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Eltham District Historical Society Inc
Photograph, Rose Fielding (on right) with unidentified friend, c.1973
... Rose Fielding (on right) with unidentified friend...Margaret Rose Fielding (nee Teagle)... melbourne Photograph Photograph Rose Fielding (on right ...Possibly during a camping holiday at Swan Hill where they used to go in the early 1970sProcessed Nov 1973pam thoonen (nee ingram) collection, margaret rose fielding (nee teagle) -
Eltham District Historical Society Inc
Photograph, Rose Fielding's birthday celebration at Bentleigh Public Hall, Centre Road, East Bentleigh, 1973
... Margaret Rose Fielding... Fielding in 1948. Rose was diagnosed with cancer and died 30... melbourne Photograph Photograph Rose Fielding's birthday celebration ...Margaret Rose Teagle was born 8 June, 1912 at Sandringham, Victoria. She married Kenneth Douglas Ingram in 1935 but the mariage ended in divorce in 1944. She subsequently married Richard Fielding in 1948. Rose was diagnosed with cancer and died 30 November 1978. It is understood that this photo was taken shortly before she became ill. L-R: Leslie John Teagle (never married), Julie Ingram (bare back, daughter of Kenneth Albert Ingram), Edwin 'Ted' Layfield (nee Teagle), ? , Vicki Weeks (standing green top), Lorraine Layfield, rest unidentified except Rose Fielding at end of table on far right. Vicki Weeks is 1st cousin one removed to Pam Thoonen.Processed Nov 1973pam thoonen (nee ingram) collection, bentleigh public hall, birthday celebration, edwina (ted) layfield (nee teagle), julie ingram, leslie john teagle, lorraine layfield, margaret rose fielding, vicki weeks, margaret rose fielding (nee teagle) -
Greensborough Historical Society
Photograph - Digital image, Mrs Jemma Fielding and daughter Rose, 1910c
... Mrs Jemma Fielding and daughter Rose...rose fielding... family. This photograph shows Mrs Jemma Fielding (seated... Jemma Fielding and daughter Rose Digital copy of black and white ...Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Mrs Jemma Fielding (seated) and daughter Rose. The Allan Studio operated from 318 Smith Street Collingwood between 1904 and 1920.Digital copy of black and white studio photograph.shirley fraser, jemma fielding, rose fielding -
Eltham District Historical Society Inc
Photograph - Copy of photograph, Margaret Rose Teagle, c.1933
... Margaret Rose Fielding (nee Teagle).... Ingram family Margaret Rose Fielding (nee Teagle) Margaret Rose ...Margaret Rose Teagle (1912-1978) married Kenneth Douglas Ingram in 1935. She had two children wiuth Ken Ingram; Kenneth Albert (1937) and Pamela Lorraine (1941). The marriage ended in divorce and Rose as she was known married Richard Edward Fielding and they had a son Tom.ingram family, margaret rose fielding (nee teagle), margaret rose ingram (nee teagle), margaret rose teagle, pam thoonen (nee ingram) collection -
Eltham District Historical Society Inc
Photograph, Wedding portrait, Kenneth Douglas Ingram and Margaret Rose Teagle, 22 June 1935
... Margaret Rose Fielding (nee Teagle)... (nee Teagle) Wedding Margaret Rose Fielding (nee Teagle ...Wedding of Kenneth Douglas Ingram to Margaret Rose Teagle, 22 June 1935margaret rose ingram (nee teagle), wedding, margaret rose fielding (nee teagle), kenneth douglas ingram, margaret rose teagle, pam thoonen (nee ingram) collection -
Eltham District Historical Society Inc
Photograph, Kenneth Ingram (jnr) and Pam Ingram by the houses at the end of Thomas Street, Eltham, c.1945
... Margaret Rose Fielding (nee Teagle)... Rose Fielding (nee Teagle) Thomas Street Violet Feldbauer (nee ...Photo taken at the family home of 19 Thomas Street (since replaced by a new build). In the background is 22 Thomas Street, the home of Violet Feldbar (nee Teagle), Pam and Ken's aunt, sister to Margaret Rose Ingram. Thmas Street was named after their grandfather, Thomas Teagle and many of the Teagle family homes were in this street.pamela lorraine ingram, pamela thoonen (nee ingram), eltham, house, margaret rose fielding (nee teagle), thomas street, violet feldbauer (nee teagle), kenneth albert ingram, pam thoonen (nee ingram) collection -
Eltham District Historical Society Inc
