Fluorite comes in a variety of natural colours and crystal formations and glows under ultraviolet light (the word 'fluorescence' comes from the same etymological source). In its pure form, calcium fluoride, it is a colourless combination of the elements calcium and fluorine, but gains its colour from trace elements that infiltrate or replace calcium within its crystal structure during its formation. Although fluorite crystals polish well and can achieve a high level of lustre, the mineral is very soft (4 on MOHS hardness scale) so it is unsuitable for use in rings and must be handled and stored carefully if used in other forms of jewellery. Most crystals of the mineral are too coarse for decorative purposes but have been mined under the name fluorspar for a variety of commercial and industrial purposes. These include the production of hydrofluoric acid, smelting metal alloys, producing glazes and ceramic finishes and use in medical and dental products. An existing label for this specimen indicates that its origin or collection-point was 'probably USA.' Fluorspar, the form of fluorite used commercially and industrially, was mined in significant quantities in the counties of Hardin and Pope in South-Eastern Illinois throughout the Nineteenth and Twentieth Centuries. Fluorite was made Illinois' state mineral in recognition of its contribution to the state's identity and economy. The specimens are significant as examples of surveying activity undertaken to assess and direct the development of the mineral resource industries, as well as the movement to expand human knowledge of earth sciences such as mineralogy and geology in the nineteenth century.The specimen is a piece of purple shaded fluorite (also known as fluorspar), the mineral form of calcium fluoride. The unpolished specimen presents a dark purple interior with a substantial dark grey crust representing the matrix from which the specimen was obtained. Existing label: Flourite / (purple) / probably / USA / BB /burke museum, beechworth, geological, geological specimen, fluorite, flourite, calcium fluoride, hydrofluoric acid, jewellery, indigo shire, north-east victoria, mining, illinois, usa, united states, fluorine, gemstones, purple stones

Oval brooch with purple cut stone, and an ornate silver surround.

Brooch from the Martin family - originally from Paisley, Scotland. They were a pioneer family in South Gippsland.Curleche gold design with 6 purple and two green stones, can be worn as a brooch or used as a necklace or chain perhaps. The gold has been embossed. Suggest that the peridot (green) and amethyst (purple) stones have been incorporated in the scroll design.costume accessories, jewellery

"This is a revised edition of the original 1919 Regimental History" "From the beaches of Anzac Cove to the gas ridden trenches of the Western Front" "The pyramids to the rolling plains of Stone Henge" "Ground traversed by the Twenty-Second (Victorian) Infantry Battalion during World War One"Hard cover book with dust cover. Hard cover cardboard with grey coloured buckram , gold coloured print on front and spine. Illustrated with purple over red diamond colour patch. Dust cover, paper, pinkish/orange glossy coloured background, purple coloured print on front, spine and back. Illustrated with purple over red diamond colour patch (small) front and back and black and white photograph of a group of soldiers 'somewhere in France. 245 pages, cut, plain, semi gloss white. Illustrated - black and white photographs and maps.Front fly leaf - printed donation label - "Donated by 39th Australian Infantry Battalion (1941-43) Association Inc www.39battalion.com" Top right front flyleaf - printed label with handwritten in black ink "No. 120 of 500"books, military, history, wwi

Colour photo of a portico entramce to Fortuna Villa with a small series of stone/concrete steps leading up to entrance. Turret roof of building beside entrance. Photo also shows a fern in left hand bottom side of photo and a purple bush at end of pathway on right hand middle section of photo.

Document. Greeting Cards. Whitish card with embossed rectangle on the angle with; 'For Auld Lang Syne' printed in purple with gold & purple capitals. Around the rectangle is more embossing and scrollwork. An embossed medallion hangs from the rectangle with a small round black & white picture of two men in a boat. On the insert on the right is printed a verse and on the right is a black & white photo of a stream with snow & some trees on the bank. Further along the stream is a stone bridge. Card & insert held together with a purple ribbon. Pattern cut edges.person, greeting cards, malone collection, malone collection, greeting cards

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily, round white cotton with embroidered fox gloves and other flowers of orange, red, yellow, purple and blue flowers with greenery and green crocheted edging. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery

This doily pair is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, pair of two. Each doily is oblong in shape and has embroidered flowers of blue, purple and violet with purple crocheted edge. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery

A blue stone cottage with a green front door. A window either side. The front door has a step leading up to it. There is a green bench in front of the building. The building has two chimneys. Ivy climbs up the right hand side of the cottage. In the foreground is a small green path of grass with plants and shrubs. There is a small white dog on the lawn. A sign says - Curator's Cottage. Built 1875. The sky is a purple, pink blue colour.Tracey Gardner bottom right.portland botanic gardens, curator's cottage, portland, bluestone

War and family memorabilia collated by Betty Thornton, daughter of local Thomas Thornton. WW1 & Family Memorabilia - Thomas Thornton contains: ~ 2 x leather-bound photo albums containing b&w photos of family members, some labelled with hand-written notes ~ Sample of small stones containing copper ~ Several sized detachable buttons used on WW1 service uniforms (cuffs, collars, shirts) ~ Small purple-coloured cardboard box containing a number of service medals, fund-raising badges, royal family medallions ~ B&W photos of Thomas Thornton and comrades in uniform ~ Small leather-bound book containing information about servicemen known to Thomas Thornton (My Roll of Honour) ~Small white cardboard box containing plaster Welcome Home plaque in the shape of Australia. Lid has floral decoration, Auld Land Syne and Thomas Thornton written in the corner ~ Photocopies of Thomas Thornton's war records (AWM) ~ Homemade cardboard frame covered in clear plastic, containing some WW1 items of Thomas Thornton see photosthornton, ww1, copper, badges, medals, buttons

