This uniform was worn by Sandra "Sally" Allmand circa 1953-57 as a member of the 3rd St Andrews Girl Guides company in Brighton. Sally Allmand went on to serve on the Brighton Council from 1977 to 1983 and was mayor in 1981.1950s Girl Guides uniform consisting of a dress, belt and beret. Blue cotton dress with long sleeves and high collared neck. Various patches sewn onto sleeves and front breast. Three front pockets fastening with black plastic buttons featuring Girl Guides trefoil logo. Breast pocket has two vertical white stripes. Brown leather belt with silver metal buckle with embossed Girl Guides logo and the text "Girl Guides Association / Be Prepared". Navy blue felt beret with two sewn-on patches. Included with the dress are a Girl Guides 'test card' dated 1953 and a rectangular De Reszke cigarette tin containing a collection of Girl Guide ribbons, patches and buttons. .1 - Dress .2 - Belt .3 - Beret .4 - Test card .5 - Box of patches and ribbonsDress label: "The Guide Shop / STATE HEADQUARTERS / RUN BY GUIDES / FOR GUIDES".girl guides, sally allmand, 1950s

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.25 buttons on gold card on green card. Clothing buttons, or to be admired. Made by an individual named 'Heather' in Mt. Compass (South Australia), through 1996-1999.Original Catalogue Entry: "En route to Victor Harbour we passed through Naracoorte S.A. where a lady in the Op Shop was sporting a lovely hand painted brooch. I asked her where she got it. She said her daughter had made it for her. I asked for her daughter’s details only to discover she lived where we were heading. Having made contact and eventually providing Heather with the sets of Mother of pearl buttons, she sent me a set each year in turn, of the flower, bird and animal emblems of each Australian State and Territory."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.5 buttons on pink metallic card. Made from brass, depicting mostly fish. Used for lady's blouse or dress. Made in Friesland (Netherlands) between 1950-1960.Original Catalogue Entry: "On a visit home Martha bought a set of buttons. Wearing them in Australia she lost one. Returning to Europe she returned to the jeweller for a replacement, only to discover the fish had changed direction! The next year she lost another and returning, on her annual visit, to replace it she discovered no more fish just plain hammered buttons! No matter she still bought one!"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.10 buttons on handmade paper on green card with dried flowers. Each button is a wooden representation of either logs or seed pods. Made by Dianne Thomas in South Australia, 1995.Original Catalogue Entry: "En route to Adelaide I found a post card and a few buttons in the Op shop in Heywood, A rubber stamp of a phone number was just decipherable. I rang to order a set, Dianne said she no longer made them but had a few left somewhere. At a later date they arrived in the mail - Thank you Dianne!"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Contrary to title, there is only 4 loops on 1 circle of leather. Made of goat horn, usefulness as buttons questionable. Created by an individual only known as 'Percy' in South Australia, 1999.Original Catalogue Entry: "The 2 ladies in the shop said they had no buttons then one remembered the ones that “Percy” had made so I bought them both but I’m not sure if it’s 2 circular leather buttons decorated with goats horn, or if it’s 7 goats horn buttons and if so how were they used?"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.3 toggles on blue paper on red card. Representing two ships and a tusk, made from whale's teeth. Made by a Jesper Rasmussen of Albany (Western Australia) in 2001.Original Catalogue Entry: "Seeing the lovely scrimshaw pieces for sale at the Information Centre in Albany, I enquired about the artist and was given a phone no. which I rang. Dorthe answered they weren’t far away “but don’t come for at least 20 mins” so she could square up! On arrival Jesper was gardening, not very interested in callers. “No” said Dorthe “no more buttons only these toggles” – his supply of whale’s teeth was gone and he was sick. Lovely other items there for sale. The next year I sent friends there to visit them, and was very sad to later learn Jesper had died not long after our visit, from a lung complaint, no doubt brought on by the dust from his scrimshandering."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.2 buttons on white card. Made of glass, coloured in blue and yellow with a triangular shape. For use on cardigans and jackets. Made by Irene Zinsstag in Victoria, sometime in 1999.Original Catalogue Entry: "I gave a talk at Hampton Community Centre, it was advertised in the local paper and Irene attended. She introduced herself afterwards and gave me the buttons."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.10 buttons on old paper on yellow card. Made from dried quandongs, presumably somewhere around the Mildura area. Unknown creator, circa 1930s.Original Catalogue Entry: "I like to think they were made and mounted by a housewife to supplement the family income during the Depression. No doubt an educated lady – the calligraphy is delightful. The rayon or artificial silk thread – “poor man’s embroidery thread” has not lasted the distance and some have fallen off and been lost. Of course the delicious fruit surrounding the stones would have been made into jelly or jam – and maybe sold too for more income."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.One button on grey card. Made of glass and brass, depicting a collection of colourful flowers. Made by a B. Stoner in 2000, location unknown.Original caption: "Bought from Dot’s stall at the Needlework Tool Collectors Association Conference, Melbourne."sally hearn, button collections

Frock was worn by donor's daughter Susan during time the family lived in England1964 white terylene dress, puff sleeves gathered at bodice and trimmed with nylon lace from neck edge to skirt. Five pearl buttons from neckline to skirt. Dress is lined from the bodice to the hem which is trimmed with nylon lace. Neck rear has two button opening. See also NA3591.1.2 Booties, NA3586 Bonnet, NA3592.1.2 BootiesSally Pigtail Regd - Terylenecostume, children's

Badge campaigning against the Victorian Liberal government's widespread privatisation of the public health service (and other public services) in the 1990s, which resulted in job cuts and site closures throughout the state. The Australian Nursing Federation, the union representing nurses in Victoria, was a strong opponent of these cuts and closures, that resulted in pressure applied on an already overstretched and poorly resourced group of workers. "In a context of high unemployment and an ideological commitment to small government, there were widespread job losses and people affixed stickers to their cars saying 'I've been Jeffed', i.e. made redundant. The cuts were not confined to government employees and many staff of private enterprises also lost their jobs. This was the era of the 'consulting poor' as professional staff struggled to make a living as independent consultants, rather than employees. They were well paid for short term contracts, but continuity of work was hard to find." (Sally Wilde, 'The History of Prahran 1990-1994', 2000)Circular blue, red and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'I've been 'Jeffed' and I'm paying the Penalty!' and 'ANF [Australian Nursing Federation] VIC. [Victorian] BRANCH'. 'Jeffed' refers to the then Victorian Premier Jeff Kennett (1992-1999).nursing, nurses, victoria, jeff kennett, 1990s, badges, buttons, pins, trade unions, labour history, protest, rationalisation, australia, politics, privatisation, australian nursing federation

