Black and white photograph of a cactus in a rock garden. Farm buildings in the background."See 6.1." E M Gibson (B10.0030 197)903 6/2e. m. gibson collection, cactus, rock garden, dairy, commonwealth reconstruction training scheme students

Oak tree and the garden bed (rock garden) surrounding it. Man in background could be J.P. McLennan (Principal). 'Ligustrum' handwritten on reverse.j.p. mclennan, principal, oak tree, garden bed, rock garden, garden view, ligustrum

Black and white photograph. Garden View of Lily Ponds and Hilda Kirkhope Rock Garden. Glimpse of Summer House.On reverse, "1944-1945 near Hilda Dance's Rockery & looking towards Lily Ponds & French Willows."hilda dance, rockery, lily ponds, willows, garden view, helen dudley, 1991, centenary, hilda kirkhope, rock garden, summer house, luffmasnn ponds

Black and white photograph of a cactus plants in a rock garden built by the Commonwealth Reconstruction Training Scheme students near the Dairy,"Aut 1947. Cactus in new garden near milking shed - planted by C.R.T.S. trainees." E M Gibson 6/1cacti, gardens, milking shed, crts, e. m. gibson collection, dairy, commonwealth reconstruction training scheme students, rock garden

Photograph Album sent in with the National Estate/Heritage Register by Sandi Pullman. (1) Old car park (Bull Paddock) with Cork Oak. (2) Main Building front steps. (3) Main Building with Magnolia grandiflora. (4)View of Luffmann Ponds and old willow. (5) View of Ginkgo and Emily Gibson bed. (6) Looking between Emily Gibson beds to English Oak. (7) Summer House. (8) Luffmann Ponds. (9) Bergenia Walk with conifers. (10) View of Pencil Pines around entrance to Sunken garden. (11) Luffmann Ponds and Pinus canariensis. (12) View of entrance to Sunken garden. (13-14) Sunken garden. (15) Original terracing at entrance to Shady Walk. (16) Pears in blossom in Field Station. (17) Agathis robusta from the Herb Garden. (18) Ellis Stones Rock garden newly replanted. (19) james Hitchmough Grasslands. (20) Elm tree with Dairy in the background. (21) Original Red Gum in james Hitchmough Grasslands. (22) Kath Deery Native garden. (23-24) Rose Garden. (25) Sequoiadendron giganteum.national estate, heritage register, sandi pullman, sandra pullman, bull paddock, cork oak, magnolia, luffmann ponds, willow, ginkgo, emily gibson bed, english oak, summer house, bergenia walk, conifers, pencil pines, sunken garden, pinus canariensis, shady walk, pears, blossoms, field station, agathis robusta, herb garden, ellis stones rock garden, james hitchmough grasslands, elm tree, dairy, red gum, kath deery native garden, rose garden, sequoiadendron giganteum.

camellia planting ceremony, kay hirst, a w jessep, dorothy jessep, tom kneen, andrew smith, camellia japonica 'a w jessep', camellia japonica' dorothy jessep', friends of burnley gardens, fobg, sir rupert hamer, open gardens scheme, ellis stones rock garden, ellis stones, australian plants society, grasslands project, 150th birthday celebration, pruning day 2000, planting ellis stones rockery 2000, summer house, shelter shed, native garden, herb garden, grey garden, orchard, field station, bulb bed, working bee, twilight working bee, ikebana exhibition

"Looking along the "Long border" towards the centre of the grounds where was located the Principal's Residence. Existing lily ponds at right of pathway." March/April 1942. T. H. KneenBlack and white photograph of Rock Point and the path leading to the Principal's Residence1/3long border, principal's residence, lily ponds, e. m. gibson collection, path to principal's residence, rock point, luffmann ponds

10/8 E/Sept 47 View of new school building - from rock garden.administration building construction, administration building

Donated by Noelle Kendall (née Vaughan) for the 1991 Centenary. She graduated in 1919.45 black and white and sepia photographs. Attached to cardboard pages tied with ribbon to make an album. Photographs tucked into slits in the cardboard pages.. Most photographs labelled. Some loose photographs. Burnley scenes, mainly students working outside, garden views, visit to Rippon Lea. Some photographs appear in other collections. Also 2 pages of proofs. Many of these photographs were included in A. P. Winzenried, "Green Grows Our Garden."noelle kendall (née vaughan), centenary, 1919, 1991, students working outside, pavilion, luffmann ponds, orchard, horses, bees, potting shed, vegetables, poultry, summer house, orchard border, oak lawn, pruning demonstration, garden scene, luffman ponds, ripponlea excursion, ponds, planting out annuals, garden views, lily pond, steps, beehives, draught horses, vegetable rows, plum block, cherry block, planting plums, bird proof cage, pruning, pruning pear tree, winter, plant frames, maize, vegetable garden, single testing pens, public day, p j carmody, rock garden, principal's residence, pruning apple tree, noelle kendall, noelle vaughan, shelter shed

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 78.Black and white photograph. Part of Emily Gibson Collection B10.0030. Series 10/8. Administration building under constructionOn reverse, "E/Sept 1947. View of new school building-from rock garden." Emily Goibson's writing.administration building, green grows our garden, a.p. winzenried, construction, administration building construction

Pictured in Ithaca are Stathi and Spiro Alexandratos who are the brothers of Yianni Alexandratos who lived in Melbourne until returning to live permanently in Greece with his wife Zoi and children Penny and George in the early 1970s. In the early 1900s their father Giorgos Alexandratos was a partner in the 'Alexandra Bros' London Café at 25 Elizabeth Street. Giorgos was a founding member of the Ithacan Philanthropic Society. He eventually returned permanently to Ithaca where his three sons were born.A small black and white photograph of two men dressed in suits standing in a rock garden and in front of a tall prickly pear cactus. The small photograph is surrounded with a white frame.Written in Greek on the back: STATHIS ALEXANDROS SPIROS ALEXANDROScafes, alexandratos brothers

Black and white postcard of the Homestead at Whiters Camp Park. Also shown is a cabin with water tank, rock garden, single seater roadster parked on track with two small children on running board. Lakes Entrance Victoriacamping, tourism, transport, caravan parks

Colour slides. 1. Construction Administration Building C. 1949. 2. Planting around Administration Building C. 1950. 3. Administration Building Feb. 4. Citriodora Court May. 5-8 Aug 90: 5.Unidentified building "JP". 6, 7. Elevated view of VCAH plaque on Administration Building. 8. Media Bins. 13-20: Greg Moore, T.H. Kneen, Paula Cave, Jill Kellow, Geoff Olive wearing 1991 Centenary tops in the Sunken Garden. 21. View from Rock Point towards entrance to Administration Building. 22, 23. Entrance to Administration Building. 24,25 Construction of Arboriculture Building.construction, administration building, planting, vcah, plaque, media bins, greg moore, t.h. kneen, paula cave, jill kellow, geoff olive, 1991, centenery, sunken garden, rock point, arboriculture building

In 2005 a memorial was erected in the Sunbury Cemetery in memory of the children who had lived and died and buried in unmarked graves, while being inmates at the Industrial School, which was located within the former Asylum grounds. The Sunbury Family History Society raised some funds, which went towards a monument and plaque listing the names of all those children and set in a garden bed at the start of the Children's walk.The memorial listing the children's names gives recognition to those children who were buried in unmarked graves within the Sunbury Cemetery.A coloured photograph of a plaque set in a large rock in a hedged garden bed,memorials, children's plaque, sunbury cemetery, sunbury asylum

Pamela Irving (born 1960) is a prominent Australian visual artist specialising in bronze, ceramic and mosaic sculptures as well as printmaking and copper etchings. Irving's early art was influenced by artists including Arthur Boyd, John Brack, Noel Connihan, Mirka Mora, Sidney Nolan and John Perceval. In recent years, Irving has been influenced ″by the honest and direct expressiveness of ‘outsider art’ (the art of self-taught or ‘naive artists’) and the craft of ‘memoryware’″ Significantly, this interest grew following Irving's visit to Nek Chand's Rock Garden in Chandigarh, India.Green Wedge Larry - dog sculpture reminiscent of the iconic Larry LaTrobe located at Melbourne City Square. The dog is constructed from Italian Bisazza glass tiles, using a Mapei adhesive system. The theme for his 'coat' is the flora from the local surrounds of Nillumbik, drawing from the 'Live Local Plant Local' Nillumbik plant directory.green wedge, larry, dog, sculpture, mosaic, indigenous flora, irving

Collection of photographs taken on an iPhone by former gardener, Martin Stevens, and sent to Andrew Smith, Gardens Manager. (1-3) Araucaria bidwillii. (4) Luffmann Ponds. (5) Summer House. (6) Rock Point. (7) Garden view Rock Point and Luffmann Ponds.gardener, martin stevens, andrew smith, gardens manage, araucaria, luffmann ponds, summer house, rock point

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 1 Dalmor Ave., Mitcham. This property has be listed as having sold for $430,000 in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 21 Dalmor Ave., Mitcham depicting a black line drawing of a weatherboard house with chimney, in the foreground a rock boarded garden and path leading from the left to the front door. 21 Dalmor Ave., Mitcham Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Black & white Kodak print. Female child and rocking horse in a garden with a wooden fence and with trees in background.till, alison bertha

A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 27 Deanswood Rd., Forest Hill This property is listed as having sold for $161,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 27 Deanswood Rd., Forest Hill. Of a one story house with a porch, steps and path leading up from the driveway on the left which leads to a detached garage in the background. A front yard with lawn, and rock edge garden beds. There are two hole punch holes along the top edge27 Deanswood Rd., Forest Hill Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

This was the home of the Offszanka family from 1913; they came to Surrey Hills from Richmond. Carl Theodore Offszanka (1874-1944) was a furrier. Both he and his wife Ida, nee Schade, (1882-1963) were born in Germany. They married in Victoria in 1908. Their home was called 'Westfalia' (ref: 1919 electoral roll), presumably after the region in NW Germany. They had at least 4 children: Carl Bernard - b 1909 Marie Eliese - b 1910 Erna Helena - b 1913; d 1996 - listed at Guildford Road in electoral rolls. Bernard George - b 1914; d 1987 (Surrey Hills) - listed at Guildford Road in electoral rolls. The family were associated with Our Holy Redeemer Church and school and also donated class photos of the school to the collection. Carl and Ida are buried in Box Hill Cemetery (RC 032-0034). The semi-circular bay window is not original to the house. This home has had a 2nd storey added to it in late 1990s. According to a family descendant (REF: Email 1/8/20 from grandson) Carl Theodor Offszanka purchased the home in 1913 for £616. He also purchased the adjoining vacant block of land at 42 Guildford Road and ran a large orchard on it before later selling it. This appears to have been between 1920-1930. The family continued to occupy the house until after 1980 when Erna Helena and Bernard George are listed in the electoral rolls. Our property register lists Erna Helena Offszanka as the last member there. She died on 5 May 1996. Members of the Offszanka family lived in this property from its beginnings for more than 70 years. Such longstanding tenancy is unusual.Black and white photo of a timber Edwardian home at 44 Guildford Road Surrey Hills. The home has 2 bricks chimneys, a corrugated iron roof, timber fretwork to the verandah and a semi-circular bay window. The facade of the house is partially obscured by mature garden, possibly including large camellias, with rock-edged garden beds and a central path. The front fence is not visible.edwardian style, guildford road, offszanka family, carl theodor offszanka, ida schade (miss), carl bernard offszanka, bernard george offszanka, westfalia, ida offszanka (mrs), erna helena offszanka (miss), marie eliese offszanka (miss)

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, weatherboard , triple gabled corrugated iron roof, single chimney , wooden return verandah with balustrade, capitals to verandah posts. Exterior windows have awnings, two entrances from returned verandah, two deckchairs and hammock on verandah. Rock-bordered garden R.H. corner. Written on back of photo ' Roberts, White Hills, £1150 (crossed out) £850, next R.C. School'F.A. Jeffree, Bendigoresidential, roberts, white hills, t.c. watts and son, 1927

Series of Black & White Photos Total 6 Hill Family & Friends During the First World War and after. Rita, wearing a dark dress with white collar and holding a dark coloured hat, background is large brick structure with windows to right and small section of veranda, pal tree, Railway Reserve Kyneton 1918. Man and two women wearing white dresses and dark hats, man wears dark suit white shirt and dark tie with his back against a large wheel, white sheet on ground between them and indistinguishable articles on sheet, Hibernian Picnic Axedale November 13th 1918. Group of young girls and boys all dressed in light coloured clothing gathering Botanical gardens January 1917, Miss N. Linnane reclining on cane lounge chair on verandah, weatherboard wall of house, verandah post, rock garden edging in foreground, May 1918. Monte Video Property Queensland Jeff, dressed in dark trousers and white shirt, holding a skinned rabbit, water tank in background, wire fence, July 1924. Father & Mother, Father wears a grey suit with white shirt and dark tie, Mother seated is wearing a dark dress with striped collar and white blouse, 'The Ranche' Mollison Street Eppalock.Hilda Hill Personal Collectionaustralia, history, post war life

BHS CollectionBlack and white photographs (2) , mounted on rectangular grey board. House, rendered with porch with decorative gable, slate roof, 2 chimneys, established garden with rock edging. Written on back of photo board ' Geo. Every, Violet Street, 875 pounds' On back of record date stamp 27 April 1929. Note attached to record ' this house was originally kitchen and staff quarters of Alexander Bayne's house "Montanvert" ( from Myrtle Street to Violet). Address of Alexander Bayne's former house, of which this house was formerly part of, is 84 Violet Street, Bendigo.Frank A. Jeffree, Bendigoresidential, alexander bayne, violet street, bendigo, george every

'Fulling', the half-hectare property at Pitt Street, Eltham was the home of landscape designer Gordon Ford and his wife Gwen. Ford bought the property in 1948, originally part of an orchard. The garden encapsulates the major trends of Australian garden design in the second half of the 20th century. The garden design is based on mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informality and attraction to native wildlife. The mud brick house and designed and built by Ford commenced in 1948. Several extensions were added up to 1970 and were built by Graham Rose (Source: information panel for exhibition, n.d.) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p147 A narrow timber gate opens onto a garden that has had a huge impact on natural garden development in Australia since the 1950s.1 Fulling, the half-hectare property at Pitt St, Eltham, was the home of the landscape designer, Gordon Ford, who died in 1999. The garden ‘encapsulates the major trends of Australian garden design in the second half of the 20th century...and epitomises the Eltham style of garden’.2 It in turn, was influenced by several Victorian major landscape designers of the mid 20th century – Ellis Stones, Peter Glass and Edna Walling. The gate opens onto a sandy gravel path, one of several, which wind around dramatic pools and what appear to be natural bush, but on close inspection are carefully integrated native, indigenous and exotic plantings. Retaining walls and steps of rock through the garden link different terrace levels. Lichen-covered boulders serve as steps across a pool, leading to the triple level mud-brick house. Ford bought the property, which was originally part of an orchard, in 1948. As the son of a Presbyterian minister, Ford received a good education, which included learning Latin. This was advantageous when he worked in plant sales for the Forestry Commission, before the Second World War. In the late 1940s, however, Ford turned to building and landscape gardening. He worked on the Busst house, an early mud-brick building designed by Alistair Knox and at the same time, Ford was employed by Ellis Stones. Knox described Ford as, ‘one of the funniest men of the district. ...Rocky’s (Ellis Stones) Depression stories and Gordon’s memory and quick tongue made the jobs the most enjoyable of all those hysterical times that made Eltham the centre of the eternal laugh, between the years of 1945 and 1950’.3 Ford’s house, like so many after the war, was built progressively, as more space was needed and formerly scarce materials became available. It began with an army-shed of timber-lined walls, now used as the kitchen. Ford then built what is now the lounge room, and the house grew ‘like topsy and on a shoestring,’ says his widow Gwen. A lot of second-hand materials such as window frames were used, a style made famous particularly with their extensive use at Montsalvat, the Eltham Artists’ Colony. The house was constructed as a joint venture with friends, including artist Clifton Pugh, who built Ford’s bedroom for £10. The polished floorboards and solomite (compressed straw) ceilings, interspersed with heavy beams, exude warmth. The result is a home of snug spaces, with soft light and garden vistas. Several other mud-brick buildings were constructed as needed, including a studio and units for bed-and-breakfast clients. The garden, which has been part of the Open Garden Scheme since the mid 1980s, is based on a balance of mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informal ethos and attracts native animals. Wattlebirds, scrub wrens, pardalotes, currawongs, owls and even kangaroos, have been seen at Fulling. Gwen, a former English teacher who has worked on the garden since around 1970, urged and helped Ford write his book, The Natural Australian Garden.4 Several of Ford’s favourite trees are in the garden, including the native Casuarina or She-Oak. In spring, the garden is dusted with the purple Orthrosanthus multiflorus or blue native irises and rings with the calls of birds attracted to plants like the callistemons, correas and grevilleas.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, fulling, gordon ford garden, pitt street, eltham mud brick buildings, mud brick house