Showing 109 items matching requires framing
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Kiewa Valley Historical Society
Tobacco Hand Press
Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of it major industries. Many of the italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Wooden, panelled red (painted on outside) rectangular box on side are iron bars with steel reinforcements around the box, near the top and bottom on 4 sides and across the middle on the 2 ends and front (not back). Diagonal steel between bottom and middle iron on the front. Ends: 2 iron bars from the ground curved up to top holding an iron rectangular beam that goes from end to end. Midway of beam is a vertical long screw at the top of which is a cross formation of 4 iron rods forming a handle for turning. Inside, the screw is attached to an iron frame which is attached to a wooden panelled platform enabling it to be raised or lowered as required.tobacco. mongans bridge. kiewa valley. hand press. parmesan. rossaro. lorenzi brothers. -
Seaworks Maritime Museum
Line-throwing Rocket, England
Metal frame containing line which is attached to the rocket and grappling hook.WMA 13 (on line box) Remains of orange sticker with logo of some kind and the word '..ISTOL' visible/ On rocket the words 'SCHERMULY INTERNATIONAL/N0 2/ 41 MM LINE-THROWING ROCKET/A SCHERMULY ICARUS PRODUCT/MADE IN ENGLAND/ WARNING/ DO NOT FIRE WITHOUT A LINE ATTACHED/REGULATIONS REQUIRE TIME EXPIRE.../ROCKETS TO BE DUMPED UNDFIRED AT SEA/THEY SHOULD NOT BE USED FOR PRACTISE. -
Red Cliffs Military Museum
Certificate, Commendation notice for Military Medal, 1918 (estimated)
Associated with BDR. Joseph Moore grouped framed certificatesPhotocopy of original dispatch notice for Military Medal to No 1272 BDR J. Moore, 13th F.A.B.No 1272, BDR. J. Moore, 13th F.A.B./ On 24th April, 1918 whilst the 51st Battery was/ in acrion N.E. of Cordie it was subjected to a very heavy hostile/ bombardment of H.E. and gas shells. This N.C.O.'s duries as a/ specialist required the maintenance of communications between the/ Battery an C.P. The line was frequently cut and required several/ trips, all of which took some considerable time. The whole area/ was very heavily shelled as was the vicinity of the C.P. and this/ N.C.O.'s tasks were performed under heavy shell fire ar great/ personel risk. Throughout the periods Bdr. Moore displayed great/ coolness and total disregard of personal danger thus setting a/ splendid examplemedal, 1918, military, moore, joseph, world, war, 1, corbie, 51st, battery, 4th, district -
Red Cliffs Military Museum
Framed Photograph, Surrender of Japanese at Balikpapan, 1945
Japanese Commanders crossing a pontoon bridge under guard by Australian soldier on the way to the official surrender of Japanese forces in Balikpapan in (Dutch East Indies) Indonesia 1945. This was a major event in the ending of World War 2. Following the japanese surrender the Local population began it push for independance. Framed photograph (copy) of Japanese Commanders surrendering at Balikpapan. Black frame and glass covered. The Japanese Command staff with a Japanese general and aid-d-camp (Captian)carring his breif case along with other staff members. In the background here are 2 American PT boats with American naval personal .Note American flag flying in the top left corner. There are several American landing craft next to a Japanese landing barge. The Japanese landing bardge has the required surrender markings which is a green square with a white cross on top right of photo. The Australian soldier following the Japanese soldiers is wearing slouch hat and gungle green uniform. Along the docks are native workers.Paper discription on lower photograph with details of item description, where photo obtained from and donated by.ww2, japanese, surrender, balikpapan, generals, americans, pt boats, japanese landing bardge, american landing craft, dutch east indies -
Sunshine and District Historical Society Incorporated
SPECIAL AWARD to No 1 FORGE O.F.M, 4th LIBERTY LOAN (1943), Probably around Circa 1943-1944
O.F.M. was the ORDNANCE FACTORY MARIBYRNONG. Up to the end of June 1943 and at a time when the wages were about £5 ($10) to £6 ($12) per week Australia had spent £1,106,000,000 (£156 per head) on the war effort. A lot of the money was spent at home in making war necessities such as armaments, munitions, boots, clothing, and in providing special training. Significant increases in numbers occurred in the personnel employed in the fighting services, and also in the work force involved in the war effort. During the financial year 1942-1943 the war cost Australia £561,743,000 (over a billion dollars), while the Income Tax raised from individuals totalled only 16.5% of this amount. To finance the war the Australian government had previously borrowed money from the public, and from institutions such as the savings banks, friendly societies, and life assurance societies, by running three successfully subscribed Liberty Loans. The institutions had contributed considerably more money to these Liberty Loans than the public, however it can be argued that the public members of these institutions had also contributed some money indirectly. The 4th Liberty Loan which opened on 5 October 1943 and closed on 9 November 1943 was intended to raise £125,000,000, with the government aiming for 750,000 subscribers. Bonds costing £10 each could be bought on a time payment scheme. A total of £126,408,000 was raised at two different interest rates and maturity dates, however the number of subscribers had only reached 567,533. Some newspaper reports of the time indicate that the low number of subscribers was a partial failure of the loan, because spare money in the community could lead to inflation at a time when goods were in short supply. The government set target quotas on how much money should ideally be raised in a particular district, and how many subscribers should ideally take part. Often these quotas proved to be excessive. The Special Red Pennant Award as given to the No 1 FORGE O.F.M. was normally for achieving the highest per capita contribution within each particular group. What is unknown at this stage is what other entities were in the same group, or how large the group was. There were other variations of the awards such as those given to country districts, where a star was placed on the left hand corner of the pennant if the money quota was reached, while two or three stars indicated that the quota was doubled or tripled. A bar was also included on the pennant if the quota of subscribers was achieved, while two bars indicated double the quota of subscribers. The above information was sourced from Trove newspaper articles at: (1) http://nla.gov.au.nla.news-article70439716, (2) http://nla.gov.au/nla.news-article141292541, (3) http://nla.gov.au/nla.news-article11797265, (4) http://nla.gov.au/nla.news-article11788072, and from (5) http://static.awm.gov.au/images/collection/pdf/RCDIG1070158--1-.PDF (see page 580).This framed award has significance in that it serves as a historic reminder that the No 1 Forge O.F.M. and the Ordnance Factory Maribyrnong once existed within the Shire of Braybrook, and later the City of Sunshine, and that it was involved in the manufacture of ordnance for World War 2. It also serves as a historic reminder that it costs a huge amount of money for a country to be involved in a major war, and that a big contribution is required from the public to raise money and to produce goods for the war effort.Permanently sealed brown stained wood frame with a glass face. Enclosed behind the glossy glass is a triangular shaped pennant made of red felt material. The red colour appears to be somewhat faded. The inscriptions and markings on the pennant are in blue, gold, and white coloured inks.The AUSTRALIAN COAT OF ARMS diagram plus the following writing: SPECIAL AWARD / 4th LIBERTY LOAN / Oct.-Nov. 1943 / No 1 FORGE O.F.M.4th liberty loan, special award, ordnance factory maribyrnong, no 1 forge o.f.m., oct - nov 1943, red pennant -
Wangaratta RSL Sub Branch
Framed photographs and boomerang, Acme Picture Framing
Dedication to the Aboriginal soldiers who formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time. Aboriginals from Lake Tyers enlisted at Caulfield between June and July 1940. 7 of the 13 who enlisted in June 1940 were discharged as members of the 2/23rd Battalion. 10 were discharged on the 22/3/1941 as Services No Longer Required, 1 discharged in November 1940, 1 in January 1941 and another in April 1941. Dedication to Aboriginal soldiers who formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time.Large timber frame with orange mount containing boomerang three flags six photographs and narrative plaques9 Platoon Wangarattaaboriginal, 9 platoon, wangaratta, no 9 camp -
Parliament of Victoria
Victorian Ensign, c.1870
An ensign is a national flag used within a naval or military context. A naval ensign is usually required to be flown when entering and leaving harbour, when sailing through foreign waters, and when a ship is signalled to do so by a warship. They are also flown during battles and when the ensign is lowered, the ship is said to have surrendered. This Victorian Naval Ensign was used by the Victorian Naval Contingent in the Boxer Rebellion in China in 1900. The contingent was led by Captain Frederick Tickell who had commanded the Victorian Naval Forces since 1897. In around 1901, Captain Tickell presented the ensign to Frederick Thomas Sargood [1834-1903] who had been Minister of Defence and Education for the Colony of Victoria and was a Senator in Federal Parliament. In September 1986 the ensign was stolen from Parliament House. The suspect was described as a young man wearing 'a beret and bow tie' ("The Age" 26 September 1986). Fortunately the ensign was recovered a week later. Victorian Ensign wool flag with Union Jack, Southern Cross and crown emblem. Hand written ink inscription on white linen sleeve. Rope attached. Framed.Handwritten black ink on flag header: "This Victorian Ensign (the first on active service) was used by the Victorian Contingent during service in 1900 in China. It was presented to Senator Sir F.T. Sargood K.C.M.G. by Captain Tickell C.M.B. Lieut. Col."colony of victoria, boxer rebellion, victorian navy -
University of Melbourne, Burnley Campus Archives
Plan, Plan showing land required for Road Purposes from the temporary reservaton for Horticultural Gardens at Richmond, 1880
Framed and glazed copy of B92.0540.gardens, richmond, hoticultural society of victoria -
University of Melbourne, Burnley Campus Archives
Plan, John S. Jenkins, Plan showing land required for Road Purposes from the temporary reservaton for Horticultural Gardens at Richmond, 1880
Plan drawn by hand on paper by John S. Jenkins, Town Surveyor, Richmond. "The land required is coloured red & it is proposed to add the part of Swan Street coloured blue to the gardens." Plan depicts land required for road purposes from the temporary reservation for Horticultural Gardens at Richmond. (Also framed and glazed copy B92.0539.) Scanned on CD.john s. jenkins, gardens, richmond, hoticultural society of victoria -
Vision Australia
Functional object - Object, Braille hand frame and stylus
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. In this example, the Rules of Membership for the Victorian Braille Writers were attached to the board.1 wooden back board with metal hand frame and stylus156 carved into wooden framebraille equipment, victorian association of braille writers -
Vision Australia
Functional object - Object, Braille hand frame and stylus with Braille maths slate and pegs
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! Various metal hand frames accompanied by a metal stylus with wooden handle. Some include a wooden slate, which was used to make the system portable as a firm base was needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. Transcribing maths was an extremely complex task and a metal grid was utilised to reproduce graphs and diagrams.1 wooden hand frame with metal grid and metal and wooden stylus, 1 metal maths grid with metal pegs in metal container inside a brown suitcase and numerous sheets of Braille paperT.C. Coughlin 5 doz sausage rolls Wilmington Southend is written inside the lid of the suitcasebraille equipment, james murphy -
Vision Australia
Functional object - Object, Braille wooden board and Braille text book
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. This donation includes the signature of Miss B Yoxon, who was a student that transcribed braille around the 1920's for the Victorian Association of Braille Writers, and the owner of this board and textbook. Some originals of her work and a translated letter from her friend James Grubb accompany the frame. 1 wooden board and Braille paper, with 1 Braille text bookbraille equipment, victorian association of braille writers -
Vision Australia
Functional object - Object, Hand frame with grid
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping.Brown plastic rectangular hand frame with holes evenly spaced on either long side. Hinged Braille metal guide with space for 2 rows of Braille, each 35 cells long. braille equipment, rnib -
Vision Australia
Functional object - Object, Braille hand frame
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. Sometimes the board was labelled with organisational labels. In this example, the Rules of Membership for the Victorian Association of Braille Writers was attached, which included the costs of being a transcribing member and the length of the loan period. It is signed by Millicent Ritchie (Hon. Secretary) and Minnie H Crabb (Asst Sec and Librarian) at the base of the sheet.Brown rectangular wooden board with hinged paper clamp and metal hinged guideFree Lending Library for the Blind label is attached to boardbraille equipment, victorian association of braille writers -
Kew Historical Society Inc
Document, City of Kew, City of Kew Municipal Library, Children's Section, 1953
1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt. (Source: Boroondara Library Services)Historically and socially significant set of regulations governing the use of the children's library in Kew in the early 1950sOriginal framed rules and regulations of the junior section of the Kew Library, dated 16.6.1953, authorised by the Mayor (W.E.R. Hope) and Town Clerk (W.D.Birrell). The document also lists opening hours of the Kew and East Kew branches.kew public library - kew (vic), kew public library - east kew (vic), city of kew - library guidelines -
Williamstown High School
Boys of 1921
This photo has been marked as 1917 and 1921. Confirmation of actual year is required.Black and white photograph on mounting card. Copy of original, which is framed and on wall, Admin Block, WHS. Also includes 2 captions on mounting board.williamstown high school, 1921, class photograph -
El Dorado Museum Association Inc.
Photograph - Digital Image - 2nd Corporal Frederick A. McLaughlin, c1914 - 1918
McLaughlin, Frederick Arthur Service number: 10307 Australian Imperial Force Ranks held: Sapper, 2nd Corporal Service: Australian Imperial Force Unit: 10th Field Company, Australian Engineers Recommended for Military Medal, 13 September 1918 'Distinguished himself by gallantry and devotion to duty in bringing up material for a bridge urgently required East of Vaux. Lance Corporal McLaughlin was in charge of the wagons conveying material for this purpose and led the way over a road under heavy shell-fire in full view of the enemy. The determination and judgement shown by this N.C.O. in this, as in earlier operations, have shown him to be an excellent soldier'. first world war, world war one, wwi, australian imperial force, aif, el dorado, eldorado, soldiers, men -
National Wool Museum
Tool - Glasses, c.1950
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations -
Robin Boyd Foundation
Certificate, Life Fellow from Royal Australian Institute of Architects, 1970
Robin Boyd, a Fellow of RAIA since 1958, won the RAIA Gold medal in 1969 and then was elected Life Fellow the following year in 1970.Certificate from The Royal Australian Institute of Architects stating that Robin Boyd has been elected Life Fellow on 9th February 1970. It is signed by the President and Secretary. Certificate is registered No 5773. This is in a timber frame.The Royal Australian Institute of Architects. This is to certify that Robin Gerard Penleigh Boyd of Melbourne, Victoria has been elected a Life Fellow of the Royal Australian Institute of Architects, founded in the year of our Lord One Thousand Nine Hundred and Twenty Nine (1929) as The Australian Institute of Architects, and incorporated in the year of our Lord One Thousand Nine Hundred and Thirty as Royal Australian Institute of Architects for the Advancement, Protection, and Elevation of Architecture. In Witness whereof the Common Seal has been hereunto affixed as required under the Articles of Association 9th February, 1970. Signed by president and Secretary. Registered No. 5773. The reverse has Dean's framing sticker. Handwritten No 7436/D.royal australian institute of architects, fellow, raia fellow, robin boyd -
Ambulance Victoria Museum
Certificate, Life Membership for T.N. Knight, Central Victoria District Ambulance Service Life Membership Certificate, 1958
Life Membership Certificate awarded to T.N. Knight on having fulfilled the conditions required under Clause three of the Central Victoria District Ambulance Service Constitution. The Certificate was issued with the approval of the Hospitals and Charities Commission of Victoria.Black and white framed Central Victoria District Ambulance Service Life Membership Certificate for T.N. Knight of Bayne Street Bendigo. Recipient details inscribed by hand. Dated 26 September 1958. Certificate includes black and white Ambulance Victoria logo.certificate, central victoria district ambulance service, life membership certificate, ambulance service victoria, hospitals and charities commission of victoria -
Federation University Art Collection
Oil painting, 'The Red Lady' by Neville Bunning
... bunning bunning framing required woman Neville Bunning ...This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Portrait of seated woman in red dress. art, artwork, neville bunning, bunning, framing required, woman -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Geoffrey Ricardo, "The General Humours" by Geoffrey Ricardo, 2009
... "Ricardo 09" geoffrey ricardo framing required Geoffrey Ricardo ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, "The General Pathology" by Geoffrey Ricardo, 2009
... " geoffrey ricardo framing required promised cultural gift ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, "The Organs of Special Sense" by Geoffrey Ricardo, 2009
... " geoffrey ricardo framing required promised cultural gift ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Geoffrey Ricardo, Untitled [The Anatomy Lesson] by Geoffrey Ricardo, 2008
... lower right "Ricardo 08" geoffrey ricardo framing required ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 08"geoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, "The Gross Anatomist' by Geoffrey Ricardo, 2009
... " geoffrey ricardo framing required promised cultural gift ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, "The Liquor Sanguinous' by Geoffrey Ricardo, 2009
... /P geoffrey ricardo framing required promised cultural gift ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09" S/Pgeoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, "The Deeper Occult' by Geoffrey Ricardo, 2009
... " geoffrey ricardo framing required promised cultural gift ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, "The Bipolar Concordance' by Geoffrey Ricardo, 2009
... " geoffrey ricardo framing required printmaking Geoffrey Ricardo ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, printmaking -
Federation University Art Collection
Artwork - Printmaking, Geoffrey Ricardo, 'Inner Architecture' by Geoffrey Ricardo, 2009
... " geoffrey ricardo framing required promised cultural gift ...Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking