In July 1840, Glenfine, consisting of 31,440 acres, was acquired by Thomas Downie. In March 1842 the 'Right of Run' was taken up by Thomas Chirnside who with an imported stallion 'Delapre' ran a horse stud. He apparently lived here for ten years and employed a gardener with a wife and five children from Hobart, Tasmania. Only some blocks of stone and a few trees remain of their homestead. In 1853 the property was transferred to Dr. John Chirnside, an elder brother of Thomas Chirnside. In 1857, William Rowe of Naringal purchased Glenfiine where he and his family lived until 1904 when it was bought by Richard Howell's estate. It was then 39,000 acres. The present house was built by the Rowes in 1872 of bluestone quarried on the property with a cement render overall. The architect was H.R. Casselli. Gold was found on the property and by 1898 the township of Hollybush was first reported, situated at either side of the front entrance, on the Cressy Road. The land for the township was given by William Rowe. In 1911 R.C. Howell, son of Richard Howell, became the owner, followed by his son in 1960. By 1990 Hollybush had a population of 426 persons. All of the early history of Glenfine, documents etc., were destroyed when Naringal homestead was burnt down in 1944. Glenfine was classified by the National Trust in 1974 and is on the Heritage Commission Register. Mounted black and white image of a large group of men and boys in front of a weatherboard shearing shed. The men are each holding a pair of hand shears. One young man is kneeling on top of a wool bale. A small blue biro 'x' identifies W. Todd. Glenfine was a pastoral station, and the original homestead still stands.shearing sheds, shearers, rural activity, william todd, glenfine pastoral station, thomas chirnside, thomas downie, richard howell, william thomas rowe

Black and white photo of shearers at Linton Park woolshed.linton park, charlie christie, carl hoffman, bill hyatt, jack mark, graeme stevens, fred ward, rural activity, agricultural workers, shearers

Original photograph taken around 1916 when the Linton rail line was extended to Skipton.Black and white copy of original photograph of men with horses and wagons in cutting. The photograph is understood to show men digging the rail cutting between the Glenelg Hwy and the Mortchup Rd reservoir in Linton.railway, workers, rural activity, railway line extension to skipton 1916

Used in shearing shed near Linton.Metal blade hand shears used for shearing sheep. String-bound handles and leather strap.sheep shearing, hand shears, rural activity

Used to document/label items on display at the Mannibadar Gymkhana Fleece Competition in December 1954. Provides name of exhibitor, description of sheep fleece on display, and judge's remarks. This certificate documents an entry from Percy (Ronald Percival) Howell, who farmed Corriedale and Merino sheep at Mannibadar. White cardboard certificate with black printed text. Text: " MANNIBADAR GYMKHANA / Fleece Competition / 4-12-1954. "mannibadar gymkhana. fleece competition, percy (ronald percival) howell, prize certificates, rural activity

Percy (Ronald Percival) Howell farmed Corriedale and Merino sheep on his property at Mannibadar. His sons were Ray, Ron and Mervyn (who was killed in action in the last days of World War II).Blue cardboard prize certificate with blue printed text. Awarded at the Mannibadar Gymkhana and Fleece Competition to Percy (Ronald Percival) Howell of Mannibadar for Most Valuable Comback Wether Fleece. The competition was held on Saturday, 4th December, 1954.Text: " MANNIBADAR GYMKHANA / AND / FLEECE COMPETITION / MANNIBADAR, SATURDAY, 4th DECEMBER, 1954 / FIRST PRIZE. "mannibadar gymkhana. fleece competition, percy (ronald percival) howell, prize certificates, prize ribbons, rural activity

Awarded at the Lismore A. & P. Society Annual Agricultural Show to Percy (Ronald Percival) Howell of Mannibadar, for Pasture Ground Suitable Meadow Hay. Event was held on Saturday, November 8th, 1958. Percy (Ronald Percival) Howell farmed Corriedale and Merino sheep on his property at Mannibadar. His sons were Ray, Ron and Mervyn (who was killed in action in the last days of World War II).Cream cardboard prize certificate with black printed text. Text: " LISMORE A. & P. SOCIETY / ANNUAL AGRICULTURAL SHOW / SATURDAY, NOVEMBER 8, 1958 / Third Prize. "lismore a. & p. society, percy (ronald percival) howell, prize certificates, prize ribbons, rural activity, lismore a & p show

Fleece was entered in the show by Percy (Ronald Percival) Howell who farmed Corriedale and Merino sheep on his property at Mannibadar. His sons were Ray, Ron and Mervyn (who was killed in action in the last days of World War II).Cream cardboard certificate with black printed text. Used to document items on display at the Lismore A. & P. Society Annual Show in the 1950s. Provides name of exhibitor, description of sheep fleece on display, and judge's remarks.Text: " Lismore A. and P. Society / ANNUAL SHOW, SATURDAY, NOVEMBER , 195-. "lismore a. & p. society, percy (ronald percival) howell, rural activity, lismore a & p show

Sepia photograph of sheep grazing on rural paddocks.rural activity, sheep farming, hill clarke & co., 'homebush'

The Fitridge family of Mannibadar worked as carriers. This photograph is said to have been taken at the Knight's property.Sepia photograph of four men and a woman standing in front of an early model truck which is loaded with wool bales.fitridge family [carriers], rural activity, transport, trucks, wool bales, knight's property

Two black and white copies of an original photograph which shows grain harvesting at Mannibadar. On the left of the photograph is a traction engine which is being used to operate a mechanical thresher. In the centre of the photograph are filled and stacked sacks of grain. Two horse-drawn wagons are to the right of the photo. The conveyor taking the grain from the threshing machine to the ground where it is being bagged has "J. Barlow & Son Ballarat" across it in large letters.mannibadar, rural activity, agriculture, farming, harvesting

Black and white copy of original photograph which shows horse drawn harvesting machinery being operated by Norman Ellis on a property at Mannibadar owned by the Lewers family.On front: "Norman Ellis harvesting on Lewers". On back: "G. Ellis" / "Norman Ellis harvesting on Lewers 19476".mannibadar, agriculture, farming, rural activity, harvesting, norman ellis, lewers family

Black and white copy of original photograph of a horse and wagon with two young men standing in it (Eugene Grigg on left and Bill Grigg on right). Behind them is a huge haystack. The threshing machinery is to the left.threshing, farm, eugene grigg, bill grigg, rural activity

Photograph was donated by Claire Flowers, a granddaughter of George Brown.Black and white copy of original photograph which shows shearers grouped together for a photograph inside(?) an unidentified shearing shed. Nearly all of them are wearing sun-hats and most are holding cups or plates. The only person identified is George Brown, in front row with pipe in mouth.On printed slip of paper with photograph: "Photo of shearers at Linton, Front row, first left with pipe in mouht is my grandfather george Brown who was the pund keeper and lived on 16 acres on the Geelong Road behind Gillets. He married Annie Meredith Nicholls." Signed "Claire R. Flowers".shearers, shearing sheds, woolsheds, rural activity, george brown

The photograph was dated to the late 1890s based on the ages of the two boys in it - Henry Francis Junior was born in 1884 and Robert Mitchell in 1885.Black and white copy of original photograph which shows shearers outside the shearing shed at Mt Bute Station. People identified are: Henry Francis Senior, looking out the window; Henry Francis Junior, kneeling centre front with arms folded; Jack Francis, standing under window; Jim Francis, standing third from right; Robert Mitchell, boy in front row, second from left; -?- Shields, man with white beard directly under the window. The Terry family from Illabarook, and Tom Jones, are also said to be in the photograph, but where they are is uncertain.woolsheds, shearing sheds, rural activity, shearing, shearers, mount bute [pastoral station], henry francis senior, henry francis junior, jack francis, jim francis, robert mitchell, terry family, tom jones, shields [shearer]

Sepia photograph of a large group of men dressed in working clothes, all wearing hats or caps, some standing behind others kneeling or seated on ground, with three men in suits and hats in the group posed in front of a large wooden building."Mrs Surman / H Kelly / Mt Bute shearing shed".mt bute shearing shed, shearers, rural activity, workers

