Black and white photograph. George Russ standing in the Old Nursery. Another copy B91.285.On reverse, "Geo. Russ. Foreman & Propagator. 1922 or '23."geo. russ, foreman, propagator, old nursery

Plaque was presented in 2013 and was hung on the staff room walls until 2015. The letter to Ross Gregory Hall was written by Jolyon Burnett, Senior Industry Program Manager, granting funding for NY538 International Propagators Society Australian Region Annual Conference, Melbourne, May 1996. The agreement between The Horticultural Research and Development Corporation and the Faculty of Agriculture, Forestry and Horticulture for this project was signed by Gregory Moore, Principal of the College in 1995.1. Commerative plaque mounted on bevilled varnished wooden board for Five Year Membership Recognition (2008-2013). Presented in 2013 to the college. 2. Letter to Mr Ross Gregory Hall, Senior Lecturer (Production Management) dated 25 October 1995 from Jolyon Burnett of the Horticultural Research and Development Corporation (NSW) accepting his application for funding of the NY538 International Plant Propagators Society Australian Region Annual Conference Melbourne May 1996 3. Research Agreement between The Horticultural Research and Development Corporation and the Faculty of Agriculture, Forestry and Horticulture - Burnley for an approved NY538 project. Signed by Gregory Moore Principal of the College 27/11/1995 (6 A4 pages)1. Five Year Membership Recognition THE INTERNATIONAL PLATN PROPAGATORS' SOCIETY 1951 quaerere et impertire Presented in 2013. Logo in center.ross gregory hall, jolyon burnett, gregory moore, international plant propagators' society, annual conference 1996, burnley college, artifact

Sixteen photographs of the plant nursery owned and operated by the Sandhurst Centre in the 1960s to 1970s. Included are the buildings located off Holdsworth Rd, staff members and Sandhurst residents at work . The nursery propagated plants from cuttings for sale to the public.bendigo, institutions, sandhurst boys centre, plant nursery; shade houses; occupations; plant propagation; occupational therapy;

jenny happell, sandra pullman, ulmus procera, english elm, charles la trobe, megan backhouse

Newspaper cutting from the Argus, June 20, 1928. A photo of 4 female students and a staff member, with the caption: "Now is the time for Dahlia bulbs to be lifted, divided, and transplanted. Here is a group of girl students at the Burnley Horticultural Gardens being instructed in the art by Mr G. Russ, plant propagator."female students, dahlias, george russ, student outside class, dahlia bulbs

Collection of black and white photographs taken by an unidentified student showing various activities. Those scanned are: (2) Students pruning fruit trees. (4) Students propagating in a glass house. (11) Member of staff in the Orchard. (16) Students in the Bull Paddock with Dairy in the background. (21) Students in the Plant Science Laboratory.student activities, students, pruning, fruit trees, propagating, glasshouses, staff, orchards, bull paddock, dairy, plant science laboratory

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination.This woodblock print on hand-made paper depicts Gesar, a legendary Tibetan warrior king who is invoked as a protector of the Buddha's teachings and emanation of Padmasambhava. Gesar's image is surrounded by four magical animals - garuda (top left), makara (top right), tiger (bottom left) and snow lion (bottom right). The print is framed using acrylic sheets. padmasambhava, tibetan buddhism, woodblock printing

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination.Vajrayogini is considered a female Buddha, embodying the ultimate state of enlightenment. She represents the union of wisdom and compassion and is known for her ability to transform strong passions into enlightened virtues.Woodblock print of Vajrayogini on yellow cloth, created using an old wooden handcrafted printing board from Tashilhunpo Monastery in Tibet.woodblock printing, buddhist art

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination. Jambhala is a Bodhisattva of material and spiritual wealth often invoked by practitioners seeking to eliminate poverty and remove obstacles and misfortunes.Woodblock print of Jambhala on yellow cloth, created using an old wooden handcrafted printing board from Tashilhunpo Monastery in Tibet. woodblock printing, buddhist art

An article discussing the outcome of a project to list, photograph and identify indigenous plants growing on public land in the City of Nunawading. The project has discovered 28 new species. Council staff have collected seed and propagated more than 7000 plants helping to reinstate a number of endangered species. The project has extended to include non-indigenous and exotic plants. Plaques are being created identifying trees.native plants, trees, prestegar, geoff, tree register project, city of nunawading