Photograph, The Teagle boys at Thomas Street, Eltham, c.1949
... Margaret Rose Crenny (1875-1946) married John Thomas Teagle... the brothers of Margaret Rose Fielding and her husband Richard: Leslie ...Margaret Rose Crenny (1875-1946) married John Thomas Teagle (1864-1948) in 1893. Their children were: Albert Edward (Ted) Teagle 1894-1917 Mary Elizabeth (Bess) 1896-1958 Louisa (Lou) Helen 1896-1919 Ernest Thomas 1897-1969 William George 1899-1982 Leslie John 1901-1976 - never married Francis David (Frank) 1903-1958 James Michael (Jim) 1905-1951 Clifford Joseph (Cliff) 1907-1986 Reta Agnes (Rta) 1910-1961 Margaret Rose (Rosie) 1912-1982 Violet Amelda 1914-1982 Edwina May Theresa (Ted) 1917-2002 In this picture standing L-R are all the brothers of Margaret Rose Fielding and her husband Richard: Leslie John Teagle, Jim Teagle with son Tony, ? , ? , ? , ? , Cliff Teagle, Richard Fielding, ? Anthony James Teagle 1944-2010 would make photo about 1949 anthony james teagle, cliff teagle, jim teagle, leslie john teagle, pam thoonen (nee ingram) collection, richard fielding, teagle family, tony teagle, eltham, thomas street -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. STORES AT THE DIGGINGS, c1852
... to the fields rose rapidly. Markings: 38 994.LIF. 5. Used as a teaching... in a bad state, the cost of cartage to the fields rose rapidly ...Diggers & Mining. Stores at the diggings. One grievance of the diggers on the early fields was the high cost of most commodities. Prices were rising all over Victoria, but they rose even more steeply at the diggings, because, with drays and bullock-drivers at a premium, and with the roads in a bad state, the cost of cartage to the fields rose rapidly. Markings: 38 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Eltham District Historical Society Inc
Folder, Ingram
... to be about guests attending Rose Fieldings 62nd birthday at Bentleigh... Rose Fieldings 62nd birthday at Bentleigh Public Hall, Centre ...Folder Contents 1. Pam Thoonan (nee Ingram) 1.1. Family tree of Pamela Thoonan; Descendant of Teagle and Ingram 1.2. Descendants of George Ingram 1747 1.3. Descendants of William Ingram 1836 1.4. Family of William George Grove Ingram 1861 1.5. Family of Evan Thomas Ingram 1867 1.6. Family/descendants of Henry Teagle 1838 1.7. Family of John Thomas Teagle 1.8. Notes on Esau Key 1.9. Descendants of John Key 1687 1.10. Descendants/family of Robert Fielding 1817 1.11. Descendants of Margaret Crenny, died 1946 1.12. My grandpa John Ingram (Written by Grace Burrows) 1.13. Ten in the bed; story of William Ingram family of Birmingham, England 1.14. Copies of newspaper articles about Harry Ingram, Baker of Kidderminster, England 1.15. Copy (2000) In Memory of Lester Neil Ingram, Commonwealth War Graves Commission 1.16. Recollections by Pam Thoonen regarding her stepfather Eddy Fielding and father Kenneth Douglas Ingram including information about the 39th Australian Infantry Battalion (1941-1943) and the Kokoda Track 1.17. Copy of letter to Jack and Ada Ingram from mother P Ingram of Kidderminster – transcript sent to Pam Thoonen by Grace Burrows, 2006 1.18. Letter from Val (Waller nee Feldbauer) to Tom Fielding 30 June 2016 1.19. Notes handwritten believed to be about guests attending Rose Fieldings 62nd birthday at Bentleigh Public Hall, Centre Road, East Bentleigh in 1973 – see photo EDHS_05850 1.20. Copy of photo of Wedding Party of Margaret Rose to Kenneth Douglas Ingram 1935 and newspaper report “Romantic Circle; Ingram – Teagle” The Advertiser 26 July 1935, p2 1.21. Five pages of photocopied photos and recollections by Pam Thoonen of attending a concert at Festival Hall 1.22. Three photos of headstones for John Thomas Teagle and Margaret Teagle, Violet Feldbauer, Edna May and Charles Louis Layfield 1.23. Two pages typed of trivia concerning old expressions and their origins from the 1500s 2. Grace Burrows (nee Ingram – now deceased) contact details at Dunolly with notes that Ingrams arrived at Research around 1900 Item 1 held in digital format onlyFolder of information on Ingram family of Research in mix of digital and hard copy formatgrace ingram, grace burrows, ingram family, pam thoonen (nee ingram), ingram's bakery, research (vic.), john ingram, ingrams road, keith ingram, kenneth ingram, teagle family, crenny, key family, feldbauer family -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Alan French, 1st June 2000