This type of cast iron kettle was used by pioneer families, mainly rural in the early 1900's upon open fires (log). It covered rural activities that needed a constant readily available source of boiling water, in or mainly outside the kitchen of homesteads. This kettle was used in the early to late 1900's for the refreshment of stock men and farmers that had irregular "tea" breaks under sometimes hard and gruelling conditions.This kettle belonged to and was used by a Kiewa Valley, pioneer family, the Roper Family. This kettle was moved from their Kiewa Valley property to their hut built on the Bogong High Plains. The Bogong High Plains area provided Kiewa Valley cattlemen a good supply of fodder to supplement their Kiewa Valley grazing areas. This "camp draft" activity , in the high plains, could take up to six weeks.This large cast iron modified camp pot (cauldron) has a long tap connection located at the bottom end. The "tap" is made from brass and has a simple elongated "bar" control swivel at the end to control the water flow. The tap suggests that only water was heated (to a constant boil) for the replenishment of cattlemen's, or other horse rider's, tea or coffee mugs. Refreshments at a "temporary" location on the Bogong High Plains. There was a "log" hut built by the Roper family as temporary accommodation for cattlemen and other family members.Ot the flat bottom "FIRST QUALITY 2 GALLONS"camp fire cooking utensils, hot plate, cast iron cooking appliance, drovers kitchen

From archeological findings of aboriginal existence in the 40,000 years ago, to European history evolving over four distinct stages. Firstly, as a pastoral area, then as a stopover on the way to the goldfields. After the goldrush, Keilor became an area of rural activities. From the 1950's, available land and employment opportunities brought new citizens to Keilor from many different cultural backgrounds. Keilor has retained its rural heritage whilst embracing the features of a modern municipality. This video illustrates why Keilor is called the "The Best Country in Town"Keilor Our Heritage Produced by Keilor Historical Societykeilor

From the 1970's onward the relative isolation of regional areas was improving in "leaps and bounds". Social amenities, and life styles were changing at a great rate. Items such as this camera (recreational/life style/non professional) capture of the altering socio economic balance of rural based activities provided the catalyst for greater appreciation by city dwellers to the benefits of rural life. The greater levels of communicative avenues, especially the visual (photography, pictures, television and the internet), from the beginning of this period and throughout the time frame (1970 to the 2000s) has cut the major restraints of what was rural "isolationism".The significance of this type of camera, being a small two lens (normal, telescopic) and portable piece of equipment, allowed non professional tourists, locals or visitors to visually display the uniqueness of the Kiewa Valley and Alpine regions. This method of promotional and intimate visual reproduction of not only physical but also through personal involvement, of the photographer to the audience, a greater psychological impact, by the nature of intimacy involved. This type of photography is one of the most effective stimuli to promote the unique qualities of the Kiewa Valley region.This Item is dual lens (22mm,44mm) camera comprising of an elongated oblong shape, black hard plastic shell. It has a slightly rough surface(for a better fingers grip), two latches are located at the back, one to release the camera from its hinged protective cover and one to move to the next picture frame (film is within a cartridge).On swing cover "Kodak Tele 1 " on back in small print "MADE IN USA" On camera body "KODAK TELE EKTRA 1" underneath "CAMERA" and on slide switch(front) to change lenses:"Tele" and "Norm" kodak two lens camera, photographic hobby usa made camera

