Note by T.H. Kneen 20 February 1991," 2 female students working at edge of shade house. Student at left is Muriel Haigh 1947-48."2 copies black and white photograph of the Shade House/Bush House with 2 students working in it.On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. N. A513."female student, muriel haigh, shade house, students working outside, bush house

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 106. Students identified as Oliver Frost and Dian Durrant. the caption reads, "The Old Nursery had only bare facilities but note the espalier fruit tree and the Shade House."Black and white photograph. 2 male students working outside the Shade House putting potted plants in small glasshouses. Espaliered fruit trees in the background.On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. c.1695Q ."students, shade house, glasshouses, green grows our garden, a.p. winzenried, oliver frost, dian durrant, espaliered fruit trees, students working outside, old nursery, nursery

Wonga Park: Mrs Sharp in front of shade house (later tea house) with baby Elizabeth in pram c.1913Photo is named 14880034.jpg on CD

Map. p.266fictionA novel of the North African campaignworld war 1939-1945 - fiction, world war 1939-1945 - campaigns - north africa

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails

Note by T.H. Kneen 11 December 1991, "Gentleman holding hose is George Russ (1916-36), who was the staff member responsible for the management of the grounds and practical training of students. Position of espaliers is puzzling-are the beds being planted up the future creation of the bush house?"Black and white print. 2 female students sitting on a board planting and a man standing watering with a hose. On reverse, "Title: Putting out Seedlings Neg:176."female students, planting, seedlings, george russ, students, espaliers, students working outside, bush house, shade house

Black & white photo visitors at the opening of the Centre on 13 March 1982, in one of the shade houses.city of nunawading, horticultural centre forest hill

Jones Family Collection - NP2565 to NP2606. See also ND3831.Black and white photograph of rhododendrons growing on Jones' Flower Farm in Mt Pleasant Road, Nunawading, Also shown is the Azalea Shade House.jones, bette, walter, rolf, geoffrey, arthur, keith, lionel, muriel, jones flower farm, mount pleasant road nunawading

The church and hall are located on the Dana Street hill. The shade and hot houses of Lang's Nursery can be seen in the bottom right of the picture. This sketch comes from from the Premier Album of Ballarat Views circa 1870-1880.church, hall, building, wesley church, dana street, lang's nursery, commerical, premier album of ballarat views

Used by students attending surveying classes at the School of Mines & Industries, Ballarat.Surveyor's level caste in metal with brass trimmings. Features external focus, twin inclined vertical crosshairs with stadia wires. With ray-shade clinomenter. Three levelling screws. Without transverse level (mounting provided). dust shield for object. Features glass lens x 2. Timber carry case features dovetailed joints, separate lid attached to body of case with two brass piano hinges along back side. Case has a metal carry handle screwed to each end. Matches tripod Item 4116 Item's serial number: 99142*The timber lid of the carry case has 'L3' painted on it in white paint. *The paper label glued to reverse side lid of inside carry box reads: STANLEY'S PATENT LEVELS AND THEODOLITES No.99142 July 1899 STADIA POINTS SET=1 : 100. In taking readings of a distant staff by means of the subtense points in the diaphragm, read every 1/100 foot (or metre) on the staff as being equal to one foot (or metre) of distance from the centre of the instrument adding to the reading of plus constant of 18 3/4 inchess from any distance shown. W.F. Stanley, Great Turnstile, Holborn, London. *The paper label glued to lower edge inside lid of carry box reads: N. H. SEWARD, "Optical House" 457 BOURKE STREET (Near Queen Street) MELBOURNE *Engraving on brass plate encompassing the catch on front edge of the timber carry case reads: H&C L (inside an engraved heart on LSH) EUCHRE LEVER (engraved on RHS of brass plate) *Maker's mark is engraved along the length of the telescope barrel: 99142 Stanley. Great Turnstile Holborn, London. level, theodolite, surveying instrument, surveying, scientific instruments

The Ballarat Technical Art School was established in 1907 as a division of the Ballarat School of Mines. Folded brochure with a prospectus for the newly established Ballarat Technical Art School. The principal was Herbert H. Smith. Subjects taught included Dressmaking, Millinery. Ladies Tailoring, Manual training, Carpentry, House Decoration, Signwriting, Lettering, Stenciling, Marbling, Graining, Glass Embossing, Ticket Writing, Art Teachers' Course, Life Classes, State School Teachers' CLasses, Drawing from a Flat Example, Drawing Ornament for the Cast, Practical Geometry, Perspective. Drawing in Light and Shade from the Cast, Modelling Plant Forms, Historic Ornament, Drawing the Antique From Memory, Composition of Form and COlour, Human Anatomy, Design, etc.ballarat technical art school, ballarat school of mines technical art and trade schools, prospectus, herbert h. smith, h.h. smith, f. foster, m. young, g. clegg, j. barber, t.r. pridgeon, albert steane, a.w. steane, e. cornell, art education

Used at the Ballarat School of Mines and the Ballarat Technical Art SchoolThis collection of examinations is significant because of its completeness with the full range of examinations between 1914 and 1950.Large leather bound books, with leather spine, containing all examinations held at the Ballarat School of Mines (including the Ballarat Technical Art School and Ballarat Junior Technical School). The examination papers were supplied and printed by the Education Department, Victoria. Examinations include: Agriculture, Algebra, Architecture, Arithmetic, Applied Mechanics, Assaying, Biology, Botany, Boilermaking, Building Design, Blacksmithing, Bricklaying, Carpentry and Joinery, Coachbuilding, Cabinet Making, Civil Engineering, Cabinet Making, Commercial, Chemistry, Engineering Drawing, Economics, English, Electrical technology, Electricity and Magnetism, Electric Wiring, Electric Welding, Electrical Fitting, Electrical Trades, Food Analysis, Geology, Geological Mapping, Graphics, Geometry, Heat Engines, Heat Treatment, Hydraulics, Hand Railing, Instrument Making, Millinery, Milling and Gearouting, Machine Shop Practice. Metal Founding, Mining, Metallurgy, Mineralogy, Mathematics, Motor Mechanics, Mine Surveying, Mining Mechanics, Petrology, Physics, Painting and Decorating, Pattern Making, Plastering, Plumbing and Gasfitting, Printing, Refrigeration, Spelling, Science , Shorthand, Surveying. Signwriting. Sheet Metalwork, Toolmaking, Ladies Tailoring, Trigonometry, Typewriting, Welding, Commercial Geography. Millinery, Dressmaking, Needlework, Decorative Needlework, Architecture, Building Design and Construction, Art (Composition in Form and Colour), Art (Casting Clay MOdels) Art (Drapery), Art (Drawing the Human Figure From Casts), Art (Drawing the Antique from Memory), Art (Drawing from Memory); Art (Drawing Plant Forms from Nature, Art (Drawing Plant Forms From Memory), Art (Drawing from Models and Objects), (Drawing From a Flat Example). Art (Drawing in Light and Shade from a Cast of Ornament or Lower Nature), Art (Drawing Ornament from the Cast), Art (Drawing from Models or Objects), Art (Drawing fro Dressmakers' and Milliners' Fashions), Art (Drawing With the Brush), Art (Drawing from a Flat Example); Art (Modelled Design), Art (General Design), Art (Embossed Leatherwork), Art (Practical Plane Geometry), Art (Practical Solid Geometry), Art (Geometrical Drawing), Carpentry and Joinery, Art (Human Anatomy), Art (Historic Ornament), Art (House Decoration), Art (LEttering), Signwriting, Art (Light Metalwork), Art (Modelling), Art (Modelling the Human Figure from a Life), Art (Stencilling); Art (Wood Carving) Refrigeration, Teaching, Boilermaking, Blacksmithing, Carpentry and Joinery, Coachbuilding and Carriage Drafting, Electric Wiring, Electrical Fitting, Graining and Marbling, Instrument Making , Machine Shop Practice, Metal Founding, Milling and Gear Cutting, Motor Mechanics, Painting and Decorating, Sheet Metalwork, Toolmaking, Printing, Pattern Making, Plumbing and gasfitting, examinations, ballarat school of mines, ballarat technical art school, trades, education department victoria, agriculture, algebra, architecture, arithmetic, applied mechanics, assaying, biology, botany, boilermaking, building design, blacksmithing, bricklaying, carpentry and joinery, coachbuilding, cabinet making, civil engineering, commercial, chemistry, engineering drawing, economics, english, electrical technology, electricity and magnetism, electric wiring, electric welding, electrical fitting, electrical trades, food analysis, geology, geological mapping, graphics, geometry, heat engines, heat treatment, hydraulics, hand railing, instrument making, millinery, milling and gearouting, machine shop practice, metal founding, mining, metallurgy, mineralogy, mathematics, motor mechanics, mine surveying, mining mechanics, petrology, physics, painting and decorating, pattern making, plastering, plumbing and gasfitting, printing, refrigeration, spelling, science, shorthand, surveying, signwriting, sheet metalwork, toolmaking, ladies tailoring, trigonometry, typewriting, welding., dressmaking, needlework, decorative needlework, architecture, building design and construction, art (composition in form and colour), art (casting clay models), art (drapery), art (drawing the human figure from casts), art (drawing the antique from memory), art (drawing from memory), art (drawing plant forms from nature, art (drawing plant forms from memory), art (drawing from models and objects), (drawing from a flat example), art (drawing in light and shade from a cast of ornament or lower nature), art (drawing ornament from the cast), art (drawing from models or objects), art (drawing for dressmakers' and milliners' fashions), art (drawing with the brush), art (drawing from a flat example), art (modelled design), art (general design), art (embossed leatherwork), art (practical plane geometry), art (practical solid geometry), art (geometrical drawing), art (human anatomy), art (historic ornament), art (house decoration), art (lettering), art (light metalwork), art (modelling), art (modelling the human figure from a life, art (stencilling), art (wood carving), teaching, coachbuilding and carriage drafting, graining and marbling, milling and gear cutting, commercial geography, exams, examination book

