Showing 104 items matching "rose fielding"
-
Eltham District Historical Society IncPhotograph, Rose Fielding (on right) with unidentified friend, c.1973
... Rose Fielding (on right) with unidentified friend......Margaret Rose Fielding (nee Teagle)...Eltham District Historical Society Inc 728 Main Rd Eltham melbourne Possibly during a camping holiday at Swan Hill where they used to go in the early 1970s Pam Thoonen (nee Ingram) Collection Margaret Rose Fielding (nee Teagle) Processed Nov 1973 Colour photo print Rose Fielding (on right) with unidentified friend Photograph Photograph ...Possibly during a camping holiday at Swan Hill where they used to go in the early 1970sProcessed Nov 1973pam thoonen (nee ingram) collection, margaret rose fielding (nee teagle) -
Eltham District Historical Society IncPhotograph, Rose Fielding's birthday celebration at Bentleigh Public Hall, Centre Road, East Bentleigh, 1973
... ...Margaret Rose Fielding..., Vicki Weeks (standing green top), Lorraine Layfield, rest unidentified except Rose Fielding at end of table on far right. Vicki Weeks is 1st cousin one removed to Pam Thoonen....Pam Thoonen (nee Ingram) Collection Bentleigh Public Hall Birthday Celebration Edwina (Ted) Layfield (nee Teagle) Julie Ingram Leslie John Teagle Lorraine Layfield Margaret Rose Fielding Vicki Weeks Margaret Rose Fielding (nee Teagle) Processed Nov 1973 Colour photo print Rose Fielding's birthday celebration at Bentleigh Public Hall, Centre Road, East Bentleigh Photograph Photograph ...Margaret Rose Teagle was born 8 June, 1912 at Sandringham, Victoria. She married Kenneth Douglas Ingram in 1935 but the mariage ended in divorce in 1944. She subsequently married Richard Fielding in 1948. Rose was diagnosed with cancer and died 30 November 1978. It is understood that this photo was taken shortly before she became ill. L-R: Leslie John Teagle (never married), Julie Ingram (bare back, daughter of Kenneth Albert Ingram), Edwin 'Ted' Layfield (nee Teagle), ? , Vicki Weeks (standing green top), Lorraine Layfield, rest unidentified except Rose Fielding at end of table on far right. Vicki Weeks is 1st cousin one removed to Pam Thoonen.Processed Nov 1973pam thoonen (nee ingram) collection, bentleigh public hall, birthday celebration, edwina (ted) layfield (nee teagle), julie ingram, leslie john teagle, lorraine layfield, margaret rose fielding, vicki weeks, margaret rose fielding (nee teagle) -
Eltham District Historical Society IncPhotograph - Copy of photograph, Margaret Rose Teagle, c.1933
... ...Margaret Rose Fielding (nee Teagle)...The marriage ended in divorce and Rose as she was known married Richard Edward Fielding and they had a son Tom....Ingram family Margaret Rose Fielding (nee Teagle) Margaret Rose Ingram (nee Teagle) Margaret Rose Teagle Pam Thoonen (nee Ingram) Collection Digital scan of copy of colorised print laminated Margaret Rose Teagle Photograph Copy of photograph ...Margaret Rose Teagle (1912-1978) married Kenneth Douglas Ingram in 1935. She had two children wiuth Ken Ingram; Kenneth Albert (1937) and Pamela Lorraine (1941). The marriage ended in divorce and Rose as she was known married Richard Edward Fielding and they had a son Tom.ingram family, margaret rose fielding (nee teagle), margaret rose ingram (nee teagle), margaret rose teagle, pam thoonen (nee ingram) collection -
Eltham District Historical Society IncPhotograph, Wedding portrait, Kenneth Douglas Ingram and Margaret Rose Teagle, 22 June 1935
... ...Margaret Rose Fielding (nee Teagle)...Eltham District Historical Society Inc 728 Main Rd Eltham melbourne Wedding of Kenneth Douglas Ingram to Margaret Rose Teagle, 22 June 1935 Margaret Rose Ingram (nee Teagle) Wedding Margaret Rose Fielding (nee Teagle) Kenneth Douglas Ingram Margaret Rose Teagle Pam Thoonen (nee Ingram) Collection Oval shaped, textured and colourised print mounted in oval wooden frame with convex glass (now removed from frame) approx 40 x 30 cm Wedding portrait, Kenneth Douglas Ingram and Margaret Rose Teagle Photograph Photograph ...Wedding of Kenneth Douglas Ingram to Margaret Rose Teagle, 22 June 1935margaret rose ingram (nee teagle), wedding, margaret rose fielding (nee teagle), kenneth douglas ingram, margaret rose teagle, pam thoonen (nee ingram) collection -
Eltham District Historical Society IncPhotograph, Kenneth Ingram (jnr) and Pam Ingram by the houses at the end of Thomas Street, Eltham, c.1945