Black and white laminated photographs of students' harvesting activitiesOn reverse, (1) "Carting in from Orchard." (2) "Grading for Cannery." (3) "Grading." (4) "Some 5 years old peach trees." (5) " 'Wardend' peach tree propagated by Burnley CRTS students 1947/8. 9ft ladder. Hanger pruning."orchard, grading, cannery, peach trees, burnley, crts, students, ladder, 1947-1948, hanger pruning, wardend peach, commonwealth reconstruction training scheme

Woodblock printing in Tibet began to flourish from the 10th century onwards, driven by the high demand for Buddhist scriptures and images. Monasteries saw woodblock printing as a means to preserve and propagate authentic Buddhist teachings. The durability of woodblocks made them ideal for creating lasting impressions of sacred texts, enabling mass production and wide dissemination. Those involved in the printing process consider their work an offering to the Buddha.White Tara, revered as a compassionate and healing deity, is considered to provide protection, health, and longevity. She embodies the transcendent wisdom that helps practitioners overcome physical and mental suffering. White Tara woodblock print on paper in red ink, created using an old wooden handcrafted printing board from the Derge Sutra Printing House. Framed, sandwiched between acrylic sheets.woodblock printing, buddhist art

These photos are of a gathering at the Shrine of Legatees and a delivery of lone pine saplings on the back of a ute. Legatee George Woodward was present, also a school girl and a veteran. These photos were in an album of photos from 1993. These are the saplings grown from the seeds collected by President Chas Wilks in 1989 (item 01426). From an article in The Answer in June 1994 the event was the official handing over of the seedlings that were propagated. Present were Minister for Natural Resources, The Hon Geoffrey Coleman and Gallipoli veteran Tom Brain. Legacy has run a programme since the 1970s of propagating saplings taken from seeds of pine descended from a pine tree from Gallipoli and giving them to various clubs, schools and town councils. Legacy is helping to keep the memory of the Gallipoli "Lone Pine" alive - its spirit living on today. Presentations are made to schools, ex-service organisations and interested bodies by Legacy Clubs in the hope that they will be cherished as a symbol of nationhood and of its just pride, devotion, courage, selflessness and sense of service to others.A record of Legacy being involved with distributing saplings in 1993. The lone pine programme was a type of work done by Legatees to keep the memory of Gallipoli and fallen comrades alive.Colour photo x 4 of an event at the Shrine with lone pine tree saplings.tree planting, lone pine, george woodward

A speech by Legatee Bill Rogers at the planting of a Lone Pine tree at Oakleigh South Primary School. The dates is not noted but probably in 2007. He briefly mentions the Gallipoli campaign and then the story of how Legacy have propagated the trees as a symbol of remembrance of all the men and women who have given their lives for our nation. The two pages showing the history of the Lone Pines have been superseeded. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of a ceremony to plant a Lone Pine tree at a primary school.Print out x 2 pages of a speech at Oakleigh South Primary School and 2 pages of the history of the Lone Pine trees.lone pine, students, schools

Potatoes are known for their great liability to disease, suffering more from the ravages of fungi than any other crop, and this is largely owing to the fact that they are propagated from tubers which are just swollen portions of underground branches of the stem. Portions of the parent plant in the form of tubers or cuttings are planted year after year, so that any inherent weakness in the original is transmitted to the offspring, and therefore, without a process of selection, deterioration is sure to occur sooner or later. When the tubers are raised from seed and a good selection made from them, they are less liable to disease at least for a number of years. Handbook of fungus diseases of the potato in Australia and their treatment. D. McAlpine. 1st ed. Department of Agriculture, Victoria; Melbourne (Vic); 1911. x, 314 p.; illus., map. Hard cover.potatoes; disease; fungus; agriculture;

Photos of President Chas Wilks collecting pine cones from the Lone Pine descendant at the Shrine of Remembrance, the 24th Battalion tree. The cones dropped to the ground and school children are seen collecting them. Legacy has run a programme since the 1970s of propagating saplings taken from seeds of pine descended from a pine tree from Gallipoli and giving them to various clubs, schools and town councils. The photo appeared in the President's Highlights report in 1989. The caption says '1,000 seedlings from the historic Lone Pine tree near the Shrine of Remembrance will be propagated on behalf of Melbourne Legacy by the Department of Conservation Forests and Lands. Melbourne President Legatee Chas Wilks, along with the Minister for CFL, Ms Kay Setches and pupils from South Yarra Primary School helped to collect the seeds. The trees, once grown will be distributed to schools by Melbourne Legacy. Also see item at 01334 in 1993 when President Woodward was giving out saplings, it was three years later was when the saplings grown from these seeds were distributed. Legacy is helping to keep the memory of the Gallipoli "Lone Pine" alive - its spirit living on today. Presentations are made to schools, ex-service organisations and interested bodies by Legacy Clubs in the hope that they will be cherished as a symbol of nationhood and of its just pride, devotion, courage, selflessness and sense of service to others.A record of the way Legacy was propagating Lone Pine saplings for schools and organisations. The Lone Pine programme show the type of work done by Legatees to keep the memory of Gallipoli and fallen comrades alive.Colour photo x 4 of President Chas Wilks in a crane collecting pine cones at the Shrine and children collecting the cones.Handwritten '10' in a circle in blue pen.tree planting, lone pine

Black leather-covered board. Spine has gold lettering and 7 raised horizontal lines. Black line border on both covers.

Dr Leonard Bell Cox (1894-1976) was a noted neurologist and collector. He had a family cottage 'Folly Farm' at Olinda, the garden of which had input from Edna Walling. He moved permanently to 'Folly Farm' in 1962. In his glasshouse, he propagated and cultivated rhododendrons and camellias, and gathered rare species. He helped to form the National Rhododendron Garden at Olinda, providing many specimens from his beautiful garden. This photograph showing a group of people on the balcony of 'Folly Farm' was taken in 1914 and the cottage looks to have been newly built. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke. Dr Cox’s “Folly Farm” Falls Road Olinda. Lot 19 Section 3 Village Settlement. Taken 1914 copied 1974 by J.L.C. folly farm, olinda, dr leonard bell cox, dr cox, edna walling, rhododendron garden

Legacy has run a programme since the 1970s of propagating saplings taken from seeds of pine descended from a pine tree from Gallipoli and giving them to various clubs, schools and town councils. Melbourne Legacy wished to mark the friendship and goodwill by the members and management of Huntingdale Golf Club as far back as 1933, by presenting a Lone Pine sapling to Huntingdale Golf Club in 1992. L/- G. M. Swan (President 1992) is on the far right. A similar photo was featured in the Widows' Newsletter in July 1992. The men in yellow blazers are Huntingdale Golf Club's captain, Tony Reidy, President, Len Rainer and past president Douglas McLean. The man in grey is unknown but could be Legatee Frank Doolan.A record of Lone Pine tree being planted at Huntingdale Golf Club.Colour photo of President Swan unveiling a Lone Pine sapling with a Legacy flag.tree planting, lone pine, huntingdale golf club

Acorn and caps are from a 15 metre high Valonia oak tree (Quercus ithaburensis macrolepis) which was uprooted during a storm on Tuesday, 1st December 1987. The tree was planted in the Geelong Botanic Gardens by the first curator, Daniel Bunce, from an acorn shipped to Charles Ibbotson from Southern Europe in 1861. Ibbotson was the Chairman of the Management Committee of the Gardens and a woolbroker and merchant who founded the company Dalgety, Ibbotson and Co. with F.G. Dalgety in 1852. The acorns arrived in poor condition, but later established well. Very few Valonia Oaks were successfully propagated in Australia. Valonia oak caps were an important species which were used in the European tanning industry and Australian tanners were eager to grow the oak here.Five immature acorn caps from a Valonia oak, first planted in the Geelong Botanic Gardens in 1861 from acorns forwarded by Charles Ibbotson. Acorn and cap from a Valonia oak, first planted in the Geelong Botanic Gardens in 1861 from acorns provided by Charles Ibbotson. geelong botanic gardens dennys, lascelles limited city of greater geelong, tanning, valonia oak, ibbotson, mr a. charles, the heights, newtown, geelong.

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Rhonda Kelly - Friends of Waurn Ponds Creek Conservation volunteer projects not only have great biodiversity outcomes but are also collegial community groups that bring people together. Rhonda Kelly has worked tirelessly for over a decade for Waurn Ponds Creek. The Friends group is recognised throughout Geelong as a well-run, well organised and successful community group. This is due to the hard work of people like Rhonda. Rhonda is involved with all aspects of the Friends Group as Convener of the group, seed collector and propagator of plants at the community nursery. She is welcoming, passionate and hardworking. Not only does she organise the planting days and monthly clean-up days, but she also works with the community and schools engaging people with the value and beauty of the creek. Photo at Waurn Ponds Creek by Nicole Marie.Image showing an environmental portrait of a woman holding two potted seedlings with trees and grass in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers

A planting of a pine tree at Heidelberg Repatriation Hospital on 17 April 1991. Legacy had a programme of donating trees grown from seeds from Lone Pine in Gallipoli. One photo shows 4 Gallipoli veterans standing by the newly planted pine tree. One shows President John Sullivan with the shovel. Also with representatives of John Allison / Monkhouse who provided the plaques for the tree. A different photo was used in the July 1991 issue of the Widows' Newsletter (later called The Answer) and explained two small Lone Pine trees were donated in appreciation of the care extended by the hospital to widows and dependents of veterans. Special guests included WW1 Gallipoli veterans who had revisited Gallipoli for its 75th Anniversary. White paper labels say: "Gallipoli 'Lone Pine' Lives on. Two lone pine trees, propagated from Gallipoli Lone Pines, were presented on behalf of Melbourne Legacy to the Heidelberg Repatriation Hospital by the President, Legatee John Sullivan. The trees were presented in appreciation of the care extended by the Hospital to widows and dependants of veterans." "Commemorative plaques. Managing Director of John Allison / Monkhouse, Mr Clive Allison and Legatee Rob Allison presented bronze commemorative plaques which will be installed by the trees." "Gallipoli veterans were special guests at the presentation." The Heidelberg Repatriation Hospital has a proud history of caring for Veterans and War Widows. From the early 1970s Legacy had a commemorative programme of providing trees grown from seeds from Gallipoli to various towns throughout Australia. This may be part of that project (see the Lone Pine brochure at 00593) or subsequent propagation undertaken by Legacy. Melbourne Legacy’s Commemoration Committee was responsible for the collection, propagation, presentation and dedication of Lone Pines from the 24th Battalion tree at the Shrine of Remembrance. On the 14th September 1989 further seedlings were collected with the hope to raise 1,000 trees from the seeds. Thus, Legacy is helping to keep the memory of the Gallipoli 'Lone Pine' alive – its spirit living on today. Presentations are made to schools, ex-service organisations and interested bodies by Legacy Clubs in the hope that they will be cherished as a symbol of nationhood and of its just pride, devotion, courage, selflessness and sense of service to others. Photos were taken by the publicity officer Susie Howard.A record of a tree planting of a Lone Pine tree.Colour photo x 6 of a tree planting at Heidelberg Repatriation Hospital.On the back 'Lone Pine Heidelberg Repat.', handwritten in black ink. White paper labels with black type captioned group of photos.tree planting, answer, lone pine

Colour photocopy of article from Bendigo Advertiser. Dated Saturday, May 23, 2015. FAREWELL, MA.. When Peter received his Order of Australia Medal it was one of his proudest moments. He couldn’t resist wearing it on every occasion. FROM - PREVIOUS PAGE The Emu Creek Bush Band has performed at National Folk Festivals in four states and numerous times at the National Folk Festival in Canberra. They have also been mainstays of the Maldon Folk Festival for most of its history as well as doing dance programs for the Port Fairy Folk Festival on two occasions. Peter wrote and published many books related to traditional music and dance. These include: Three volumes of 'Collector's Choice' which is musical notations for bush dances coupled with much dance history which would have been lost without Peter's efforts, are 'Two Hundred Dancing Years- How to run a Colonial Ball' (Co-authored with Shirley Andrews (AM), 'Music Makes Me Smile- The Music of the Nariel Valley' (Co-authored with Harry Gardner), and his last completed book is titled 'The Merry Country Dance' with over 300 pages.. .. .. Grant. The first edition sold out in only a few weeks. Peter taught old time musicianship, accomplished as he was on the concertina and button accordion, tin whistle, and harmonica, as well as the Swanee whistle, piano and ukulele. In demand for workshops in music and dance at National Folk Festivals in Perth, Alice Springs, Maleny, Melbourne, Adelaide, Kuranda and more recently at several Canberra National Folk Festivals, he was a hit at festivals across the country. As a trained ballroom dancer, with many gold medals to his name, Peter passed on his knowledge every time he trained debutante sets in the Bendigo region. As an early environmentalist, he was a life member of the Bendigo Field Naturalists Club, secretary in the 1970's and actively involved in campaigns to save Lake Pedder and establish the Whipstick and Kamarooka State Parks (now part of the Bendigo National Park). He has discovered and named new plant species in the Whipstick Forest and propagated many Australian plants. Peter took regular guided tours through the Whipstick each spring, on wildflower educational tours. He was a keen and gifted photographer of local plant species. When Peter received his Order of Australia Medal it was one of his proudest moments. He couldn’t resist wearing it on every occasion. Funeral details. Family, friends and his supporters will farewell Peter.. .. .. ..person, individual, peter ellis oam