John MITCHELL (1837 - 14 July 1926) Born Woodside, Donside, Scotland John Mitchell attended evening classes under James Giles in Aberdeen, and was also taught by his uncle the Peterhead artist John Mitchell. After an apprenticeship at a local lithographic company (Keith and Gibb) John Mitchell went to London to study at the Slade under Legros. Returning to Aberdeen he painted many scenes around the city and Aberdeenshire, including Balmoral, under the patronage of Queen Victoria. John Mitchell gave lessons in painting to the Royal Family. His landscapes are highly coloured with dominant blues and purples in the hills and with vivid greens and yellows in the foreground, subtly fused and never garish. He lithographed sketches for John Stewart's 'The Sculptured Stones of Scotland', 2 vols 1856-57, illustrated 'Under Lochnagar' 1894. His landscapes of Aberdeenshire are highly prized especially in the area in which he lived. His painting in the Mearns is regarded by some as his best work. In 1875 he painted an interior of Culter Castle and its Chapel which was subsequently purchased by the owner and in 1883 showed a portrait of his mother. Lived latterly at 10 Gladstone Place, Queen's Cross, Aberdeen. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a creek in Scotland.art, artwork, art, artwork, john mitchell, mitchell, scotland, scottish

John MITCHELL (1837 - 14 July 1926) Born Woodside, Donside, Scotland John Mitchell attended evening classes under James Giles in Aberdeen, and was also taught by his uncle the Peterhead artist John Mitchell. After an apprenticeship at a local lithographic company (Keith and Gibb) John Mitchell went to London to study at the Slade under Legros. Returning to Aberdeen he painted many scenes around the city and Aberdeenshire, including Balmoral, under the patronage of Queen Victoria. John Mitchell gave lessons in painting to the Royal Family. His landscapes are highly coloured with dominant blues and purples in the hills and with vivid greens and yellows in the foreground, subtly fused and never garish. He lithographed sketches for John Stewart's 'The Sculptured Stones of Scotland', 2 vols 1856-57, illustrated 'Under Lochnagar' 1894. His landscapes of Aberdeenshire are highly prized especially in the area in which he lived. His painting in the Mearns is regarded by some as his best work. In 1875 he painted an interior of Culter Castle and its Chapel which was subsequently purchased by the owner and in 1883 showed a portrait of his mother. Lived latterly at 10 Gladstone Place, Queen's Cross, Aberdeen. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a Scottish Scene by John Mitchellart, artwork, john mitchell, mitchell, scotland, scottish, art, artwork, john mitchell, mitchell, scotland, scottish

The booklet shows important aspects of the Shrine, 'one of the greatest of the war memorials erected in various parts of the world'. 'The purpose of this imposing structure is set out in the simple words quoted on the eastern wall of the Shrine of Remembrance itself- "This memorial was erected by a grateful people to the honoured memory of the men and women of Victoria who served the Empire in the Great War of 1914-18." The booklet outlines parts of the Shrine including the Battle Honour Discs, the Porticos, the Stone of Remembrance, the Inner Shrine, the Crypt and the Ray of Light. The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191). Labelled with red pen S10 as part of an old archive numbering system.A record of the Shrine of Remembrance. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191).A 16 page of booklet of buff paper in a cream cover describing the Shrine in photos and brown print.Stamped 'The Property of Legacy Melbourne' in purple ink. S10 in red penmemorial, shrine of remembrance

Concert program of entertainment as aprt of fundraising for the Jacka Appeal, held on 17 February 1932 at St Kilda Town Hall. The headline performer was Gladys Moncreiff, 'Australia's Queen of Song'. Albert Jacka, a St Kilda Councillor, collapsed on 14 December 1931 after a council meeting and was admitted to Caulfield Military Hospital. He died on 17 January 1932 at the age of 39. He is most well-known for his military service in WWI, having received the Victoria Cross medal for his actions during the Gallipoli campaign and two more decorations for his bravery on the Western Front. He received a hero's welcome on his return to Melbourne in January 1920 and an estimated 50,000 people turned up to watch his funeral procession to St Kilda Cemetery, where he was buried with full military honours. The Albert Jacka Fund had two objectives: the erection of a simple, suitable and inexpensive memorial stone over the grave of the dead hero; the placing of the residue of the fund in the hands of trustees for the benefit of his widow and child.Folded cream card with scalloped edges and printed in purplealbert jacka, jacka appeal, gladys moncreiff

Program for the unveiling of the memorial stone over the grave of Albert Jacka on 15 May 1932 at St Kilda Cemetery. On the front of the program is an image a carving of Albert Jacka. On the back are acknowledgements to contributors to the Albert Jacka Fund and the creators of the memorial stone.White paper, discoloured with age, folded and printed in purple on both sides.albert jacka, 14th battalion aif, st kilda cemetery, st kilda council

This artwork was a finalist in the 1987 Shire of Eltham Art Awards. The materials Cowcher has chosen constitute different transformations of earth - stone, sand (fired into glass), bamboo and dried grass. The work is a sign of the artist's passion in working with these materials and 'packaging' them into an aesthetic composition that connect and dance with one another.Three purple glass objects in the form of pine cones, held together by raffia, resting on a large slab of white stone. N/A