This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Vol 1 of 4 "Caulfield's Heritage" p34 states that this mansion was demolished in 1972.Page 114 of Photograph Album with four colour photographs (landscape) of different views of Royston in its garden.Handwritten: "Royston" Kooyong Road / 240 KOOYONG ROAD / 1939 - SLATTER - MISS MAY EDITH ALICE. [top right] / 114 [bottom right]trevor hart, caulfield north, kooyong road, 1860's, villa residence, victorian, mansion, ornamented corner stones, royston, renwick, curved windows, timber verandahs, return verandahs, bay windows, may edith alice slatter, may slatter, balconies, polychrome bricks, abandoned buildings

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. House is commonly spelt as "Payneswicke".From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates "Payneswicke" is locally significant as a prominent and substantially intact villa of its period, distinguished by its cast cement enrichment, unpainted stuccoed surfaces and commanding aspect to the south-west. Its role for a period as home for local builder, Patrick Millane (compare no. 11 Gladstone Parade) is of interest. In 1889, a nine roomed brick house was in the course of erection on the site. The house was completed in 1890 and Millane took up residence. Millane continued as owner/ occupant in 1894. However, in 1899, although Millane still occupied the house, ownership had been taken over by the Land Mortgage Bank. By 1910, Andrew Brown was occupant. Occupancy passed to Edward Brown by 1920 and to Miss A.N. Brown by 1930. Miss Brown continued to live there in 1941.Page 50 of Photograph Album with three exterior photographs (2 landscape and 1 portrait) of Paynswicke, a double storey house.Hand written: No 13 [top right] / "Paynswicke" N.E. cnr Gladstone Pd & Hartington St [top right] / 8 Oct 1966 [under top left photo] / 50 [bottom right] trevor hart, 1880's, 1890's, payneswicke, patrick millane, gladstone parade, unpainted stuccoed surfaces, cast cement enrichment, hartington street, villa residence, italianate, elsternwick, victorian, mansion, cast iron verandahs, return verandahs, curved windows, full length windows, land mortgage bank, andrew brown, edward brown, a n brown, paynswicke

The building is the Bulla Community Centre, which replaced an older hall that was situated in the Bulla Sports Ground precinct in Greene Street. Over the years many community activities have been staged within the precinct such as district school sports, local dances and community social group functions.A black and white photograph of a brick building with large windows and a return verandah.bulla community centre, bulla township

Photograph of view of front of house, ''Marydale'' Axedale, return verandah and palm tree in the foreground.axedale, history, marydale property

'Glenara' is situated along the Deep Creek at Bulla and was built on an original government grant of land by Walter Clark. His fourth child, Alistair, spent much of his life there and with the help of his gardener, W.Peers, gained world recognition for introducing 150 new rose species which included the Black Boy and Lorraine Lee. He was also founder of the Moonee Valley Racing Club.A black and white photograph of a Victorian home with a return verandah across the front and side. Vines are growing up the metal verandah posts and across the front of the verandah.glenara', rose gardens, roses, clark, alistair, walter, moonee valley racing club, george evans collection

The property is Craiglee, which was one of the first vineyards established in Sunbury in 1865 by Stuart Johnson. It is sited on the east bank of Jackson Creek and fronts onto Macedon Street. Goonawarra is another early vineyard on the opposite side of Macedon Street.A black and white photograph of a Victorian single storey homestead with a return verandah. Five people are standing on the porch. There are hills across the skyline and the garden surrounds the house.craiglee, johnson james stuart, vineyards, ]

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.There are two large two storey buildings with return verandahs built on a clifftop overlooking the sea. Two smaller houses are on the right hand side of the pictire. Unmounted black and whitewalls, w., walls album, george evans collection

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, weatherboard , triple gabled corrugated iron roof, single chimney , wooden return verandah with balustrade, capitals to verandah posts. Exterior windows have awnings, two entrances from returned verandah, two deckchairs and hammock on verandah. Rock-bordered garden R.H. corner. Written on back of photo ' Roberts, White Hills, £1150 (crossed out) £850, next R.C. School'F.A. Jeffree, Bendigoresidential, roberts, white hills, t.c. watts and son, 1927

The grand building is Rupertswood Mansion which was the Sunbury home of the Clarke family. The foundation stone was laid29th August 1874 by Mrs. W.J. Clarke the first wife of W.J.Clarke. The property along with the Clarke family have been interwoven with Sunbury's history over the decades and remained in the Clarke family until 1922 when H.V. McKay of Sunshine Harvester fame purchased the property. The Salesian Fathers purchased it in 1927 and since that time the property has been a school. Many important events have taken place in Sunbury within the Rupertswood grounds over the years. A non-digital black and white photograph of a double storey grand mansion with a return verandah on the ground floor and a balcony with decorative iron lace across the front. An elegant tower is over the main entrance.rupertswood estate, rupertswood mansion, w.j.clarke