Although Heidelberg was one of the first parts of the Port Phillip District to be settled, and became important and prestigious in the early years of the colony, its history has been largely neglected. The beauty and fertility of the land and its proximity to Melbourne quickly resulted in the establishment in the 1830s and 40s of large estates by wealthy gentlemen. A romantic spot, Heidelberg became popular with picnickers and later attracted an artists' colony. The character of the area then gradually changed as a distinct village community emerged, and market gardens began to flourish. Unlike some of the suburbs closer to Melbourne, Heidelberg eventually wilted under economic pressures from which it did not fully recover until the turn of the century. This book allows us within the larger contect of the colony's fortunes and misfortunes, the struggle of Heidelberg the suburb to be born " - flyleaf. Contents: First land sales and subdivisions, gentlemen of Heidelberg and their estates and activities, infant rural community. golden fifties, decline and backwater, railway and land boom, a maturing community , the depression of the nineties. This book was the first to focus on the area of Heidelberg and its context within the Port Phillip District and remains significant as a key secondary source for describing the history of the area. It is relevant to the contextual history of its neighbour the former Shire of Eltham and Shire of Nillumbik.Hardback. Includes illustrations and index, 219 p.ISBN 0522840191port phillip district, ivanhoe, heidelberg, charles wingrove

Establishment and Functions Prior to 1860, the Chief Secretary's Department had been responsible for the administration of the gold fields and associated mining activities. In November 1860 a Commissioner of Mines was appointed and a Department was established under his administration. For the period November 1861 to June 1863, the Postmaster General was responsible for the Mining Department. A Minister of Mines was again appointed in 1863. Responsibilities of the Department of Mines were: 1. Regulation of mining and related public works activities through the issue of miners rights, business and residence licences, mining leases, mineral and other prospecting licences 2. Superintendence of the activities of mining surveyors, registrars, wardens and Mining Boards. 3. Investigation of the state's geological structure, mineral wealth and underground water resources 4. Development of the mining industry 5. Supervision of the safe working of mines, machinery and quarries including checking the credential of mine managers, inspectors and operators 6. Regulation of the disposal of sludge and other waste products 7. Administration of the Victorian Mining Accident Relief Fund. Arising from its initial responsibility for the supply of water on the gold fields, the Department became responsible for rural water supply from the mid 1860s. Statutory responsibility for rural water works during this period rested with the Board of Land and Works. In 1865 the Waterworks Act gave the Board power to construct waterworks, purchase land, levy charges and lease or sell works, while the Public Loans Act 1865 empowered it to provide loans to local water trusts for waterworks. The actual administration of these statutory provisions was undertaken by the Victorian Water Supply Department which operated from 1865 to 1889 as a sub-department of the Department of Mines, from 1889 as a department in its own right, and from 1895 to 1909 as a sub-department of the Department of Mines and Water Supply. For a brief period from 1891 to 1893 the Department of Mines was also responsible for forests and, until 1880, for the Schools of Mines subsequently transferred to the Education Department. In 1895 the Department of Mines and the Victorian Water Supply Department were amalgamated to form the Department of Mines and Water Supply. A snapshot into social history around the 1930s when the Department of works and the Mines Departments were still linkedReceipt Book for the Department of Works; Mines. Receipt No 2801 - 3000. 1st receipt Number 2801, "18th July 1936, for Rent of Cottage: 14 days for 2 pounds, 2 shillings. The inscription on the back is signed by J F Condau in 13-3-33Printed on spine "GENERAL RECEIPTS / 15 / 2801 / TO 3000" Printed on each receipt 'DEPARTMENT OF / PUBLIC WORKS. / MINES." Fill in using ink pen "(DATE) 18th July 1936 / (TO) - - - shields' / BEING) Rent of / Cottage: 14 days / (TO) 17th July / @ (symbol for pound) 1-1. p. week / . (symbol for pound) 2:2:-"Inside cover there is some red pencil writing, words and figures unreadable. Handwritten on back cover "Numbers checked / and found corredt / J S Coudou (?) / 13-3-33" One some receipts "Wharfage / S.S. Koonara"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, department of works: mines, receipt book, rent 1936, imperial currency, living costs 1936, department of works, department of mines, j f condou, 1933, 13-3-33

This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. Ladies’ Edwardian mourning outfit; three-piece tailored suit comprising of a black silk long sleeve, short-waist fitted and lined Jacket, a long sunray pleated skirt and long, lined petticoat. Items have been machine-sown and hand-sewn by a dressmaker. The skirt has handmade buttons of the same fabric.Handwritten in ballpoint pen “Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria