Showing 632 items matching roof garden
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Surrey Hills Historical Society Collection
Photograph, Montalto - 84 Union Road, Surrey Hills
The home was known as 'Montalto'. It was built by Andreas Hansen in 1888. It was purchased by Dr John Box in 1913 and was demolished in the 1950s to make way for Sythney Court. The property was surrounded by extensive grounds and abutted Surrey Gardens. Sythney Court was so named to commemorate the Box family's association with a Cornish village of the same name.A black & white photo of double-storey Victorian mansion. It has a slate roof, has arched colonnades on both levels and is rendered. The garden is established with a feature cypress tree and standard roses.andrea hansen, union road, surrey hills, dr john box, sythney court, surrey gardens, 'montalto' -
Surrey Hills Historical Society Collection
Photograph, Californian Bungalow (dem) on NW corner of Westminster and Whitehorse Road, 1920-1929
Built for a client by Albert Harbert in the 1920s. Albert built many local homes. This is a fine example of its style with double gables and return verandah. A black and white photograph of a weatherboard Californian Bungalow style house with a tiled roof. It has an L-shaped verandah with solid pillars decorated with stucco which is also on the chimney. The weatherboards are decoratively notched and the upper sections of the grouped windows have diamond panes. Framed by a woven wire fence along the street frontage. An immature garden.californian bungalow, house styles, westminster street, whitehorse road, mr albert harbert, 1920-1929 -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This card is a rare image of the original aviary built in the Gardens in 1892. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. The writer of the card, Polly, is anxious to receive a return postcard from Lila, writing that a reply should be sent that night. A black and white scene of a curving path with a square looking building at the centre. The 1894 MMBW plan shows that the building was triangular. The building is solid at ground level with the appearance of long vertical columns. The roof is light coloured and hip shaped with a finial at the apex. There is a garden set in the lawn on the left side of the image, shrubs and a palm at the left front corner of the building and tall trees in the background. The building is an aviary, which was built in north east section of the Gardens during 1892. The date of its removal is unknown. Front: ‘GARDENS, WILLIAMSTOWN’. Reverse: Centre top: ‘Post Card’; Vertical on left side: ‘P. & W. Series’; Right side ‘Address Only’. The card is addressed to Lila of ‘Ferguson St, N Williamstown’ from Polly. In pencil ‘1908 or later’ (believed to be inserted by the vendor of the card).postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, aviary, 1908 -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, M Schulz, Prague, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. A colour image of a house (the Curators lodge) behind a fence with two children sitting on it. There are two large Cordylines, one in the forefront of the image standing in lawn and surrounded by pink flowers, and one closer to the house. The house is brown timber with two brick chimneys and has a green corrugated iron roof with gables over the windows at the front and side.Front: ‘The Lodge, / Williamstown Gardens’. Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. There is a one penny red Tasmanian stamp on the top right hand corner. The card is addressed to ‘Miss E G Holford / 60 Upton St, / Launceston, / Tasmania.’ Top left corner in pencil ‘$10’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, cordyline -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, M Schulz, Prague, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907 -
Monbulk Historical Society
Ben Simcox
Bennie Simcox first came to the Monbulk area about 1860, following the first important gold discovery at the end of 1858. As the gold rush was short lived Simcox returned to Collingwood but later came back to Monbulk, built himself a hut to live in and become its first known permanent resident. The hut was burnt in the 1913 fires. Monbulk was thrown open to selection in 1894, and that's when the first farmers including Bennie Simcox went into Monbulk. It was a big, timbered country in those days. Once Ben had cleared some of his land he started to grow raspberries on it. He would be up before daylight ready to start picking. Ben also picked for a local family, the Camms to help make ends meet. When Ben Simcox was virtually at the retired stage, he wanted to develop his bit of the gully as a tourist attraction, As his nephew Fred Gay who owned the 10 acres below Ben wanted to farm, he was happy to swap his treed block with Ben. At a time when most settlers were clearing their properties, Ben Simcox, by contrast, cultivated the native plants and planted most of the large trees seen on the property today. And so Nathania Springs was developed as a tourist resort, and a mini-botanical garden. He diverted the natural water supply to form ornamental garden pools stocked with trout and tame native black fish. There were many visitors came to the Dandenongs, Some arriving in motor cars others in converted