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.21 buttons on dark green card. Depict different Australian animals with an impression made on the button, then painted. Two in the shapes of lorikeet, and another a map of Australia.Official Catalogue Entry: "This collection of glass buttons depicts Australian fauna and a small map."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.12 buttons on dark blue card. Made to look like blue koalas.Official Catalogue Entry: "Nancye gave me these saying she had used them on her daughter Louise Anne’s dress in 1956"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Two buttons on brown card. Made from either the bone or horn of a merino ram, ivory coloured round buttons perhaps as an academic exercise. Created by Eldred Johnstone in Kyabram (Victoria), 2004.Original Catalogue Entry: "Eldred collects shearer’s combs. I gave him 2 several years ago and told him he owed me 2 good buttons! Then he appeared on the doorstep several years later, out of the blue, with these 2 which he had so carefully made."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Buttons on large brown card. Various different colours, materials, and designs. Each set of buttons is attached to it's own card.Original Catalogue Entry: "The cards offer a variety of designs, and the countries of manufacture and the washing instructions are quite historical to us today."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Animal buttons on white card. Includes kookaburras, cockatoos, and penguins in various colours.Official Catalogue Entry: "What fun they all are and what “attitude” some of the dogs and cats have!"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Animal buttons on cream card. Consist of cats and dogs in various colours, materials, shapes, and sizes.No catalogue entry included.sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Animal buttons on white card. Includes birds, swans, chickens.No catalogue entry included.sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.8 buttons on blue paper on red card. Dark blue and brown in colour, made of glazed clay. Made by a 'Wally' c. 1930, somewhere around Maribyrnong (Victoria). Original Catalogue Entry: "Margaret’s mother Ella Stone had a boarder named Wally. Wally was an alcoholic and a bit of a ‘no hoper’ but he worked at the Maribyrnong Pipe Works. One day after school Margaret told him to take off his trousers, he couldn’t continue to go around without any buttons and she would sew some on for him. A while later Wally came home with a paper bag for her. In it were these buttons he had made at work for her! – made from the clay and glazes of Melbourne’s sewerage pipes in exchange for some trouser fly buttons!!!"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises seven square plastic buttons with rounded corners on yellow card on a larger tangerine coloured card. Official Catalogue Entry: "Mary worked at Tharrat’s Drapery Northcote1941 – 1971. She bought these buttons for her daughter Norma at Preston Market early 1930’s."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises three black moulded buttons, two embroidered crown badges and two fabric patches on a rectangle blue card. The buttons are round and have a raised Australian Commonwealth Coat of Arms design. The two crown shaped badges are machine embroidered in red and gold coloured thread. A rectangular navy fabric patch is embroidered in gold white with the Australian Coat of Arms and the words "A Quality Garment by Commonwealth Government Clothing Factory." A smaller rectangular cream fabric patch below is marked "A.G.C.F. 1975." Official Catalogue Entry: "Purchased in Victor Harbour and brought to Melbourne and given to me by Colin and Lureen Creek when they came over from S.A. to stay. I gave the jacket (as new) to the local Doncare Op shop."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises eight buttons, two of which are made from glass and are in the shape of flowers and six of which are made from vegetable ivory and were used for men's trousers. Manufacturers are unknown. Official Catalogue Entry: "Margaret Glover wore the glass buttons on a pink woollen dress. Alan’s father, Arch Glover, was a Collin’s St. tailor making “Weary” Dunlop’s suits, etc., in partnership with Mr. Guest. When Mr. Guest died in 1951, Arch worked at home, having built up a healthy list of clients."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises ten rectangular casein buttons mounted in a single row on a dark green card. Official Catalogue Entry: Beryl was a tailoress and dressmaker 1927 – 1930 - C.H.V. Thomas, Collins S., Melbourne 1930 – 1932 - ? Bros, Flinders Lane In the Depression years she worked at Jim Wise, Thornbury, making school and college blazers."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises 40 assorted couture buttons mounted on a rectangular cream card.Official Catalogue Entry: "Acquired over 20 years from numerous sources The Versace ones were given to me by Robert Smith after the closing down of Georges of Collins St."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Official Catalogue Entry: "The warranties printed on the cards e.g. “will not break in Mangling”. How many people know what a mangle is?"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises assorted buttons and button blanks in varying sizes, colours, designs displayed on a cream card.Official Catalogue Entry: "The extruded format of the 4 white buttons. This is how they are made today."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises a collection of assorted buttons, buckles, and dress fasteners mounted on three rectangular cards in red, green and orange. The collection includes circular, square, rectangular, triangular and diamond shaped components in black, green, cream, and pink. Several pieces feature geometric designs, contrasting coloured insets and decorative surface patterns. The buckles vary in form and size and include rectangular, circular, and triangular examples with metal fastening components. The items are constructured from Bakelite and steel and are variously stamped, glued and carved. Official Catalogue Entry: "Mona’s Swedish father came to Australia to introduce Electrolux. She was born in 1937 and the whole family emigrated, to save father commuting each year! Mother died. In 1946 George Jodell, her father, married Rosalind Hartung. She was an opera singer with the Gilbert and Sullivan Co. At age 31 she developed asthma so she could no longer sing. Her young brother worked in Flinders Lane and encouraged her. She had always made and designed her own gowns. She took a course in commercial cutting and became employed as a dress designer for Partington Modes, Flinders Lane."sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises 15 buttons and 6 switches of trim. The buttons vary in size, shape, colour and design, and include round fabric-covered, crocheted or lace covered examples, as well as plain and decorative buttons. The trim swatches consist of assorted lengths and samples of cream and white lace and embroidered textile trim, featuring a variety of openwork and decorative pattern. All buttons and trim are on green card. Manufacturer is Gwenda Booth of West Brunswick Aug. 2002. Official Catalogue Entry: "Maude Victoria Lord, 1894 – 1994, worked as a blouse cutter for Charles Reid of Prahran, and for Buckley & Nunn, on quality silk blouses with lace inserts and pin-tucks. She married Lesley John Wilson at 24 yrs of age. Charles Reid gave his employees a gold sovereign for each year of service! Maude bought a piano with hers!"sally hearn, button collections

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.The item comprises nine cream coloured, flower shaped buttons mounted on a rectangular dark brown chestnut coloured card. Each button featurers raised floral designs comprising of six rounded petals surrounding a smaller central flower motif. The buttons are arranged in four pairs, with a single button positioned below. The buttons vary slightly in size and appearance. Manufacturer is Beust & Bills of South Melbourne.Official Catalogue Entry: "The white deluxe 3 layered flower buttons were identified as from the first innerspring mattress c.1946 from Beust & Bills of South Melbourne. The others are typical of those used on kapok and horsehair filled mattresses of previous times."sally hearn, button collections