Alan French was born in Beechworth in 1918 on Christmas Day, an only child descendent from French, Irish and Scottish family who had moved to and stayed in the area years before, both of his parents were born in Beechworth and were fourth generation Indigo Shire locals. Alan grew up in the depression era working the land with his dad when they could, cutting wood or helping on the local farms in and around Wooragee. Everyone able in those days bartered for goods, little coin and vegetables if there was spare to go around with labour or what little they produced from their efforts. In this interview, Alan discusses how his great grandparents Francois (French) and Catherine (Irish) Bertrand were the first vignerons in Beechworth, even mentioned in Beechworth, a Titans Field; 'Vines were draped across 156 acres of Beechworth shire in 1880, and notable vignerons included Francois Bertrand [...]' (Woods: 162) according to Alan 'you can still see where the old vines used to be, Malakoff Rose Garden' but whether or not the wine they produced was any good for drinking is open to interpretation and lost to the history of Beechworth and those who tasted it. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.listen to what they say, beechworth, oral history, burke museum, vigneron, a titans field, beechworth a titans field, francois bertrand, wooragee, indigo shire, depression era, wood cutting, labour, farming, vines, history, malakoff rose garden -
Federation University Historical Collection
Map, Ballarat Goldfield, c1898
This map shows geological features, suggests the last basalt flow, and includes alotments and names of Mining Companies. Although this map has no date on it the Ballarat Industrial School is used for dating purposed. The Ballarat Industrial School ran from 1869-1879, but the term Ballarat Industrial School Reserve was still in use in 1898 and possibly beyond.Geological Map of Ballarat with 3 holes in the left hand side. The map indicates the position of Lake Wendouree, Township of Warrenheip, Ballarat East, Industrial School Reserve, Winters Swamp, Police Paddock, Wyndholm Premptive Right (Salton and Waldie), Black Hill, Vale Park Reserve, Pennyweight Hill, Little Bendigo, Black Swamp Lead, monte Christo Reef, Chinaman's Gully, Miners Rest, Pincotts Dam, Northumberland Gully. It also show the following goldmining companies: City of Ballarat, Kohinor, Hand and Band, Great North West, Northern Junction, Kneeshaw, Rossers Freehold, Silurial.ballarat, warrenheip, lake wendouree, ballarat east, winters swamp, winter swamp, wyndholm premptive right, cemetery, vale park reserve, little bendigo, kneeshaw co., industrial school reserve, kirks dam, pincotts dam, black hill, wombat hill, dead horse gully, miners rest, mt rowan, salton and waldie, rose hill co, great north west no 1, rose's freehold co, hand and band co, police reserve, police paddock, mount rowan, ballarat industrial school reserve, market reserve, winter's swamp, kneeshar co, monte cristo line of reef, chinaman's gully or black snake, milkmaid's gully, ballarat gold field, bakery hil lead, old gravel pits lead, golden point lead, eureka lead, miner's rest, yarrowee creek, leigh creek, black swamp lead, yorkshire reef, nil desperandum reef, cockatoo lead, hit or miss gully, herbert werner frederick de nully, pennyweight hill, esmond's lead, ash's lead, nightingale lead, john bull gully, gladstone reef, whitehorse reef, petticoat creek, pincott's dam, frenchman's gully, tim's crushing plant, jenkin's gully, california gully, drake's creek, sulton and waldie, ballarat undustrial school -
Federation University Historical Collection
Equipment - Scientific Instrument, Tangent Galvanometer
Used for measuring electric current. It works by using a compass needle to compare a magnetic field generated by the known current to the magnetic field of the Earth.A "compass rose" type of horizontal full-circle scale, with 4 0-90 unit quandrants. Balanced, free-floating needle. Located centrally wired to a vertical coil. Horizontal distance scales, one each side and perpendicular to the core. All mounted on polished wood base, equipped with 3 terminal posts. Materials: glass, wood, metal.elementary, physics, experiment, galvanonometer, ballarat school of mines, scientific instruments -
Federation University Historical Collection
Book, Education Department Certificates 1908 - 1922
School of Mines Ballarat was a predecessor of Federation UniversityBlack cloth covered book with handwritten pages and loose foolscap pages at the front and sticer on front cover with CERTIFICATES written on it.education department, school of mines ballarat, leslie bennett, eulali perry, hector osborne, doris mcdougall, mary mullins, john mclean, mary morrish, francis kelly, robert gullan, henry bull, clara clegg, john david, albert ferguson, ina westcott, vera walker, agnes walker, eileen tremain, florence smith, lizzie pier, annie reynolds, charles peverill, william pearson, doris patterson, rebecca mcphan, constance mchenry, jean mcgregor, florence mingst, gwen mann, roz kelly, edward jones, freddi jacobi, percy baker, doris carter, stephen chambers, ruth catt, arthur dousey, d'arcy, bessie doncaster, alan eggleston, lena featherstone, clarice fisher, sylvia williams, james walker, annie treloar, shearer, cora sandberg, elsie pearce, jan mcgregor, cyril mcgibbon, margaret moore, thomas kierce, william james, alice horan, lucy hamilton, beatrice blake, catherine bowers, mona callow, lillian cameron, joyce dopel, iva denovan, william thompson, irene hewitt, catheriine kardens, beatrice stuart, hugh ross, mavis regelhuth, isabelle bell, melba perriman, vera muny, alan bernaldo, kathleen conway, dorothy darling, walter dunston, mary dwyer, agnes fraser, enid gates, maude williams, violet wheeler, jean tunbridge, maud auberry, john b. allen, rose c. andrews, willie banagwanath, john n. bennett, alfred bayley, geo h. blake, ida bolte, allison brown, eva brown, harold r. brown, henry f. bull, arthur burge, olive cotton, gertrude f coxon, alice culph, curtain, r.l. cutter, florence davis, w.m davies, helen dempster, ed dopel, l.c.m. dovey, ernest duncan, hugh elliott, nelson h. ferguson, mary featherstone, amelia field, david cochrane, phyllis polson, frederick proctor, geoff richards, bessie robertson, catherine ronald, cora saudberg, mary sheppard, scott smith, leonard steele, j.b. suttcliffe, nellie thornhill, vernon fisher, gordon fletcher, elsie ford, constance furness, grace m. geddes, ada giacometti, mary gleeson, v. hall, harold herm, dorothy hambley, clemence hill, evelyn hodgson, annie holmes, glynis humphreys, augus henderson, joseph james, queenie johnson, harold jolly, francis n. king, william knott, mary kinnear, adelaide leash, doris lonie, a lilbourne, f.j. llewellyn, herb malui, muriel mathew, nellie moloney, mabel morris, ernest morshead, w.k. moss, winifred moyley, eileen mcinerney, jack mclean, chas mcnamara, maryanne medwell, alice osbourne, elsie pitts, percy trompf, basil tunbridge, david walker, ruby walton, annie whitla, kenneth whittle, walter wilberforce, alb e williams, masie wise, amy wolff, olive wunhym, beryl atkins, hector ashby, geo banagwanath, g.n.j. barker, marion r. bailey, kathleen bowe, lelia brough, cecil campbell, basil craddock, ida chapman, iris campbell, una campbell, eileen cleary, reg m.l. cuttter, lyle eves, violet elston, eric embling, violet evans, f.l. ellsworth, vera fisher, una fowles, colin graham, victor greenhalgh, clarence grose, dororthy hall, margaret hannaby, leslie henderson, harold herbert, effie holmes, herbert hopkins -
Bendigo Military Museum
Letter - LETTER, REPATRIATION COMMISSION, 4 Dec 1946
Appears to be a reply to an application dated 4th Dec 1946 after discharge to NX94268, Roy Taylor, 2/1 Aust. Field Regiment. this is a reply stating application for treatment of Malaria has been accepted and conditions of treatment. Refer No.5687.letter from Repatriation Commission relating to treatment of Malaria. Typed on beige coloured paper.Some notes on back NX151782 followed by some writing in pencil which is hard to decipher. Also "D65129 - R. Rose, D65128, 205/5/2"repatriation, ww2, malaria -
Parliament of Victoria
Portrait of Prince Albert, Coutts, Gordon 1865-1938 et al, Prince Albert, after Winterhalter, 1896
In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938) -
Tatura Irrigation & Wartime Camps Museum
Gas Mask, WW1, 1914 - 1918
... Rose's father, James Rose. He served in the 8th field ambulance ...Issued to Australian servicemen during WW1 when poison gas was used in warfare in Europe. Object used in WW1 by Ron Rose's father, James Rose. He served in the 8th field ambulance co, 1915 - 1918. WW1 gas mask. Face mask tube connected to metal container.All contained inside canvas haversack. Cellophane.ww1 army gear, ww1 gas masks, james rose, 8th field ambulance co. -
Tatura Irrigation & Wartime Camps Museum
Tin Hat, 1940's
... and used by Ron Rose during his service in 8th Field Ambulance Co ...Issued by the Army during WW2 and used by Ron Rose during his service in 8th Field Ambulance Co.Dome shaped heavy metal hat with shock absorbing insert of spring wire and rubber. Elastic chin band. Wire frame covered with light canvas.ww2, ron rose, 8th field ambulance co. -
Tatura Irrigation & Wartime Camps Museum
Water bottle (WW1), 1915 - 1918
Issued to and used by James Rose during WW1. He served in 8th field Ambulance Co 1915 - 18 with Fredrick Webb.metal drink container with bakelite lid. Thick material cover held in place with press studs. Wire clips to attach unit to uniform. Approx 1 litre capacity.world war 1, james rose, ww1 water bottles, frederick webb -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, Stuart Miller, Native Garden, 1990-2005
(1) "Entrance to Rainforest Garden from Rose Garden." (2) "The Native Garden." "Please return to Stuart Miller." The Robert Boyle Ponds. (3) View of Kath Deary Garden to James Hitchmough Grasslands. (4) Cultivating with tractor in Field Station." (5-12) Trialling native grasses in the Field Station. (13) Kath Deary Garden. (14-15, 17-19) James Hitchmough Grasslands, Native grasses. Planting of flowering herbs commenced 1992. (16) "Native Area 2005." James Hitchmough Grasslands native grasses. rainforest garden, rose garden, native garden, stuart miller, robert boyle pond, kath deary garden, james hitchmough grasslands, tractor, field station, native grasses -
University of Melbourne, Burnley Campus Archives
Album - Colour prints and negatives, MIFGS 2002 & Garden Views, 2002
(1-2) Exhibition Gardens April 2002 MIF & G Show Burnley Stand. " John Rayner. (3) Exhibition Gardens April 2002 MIF & G Show "Tree Stress & Senescence" sign. (4-5,8) Exhibition Gardens MIFG Show April 2002 Burnley Stand "Tree Roots." (6-7) "Exhibition Gardens MIFG Show April 2002 Burnley Stand." (9-10) View Luffmann Ponds to Administration Building. (11) View to Shady Walk. (12) View to Administration Building. (13-14) Entrance to Rose Garden looking through Rose Arbour. (15) Rose Garden. (16-17) Garden view. (18) Azalea Lawn Tree Gardenia. (19) Azalea Lawn. (200 Path Shady Walk to Field Station. (21-21a) Sunken Garden. (22) View Shady Walk to Administration Building. (23-24) Herb Garden. exhibition gardens, burnley stand, john rayner, luffmann ponds, administration building, shady walk, rose garden, rose arbour, garden views, azalea lawn, tree gardenia, field station, sunken garden, herb garden, sandi pullman, sandra pullman -
University of Melbourne, Burnley Campus Archives
Album, Sandra Pullman, National Estate/Heritage Register Photographs, 2001
Photograph Album sent in with the National Estate/Heritage Register by Sandi Pullman. (1) Old car park (Bull Paddock) with Cork Oak. (2) Main Building front steps. (3) Main Building with Magnolia grandiflora. (4)View of Luffmann Ponds and old willow. (5) View of Ginkgo and Emily Gibson bed. (6) Looking between Emily Gibson beds to English Oak. (7) Summer House. (8) Luffmann Ponds. (9) Bergenia Walk with conifers. (10) View of Pencil Pines around entrance to Sunken garden. (11) Luffmann Ponds and Pinus canariensis. (12) View of entrance to Sunken garden. (13-14) Sunken garden. (15) Original terracing at entrance to Shady Walk. (16) Pears in blossom in Field Station. (17) Agathis robusta from the Herb Garden. (18) Ellis Stones Rock garden newly replanted. (19) james Hitchmough Grasslands. (20) Elm tree with Dairy in the background. (21) Original Red Gum in james Hitchmough Grasslands. (22) Kath Deery Native garden. (23-24) Rose Garden. (25) Sequoiadendron giganteum.national estate, heritage register, sandi pullman, sandra pullman, bull paddock, cork oak, magnolia, luffmann ponds, willow, ginkgo, emily gibson bed, english oak, summer house, bergenia walk, conifers, pencil pines, sunken garden, pinus canariensis, shady walk, pears, blossoms, field station, agathis robusta, herb garden, ellis stones rock garden, james hitchmough grasslands, elm tree, dairy, red gum, kath deery native garden, rose garden, sequoiadendron giganteum. -
University of Melbourne, Burnley Campus Archives
Album - Digitised, Joanne Morris, Visit to Burnley April 2014, 2014
Collection of digitised photographs taken in preparation for the Class of 1973 Reunion in 2014. Garden views and buildings. Donated by Joanne Morris, former student, in June 2014. See Digitised photos- Garden Views folder- Visit to Burnley April 2014. (1) Luffmann Ponds. (2) Administration Building. (3) Emily Gibson Beds and Ginkgo biloba. (4) Looking towards Native Garden. (5) Oak tree. (6) Looking towards Rose Garden. (7) Looking towards Stream Garden and Fern Garden. (8) Looking towards Rose Garden. (9) Plaque at entrance to Field Station. (10) New gates at entrance to Field Station donated by the Friends of Burnley Gardens. (11, 12) Field Station. (13) Plaque in Herb Garden commemorating Enid Carberry. (14) Fountain in Herb Garden commemorating Enid Carberry. (15) Forestry Building. (16-18) Inside Forestry Building. (19) Sugar Gum Table Setting donated by the Friends of Burnley Gardens. (20) Plaque on Sugar Gum Table commemorating Geoff Olive. (21, 22) View of Luffmann Ponds and Summer House. (23) Plaque at Luffmann Ponds. (24) Luffmann Ponds. (25) View of former Egg-Curator's Residence from Nursery. (26) Back of Nursery. (27,28) The Burnley entry for the Melbourne International Flower and Garden Show 2014. (29) Back of Administration Building. (30) Plant Science Laboratories. (31) Student Amenities Building. (32-34) Plant Science Laboratories. (35) Citriodora Court. (36) Eucalyptus maculata at entrance to Native Garden. (37) Native Garden, James Hitchmough Grasslands. (38) Garden view. (39) Inside the Hall. (40,41) Roof Garden. (42,43) Library. (44-50) Views of the Quad and classrooms. (51) Dairy. (52) Building 904,(Centre for Urban Horticulture) now Waterway Ecosystem Research Group. (53) Yarra Boulevard entrance.class 1973, class reunion, garden views, buildings, joanne morris, students, luffmann ponds, administration building, emily gibson beds, ginkgo biloba, native garden, oak tree, rose garden, stream garden, fern garden, field station, friends of burnley gardens, plaques, herb garden, enid carberry, fountain, forestry building, sugar gum table, geoff olive, summer house, egg-curator, residence, nursery, melbourne international flower and garden show, 2014, plant science laboratories, student amenities building, citriodora court, eucalyptus, james hitchmough grasslands, roof garden, library, quad, classrooms, dairy, centre for urban horticulture, waterway ecosystem research group, yarra boulevard entrance -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, Garden Views, c2002
Collection of photographs donated by FOBG member Wendy Hansen. (1) Field Station looking through wire fence. (2) Wendy Hansen seated on bench beside Luffmann Ponds. (3, 4) Orchard Border. (5) Luffmann Ponds and resident heron. (6) Sunken Garden. (7) Rose Garden. (8, 9) Kath Deery Native Garden. (10) Sunken Garden.fobg, wendy hansen, field station, luffmann ponds, orchard border, sunken garden, rose garden, kath deery native garden -
University of Melbourne, Burnley Campus Archives
Album - Colour slides, Burnley - Miscellaneous Views, 1954-1969