furniture vans lined with seats or charabancs with the long extended chassis and the open canvas roofs. Identities such as Billy Hughes, Madame Melba would often come to look through Nathania Springs. Bennie sold Nathania Springs to Councillor Ferdinand Thomas Le Juge, a boarding house proprietor and later the town baker in 1909 then in about 1921 Ben’s nephew Fred and his wife and family continued to open Nathania Springs to the public. It was not unusual in around 1924-25 for up to a thousand people a day to arrive at Nathania Springs to go through the gardens. At sixpence a time, that was a lot of money in those days. This photo is part of a collection of historic and social significance of the early settlement of Monbulk. Copies of photographs can be purchased from the Monbulk Historical Society.simcox, nathania springs, monbulk, 1860, berries -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - watercolour, John C. Paul, St. Andrew's Brighton, 1971
St Andrew’s Anglican Church, located at 228 New St, Brighton, is the oldest continuous Anglican Church in Victoria. Opened on St Andrews day in 1842, it was one of the earliest Christian churches established in the Port Phillip District. A second church building was erected on the site in 1851, followed by a third building and schoolhouse in 1857 which was enlarged in 1886. A fire in 1961 engulfed the building and renowned Australian church architect Louis Williams was appointed to be the architect of the new building. The present church complex is amongst the largest church buildings in Australasia. Using over 500,000 bricks and over 16,000 roof tiles, this space consisted of three areas: the main church building, the Pioneer chapel and the Lady chapel. The large arcaded cloister, seen in this painting, with an internal cloister garden, is extremely rare in any church in Australasia, and links the Pioneer Chapel to the narthex of the new building.John C. Paul, St. Andrew's Brighton 1971, watercolour, 44 x 30.5 cm. Bayside City Council Art and Heritage Collection. Purchased 1974.brighton, john c paul, st andrews, church, anglican, cloister, arcade -
Stawell Historical Society Inc
Photograph, Log Cabin c 1930's with Iron roof
Log Cabin built by Mr. J. Wharrie c 1930’s. Originally the Log cabin had a bark roof. The roof was replaced with iron. The home is located in Darlington Road Stawell. The Wharrie family lived in the cabin for many years during the 1940's and owned a doll factory. Black & white photograph depicting a home built of logs with a lattice porch way, stone chimney's and iron roof. On the iron roof is a weather vane decorated on top by a carriage and 2 horses. The house is set in a garden with a stone fence in the foreground. There are 2 black & white prints one an enlargement of the smaller photograph.stawell dwelling -
Stawell Historical Society Inc
Photograph, Brick Home at 26 Seaby Street
Brick Home 26 Seaby Street. Recent owners C. Wehl, and Max Holmes.Black and white photograph of a large brick home with veranda. Slate roof with finials on gable ends and barge boards, Garden and trees on right side of photograph.stawell -
Stawell Historical Society Inc
Photograph - Yard Scenes at 'Whitehall', Hutchings Farm “Whitehall” -- 3 Photos
Hutchings family property “Whitehall” 3 Scenes Shows large Haystacks Sheds Cows extensive Garden. Avenue of trees. These copies were taken from the Hutchings Family album.Three (3) Sepia Photographs. 204 Titled Whitehall Avenue: An avenue with wooden fences including people on on left three on right including one woman. 204.1 Titled Yard at Whitehall: 4 Men with herd of cows in foreground, man in front holding a metal bucket. Large Hay stacks behind. wooden shed with metal roof on right. 204.2 Part of Whitehall: Windmill and wooden buildings behind Wooden Picket fence in background. 204: Whitehall Avenue 204.1 Yard at Whitehall 204.2: Part of Whitehall All enclosed in a box, which is above a line of solid triangles over a thin linestawell -
University of Melbourne, Burnley Campus Archives
Album - Black and white print, Burnley Gardens 1928, 1928-1930
These photographs appear to have been used for lantern slidesHandmade photograph album made from cardboard tied together with cord. Large photographs pasted in. "Lantern Slide," or "Slide," handwritten beside each photograph. Also see B10.0021. (1)6 female students working in the flower garden with a member of staff. (2) View of the Lily Ponds with the Principal's Residence in the background. (3) The Croquet lawn. (4) Side of the Principal's Residence looking towards the Pavilion in the background. (5) Path to the Principal's Residence with the roof of it in the background. (6) Blossom tree. Also see Bfemale students, flower gardens, staff, lily ponds, principal's residence, croquet lawn, pavilion, blossom trees, lantern slides -
University of Melbourne, Burnley Campus Archives
Album - Colour prints, David Aldoud, Garden Views, 1983
(1) Herbaceous Border 1984-5 (pre-Rainforest) #277. (2) View Admin Building from between Emily Gibson Beds. (3) Admin Building. (4) View of Bull Paddock, Dairy and beyond from roof of Admin Building. (5) Rear of Burnley. Tennis Court replaced by PSL 4-6 (DA) (6) Shady Walk Mondograss (Ophiopogon japonicus) Umbrella Grass (Cyperus alternifolius) (David Aldous). (7) Admin Building and Student Amenities Building. (8-10) Luffmann Ponds. (11) Frank's/Rock Point. (12-13) Oak Lawn. (14) Oak Tree lawn on reverse "Please return to Stuart Miller, Burnley College." (15) E. cladocalyx. (16) The Victorian College of Agriculture & Horticulture-Burnley Campus. U. procera to the left E. cladocalyx to the right DA. (17) Sugar Gum E. cladocalyx Burnley Gardens 1989 DA. (18) Burnley College in background DA Crack Willow in winter. (19) Tree unidentified. DA (20) DA View of trees behind Luffmann Ponds. (21) View of Burnley Gardens Pinus canariensis to the left Agathis robusta centre and sequoia sempervirens to the right DA. (22) Students in Citriodora Courtyard. (23) View of Emily Gibson Beds from roof of Admin Building. (24) Admin Building from Oak lawn. Annotated by David Aldous and Stuart Miller. herbaceous border, administration building, emily gibson beds, bull paddock, dairy, tennis court, shady walk, luffmann ponds, oak lawn, david aldous, stuart miller, student amenities building, sugar gum, citriodora courtyard -
University of Melbourne, Burnley Campus Archives
Album - Black and white and colour prints, colour 35mm slides, Geoff Olive, Geoff Olive Collection, 1979-2000
... of Kath Deery Native Garden from Administration Building roof. ... Native Garden from Administration Building roof. geoff olive ...Collection of photographs and slides taken by Geoff Olive (Horticultural Instructor). (1) "Burnley 1979 Flash flood outside engineering." (2, 3) Administration Building, different years. (4) "Trish Mooney Gardener 1998." (5) 15-7-00 Ellis Stones Garden Friends Working Bee Tim and Chris." (6, 7) "Photos taken by John Dwyer (N.C.H.H.) following a tour of the native garden area given by Chris. 3.11.99." (8) Garden Week 1989? Phil Tulk Andrew Smith." Slides (9) "Rose Bed." (10) "Choisya ternata." entrance to what became the Rose Garden from Oak Lawn. (11) Aug 1981 view of Luffmann Ponds from Administration Building. (12) Nov 1982 "Herbaceous Border & Annual Display BHC" view of Bergenia Walk towards Administration Building. (13) May 1986 view of Administration Building from Luffmann Ponds. (14) August 1990 "Paula Cave/Andrew Smith" rejuvenating Luffmann Ponds. (15) April "Andrew Smith" mulching around Cork Oak when Staff Car Park removed from Bull Paddock. (16) April 1990 compacted lawn after last Garden Week at Burnley. (17) August 1990 Garden view. (18) August 1990 view of Luffmann Ponds from Administration Building roof. (19, 20) August 1990 View of Kath Deery Native Garden from Administration Building roof. geoff olive, horticultural instructor, burnley, floods, administration building, trish mooney, gardener, 1998, ellis stones garden, working bee, john dwyer, phil tulk, andrew smith, kath deery native garden, rose garden, herbaceous border, paula cave, luffmann ponds, bull paddock, garden week -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Information Branch, Victorian Department of Agriculture, Principal's House, 1900-1909
Therefore the earlier comment about seated man would not be correct.2 copies. House and surrounding garden. Building is of stucco and timber, slate roof, 4 chimneys. The original sections of the house date from 1872. The seated gentleman is probably Mr. E.E. Pescott.Reverse of larger copy,"from box the Garden/Land 1909." On reverse of smaller copy, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. 1981(889-2.)" Further copy: handwritten on reverse, "Early 1900 certainly before 1909. Caption "Directors residence (1909) was a major feature of the garden. sadly it was demolished in 1980 now leaving none of the early college buildings outstanding." In different handwriting, "Principals House before 1909."e.e. pescott, principal's residence -
University of Melbourne, Burnley Campus Archives
Magazine - Journal articles, Melbourne School of Land and Environment et al, Land & Environment, 2013
green roofs, sugar table -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Garden View, 1953
Garden View looking south.On reverse, "From roof of School of Horticulture April 1953."garden view, school of horticulture, 1953, ponds, emily gibson beds -
University of Melbourne, Burnley Campus Archives
Slide - Colour 35mm slides, c. 1991
Possibly taken in 1991. (1) Jamie Pearson (1985) (Staff) and 2 students working on computers. (2) Administration Building. (3) Student/Staff member working in the Plant Nursery in a greenhouse. (4) Garden view, possibly taken from the roof of the Administration Building.1991, jamie pearson, staff, students, computers, administration building, plant nursery, greenhouse, garden view -
Vision Australia
Photograph (item) - Image, Children at RVIB playing in an old car
Boys scramble over a 1920's style car, in the front gardens of RVIB St Kilda Road. One sits on the roof and another on the bonnet, both reaching to feel the windscreen wipers. Three boys are at the front, touching the engine, whilst two more touch the front of the tyre and another boy touches the rear of the tyre. The final three boys sit on the running board with various components in their hands.royal victorian institute for the blind, education, children -
Stawell Historical Society Inc
Photograph, Central Park Oval c 1980
c 1980 Parks and garden staff mowing Central Park Oval. No 2 Grandstand has its roof on. Also at the right end of the Grandstand is the Railway foot bridge which was demolished in 1991.. The Football Clubrooms built in mid 1960's is just in view on the right side. Photo of oval with garden staff mowing. No 2 Grandstand and just a section of the Football Clubhouse in view. c 1980'sstawell sports -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
City of Ballarat
Public Artwork, Ruth by Charles F. Summers, Circa 1885
Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth -
City of Ballarat
Artwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
City of Ballarat
Artwork, other - Public Artwork, Modesty by Charles Francis Summers, Circa 1885
Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty -
City of Ballarat
Artwork, other - Public Artwork, Charles F. Summers, Susannah, Circa 1885
Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers -
Hume City Civic Collection
Photograph - Gate House or he Lodge
The building is the former Gate House or Lodge that is at the gates at Rupertswood in Macedon Street. A lodge was often erected at the entrance of a large estate to direct guests to the mansion or reject unauthorised people from entering the property. The presence for a Gatehouse or Lodge erected at the entrance of a larger property was a tradition copied by wealthy landowners in the Colony from one practised by the upper classes in Britain. A coloured photograph of blue stone top storey cottage with a slate roof surrounded by an attractive garden. The building has 3 chimneys and there is a smaller single storey wing added to the building.the lodge, the gatehouse, rupertswood, macedon street -
Hume City Civic Collection
Photograph, Late 1990's
The outdoor toilet was a common feature in country estates and farms before the introduction of septic tank systems to non-sewered areas. They were built away from the main house and were often disguised with a wall or trellis.A coloured photograph of an outdoor toilet. Its walls are brick with cement rendering. The pitched roof has a blue trim and a blue door. There is a wall in front of the building which covers three-quarters of the structure. A brick path is on the LHS of the photograph and a small garden is in the front with some tomato plants and ground covers.harpsdale estate, brodie, richard sinclair, george, outdoor toilets, george evans collection -
Hume City Civic Collection
Photograph
This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of a stone cottage with a wooden shingle roof and its weatherboard and corrugated iron out building. A valley between two sections of the building suggests it has been built in stages. Three chimneys are visible and the cottage has three 12 paned sash windows with a doorway in the centre of the front. There is a cyclone wire fence and gate across the front and the garden is overgrown.stone structures, shingle roofs, george evans collection -
Hume City Civic Collection
Photograph
The former bluestone Bulla Shire Hall building was constructed in 1867 and remained the centre of local government until the early 20th century when the administration was moved to Sunbury. In the 1990's the Alister Clark Rose Garden was established in the surrounding grounds. The garden is open to the public all the year round. In 1999 the rose garden was officially opened.A coloured photograph of the front elevation of the original Shire of Bulla offices. It is a bluestone building, double fronted with a pitched roof on both wings and above the porch. The woodwork trims have been painted in cream and red. The double wooden front door is painted red. The sign outside the building indicates the former function of the building and its importance.ORIGINAL/SHIRE OF BULLA/OFFICE/1868-1923shire of bulla, council chambers, rose gardens, rose growing, bulla township, roses, clark, alistair, george evans collection -
Hume City Civic Collection
Photograph, late 1990s
St. Mary's Anglican Church at Bulla was originally built on the outskirts of Bulla township in 1858. In the early 1970s it was moved to its present site to make way for the flight path at the newly constructed Tullamarine Airport. The former site was on the corner of Oaklands and Sunbury Roads and is covered with vegetation. The church was designed by Thomas Taylor.A profile view of the west side of St. Mary's Anglican Church at Bulla and the garden area around the church. A slate covered gable roof has been constructed over the porch nave and chancery with a cross at each end of the roof over the nave. 6 bluestone buttresses and 3 lance windows are along the side with 3 small lancet windows and a blue painted wooden lancet door on the porch.churches, religion, taylor, thomas, st. mary's anglican church, george evans collection -
Hume City Civic Collection
Photograph, early 1990s
The bluestone house 'Amelia' was built in 1914/1915 and has included a combination of Victorian and Federation styles. Andrew Patterson the first owner lived there for over 40 years. It is thought that the bluestone used for the walls came from the first state.A coloured photograph of 'Amelia', a bluestone double fronted house with white wooden trims and a white corrugated roof. A bull nosed verandah stretches across the front of the house. The surrounding garden has been painted out with low growing trees and shrubs.patterson, andrew, amelia, george evans collection