M.G. Gregor was staying at the Sunbury Presbytery when she wrote a message on the flip side of this postcard to her niece on 23rd June 1912. She may have been employed there as a housekeeper.The Catholic Presbytery was built at a cost of 1315 pounds and opened on 25th February 1912. Father Gallivan was the first priest to reside in the new Presbytery. The Presbytery is adjacent to Our Lady of Mount Carmel in Macedon Street.A post card of a non-digital sepia photograph of an Edwardian style brick house with a tiled roof and a return verandah. The house has a picket front fence. A handwritten message dated June 23rd 1923 is written on the flip side of the card.catholic presbytery, catholic church, our lady of mount carmel catholic church, father gallivan

Built for a client by Albert Harbert in the 1920s. Albert built many local homes. This is a fine example of its style with double gables and return verandah. A black and white photograph of a weatherboard Californian Bungalow style house with a tiled roof. It has an L-shaped verandah with solid pillars decorated with stucco which is also on the chimney. The weatherboards are decoratively notched and the upper sections of the grouped windows have diamond panes. Framed by a woven wire fence along the street frontage. An immature garden.californian bungalow, house styles, westminster street, whitehorse road, mr albert harbert, 1920-1929

The Federation style house was the former vicarage for St. Mary's Church in O' Shanassy Street, Sunbury. It replaced the former 'Priorswood' vicarage, which was in Station Street about a mile from the church. The foundation stone for the new vicarage was laid by Mrs. Russell Clarke on 21st February 1914 and was opened by His Grace the Archbishop of Melbourne on 10th June 1914. A non-digital black and white photograph with a cream border across the top and base of the image off a brick federation style home with a corrugated iron roof. It has a return verandah with a decorative wooden trip under the eaves. A car is parked in the street by the gate and there are two buildings behind the house.st. mary's church of england, sunbury, vicarages, o'shanassy street

This Daisy Pattern iron lace frieze was registered by the Cochrane foundry North Melbourne and exhibited at the Great Exhibition Melbourne in 1880. One of the most popular patterns used in Eastern Australia the actual foundry where this was cast is unknown but this example adorns the return verandah of Hymettus cottage in Ballarat.

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, early Edwardian with twin gable roofline, return verandah, entry porch on RH side. Driveway up RH side, appears to situated in open area, no neighbouring houses. Photo taken for display at T.C. Watts & Son, Real Estate Agents, Mitchell Street, Bendigo. On back of photo: Deehams, £930. Dated 9 Dec 1927.Frank A. Jeffree, Bendigoplace, building, residential, stamped on back in circle ''royal historical society of victoria, t.c. watts and son

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white photograph mounted on rectangular brown board. House, weatherboard corrugated iron roof, bull nose verandah, picket fence, cast iron lace on verandah, 2 chimneys, central door, 1 window each side of door, wooden steps up to return verandah, Written on back of image 'Hunt, Harney Street, £575 Sewered' Faint stamp on back with date 11 April 1939. £250 deposit. Low interest to be arranged'Frank A. Jeffree, Bendigoplace, building, residential, previous register no. ''mp 10'' part of a collection of photographs used by estate agent t.c. watts and son

Gordon Frederick HawleyBlack and white photograph mounted on rectangular grey board. House, two tone weatherboard, triple window on front Return verandah . Front and side entrance. Fretwork trim to verandah. Ornate wooden gate. Picket fence with capping, corrugated iron roof with snailback trim. Small palm front garden. Trimmed hedge.On back of photo: ' Gordon Hawley ( crossed out) High and Myrtle St., £1400 sold' Date stamp 25 August 1928.Frank A. Jeffree Photo Bendigo [White Ink]bendigo, business, t c watts and son, s

This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. The house was built for Dr. Rae in 1880 following his retirement from his medical practice due to ill health. He lived there until his death. Dr. Vance then occupied it for a short time. It was bought by the sisters of St. Joseph in 1890 and formed the nucleus of St. Joseph’s Convent. It was demolished in the early years of the twentieth century, when a new two-storey brick convent was built.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll.The photo is of a large single-storey brick house with a return verandah supported by simple columns. Five chimneys can be seen. The house sits on a large block of land in a bush setting, with a hedge separating the house and garden. A picket fence runs across the block, with a paling fence along the northern side.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, doctors, houses bacchus marsh, convents, religious residences

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white original photograph mounted on grey cardboard. Weatherboard house, corrugated iron roof. Return verandah with wooden decoration. 1 chimney. 2 decorative gables above windows. Garden with lawn, shrubs and garden seat. Written on back of image 'H. Liddall, Webster Street. Terms £500 bal 61/2 %. £775 on 30.1.41 £250 deposit, low interest to be arranged. 25 Webster Street. White sticker attached to bottom of photo board ' December 1927 Pyke Street - Bendigo £1150' 2012 photo of house attached to record.Frank A. Jeffree Photo Bendigoplace, building, residential

Black and white photographs (2) mounted on rectangular brown board. House, California-type bungalow wood and rough cast construction, 2 gables, bow window on right. Large square return verandah with brick and concrete balustrade. 2 double and 1 single window on side plus 1 chimney ( kitchen ) Name of house 'Frostville' centre beam of porch. Wooden slat front fence. On back of photo: A. McIntosh, Thistle Street, £1000 sewered or £950 plus sewer, 15.10.31' 2012 photo of house attached to record.Frank A. Jeffree Photo Bendigo [In Brown]bendigo, business, t c watts and son, s

Black and white photograph on embossed card. Large Edwardian? Style house on corner block. Gable roof with attic in front. Bay windows under return verandah with concrete rendered supports, decorative brick work on balustrade. Picket fence with lattice on top. Pergolas over gates. Inscriptions on front - 'Vincent Kelly, Bendigo'. On back - 'Knights/front view', TC Watts & Son, Auctioneer, Estate Agents, Imperial Fire Office. Beehive Chambers, Pall Mall, Bendigo' (rectangular decorative stamp on back). 'Royal Historical Society of Victoria, Bendigo Branch (circular stamp).buildings, residential

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.'Black and white original photographs (3) mounted on rectangular brown board. House, weatherboard, corrugated iron roof, return verandah with crossed wooden balustrade.4 chimneys. Garden with small palm tree. On back : Mr. Taylor.. 'Tirrannie', Golden Square, £ 2100 , inc. billiard table, linos, overmantle, 4 1/2 acres. 'April 1929' written faintly on back of one image. On front a sticker attached ' April 1929 ' Tiirannie' Golden Square, £2500 - 4 1/2 acres' ( possibly a later attachment for display purposes ) Used by Estate Agent T.C. Watts & Son to show potential purchases in 1929. Previous Reg. No. 'MP 5'. See also Reg. No. 2000.006.01Frank A. Jeffree, Bendigoplace, building, residential

This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. The photo is of a brick residence, built in 1865-66 as a house and surgery for Dr. Rae, a medical practitioner in Bacchus Marsh 1863-1874. Dr. Rae was influential in community affairs as a Justice of the Peace, a member of the Board of Advice of Bacchus Marsh Common School and a President of the Mechanics’ Institute. After ill health forced him to resign his practice, he built the Bungalow in 1880, where he lived until his death. The house was later purchased by William Anderson (c.1880) who named it “Dunglass”. The people in this photograph are probably members of the Anderson family. The house is now used as an Adult Education Centre. The house is of significance as the embodiment of the importance to the community of its influential figures, such as Dr. Rae, in the late nineteenth and early twentieth centuries. Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The photo is of a double-fronted brick Classical nineteenth century house with a high hip roof. Two brick chimneys are visible. The left hand bay is set forward, with the central section of the house being set back. A concave return verandah supported by decorative columns runs along the front and side of the house, leading to a separate entry door off the side verandah. On the window set in this door, the word ‘SURGERY’ can be discerned, indicating that this is the entrance to be used by patients. The building features buff-coloured stone quoins and architraves. A white picket fence runs along the front. Ranged along the footpath in front of the fence stands a group of eight young women and girls. A flat stone acts as a bridge over a deep drainage culvert running parallel to the street.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, doctors, houses bacchus marsh

This simple rear cottage door at Hymettus built 1900-1901 has been the back door since the early 1900s. Photos in the family collection however, reveal that it was originally the return front verandah door to the dining-room and the transition seems to have occurred about 1910 when a new door was installed for the front verandah to complement the art-nouveau lead light transom and surrounds to the main front entrance. A similar simple glass and two panel cottage door closes off the passage from main passageway to the kitchen and service end of the home so that the home presents as more simple in the service area fittings with more decorative features to the more important front rooms of the home reflecting the progression of style as the family had more money to spend on the home.

Large families were the norm, rather than the exception up to the time of the World wars. perhaps the senseless destruction of those young lives sickened humanity- perhaps the increased taxes and cost of living resulting from the wars caused a necessary reduction in family size. Perhaps the independence won by women as they carried on their daily lives without their men, made mothers say, "Enough" The Warren family farmed the fertile Fyans Creek flats in the Grampian Mountains of Western Victoria. Some say Halls Gap was so named because the bushranger Hall holed up there in the early days. The rugged slopes and hidden gullies could have hidden a whole gang of bushrangers, but little remained undiscovered to a wandering family of 12 children growing up with their flocks and herds grazing the ranges. A tired rider could nod off, safe in the knowledge a trusty stockhorse would plod steadily homeward into the night. Responsibility quickly made youngsters capable and reliable. Then Australia went to war. There were three older brothers, then the girls, then young Frank. All the men went, including Frank. So the girls had to run the farm alone. Their mother had her hands full with the youngsters, still attending school, a daily walk over the mountain to Pomonal and return. But the loss of the men's casual wages from timber cutting and labouring jobs, meant great hardship is some method of earning a cash income had to be devised. Paying guests! That was it. So Myrtle Bank Guest House was born. City folk flocked to the mountain resort. High stepping mountain horses met them at the Stawell raid-head, with the tall and beautiful Warren girls driving them in experienced fashion, their auburn hair sometimes falling from its pins to fly free, as the dray bowled along towards the hills. The would hitch up their skirts to saw and chop wood for the stoves and fires. They milked cows and delivered calves. They shore sheep and trimmed their feet. They mustered their cattle as the seasons rolled by, and the paying guests watched and participated, fascinated. With laughter and song, the girls would wash up in a tin dish, throw on their house clothes to wait on table, sing and play piano, violin, accordion, enjoying the talk of the city and that other world so far away from their mountain home. The simple country menu was a hit, and the homemade bread, butter, jams and preserves, fruit and vegetables sent guests staggering to their armchairs. Picnics, hikes, goodbyes and welcomes blurred as the years of the war dragged by. Bookings were made and remade as the new enterprise became established. Peace was declared. the men returned A whole new building rose with two floors, inviting verandahs and bathrooms. Myrtle Bank would remain a family business all its lifetime, until buried below the Bellfield Dam, by which time more than one the girls had joined their beloved Frank, lost on Flanders Field. Article in book or magazine describing life at Myrtlebank during war years Other article written from letter from soldier P Lillis to his sister 3rd article of woman from country enlisting in WAAF Submitted by Carol of Bannockburn, Submitted by D Langley Submitted by Meryl of South Frankstonaccommodation, myrtlebank, people, warren

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Victorian Heritage Database - HO48 - 31 Nepean Highway Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35531 (at 15/08/2021) "Roseneath" at 31 Point Nepean Road is a bi-chromatic Italianate villa built for William Millar in 1874. It is aesthetically and historically important. "Roseneath's aesthetic value derives from its survival as a substantially intact bi-chromatic brick villa, distinguished by the symmetrical north and south facing bays and by its spacious grounds. Its historical value rests on its comparatively early date and link with Shire councillor William Millar. The choice of bi-chromatic brick, which was highly fashionable at the time, is also of note. "Roseneath" compares with "Cumbernauld" (pre 1872) at 504 Hawthorn Road and "Glenmoore" (1870) at 1 St Georges Road.Page 140 of Photograph Album with three (landscape) photographs of Roseneath on Nepean Highway. Handwritten: 31 Nepean Highway [top right] / 140 [bottom right]trevor hart, verandah, chimneys, porch, decorative brackets, single storey, cast iron columns, return verandah, garden, nepean highway, roseneath, italianate, 1870's, elsternwick, cast iron work, victorian style, polychrome bricks, william millar, slate roofs, brick houses, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Heatherbrae HO46 https://vhd.heritagecouncil.vic.gov.au/places/120933 (as at 28/10/2020) "Heatherbrae" at 73 Neerim Road, Glenhuntly, is a substantial Victorian residential complex made up of two principal construction stages (pre 1876 and c. 1890) and outbuildings including stables. It is aesthetically, historically and socially significant. Its aesthetic value is demonstrated by the manner in which the two periods of construction survive, the earliest being of greater architectural interest on account of its tower and facade treatment, the latter phase adopting a common villa form. The importance of the complex is heightened by its intact state and surviving outbuildings. "Heatherbrae's" historical significance lies in its link with locally known business man and Shire of Caulfield councillor, John Charles Holland. Its social value rests on its ability to demonstrate a past lifestyle.Page 142 of Photograph Album with four photographs (three landscape, one portrait) of Heatherbrae on Neerim Road.Handwritten: "Heatherbrae" 73 Neerim Road [top right] / 142 [bottom right]trevor hart, verandah, chimneys, decorative brackets, cast iron columns, return verandah, garden, 1870's, intricate lacework, neerim road, booran road, 1880's, 1890's, mansion, john c. holland, bluestone foundations, italianate, iron roofed balcony, cast iron balustrade, balcony, ornamented pediment, mosaic tiles, cast iron lookout, flagpole, george f griffiths, mcgowan, tower, caulfield, heatherbrae, cast iron work, victorian style, john holland, porte-cochere porches, lead lights, george griffiths, mansions, stables, councillors, outbuildings