Contributor: T.H. KneenBox of slides, mostly labelled. 1. "School Building (May 1960) No. 1950." 2. "Students 5-2-58 John Richards Helen Page Instructor J.B. Nowell No. 1881." 3. "Orchard-Burnley (1960) No. 1953." 4. "Flower Bed & Lawns No. 1774." 5. "Plant Science Block Jul 69." 6. "Citrus myrtifolia being lifted (1960) No. 1945." 7, 8, "Mar 67." 9. "Dec 66." 10. "Long Border Aug '54 No. 1758." 11. "Border Display & Pond No. 1792." 12. "Rose Pruning Jul 67." 13. "Grampians-MCK Falls 10/65." 14. "Archway- Burnley Gar Yellow Banksia Rose No. 1779." 15. "P.R.L. No. 1684." 16. "Principal's Residence (Spring) Amygdalus pollardii No. 1716." 17. Views of Drive No. 1676." 18. "Field Day '57 Demonstration Burnley No. 1917." 19. "Shrubs & Annuals No. 1772." 20. "Burnley Gardens Flower Beds & Lawns Aut 1957 No. 1742." 21. "Vegetable GardenStudents 5.2.58 John Deverson Dorothy Issell Instructor I.G. McCure." 22. "School Lawn Golden Willow No.1754." 23. "Rose Pruning Demo No.1969 Jul 89." 24. "Field Day '57 Budding Burnley No. 1911." 25. "Field Day 57 Drainage No.1918 Burnley." 26. Rose Pruning Demo T. Komebum? Jul 69." 27. "Rose Pruning Demo Jul 69." 28. "Orchard." 29. "Wilson's Promontory N. P. Tidal River."school building, students, john richards, helen page, j.b. nowell, burnley, flower beds, lawns, administration building, orchard, plants, long border, rose pruning, grampians, principals residence, vegetable gardens, students working outside, lawnmower, john deveson, dorothy issell, golden willow, field day, wilsons promontory -
Halls Gap & Grampians Historical Society
Magazine - B/W, C 1915
Large families were the norm, rather than the exception up to the time of the World wars. perhaps the senseless destruction of those young lives sickened humanity- perhaps the increased taxes and cost of living resulting from the wars caused a necessary reduction in family size. Perhaps the independence won by women as they carried on their daily lives without their men, made mothers say, "Enough" The Warren family farmed the fertile Fyans Creek flats in the Grampian Mountains of Western Victoria. Some say Halls Gap was so named because the bushranger Hall holed up there in the early days. The rugged slopes and hidden gullies could have hidden a whole gang of bushrangers, but little remained undiscovered to a wandering family of 12 children growing up with their flocks and herds grazing the ranges. A tired rider could nod off, safe in the knowledge a trusty stockhorse would plod steadily homeward into the night. Responsibility quickly made youngsters capable and reliable. Then Australia went to war. There were three older brothers, then the girls, then young Frank. All the men went, including Frank. So the girls had to run the farm alone. Their mother had her hands full with the youngsters, still attending school, a daily walk over the mountain to Pomonal and return. But the loss of the men's casual wages from timber cutting and labouring jobs, meant great hardship is some method of earning a cash income had to be devised. Paying guests! That was it. So Myrtle Bank Guest House was born. City folk flocked to the mountain resort. High stepping mountain horses met them at the Stawell raid-head, with the tall and beautiful Warren girls driving them in experienced fashion, their auburn hair sometimes falling from its pins to fly free, as the dray bowled along towards the hills. The would hitch up their skirts to saw and chop wood for the stoves and fires. They milked cows and delivered calves. They shore sheep and trimmed their feet. They mustered their cattle as the seasons rolled by, and the paying guests watched and participated, fascinated. With laughter and song, the girls would wash up in a tin dish, throw on their house clothes to wait on table, sing and play piano, violin, accordion, enjoying the talk of the city and that other world so far away from their mountain home. The simple country menu was a hit, and the homemade bread, butter, jams and preserves, fruit and vegetables sent guests staggering to their armchairs. Picnics, hikes, goodbyes and welcomes blurred as the years of the war dragged by. Bookings were made and remade as the new enterprise became established. Peace was declared. the men returned A whole new building rose with two floors, inviting verandahs and bathrooms. Myrtle Bank would remain a family business all its lifetime, until buried below the Bellfield Dam, by which time more than one the girls had joined their beloved Frank, lost on Flanders Field. Article in book or magazine describing life at Myrtlebank during war years Other article written from letter from soldier P Lillis to his sister 3rd article of woman from country enlisting in WAAF Submitted by Carol of Bannockburn, Submitted by D Langley Submitted by Meryl of South Frankstonaccommodation, myrtlebank, people, warren -
