Soft cover bogold, keilor

The painter, Barbara Rush (nee Ayers) painted this picture of the house of Rosa Young in Macclesfield in 1947. Barbara was a member of the Emerald Arts Society and painted many pictures in her lifetime.Gift of Deborah Mitchell nee RushFramed watercolor painting of a house in bush setting.On back, handwritten: 'Water colour by Barb Rush' On back, torn framer's label: '..... Burwood Road, Glenferrie' On front handwritten in bottom right corner: 'Barbara Ayers'macclesfield, barbara rush

Photograph shows a rear view of X1 class tram No. 467 southbound turning from Irving St into Nicholson St, operating a service to the Williamstown Rd and Somerville Rd terminus.The destination blind shows 'Williamstown Rd' and many passengers are aboard. A number of shops and motor cars can be seen either side of the double tracks. This photograph was taken about six weeks before all three Footscray lines were closed on 10 March 1962.Yields information about X1 class 467 and the final weeks of the Footscray lines/Black and white print with note on rear.In pencil: "G Rush photo. 30 Jan 1962. Nicholson & Irving Street [sic] Footscray."destination blind, x1 class, williamstown rd, nicholson st, somerville rd, irving st, 467

This work emerged from a fascination with the invisible forces that shape life beneath the ocean’s surface known as the Bonney Upwelling. Found off the coast of Portland, Victoria, and part of the Great South Australian Coastal Upwelling System, this annual cyclic event draws cold, nutrient-rich water up from the depths and transforms the region into one of Australia’s most productive marine ecosystems. The composition layers flowing, interwoven currents with the presence of the animals they sustain—blue whales, fur seals, little penguins, and vast swarms of krill—suggesting that life here is inseparable from motion, temperature, and chemistry. The work attempts to render this ocean as a living system—restless, cyclical, and interconnected. From microscopic plankton to the largest animals on Earth, all are interdependent and bound together by the shifting flows. Visually, the work balances illustration and abstraction. Scientific data, oceanographic maps, and current models inform the directional lines and gradients while the animal life surges through teeming water. This approach invites the viewer to consider not just what is seen, but what is usually unseen: the forces that sustain this abundance. Ultimately, this artwork draws on the data that explains this oceanographic anomaly in rational scientific terms to elicit something more vital and ephemeral. In translating measured patterns into movement, colour, and form, the work seeks to evoke the lived energy of the system: a fleeting, dynamic convergence that exceeds its own description and invites a deeper sense of wonder. Marine life set in front of a blue and white patchy background. Seawater swirling. Each animal is outlined in black. In front are two whales, one with mouth open and the other with mouth closed. There are four seals and several crustaceans and other plant life. There are swirling black lines and in the bottom lefthand corner there is an 8 pronged spoke and above it a semi circle with five arrows pointing in different directions. The image has the feel of a scientific diagram. some of the smaller images of marine life anmd plants are in red.Bottom left: Rush Hour: Bonney Upwelling Portland Vic 14/20 Bottom right: Beth Croce '17bonney upwelling, portland, blue whales, marine life, scientific, diagram, print, female artist

Colour 35mm slide in white cardboard mount of Bendigo 6, with the destination of Golden Square inbound in Nolan St with the White Hills Bendigo works in the background. Photo from the collection of Lilian Butler.in ink on rear "No. 6 Bendigo fleet was No. 25 Ballarat" and "Jim Rush took this slide in Nolan Street, Bendigo North"tramways, trams, bendigo, north bendigo, nolan st, tram 6

Salters Rush Road, Smiths Gully Bridge over Salters Rush Creek following bush fires 15-16 Jan. 1962Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.H941 stamped on reverse (film processing #)infrastructure, shire of eltham, bridge construction, road construction, 1962-08, bushfires, salters rush road, smiths gully, victorian bushfires - 1962

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Fools Rush In by Kenneth Horne. The performances took place in the Kew Recreation Hall in June 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.fools rush in, kenneth horne, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

Gold mining in the Mafeking and Mount Willaim AreasWhite Paper cover with Printed title and other information. Staple in top left cornerArarat & District Historical Society Mafeking And Mount William Gold Rush Produced During Shire of Ararat Centenary Week March 1964 Price $1.50 Langi Morgala Museum Araratstawell mining

A story of the Mafeking Gold RushYellow with black print & picture of Gold Mine and PeopleAuthor Eric Bealemining

Photo of Will Rees Painting Gold Rush 1916?stawell

Photocopy of image of house and farm of William and Jessie Cant, Salters Rush, Queenstown. The orchard grew cherries, apples, plums, pears, quinces and berries - raspberry, blackberry, gooseberry, red currants and black currants. Also vegetables and flowers. All cultivation done by hand. (Chancellor photograph)houses, farming, orchards, salters rush, queenstown, smiths gully, william cant, jessie cant

Salters Rush Road, Smiths Gully Burnt out culvert following bush fires 15-16 Jan. 1962Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.H941 stamped on reverse (film processing #)infrastructure, shire of eltham, bridge construction, road construction, 1962-08, bushfires, salters rush road, smiths gully, victorian bushfires - 1962

In October 2011, Dr Jessica Gallagher, Vision Australia ambassador, appeared on the Triple M Rush Hour show. Hosted by James Brayshaw and Billy Brownless, their 'Good on ya' segment highlighted work down in the community.Jess Gallagher with James Brayshaw and Billy Brownlessvision australia, jessica gallagher

digger, music, concert

This book tells the story of the Victorian goldrush and the Eureka Stockade. 249 Pages with story and black and white photos with coloured jacketgold rush, victoria, eureka stockade

1 Black & White print from the National Gallery of Victoria The Australian Sketchbook is a collection of 24 Chromolithographs by artist Samuel Thomas Gill published in 1865. It includes sketches of Australian life in the 1860s of the goldfields and rural scenes. Original sketch is in colour This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, s.t. gill, gold miners, gold rush, horses, walking

Source: Royal Historical Society of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, other areas

A history of the Donnelly's Creek gold mine in VictoriaPaperback. Front cover has a drawing depicting two horses carrying packs followed by a man mounted on a horse. There is also two men on foot following with packs and walking poles. They are walking along a forest track that has some tree stumps alongside it.The back cover has two colour photographs. The top one is of an old wooden building with what appears to be an attached lean to. Both of the buildings have stone chimneys. There is a group of people sitting and standing outside the main building. The bottom photograph appears to be the ruins of a building and a fence. There are three people viewing the ruins.The captions accompanying the photographs are: History revisited - O'Sullivans Old Toombon Hotel Recreated and Remnants of a Bygone Mining Era.Stamp of the Marysville & District Historical Society Inc / P O Box 22 / Marysville 3779gold, gold miner, gold mining, gold field, gippsland, victoria, australia, history, fulton's creek, seaton, walhalla, aberfeldy, jericho, wood's point

Hardcover w/Dust JacketPenleigh Boyd, penciled symbol on dust jacketaustralian history, mining, walsh st library

473 p. : ill.(some col.); 25 cm. melbourne (vic.) - history - 1851-1901., melbourne (vic.) - social conditions - 1851-1901., melbourne (vic.) - economic conditions - 1851-1901., gold rush

Author Vanda Savillstawell gold mining

Murray Comrie Collection. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph. View of Commercial Road Tarnagulla looking south. A man at centre, walking toward camera. Right of this figure are two carts standing at the road's edge. Far right is Renshaw's Drapery and left of that the Golden Age Hotel. A man is walking along the footpath in front of Renshaw's. Typed caption on original is 'Commercial Road, Tarnagulla, looking south from Poverty Street'.tarnagulla, commerce, stores, shopping, shops, draper, hotels, golden age hotel, buildings, commercial road, main street

"This work is about paying homage to our First Nation Ancestors here in the south east corner of Australia. The symmetrical and asymmetrical lines reflects the intricate designs that were not only meticulously carved onto our shields, but these markings were also etched into the inner side of possum skin cloaks. These cloaks were not only to keep the wearer warm during winter, but were a huge part of an ancient traditional practice in telling and maintaining stories of the person that made his or her cloak. Each individual cloak was unique to that persons life.  At the corner section l have paid homage to William Barak, esteemed senior Wurundjeri Elder (circa 1830s - 1901). I have referenced some figures that he had painted around the turn of last century. His work is held in the Victorian Museum collection and are a record of the Wurundjeri people’s life before the incursion of the Europeans." - Ray Thomas A large, vibrant painted bas relief mural. The mural was created by local Indigenous artist, Ray Thomas (born Melbourne 1960, Gunnai, Brabrawooloong), and is an iconographic recognition of ancient lineage and celebrates a respect for people and country. Located at Northcote Civic Square, 189 High St, Northcote VIC 3070.