On display in History House.Portrait of a man seated next to a table with a tablecloth on it. He is wearing a three-piece suit of a pale shade, and has his left hand at rest on his left thigh, and his right hand on the table. A white hat with a dark band lies on the table. Image has been tinted.Front: (no inscriptions) Back: Captain Cairncorss. This photo came from Windson Cottage. Captain Fawthrop and Captain Cairncross were close friends over many years.(fountain pen, centre). Harry Ward Goldsmith, Late of Portland (green pen, lower centre).

A large lamp used used to light a room by showing light from above. Used in the Orbost district late 19th to early 20th century prior to electricity connection. Generally, lamps like this had a matching decorations on the shade and vase. It would have been almost impossible to find an exact match if the shade was broken so the next best thing was to replace it with a plain white one. The majority of the removable slip fonts were made to the same dimensions so it was not uncommon for an original font to be replaced with a different brand if it became unusable. This is an example of a domestic lighting device in use before the widespread connection of electricity to houses in Orbost.A large lamp which hangs from a bracket. It has a large white glass cover above the wick burner and below is a white bowl decorated with flowers. The hanging lamp is American and, from the design and pattern of the brass work, it was made by Edward Miller & Co. Both the shade and vase (font holder) are glass. It is most likely that the shade has been replaced at some stage. (ref. oillampantiques.com) illumination-lamp hanging-lamp kerosene-lamp

One of a collection of photographs purchased by the Society from Jack Day of Mornington.Black & White postacrd of Marldon Guest House. Situated in an elevated position over looking bay in Thompson Avenue, Cowes. House has verandah with garden behind a fence and a pine tree providing shade in the street outside."Murray Views No. 21" "Marldon Guest House, Cowes, Phillip Island, Vic." On Back: "Dear Matre, We are having a nice time here. It is my birthday today and we had a cake with three candles and I got 2 ribbons and some sweeties and some hankies. Will see you on Sat. Love Lyn. Addressed to: Mrs C. Henderson,17 Woodmason Street, Malvern, Melbourne."marldon guest house, cowes, phillip island, jack day collection

The cottage was called "Hexham" and was a tourist 'rental' property. It was situated on Mackey's Peak Rd, Halls Gap. It was eventually demolished to make way for a private home.The photo shows a cottage with a verandah, surronded by trees which partly shade the right side. The window frames and door are painted red. A table and chair stand to the right side of the door and a deck chair and an arm chair are on the left side. "Kodacolor print, Kodak, April-71M" stamped on back in pink.buildings, houses

This "hurricane lantern," is a flat-wick lamp made for portable and outdoor use. They had a strong glass shade which would protect flames from sudden drafts. It seems that the glass on this item is not the original one.This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.A metal "hurricane" lamp which has a glass shade. This is a portable oil lantern which has an oil tank on the bottom that forms the base of the lamp. The tank has a door for filling (missing), it also houses the wick and knob that increases or decreases the length of the wick. It has a carrying handle attached to each side of the metal frame.On the base - No 6(?) CLIPPERlighting lantern

This lantern could have been used for railway lighting. Railway lighting illuminated not only stations but also yards, engines, rolling stock, signals, signal-boxes and crossings. There were a number of different types of lamps used for a variety of railway purposes. This is a hand-held light.Railway lamps of this kind were significant railway items in their period of use as essential tools to the safe-working operations of the railway. Used domestically these lanterns were common in the period before the widespread connection of electricity. A painted red metal "hurricane" lamp which has a glass shade. This is a portable oil lantern which has an oil tank on the bottom that forms the base of the lamp. The tank has a door for filling and it also houses the wick and knob that increases or decreases the length of the wick.On base : No. 707 Globe Brand (globe of world) World Light MFY LTDlantern lighting hurricane-lamp

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea

Forty-four page dark red covered report with a red shaded photo/drawing of a young man on a skateboard, titled Storm Sequence (2000) by Shaun Gladwell. In the front of the book is a loose letter mentioning the 2007 annual Report, covering their activities of the Trust for the year. Titles in the book are: About Our Founder and Her Legacy; Trustee's Report; Grants Overview; Grants Approved in 2006-2007, which are Aged Care, Arts, Culture & Heritage; Community Support; Disability Care & Support; Education; Employment & Vocational Training; Environment; and Health; Investments and Grants - An historical perspective, Financial Summary and An Historical Insight: The Smiths in Australia. Most chapters have information.Helen Mcpherson Smith Trust Annual report 2007helen macpherson smith trust annual report 2007, helen macpherson schutt (nee smith), darvell m hutchinson am, j barry hutchins oam, frances h awcock am, keith b smith, anthony baird, darren mcconnell, liz gillies, sarah bartak, pamela beech, lonia catalano, beolite village, bundji bundji, odyssey house victoria, macpherson smith community alliance, brotherhood of st laurence, dolphin research institute, howard florey institute, the jean hailes foundation for women's health, historical insight - the smiths in australia, shaun gladwell

Hilda Hill Collection. Combination of Sepia and Black & White Photos. (Total 16.) two men with arms on each others shoulders, both with legs crossed, background shows large group of people and large trees, Hibernian Picnic November 19th 1919. Elderly lady holding two bird cages with birds therein standing in front of large flowering bush, the lady is dressed in all white and her hat lies on the ground in front of her, the hat appears to have flowers on the brim. Mrs Mc'Rosebower' October 1919. Hilda V. Standing with a background of shrubbery, wearing a dark dress, photo not very clear, 'The Ranche' March 1921. The Pinnacle One Tree Hill, people on the top lookout area and the wooden staircase for access, note the iron roof at the first level to provide shelter at ground level, April 1920. Lady on a ladies bicycle, dressed in geometric patterned dress, in front of an old shed with a corrugated iron roof. The bicycle has a front and rear mudguard, 'The Ranche' January 1920. Three ladies, the lady on the left is wearing a white dress with a black belt and holding in her right hand a small bag with a handle, the middle lady is wearing a dress of another colour with three strips of material at different levels on the front and holding her hands at her waist, also wearing lace up boots, lady to the right is wearing a white blouse and a dark skirt and her hands behind her back, background is garden, 'Durvol' December 1919. Photo of young girl dressed in black standing next to a small bush with her back to a house exterior wall, to the left is a white wall, NO Details.Three ladies standing beneath a large tree arm in arm, left girl is wearing a white top with a black belt and dark skirt, Centre girl is wearing a white top and dark skirt, girl at right wearing coloured? Dress with matching sash belt,'Durvol' December 19th 1919. Two men and three ladies in a rowing boat on lake Weeroona, both men are wearing dark suits and hats, the ladies are all in light coloured clothing and also wearing large brimmed hats. Kath wearing a black dress with a fox skin stole and holding a large bag in her right hand in garden setting, left background is a corrugated iron fence with wooden top rail, to the right is the wall of a building, September 1919 'the Ranche'. Jack wearing a black coat and jodhpurs with a white high neck jumper leaning on a wire and netting farm type fence, Mt. Buffalo July 1923. Photo of a 'Rosebower' in a garden corner, right shows part of a picket fence, wear and tear indicates that a gate may be in the fence accessible through the bower, October 1919. Two ladies holding tennis racquets, dressed in white blouses with one dark dress and the other a lighter shade sitting on stool inside a netted tennis court, both ladies are wearing large brimmed hats, background is a house with a water tank on the left end, three decorative chimneys, tiled roof, decorative panelling below the guttering, 'Kilmuir' October 1919. Lady on dark coloured horse, the lady is wearing a white blouse and jodhpurs and a large brimmed hat, background is house showing a bow window three chimneys and a small portion of the decorative fretwork below the gutter line of the verandah, 'Kilmuir' October 1919. Two young men dressing collar and tie one wearing a coat and three young ladies reclining on the ground, girl on the left is wearing a light coloured dress white blouse and cardigan, middle girl wearing a short sleeved top, right lady is wearing white blouse and dark coat, in foreground there appears to be a pudding meat and a wine bottle, left edge another male can be partially seen lying on the ground with a bottle in his left hand, at 'Monte Video' after dinner 18 July 1924. Ten people sitting and standing on a veranda, 'The Ranche', celebrating an event, small 4 wheel table with food, person front left holding a white cup and saucer, July 1924.australia, history, victoria post war touring boom, http://www.yourbrisbanepastandpresent.com/2012_02_01_archive.html

Sixteen photographs of the plant nursery owned and operated by the Sandhurst Centre in the 1960s to 1970s. Included are the buildings located off Holdsworth Rd, staff members and Sandhurst residents at work . The nursery propagated plants from cuttings for sale to the public.bendigo, institutions, sandhurst boys centre, plant nursery; shade houses; occupations; plant propagation; occupational therapy;

Hilda Hill Collection. Combination Sepia & Black & White Photos Double Sided Card Total of 8 depicting family life towards the end of the First World War in 1918 up until July 1924. A comparison exists between life at 'The Ranch' ? In Eppalock in 1918 versus life at 'The Ranch' in 1924. lady standing at the front of the house with left arm raised to shade her eyes dressed in a dark coloured dress, light coloured cover on chair in background at 'the Ranch' June 1918. Oval black and white photo of Doreen at Durvol, dressed in black skirt and white shirt with black school? Tie June 1918. Proud parents with baby sitting in pram, both p[parents are wearing dark coloured hats dark clothing and white shirts, pram is boat style body with large rear wheels and smaller front wheels. White picket fence in background, May 1918. Also on this page is a reference to 'The Ranch' July 1924 in white, but no photo. Claire and Doreen sitting on lawn area, small garden to left, row of decorative plants in semi circle, dead tree centre background and other trees to left and right background, S.H.L.C. 24 Sept 1918. Boys' Flag Drill - repatriation Upper Reserve 19 October 1918. Group of people, all but one females, all in white at No. 7 reservoir happy 9 January 1919. Al and Marie sitting, Al in all white and hatless, Marie in white blouse and black waistcoat with black tie, foreground shows large rocks, background has trees in distance, No.7 reservoir 9 January 1919. Childrens folk dance at Upper Reserve, All children dressed in white, large round hat in foreground, and suited man in hat walking past 19 October 10918.Hilda Hill Personal Collectionaustralia, history, post war life

Slide, Allan Budge Collection: Pairs & Terraces, House, Eaglehawk. A pair:Note that the verandahs have been extended below the gables to act as a shade for the windows.house, public, allan budge collection:, allan budge collection:

Slide, Allan Budge Collection: house, Hoskin Street.Window Hoods. Unusual, if not unique. The main roof creates the window shade, and is certainly not an addition.house, public, allan budge collection:, allan budge collection:

Slide, ALLAN BUDGE COLLECTION, Polychome Brickwork, Bancroft Street. Light and shade and polychrome.house, public, allan budge collection, allan budge collection