Halls Gap & Grampians Historical Society
Photograph - B/W
This is a postcard of the sports ground in Halls Gap, taken from Chatauqua Peak. It is No. 12197 in the Rose Series of postcards.The photo shows a round clearing (sports ground), seen from above, in the midst of bush. There are some bare strips in the middle of the field and a track around its perimeter. Some buildings are visible to the left of the field and a road runs behind it. There are more buildings just visible through the bush in the centre, on the far side of the road."The Rose Series P. 12197, Sports Ground, from Chatauqua Peak, Halls Gap, Vic" on bottom of postcard.recreation, sport -
Churchill Island Heritage Farm
Clothing - Lace Collar
A five petal machine made lace collar, this item would be attached to the neckline of a garment and appears to be designed to lay flat although a little starch applied could make it stand up like petals around the neck. The Folk Art style rose between two rosebuds design is simple and outlined in fine black thread as are the scalloped edges of each collar petal The design being embroidered on to net leads one to believe that this was made on a Cornely machine. The Cornely machine had a great impact on the embroidery industry. It developed from hand tambouring and contemporary inventions in the field of sewing machines and was the first single-needle embroidery machine. It was easy to use, could be used in the home or a small workroom and as the mechanism developed it became difficult to distinguish machine from hand sewn. Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries.Cream lace collar with black edging. Rosette pattern and some scalloping around selvage edge. Machine made lacelace, churchill island, janet amess lace collection, amess, collar, garment, clothing, machine -
Eltham District Historical Society Inc
Photograph, Wedding portrait, Kenneth Douglas Ingram with his second wife, Betty, 1962
Kenneth Douglas Ingram divorced his first wife Margaret Rose (nee Teagle) in 1944. Kenneth married Elizabeth Marie (nee Frisch) Milliken in 1962 (15162/1962) Margaret subsequently married Richard Fielding and they had a son Tom, Pam's half-brother.pam thoonen (nee ingram) collection, kenneth douglas ingram, elizabeth marie milliken (nee frisch) -
Beechworth RSL Sub-Branch
Badge - R.S.L. Circa 1919, Circa 1919
The badge design The League’s badge represents a readiness at all times to render service to Queen and country and to former comrades. It can’t be purchased and may only be worn by those who have served their country. The shield design is symbolic of the protection provided to those who wear it. Within the badge, red represents the blood ties of war that exist between comrades; white stands for the purity of the motives in joining the league – to render service without personal gain or ambition; and blue indicates a willingness to serve a comrade anywhere under the blue sky. The wattle represents Australia, with the leek, the rose, the thistle and the shamrock standing for Wales, England, Scotland and Ireland respectively.The collection of badges,medallion,issue diary and photograph shows what a soldier who served in WW1, received.It is good that this collection is still intact. Badge awarded to Driver of the 6th Field Ambulance, Malachy Sandy, no 3320,who enlisted March 6th 1915. RTA 14 Jan 1919.Metal badge with crown attached to top of badge.Two folded metal loop(for pin to attach to coat etc), soldered on back of badge. "1919" on crown."Australia" in red scroll along bottom of of badge.Engraved flowers top left and right below crown."Returned Sailors & Soldiers Imperial League" on blue circular background surrounding embossed soldier holding rifles. On the back of badge is : "Copyright / 83978 / Prouds Ltd"sandy, malachy, badge, rsl, imperial, league -
Carlton Football Club
Scrap Book, Dedicated to Carlton Player John Goold
John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book