... ...Margaret Rose Fielding (nee Teagle)...Pamela Lorraine Ingram Pamela Thoonen (nee Ingram) Eltham house Margaret Rose Fielding (nee Teagle) Thomas Street Violet Feldbauer (nee Teagle) Kenneth Albert Ingram Pam Thoonen (nee Ingram) Collection Digital file only scanned from sepia photo print Kenneth Ingram (jnr) and Pam Ingram by the houses at the end of Thomas Street, Eltham Photograph Photograph ...Photo taken at the family home of 19 Thomas Street (since replaced by a new build). In the background is 22 Thomas Street, the home of Violet Feldbar (nee Teagle), Pam and Ken's aunt, sister to Margaret Rose Ingram. Thmas Street was named after their grandfather, Thomas Teagle and many of the Teagle family homes were in this street.pamela lorraine ingram, pamela thoonen (nee ingram), eltham, house, margaret rose fielding (nee teagle), thomas street, violet feldbauer (nee teagle), kenneth albert ingram, pam thoonen (nee ingram) collection -
Greensborough Historical SocietyPhotograph - Digital image, Mrs Jemma Fielding and daughter Rose, 1910c
... ...rose fielding...This photograph shows Mrs Jemma Fielding (seated) and daughter Rose. The Allan Studio operated from 318 Smith Street Collingwood between 1904 and 1920....This photograph shows Mrs Jemma Fielding (seated) and daughter Rose. The Allan Studio operated from 318 Smith Street Collingwood between 1904 and 1920. shirley fraser jemma fielding rose fielding Digital copy of black and white studio photograph. ...Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Mrs Jemma Fielding (seated) and daughter Rose. The Allan Studio operated from 318 Smith Street Collingwood between 1904 and 1920.Digital copy of black and white studio photograph.shirley fraser, jemma fielding, rose fielding -
Eltham District Historical Society IncPhotograph, The Teagle boys at Thomas Street, Eltham, c.1949
... Their children were: Albert Edward (Ted) Teagle 1894-1917 Mary Elizabeth (Bess) 1896-1958 Louisa (Lou) Helen 1896-1919 Ernest Thomas 1897-1969 William George 1899-1982 Leslie John 1901-1976 - never married Francis David (Frank) 1903-1958 James Michael (Jim) 1905-1951 Clifford Joseph (Cliff) 1907-1986 Reta Agnes (Rta) 1910-1961 Margaret Rose (Rosie) 1912-1982 Violet Amelda 1914-1982 Edwina May Theresa (Ted) 1917-2002 In this picture standing L-R are all the brothers of Margaret Rose Fielding and her husband Richard: Leslie John Teagle, Jim Teagle with son Tony, ? ...Their children were: Albert Edward (Ted) Teagle 1894-1917 Mary Elizabeth (Bess) 1896-1958 Louisa (Lou) Helen 1896-1919 Ernest Thomas 1897-1969 William George 1899-1982 Leslie John 1901-1976 - never married Francis David (Frank) 1903-1958 James Michael (Jim) 1905-1951 Clifford Joseph (Cliff) 1907-1986 Reta Agnes (Rta) 1910-1961 Margaret Rose (Rosie) 1912-1982 Violet Amelda 1914-1982 Edwina May Theresa (Ted) 1917-2002 In this picture standing L-R are all the brothers of Margaret Rose Fielding and her husband Richard: Leslie John Teagle, Jim Teagle with son Tony, ? ...Margaret Rose Crenny (1875-1946) married John Thomas Teagle (1864-1948) in 1893. Their children were: Albert Edward (Ted) Teagle 1894-1917 Mary Elizabeth (Bess) 1896-1958 Louisa (Lou) Helen 1896-1919 Ernest Thomas 1897-1969 William George 1899-1982 Leslie John 1901-1976 - never married Francis David (Frank) 1903-1958 James Michael (Jim) 1905-1951 Clifford Joseph (Cliff) 1907-1986 Reta Agnes (Rta) 1910-1961 Margaret Rose (Rosie) 1912-1982 Violet Amelda 1914-1982 Edwina May Theresa (Ted) 1917-2002 In this picture standing L-R are all the brothers of Margaret Rose Fielding and her husband Richard: Leslie John Teagle, Jim Teagle with son Tony, ? , ? , ? , ? , Cliff Teagle, Richard Fielding, ? Anthony James Teagle 1944-2010 would make photo about 1949 anthony james teagle, cliff teagle, jim teagle, leslie john teagle, pam thoonen (nee ingram) collection, richard fielding, teagle family, tony teagle, eltham, thomas street -
Bendigo Historical Society Inc.Slide - DIGGERS & MINING. STORES AT THE DIGGINGS, c1852
... One grievance of the diggers on the early fields was the high cost of most commodities. Prices were rising all over Victoria, but they rose even more steeply at the diggings, because, with drays and bullock-drivers at a premium, and with the roads in a bad state, the cost of cartage to the fields rose rapidly. ...One grievance of the diggers on the early fields was the high cost of most commodities. Prices were rising all over Victoria, but they rose even more steeply at the diggings, because, with drays and bullock-drivers at a premium, and with the roads in a bad state, the cost of cartage to the fields rose rapidly. ...Diggers & Mining. Stores at the diggings. One grievance of the diggers on the early fields was the high cost of most commodities. Prices were rising all over Victoria, but they rose even more steeply at the diggings, because, with drays and bullock-drivers at a premium, and with the roads in a bad state, the cost of cartage to the fields rose rapidly. Markings: 38 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Eltham District Historical Society IncFolder, Ingram
... Notes handwritten believed to be about guests attending Rose Fieldings 62nd birthday at Bentleigh Public Hall, Centre Road, East Bentleigh in 1973 – see photo EDHS_05850 1.21. ...Notes handwritten believed to be about guests attending Rose Fieldings 62nd birthday at Bentleigh Public Hall, Centre Road, East Bentleigh in 1973 – see photo EDHS_05850 1.21. ...Folder Contents 1. Pam Thoonan (nee Ingram) 1.1. Family tree of Pamela Thoonan; Descendant of Teagle and Ingram 1.2. Descendants of George Ingram 1747 1.3. Descendants of William Ingram 1836 1.4. Family of William George Grove Ingram 1861 1.5. Family of Evan Thomas Ingram 1867 1.6. Ancestors of Kenneth Douglas Ingram 1.7. Family/descendants of Henry Teagle 1838 1.8. Family of John Thomas Teagle 1.9. Notes on Esau Key 1.10. Descendants of John Key 1687 1.11. Descendants/family of Robert Fielding 1817 1.12. Descendants of Margaret Crenny, died 1946 1.13. My grandpa John Ingram (Written by Grace Burrows) 1.14. Ten in the bed; story of William Ingram family of Birmingham, England 1.15. Copies of newspaper articles about Harry Ingram, Baker of Kidderminster, England 1.16. Copy (2000) In Memory of Lester Neil Ingram, Commonwealth War Graves Commission 1.17. Recollections by Pam Thoonen regarding her stepfather Eddy Fielding and father Kenneth Douglas Ingram including information about the 39th Australian Infantry Battalion (1941-1943) and the Kokoda Track 1.18. Copy of letter to Jack and Ada Ingram from mother P Ingram of Kidderminster – transcript sent to Pam Thoonen by Grace Burrows, 2006 1.19. Letter from Val (Waller nee Feldbauer) to Tom Fielding 30 June 2016 1.20. Notes handwritten believed to be about guests attending Rose Fieldings 62nd birthday at Bentleigh Public Hall, Centre Road, East Bentleigh in 1973 – see photo EDHS_05850 1.21. Copy of photo of Wedding Party of Margaret Rose to Kenneth Douglas Ingram 1935 and newspaper report “Romantic Circle; Ingram – Teagle” The Advertiser 26 July 1935, p2 1.22. Five pages of photocopied photos and recollections by Pam Thoonen of attending a concert at Festival Hall 1.23. Three photos of headstones for John Thomas Teagle and Margaret Teagle, Violet Feldbauer, Edna May and Charles Louis Layfield 1.24. Two pages typed of trivia concerning old expressions and their origins from the 1500s 2. Grace Burrows (nee Ingram – now deceased) contact details at Dunolly with notes that Ingrams arrived at Research around 1900 Item 1 held in digital format onlyFolder of information on Ingram family of Research in mix of digital and hard copy formatgrace ingram, grace burrows, ingram family, pam thoonen (nee ingram), ingram's bakery, research (vic.), john ingram, ingrams road, keith ingram, kenneth ingram, teagle family, crenny, key family, feldbauer family -
Bendigo Military MuseumLetter - LETTER, REPATRIATION COMMISSION, Repatriation Commission, 4 Dec 1946
... Field Regiment. this is a reply stating application for treatment of Malaria has been accepted and conditions of treatment. Refer No.5687. Repatriation WW2 Malaria Some notes on back NX151782 followed by some writing in pencil which is hard to decipher. Also "D65129 - R. Rose ...Appears to be a reply to an application dated 4th Dec 1946 after discharge to NX94268, Roy Taylor, 2/1 Aust. Field Regiment. this is a reply stating application for treatment of Malaria has been accepted and conditions of treatment. Refer No.5687.letter from Repatriation Commission relating to treatment of Malaria. Typed on beige coloured paper.Some notes on back NX151782 followed by some writing in pencil which is hard to decipher. Also "D65129 - R. Rose, D65128, 205/5/2"repatriation, ww2, malaria -
Emerald Museum & Nobelius Heritage ParkPostcard - Postcard of West Gembrook Road, Emerald, Rose Stereograph Company, West Gembrook Road, Emerald, Vic, Circa 1930s-45
... Rose Series. It was number P. 1463 in the series, meaning it was likely taken in the 1930s or early 40s. It depicts 'West Gembrook Road' - likely now Old Gembrook Road or Belgrave-Gembrook Road - surrounded by fields on one side and small home on the other. ...Rose Series. The photo looks down at a road with hills in the background, a field in the foreground and occasional building along the roadside. ...Rose Series. The photo looks down at a road with hills in the background, a field in the foreground and occasional building along the roadside. ...This photograph was taken as a postcard in the Rose Stereograph Company's Rose Series. It was number P. 1463 in the series, meaning it was likely taken in the 1930s or early 40s. It depicts 'West Gembrook Road' - likely now Old Gembrook Road or Belgrave-Gembrook Road - surrounded by fields on one side and small home on the other. Over 14000 Rose Series postcards were produced over the lifetime of the Company, capturing everything from major landmarks to quiet scenic roads like this. It may have been taken by Karl Visser.The photograph depicts part of Emerald as it was in the 1930s. At the time, it was considered representative of the area, enough to be published as a postcard.Black and white photograph (copy) on gloss photographic paper. Below the photo is a label describing its location and denoting it as part of the Rose Series. The photo looks down at a road with hills in the background, a field in the foreground and occasional building along the roadside. The rear has writing in pencil and some pen scribbles, and there is a pen scribble on the upper left of the photograph.Front, Left, Below Photograph: "THE ROSE SERIES P. 1463" Front, Centre, Below Photograph: "WEST GEMBROOK ROAD, EMERALD, VIC." Rear: "KAPL VISSER / 600 511"emerald, photography, 1930s, 1940s -
Emerald Museum & Nobelius Heritage ParkPostcard, Rose Stereograph Company, The Township of Emerald, Victoria, c. 1920s-30s
... This postcard displays a sepia photograph with agricultural space - a field, fences, and trees - in the foreground, and a collection of buildings on a road rising on a hill in the background. Printed text below the image introduce the series and location, while the reverse features a medium-sized rose (a midpoint in the evolution of Rose postcards) and printed text but no message written....Rose Series Emerald Obverse: Bottom Left: "THE ROSE SERIES, P. 1629 / Copyright" Bottom Center: "THE TOWNSHIP OF EMERALD, VICTORIA" Reverse: Printed, Top: "REAL PHOTO POST CARD / THE "ROSE" SERIES DE LUXE PRODUCED IN AUSTRALIA" Printed, Left Side: "PUBLISHED BY 'THE ROSE STEREOGRAPHS' / Armadale, Victoria" Handwritten, Center-Left: "NOT EMERALD / - KEVIN HOGAN / - GWEN ASLING / - KEVIN TEASDALE / - CHRIS BRITTON" Handwritten, Stamp Box: "$12" This postcard displays a sepia photograph with agricultural space - a field, fences, and trees - in the foreground, and a collection of buildings on a road rising on a hill in the background. ...The handwritten names on the reverse of this postcard - Kevin Hogan, Gwen Asling, Kevin Teasdale, and Chris Britton - are all individuals associated with the museum (to varying degrees), seemingly confirming their assessment that this postcard is mistitled and its image is not in fact of Emerald. They were likely correct, indicating that Rose Stereography may have made a mistake. It is difficult to determine how unusual this was; Rose made more than ten thousand postcards, so it is entirely possible some were not checked sufficiently. The reference number P. 1629 was reused at least two more times.While the image on this postcard may not actually be of Emerald, the fact that it is mislabeled as such still tells us about the perception of Emerald at the time of publication - that of a growing rural town amidst hills and trees.This postcard displays a sepia photograph with agricultural space - a field, fences, and trees - in the foreground, and a collection of buildings on a road rising on a hill in the background. Printed text below the image introduce the series and location, while the reverse features a medium-sized rose (a midpoint in the evolution of Rose postcards) and printed text but no message written.Obverse: Bottom Left: "THE ROSE SERIES, P. 1629 / Copyright" Bottom Center: "THE TOWNSHIP OF EMERALD, VICTORIA" Reverse: Printed, Top: "REAL PHOTO POST CARD / THE "ROSE" SERIES DE LUXE PRODUCED IN AUSTRALIA" Printed, Left Side: "PUBLISHED BY 'THE ROSE STEREOGRAPHS' / Armadale, Victoria" Handwritten, Center-Left: "NOT EMERALD / - KEVIN HOGAN / - GWEN ASLING / - KEVIN TEASDALE / - CHRIS BRITTON" Handwritten, Stamp Box: "$12"rose series, emerald -
Bendigo Military MuseumPhotograph - 4th Field Survey Squadron Formal Dinner, Keswick Barracks, Adelaide SA, 1986
... Field Survey Squadron Officer, Warrant Officer and Sergeant’s Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1986. Closest to camera on left: Stevo Hinic, unidentified, Malcolm Hentschel, remainder unidentified. On right L to R: Bob Norwood, Phil Smalley, Bob Mills, unidentified, Bob Garritty, Ian Rose...Field Survey Squadron Officer, Warrant Officer and Sergeant’s Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1986. Closest to camera on left: Stevo Hinic, unidentified, Malcolm Hentschel, remainder unidentified. On right L to R: Bob Norwood, Phil Smalley, Bob Mills, unidentified, Bob Garritty, Ian Rose ...This is a set of 35 photographs of a 4th Field Survey Squadron Officers, Warrant Officers and Sergeants Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. On this occasion WO1 Alex ‘Darby’ Munro and WO1 Geoff Briggs were farewelled. WO1 Munro retired from the Australian Regular Army after 30 years of service. WO1 Geoff Briggs continued his service and retired in 1991. It is apparent there were visiting personnel from the Army Survey Regiment and other unidentified units. See item 6500.11P for colour photos taken at the dinner.This is a set of 35 photographs of a 4th Field Survey Squadron Officer, Warrant Officer and Sergeant’s Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1986. Closest to camera on left: Stevo Hinic, unidentified, Malcolm Hentschel, remainder unidentified. On right L to R: Bob Norwood, Phil Smalley, Bob Mills, unidentified, Bob Garritty, Ian Rose. .2) - Photo, black & white, 1986. On left L to R: unidentified (x2), Tony Gee, Brett ‘Dutchy’ Van Leeuwen, Gary Warnest, remainder unidentified. On right L to R: Barry Lutwyche OAM, Neil Jones, Bob Dikkenberg. .3) - Photo, black & white, 1986. Stewards relax at the bar after dinner. Simon Reynolds 2nd from right, remainder unidentified. .4) - Photo, black & white, 1986. At rear L to R: unidentified, Ian Rose. Left foreground L to R: Neil Jones, Bob Dikkenberg. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, Bill Griggs - SSM, Geoff Briggs, George Ricketts, unidentified RSM Keswick Barracks, On right L to R: unidentified, (x2), Steve Cooper. .5) - Photo, black & white, 1986. Closest to camera L to R: Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones. .6) - Photo, black & white, 1986. Facing camera L to R: Bill Tewson, Peter Imeson, Dave Stephenson, unidentified, Alan Brown. .7) - Photo, black & white, 1986. Facing camera L to R: unidentified (x2), John Harrison, Roger Rees, Mick Hogan. Back table L to R: Tony Gee, Bruce ‘Stretch’ Gordon, Ross Jenkins, Gary Warnest, unidentified, Ray Sargeant, Bill Tewson, Stu Symonds, unidentified. .8) - Photo, black & white, 1986. Head table L to R: Don Taylor - OC (standing), Darby Munro - Tech WO Bill Griggs – SSM, Geoff Briggs. .9) & .10) - Photo, black & white, 1986. Head table L to R: Bill Griggs – SSM, Geoff Briggs. .11) - Photo, black & white, 1986. Facing camera L to R: Malcolm Hentschel, unidentified, Bob Mason - Army Svy Regt’s RSM, unidentified (x2), John Harrison. .12) - Photo, black & white, 1986. Facing camera L to R: unidentified, Stevo Hinic, unidentified, Malcolm Hentschel. .13) - Photo, black & white, 1986. Geoff Briggs delivering his speech. .14) - Photo, black & white, 1986. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, Geoff Briggs delivering his speech, George Ricketts. .15) - Photo, black & white, 1986. Geoff Briggs delivering his speech. .16) - Photo, black & white, 1986. Facing camera L to R: Peter Imeson, Dave Stephenson, unidentified, Alan Brown, Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones, Bob Dikkenberg. .17) - Photo, black & white, 1986. A standing ovation at the conclusion of Geoff Briggs’ lengthy speech. Bill Griggs checks his watch. .18) - Photo, black & white, 1986. Guests standing for formal toasts. Closest to camera on left: unidentified, Stevo Hinic. At back Mr Vice – Mick Hogan. On right L to R: Allan Adsett, Terry Lord, Bob Norwood, Phil ‘Fred’ Smalley, Don Maskew, unidentified, Bob Garritty. .19) - Photo, black & white, 1986. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, WO Bill Griggs – SSM, Geoff Briggs, George Ricketts. .20) - Photo, black & white, 1986. Facing camera L to R: Brett ‘Dutchy’ Van Leeuwen, Bruce ‘Stretch’ Gordon, Ross Jenkins, Gary Warnest, unidentified (x2), Ray Sargeant, Stu Symonds, unidentified. .21) - Photo, black & white, 1986. Head table departs. On left: Stu Symonds. On right L to R: WO Bill Griggs – SSM, unidentified, Darby Munro - Tech WO, Geoff Briggs, unidentified RSM Keswick Barracks, George Ricketts. .22) - Photo, black & white, 1986. Mick Hogan - Mr Vice, takes charge. .23) - Photo, black & white, 1986. L to R: Mick Hogan - Mr Vice, Brett ‘Dutchy’ Van Leeuwen. .24) - Photo, black & white, 1986. L to R: Wally Chilcott, Mick Hogan - Mr Vice. .25) - Photo, black & white, 1986. L to R: Tony Gee, Bruce ‘Stretch’ Gordon, Ross Jenkins. .26) & .27)- Photo, black & white, 1986. L to R: unidentified RSM Keswick, Ian Rose, George Ricketts, Geoff Briggs, Bill Griggs – SSM, Darby Munro - Tech WO, Steve Cooper, Jorge Gruszka - CO Army Svy Regt, Don Taylor – OC. .28) - Photo, black & white, 1986. Facing camera L to R: Stevo Hinic, unidentified, Malcolm Hentschel. .29) - Photo, black & white, 1986. Facing camera L to R: Bill Tewson, Peter Imeson, Dave Stephenson. .30) - Photo, black & white, 1986. L to R: Darby Munro, Stu Symonds. .31) - Photo, black & white, 1986. Foreground L to R: unidentified (x2), John Harrison, Roger Rees. Background L to R: unidentified, Dave Stephenson, Stu Symonds, Peter Imeson, Bill Tewson. .32) - Photo, black & white, 1986. L to R: Wally Chilcott Mick Hogan - Mr Vice, unidentified, Brett ‘Dutchy’ Van Leeuwen, Darby Munro - Tech WO delivers a toast, unidentified, Bob Dikkenberg, unidentified, Neil Jones. .33) - Photo, black & white, 1986. L to R: John Harrison, Darby Munro - Tech WO, remainder unidentified. .34) - Photo, black & white, 1986. Guests relax at the bar after dinner. .35) - Photo, black & white, 1986. Guests relax at the bar after dinner. L to R: Steve Cooper, unidentified, Stevo Hinic, Allan Adsett, John Harrison, George Ricketts, unidentified, Darby Munro - Tech WO, unidentified (x3), Geoff Briggs, unidentified, Don Taylor – OC, Bill Griggs – SSM..1P to .35P – There are no personnel identified. ‘Farewells to:- WO1 BRIGGS & WO1 MUNRO 1986’ royal australian survey corps, rasvy, 4 fd svy sqn -
Federation University Historical CollectionBook, Education Department Certificates 1908 - 1922
... Rose C. Andrews...Willie Banagwanath...John N. Bennett...Alfred Bayley...Geo H. Blake...Ida Bolte...Allison Brown...Eva Brown...Harold R. Brown...Henry F. Bull...Arthur Burge...Olive Cotton...Gertrude F Coxon...Alice Culph...Curtain...R.L. Cutter...Florence Davis...W.M Davies...Helen Dempster...Ed Dopel...L.C.M. Dovey...Ernest Duncan...Hugh Elliott...Nelson H. Ferguson...Mary Featherstone...Amelia Field...Rose C. Andrews Willie Banagwanath John N. Bennett Alfred Bayley Geo H. Blake Ida Bolte Allison Brown Eva Brown Harold R. Brown Henry F. Bull Arthur Burge Olive Cotton Gertrude F Coxon Alice Culph Curtain R.L. Cutter Florence Davis W.M Davies Helen Dempster Ed Dopel L.C.M. Dovey Ernest Duncan Hugh Elliott Nelson H. Ferguson Mary Featherstone Amelia Field ...School of Mines Ballarat was a predecessor of Federation UniversityBlack cloth covered book with handwritten pages and loose foolscap pages at the front and sticer on front cover with CERTIFICATES written on it.education department, school of mines ballarat, leslie bennett, eulali perry, hector osborne, doris mcdougall, mary mullins, john mclean, mary morrish, francis kelly, robert gullan, henry bull, clara clegg, john david, albert ferguson, ina westcott, vera walker, agnes walker, eileen tremain, florence smith, lizzie pier, annie reynolds, charles peverill, william pearson, doris patterson, rebecca mcphan, constance mchenry, jean mcgregor, florence mingst, gwen mann, roz kelly, edward jones, freddi jacobi, percy baker, doris carter, stephen chambers, ruth catt, arthur dousey, d'arcy, bessie doncaster, alan eggleston, lena featherstone, clarice fisher, sylvia williams, james walker, annie treloar, shearer, cora sandberg, elsie pearce, jan mcgregor, cyril mcgibbon, margaret moore, thomas kierce, william james, alice horan, lucy hamilton, beatrice blake, catherine bowers, mona callow, lillian cameron, joyce dopel, iva denovan, william thompson, irene hewitt, catheriine kardens, beatrice stuart, hugh ross, mavis regelhuth, isabelle bell, melba perriman, vera muny, alan bernaldo, kathleen conway, dorothy darling, walter dunston, mary dwyer, agnes fraser, enid gates, maude williams, violet wheeler, jean tunbridge, maud auberry, john b. allen, rose c. andrews, willie banagwanath, john n. bennett, alfred bayley, geo h. blake, ida bolte, allison brown, eva brown, harold r. brown, henry f. bull, arthur burge, olive cotton, gertrude f coxon, alice culph, curtain, r.l. cutter, florence davis, w.m davies, helen dempster, ed dopel, l.c.m. dovey, ernest duncan, hugh elliott, nelson h. ferguson, mary featherstone, amelia field, david cochrane, phyllis polson, frederick proctor, geoff richards, bessie robertson, catherine ronald, cora saudberg, mary sheppard, scott smith, leonard steele, j.b. suttcliffe, nellie thornhill, vernon fisher, gordon fletcher, elsie ford, constance furness, grace m. geddes, ada giacometti, mary gleeson, v. hall, harold herm, dorothy hambley, clemence hill, evelyn hodgson, annie holmes, glynis humphreys, augus henderson, joseph james, queenie johnson, harold jolly, francis n. king, william knott, mary kinnear, adelaide leash, doris lonie, a lilbourne, f.j. llewellyn, herb malui, muriel mathew, nellie moloney, mabel morris, ernest morshead, w.k. moss, winifred moyley, eileen mcinerney, jack mclean, chas mcnamara, maryanne medwell, alice osbourne, elsie pitts, percy trompf, basil tunbridge, david walker, ruby walton, annie whitla, kenneth whittle, walter wilberforce, alb e williams, masie wise, amy wolff, olive wunhym, beryl atkins, hector ashby, geo banagwanath, g.n.j. barker, marion r. bailey, kathleen bowe, lelia brough, cecil campbell, basil craddock, ida chapman, iris campbell, una campbell, eileen cleary, reg m.l. cuttter, lyle eves, violet elston, eric embling, violet evans, f.l. ellsworth, vera fisher, una fowles, colin graham, victor greenhalgh, clarence grose, dororthy hall, margaret hannaby, leslie henderson, harold herbert, effie holmes, herbert hopkins -
Eltham District Historical Society IncFolder, Fielding, 1955-1957
... Yandell to Thomas Fielding, 21 September 1955 requesting information pertaining to the history of St Katerine's Church, St Helena and Rose Chapel...Yandell to Thomas Fielding, 21 September 1955 requesting information pertaining to the history of St Katerine's Church, St Helena and Rose Chapel Death Notice Funeral Notice Thomas Edmund Fielding Tom Fielding Collection Jim Beale L.C. ...Folder Contents 1. Newspaper clippings: Death and Funeral notices; Thomas Edmund Fielding, Publication unknown, Nov. 1957 2. Letter: L. C. Yandell to Thomas Fielding, 21 September 1955 requesting information pertaining to the history of St Katerine's Church, St Helena and Rose ChapelFolder of information on Fielding family of Researchdeath notice, funeral notice, thomas edmund fielding, tom fielding collection, jim beale, l.c. yandell, mrs mclennan, robert wingrove, rose chapel, st katherine's church -
Eltham District Historical Society IncPhotograph, St Katherine's Church Cemetery, 279 St Helena Road, St Helena, n.d
... Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One. Tom Fielding ...St Katherine’s Anglican Church was built in 1858, by Anthony Beale as a memorial to his late wife Katherine. The cemetery is a rare example in Victoria of a traditional English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One.tom fielding collection, st helena, st katherine's church, stained glass -
Eltham District Historical Society IncCard - Card and Envelope, Wisteria blossoms, Kameido, Tokyo, c.1920s
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The outer envelope is addressed Mr E. Fielding which is believed to be Richard Edward (Eddie) Fielding. It is understood from Tom Fielding, that this item was collected by his Uncle Bill Teagle when visiting Japan in the 1920s whilst serving in the Navy. It is further understood that Bill always made efforts to collect souvenirs from his travels to give to family members. William George Teagle, more commonly known as Bill, was born 2 August 1899 at Sandringham, Victoria. Bill, a milk carter first attempted to enslist in the AIF in October 1917 but was rejected on the grounds of being too small. On a second attempt he was successful and his application was accepted 1 June 1918. He embarked in November 1918 for overseas with the 17th Reinforcements. He was discharged a year later in December 1918. On 6 May 1919 he enlisted in the Royal Australian Navy for a period of 7 years service with the rank of Stoker however he remained with the navy throughout till the end of the Second World War, and was finally discharged 14 November 1945 with the rank of Petty Officer. This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection -
Eltham District Historical Society IncPhotograph - Postcard, Geisha Sakae looking into a mirror applying makeup, c.1905 to c.1920s
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society IncPhotograph - Postcard, Geisha Sakae holding an Ichimatsu Doll, c.1905 to c.1920s
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Asakusa 12-Story Tower with its Upper Floors Destroyed, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: burnt remains of Asakusa Kannon Temple, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Fire in the middle of rain - National Sumo Stadium on fire, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: The situation is miserable, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Keizen's after-disaster earthquake Daiichi Hamaki - overall view of Yokohama City, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Bank in Chidoricho Hungama - Disastrous scene of Yokohama Honmachi Town. No. 1 Bank Building, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Refugee evacuation, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Azuma Bridge, Tokyo, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Mitsukoshi Department Store, Tokyo, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Shirokiya Department Store, Tokyo, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama -
Eltham District Historical Society IncPhotograph - Postcard, The Great Tokyo Earthquake on September 1st, 1923: Ueno Hakuhinkan, Tokyo - Scene around Ueno Museum, 1923
... The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. ...The Great Kantō Earthquake of 1 September 1923 devastated the major cities of Tokyo and Yokohama, as well as five other surrounding prefectures and was one of the world’s worst natural disasters of the early twentieth century. In terms of loss of life and material damage, with an estimated 140,000 deaths and countless homeless, it is still Japan’s worst national disaster. Nearly 90% of the newspaper printers were destroyed in the earthquake. These postcards were not produced for aesthetics but as a major tool for the spread of information. Seeing how newspaper companies were left with their offices in shambles, postcard publishers tried to fill the gap hence some were in three languages. A very small number of publishing companies were fortunate enough to survive, one of them being Mitsumura Printing, which took advantage of its remaining resources to churn out postcards. When the Ōsaka Mainichi Shinbunsha published its bilingual three-volume photographic pictorial of the Great Kantō Earthquake just two weeks after the event, the calamity had already been captured in thousands of images that circulated on a national and international media highway. Commercial photographers and photojournalists produced the most abundant and immediate images of the quake, which were transmitted in newspapers, special-issue newspaper pictorials, commemorative photography collections, illustrated survivors’ accounts, and sets of commemorative postcards. These photographic images functioned as both news and souvenirs, rendering their consumers/viewers, inside and outside the devastated locale, into both witnesses and voyeurs. Images in the news media and those issued by respected publishing houses carried the visual authority of supposed facticity. As such they both produced and became the historical record of the event. Since the vast majority of 1923 disaster postcards that survive have no writing on them, they were likely treated more as collectibles than as a form of postal communication. Many were put into albums, creating new ways to combine images and create visual cultures of disaster for home viewing. Accordion-style albums allowed for personalized, serial organization of images that produced unique, imagistic narratives of the event. The album pages were also two-sided and could be stretched out to view a series of images on recto and verso. References: Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923 震災をイメージ化する 東京と1923年関東大震災のヴィジュアルカルチャー - The Asia. (2024, March 31). Retrieved from https://apjjf.org/2015/13/6/gennifer-weisenfeld/4270 The Great Kanto Earthquake: Postcards of Tragedy. (2024, March 31). Retrieved from https://www.tokyoweekender.com/art_and_culture/japanese-culture/the-great-kanto-earthquake-postcards/ See also: Postcards from Hell – Glimpses of the Great Kantō Earthquake; M. William STEELE (International Christian University, Japan) 14th Conference of the European Association of Japanese Studies: Visual Culture and Postcard Research Papers – East Asia Image Collection Blog. (2024, March 31). Retrieved from https://sites.lafayette.edu/eastasia/2014/09/01/14th-conference-of-the-european-association-of-japanese-studies-visual-culture-and-postcard-research-papers/] And https://icu.repo.nii.ac.jp/record/4503/files/ACS44_01Steele.pdfThis item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, japanese postcard, postcard, 1923, great kanto earthquake, japan, tokyo, yokohama
