativity scene on cover and pop-up nativity scene.documents-cards, natural history specimens-botany, vietnam

Photo album organised by and dedication note signed by Montmorency-affiliated members Blanche and Jack Shallard, Opal Smith, Marjorie North and Sue Law. The album contains a number of images recorded under accession numbers 01819, 01820, 01828, 01829. Album consists of 30 photos mainly of Montmorency environs with an explanatory card, title cards and pressed flowers. Plastic construction with 16 leaves capable of holding three 10 x 15 cm photos per side in plastic pockets. 02076, montmorency (france) photo album

Silver plated serving or sweets dish on four legs with folding handle on top, pressed decoration of flowers.Homan Mfg Company made in USA 866 Speciaal metal Warranted Quadruple platedomestic equipment, table setting, dish, di498 old cat no 2362206 tb/a

This scrapbook contains newspaper cuttings, hand written poems and quotes from friends and family members and pressed flowers and ferns. Entries were made in the mid 1800s to early 1900s and relate to Duncan family history. The initials suggest this is Lillie and Olive's father, David Hood Duncan, who created this scrapbook. David Hood Duncan married Ada Blanche Thomson (1861-1928) on 25 November 1896. Ada was the daughter of John Gilmour Thomson (1829-1905) from Moonee Ponds and Hannah Davies (1834-1890) Their first daughter, Lillie, was born on 15 October 1897 in Woodland, South Gippsland where he was a farmer. In 1908, 1910, 1911, 1913, Lillie Duncan sent letters to Patience from the Young Folk section of the Australian. She was writing from Woodlea, Cathkin, where they had moved as there was no school in South Gippsland. They moved to 11 Paxton Street, East Malvern when David retired. He was leasing a farm, Kia Ora, in Koo Wee Rup, the South Gippsland. Ada Blanche died on 28 December 1928. David died on 24 May 1942.This is an album of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals and families involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation.Decoratively embossed word on front cover : "ALBUM" . Inner pages: Handwritten in various inks throughout are poems and quotes. Two unidentified initials followed by Duncan name on the inside page. duncan, poems, quotes, newspaper cuttings, albums, scrapbooks, lillie duncan, olive duncan, poetry, ferns, plants, david hood duncan, ada blanche duncan (nee thomson), epistolary

At the time when this shortbread / butter stamp block was used, rural dairies and larger properties who manufactured their own butter used butter stamps blocks for identifying the source of the butter or for decoration.. The patterns stamped into the warmed butter provided for a range of decorative visual enhancement to the "plain" and "boring" straight leveled normal butter surface. Although the wooden surfaces could be hard to keep clean commercial usage would have been limited and eventually replaced by a non porous and hygienically cleaner material. Greater hygiene controls where introduced. from the late 1940s on. These controls were the result of high infectious illnesses due to contaminated milk and dairy handling methods.This shortbread / butter stamp was used by a Kiewa Valley dairy and it presents what the domestic butter beautification processes were available during the mid to latter 1900s was. Their was a pride by rural properties in their produce and its by-products.This shortbread / butter stamp is made from wood, round and fashioned from a flat bed to a dome top. The top has a round moulded hole with screw indentations for fastening a pressure pole. The pattern on the face of the stamp is of an eleven petalled flower pattern around a small circular flower head. Both the head and petals have indentations which are will produce raised points in the pressed butter. Enclosing the flower pattern is a pattern which when pressed against the butter would produce small ridges radiating outward.On the dome stamped in black ink "T. & W. Davies"butter stamp, domestic butter blocks, domestic food preparations., shortbread, stamp, dairy, butter

The book has black leather covers which are heavily embossed with an Australian Coat of Arms and featuring gold printing, scroll work and patterns. The title of the book is on the spine which also has gold patterns. The cover is torn at the top left hand corner. The inside cover is water damaged. The gilt edged pages contain printed text, black and white and tinted illustrations and coloured maps. There is a narrow ribbon book mark , a pressed leaf and a cut out card flower inserted in the pages.non-fictionA history of Australasia written in late 1800'saustralasian history, alice gamble, a history of australasia 1870, warrnambool, alice hilder

This gilt plate is from an era where master crockery manufacturers where either located in Britain or Europe.The cost of transportation and the time taken to receive items limited the availability of first class goods. This was an era that was "British is best" in all manufactured goods. With the slow influx of European immigrants European manufactured goods also became of high value. This social requirement was more of a prerequisite for the more affluent rural population, especially at a time when Australia "rode on the sheep's back". Fine British and European goods were a "status symbol", even in rural Australia. After World War II, the invasion of American and Japanese merchandise opened up the market place for cheaper "throw away" items. Longevity and quality of goods fell away as the "throw away" society rolled on.This item demonstrates the time when the rural sector was at its most affluent and influential in dictating the strong ties between Australia, Britain and Europe. The very influential "Country Party" ensured that the protection of the rural sector was well entrenched. The ability of the "well off" rural sector, in this period, were not only able to travel abroad but also to purchase expensive items "overseas" cutlery and crockery. The significance of this item is that it highlights a period in time when the "rural" affluence was at its peak.This hand painted floral gilt plate is a cream fluted china plate decorated with pink and yellow orchid flower arrangement. It is in the "Art Nouveau" period 1880-1920.underneath and within the circular base and in gold freehand script "4" underneath "1562". Pressed into the base is the manufacturer's monogram.Circled around the FAM mark is "* FRANZ ANT. MEHLEM*BONN A/RHEIN*"hand painted china, floral gilt plate, decorative china

Item souvenired by Edwin James Jones No 3511 AIF. Refer Cat No 1367.5 for his service history.Badge, Brass, pressed metal, deers head over crown , scroll and flowers each side, 2 X lugs on rear for uniform attachment" By Dand"numismatic - badges, metalcraft - brassware, jones.

Carnival glass is an inexpensive pressed glass, made as both functional and ornamental objects. Most carnival glass was made between 1907 and 1925, with production tapering off by the end 1931 during the great depression. the name "carnival glass" came about because when the demand for the glass tapered off it was often given away as prizes at carnivals.Large amber coloured glass bowl. It has four short legs moulded to the base. It is very ornate and solid. On the base is a pattern of fruit and flowers. The rim is fluted and the bowl is oval shaped. It is carnival glass.

Clothing. Navy blue silk dress with V neckline faced in soft pink silk, which is overlaid with navy rouleau, giving a ''lattice'' effect, and then the neckline has been bound with navy fabric. The lower edge and side is decorated with three, four-petalled flowers, backed with navy fabric, with navy covered buttons in each centre, and navy tipped, pink rouleau 'stems'. Three X 2 cm diameter navy covered buttons are spaced on either side of neckline. Six X 1cm wide loose pressed(not stitched) pleats and two 2 cm pleats form a panel from neckline to waist of bodice. This pleating continues from the waistline, and is stitched horizontally for 31 cm below the waistline, before falling in a pressed form to the hemline. Back of skirt is plain, with top stitched centre back seam, which opens into a (X2) 5.5 cm wide inverted pleat at centre back. Long sleeves are also pleated-stitched down horizontally, for 17 cms, then pressed(not stitched) to the cuff. The cuff has an 8 cm deep peak, tapering to 4.5 cm deep at the opening-which fastens with two metal press-studs. Sleeve fullness is gathered into the cuff.costume, female, navy blue dress

Small pressed glass honey pot with lid & applied handle,flower pattern impressed in base, lid has handle and spoon hole.domestic equipment, food storage & preservation, kitchen