2 A4 sheets. Handwritten pencil note at top of first page reads: Eulogy published in Trad & Now Magazine. Vale Peter Ellis OAM. By John Williams. The folk community lost a giant on May 18th when Peter Ellis passed away after a short illness. Peter had been a collector, author and musician for nearly forty years and his work has been prodigious to say the least. Peter has the largest collection of dance related material in the National Library and had travelled Australia on his collection trips. He produced twenty CDs of dance music and historical music with his Bendigo based band the Celebrated Emu Creek Bush Band which he founded and led for thirty four years. His final project was the double CD 'Cooee, Songs of the ANZACS' which he organised in conjunction with the Bendigo Historical Society. It was launched on 24th April and was Peter's last performance. Peter has also been a member of the Wedderburn Old Timers for over thirty years and has assisted with many of their recordings including their latest Bush Concert CD which Peter Organised. Peter has contributed to many other CDs over the years and has been thanked on many a CD cover by many folk artists. Peter has also written several books, the three volume 'Collectors' Choice,' 'Two Hundred Dancing Years' co-written with Shirley Andrews OAM, and 'Music Makes Me Smile' the history of the Nariel Valley musicians co-written with Harry Gardner. Peter's recent major work The Merry Country Dance will become the bible for people wishing to learn about our bush music heritage with its matching six CD collection. Peter has also contributed to 'Verandah Music' edited by Rob Willis and Graham Seal and 'The Oxford Companion to Australian Folklore' edited by Graham Seal and is a regular contributor to Trad & Now. He completed his last Trad & Now article the week before he died. Peter was also a life member of the Field Naturalists and was extremely active in campaigns to preserve Lake Pedder, the Whipstick Forest and Kamarooka Forest (now part of Bendigo National Park and preserved forever) One Tree Hill, Jackass Flat Flora Reserve and Saloman's Gully bushlands. Peter has discovered and named plants in the whipstick and enjoyed propagating native plants. He loved his amazing bush block in suburban Bendigo. Peter was also a keen photographer and had photos published in the book 'Wildflowers of Bendigo'. Peter taught dancing and music classes with Continuing Education for many years and encouraged many young musicians over the years. Peter was an accomplished ballroom dancer and had achieved gold medal status in that field. He was one of Australia's finest exponents of the button accordion, concertina, harmonica and tin whistle. Peter also played piano, organ and ukulele as well as the Swanee whistle and bones. Peter was the founder of the Annual Dinki Di Ball held each September in Eaglehawk as a tribute to the old MC's. Peter was happy playing for fund-raisers for any organisation who asked and also enjoyed plying the big gigs such as for the opening of the Melbourne Museum or for State Parliament. He played in the National Folk Festivals in four states and was a regular at the National in Canberra where he gave regular classes, performed with his bands and was a stalwart of the Aussie section of the session bar. He performed at nearly every Maldon Folk Festival and was MC at Nariel Folk Festival dances for many years. Peter was very proud of his OAM and wore the little medal at all of his performances. That honour was rightly given to one who did so much to preserve Australia's dance history. Peter lived a full life and was a friend to hundreds of people. He was taken far too young and in typical fashion was planning new projects right till the end. His passing is a huge loss for us all but one thing is certain. He will never be forgotten.person, individual, peter ellis oam