Used in the Palace Hotel, Torquay. In the Municipal Directory of 1891 it was said to be "large and comfortable with 35 rooms" and could accommodate 150 people. The building was designed by architect Joseph Watts and built by Charles Mills, both from Geelong.Significant because the hotel no longer exists. It opened in December 1888 as the Pioneer Coffee Palace, and was destroyed by fire in 1976. Today's Torquay Hotel is on the original site.Set of crockery, cream coloured with red strip with yellow edges and crest of the Palace Hotel Torquay in black on each item. The set comprises tea cup and saucer, small coffee cup, 2 saucers, 8 plates and 1 larger plate.Red strip outlined in yellow and crest of the Palace Hotel Torquay in black. "Vitrified / Globe / Pottery / Co Ltd / Shelton / England." "Supplied by / John Dynon & Sons / Melbourne" Hallmark designpalace hotel torquay, hotel insignia

Shiny covered cover using black text on grey and white abstracted background .non-fictionA discussion paper accompanying the Culture and Democracy Conference in Sheffield , UK 12 and 13 July 1986 activism, socialism, collective, class analysis

In WW1 it was common to get your own photos and having them as the picture for the postcard. All postcard photos are of Leonard Frank Shelton.1.- 2. Both B & W photos of shoulder/head shots of soldier from WW1. Identical person. Post card blank on back. 3. Sepia photo of soldier standing at attention, Postcard on back blank.1. Written "Leonard Frank Shelton". 2. Written "This is the one Len had taken in London".passchendaele barracks trust, postcards, photos, leonard frank shelton

Projector was used at Christ Church Anglican Church Mitcham (now All Saints Mitcham) for showing film strips to the congregation, Sunday School and youth groups.Early 'Shelton' film strip projector in a steel grey painted and hinged metal case with carrying handle. Projector has been finished in a 'hammered' meta paint with a large transformer as its base. It is a 240 volt projector. The film strip is manually rolled through the slots of the projector to show each frame separately. Project lens is adjustable for focus and it has a small angle of adjustment foe aligning the image on the screen.Shelton Projector Made in Australiaphotography, projectors

A light brown programme with a brown border and blue print on the front cover. It also has the words Castlemaine Choral Society. Season 1924. Tenth Grand Concert and a photo Mr. W.C. Frazier A.R.C.O., Conductor. Underneath the photo are the words ' A programme by the Bendigo and Castlemaine Choirs. Tuesday Evening, 2nd December, 1924, in Castlemaine Town Hall. Accompanists : Miss McGauchie and Miss E. Haines. Programme Threepence. H.W. Byrne, Hon. Sec. H.W. Shelton, Printer, Castlemaine.' 8 pages.H.W. Shelton, Printer, Castlemaine.program, music, castlemaine choral society, lydia chancellor, collection, music, bendigo choral society, castlemaine choral society, programme, castlemaine town hall, entertainment, singing, choir, entertainment, amusements, buildings, concert, program

An artist travels to a small island to be better immersed in the colonised minority language, and is met by a dead crane and an Irish-speaking, shape-shifting horse. The horse engages in a teasing conversation on family legacy and the fallacy of language. This work considers the preservation of colonised languages to complicate and grapple with white-settler positionality and privileges in Australia. It engages with language and place, personal family activist histories, poetic and musical inheritance and Irish folklore. Winner Nillumbik Prize for Contemporary Art 2025colonialism, minority, language, irish, shape-shifting, languages, place, activist, family, folklore, irish folklore

'Tú féin' takes as its starting point a single protagonist constructed by a shifting set of characters: a druid, a goddess, a colonial poet, and contemporary knowledge workers. This poet works on translating the language of fish, writing word lists and dictionaries, following a desire to communicate with fish about the forthcoming catastrophe of the future. The work references the wisdom attributed to fish in folklore, salmon farming, settler-written wordlists of Indigenous knowledge and language, Irish poetry and the general emphasis on the hyper-production of inspiration that the creative and knowledge industries uphold. 'Tú féin' continues my work with the Irish language to contend with the contradictions of my family’s Irish-Republican and settler histories. I approach these through learning language, archival research and an instinctive, unstructured filming process, each with an eye to the poetics of responsiveness to place and unexpected discoveries. I see learning marginalised languages a means of restructuring a Western framing of the world and proposing alternative possibilities and futures. In Irish, tú féin means you or yourself, but translates directly as ‘you yourself’, foregrounding the viewer’s culpability as protagonist in the desire to know more. - Jacqui Shelton 'Tú féin' was selected as the winner of the Darebin Art Prize in 2026, a biennial, acquisitive award celebrating excellence in contemporary art. Film Credits Sound by Tim Royall. The score is made from processed samples of ‘The Wandering Minstrel’ performed by Seamus Ennis. Eliza Hamilton Dunlop’s ‘Mrs David Milson Kamilaroi vocabulary and Aboriginal songs, 1840’ is held at the Mitchell Library, State Library of New South Wales. Archival images copyright National Folklore Collection, UCD, used here under Creative Commons Attribution 4.0 International. Artist Bio Jacqui Shelton is an artist-curator of settler-Irish descent. Her creative practice is grounded in a process of reading and writing, which manifests in short films, sound works, essays, online works and performance. Shelton is interested in how voice, language, and images can collaborate or undermine one another. Through storytelling, she makes embodied knowledge visible and public to reveal the tensions and poetics of held histories and social constructs. Shelton’s work has been presented in the Art Gallery of New South Wales, Sydney; Institute of Modern Art, Brisbane; Perth Institute of Contemporary Art; and in Melbourne at Monash University Museum of Art, National Gallery of Victoria, and Australian Centre of Contemporary Art.

Article describing the early experiences of Australian Imperial Forces (AIF) nurses in Malaya, including their arrival, leisure time activities and thoughts on the local people, climate and landscape. Quotes from unnamed nurses and Matron Olive Dorothy Paschke.A large newspaper page featuring a large black and white group photo above a related story and ads. The photo shows a large group of women in nurses' uniforms standing and seated, with three others dressed all in white amongst them.wwii, ww2, world war two, malaya, aif nurses

Photographs depicting AIF nurses on service in Malaya during WWII. Point of interest is that this page in the Returned Nurses collection differs from the digitised version on Trove (see References) unknown why this is.Large page clipping of seven black and white photographs depicting nurses in uniform at work with colleagues and patients. All photos have captions and the page has a heading in text.'WWII' [blue ink, top left hand side of clipping]wwii, ww2, world war two, malaya, aif nurses, olive dorothy paschke

This is the twenty-second issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2217.1 belonged to Mary Gilbert, a former teacher at the school. 2217.2 belonged to Brenda Murray, a former East Gippsland Shire mayor and prominent Orbost resident. 2217.3 belonged to Mr and Mrs Shelton. This magazine is a useful reference tool.Three copies of Croajingolong 1969. It has a white cardboard cover with black print. On the cover is a stylised "CROAJINGOLONG".2217.1 - has Mr & Mrs Shelton in blue pen on the front cover 2217.2 has Brenda Murray in pen on front covercroajingolong orbost-high-school

Black and white photograph. 5 Ladies from St Monica's Catholic School Committee 1961, Kangaroo Flat. Front: Mrs Cam Graham, Mrs J McNamee. Back row: Mrs V Shelton, Mrs Moroney, Mrs Mc Grath.Herald Suneducation, st monica's, st monica's catholic school, committee, graham, mcnamee, shelton, moroney, mcgrath, kangaroo flat

Framed photograph of John Victor Shelton, Principal of Collingwood Technical School, 1.1.1960-31.5.1962collingwood technical school, principal, john victor shelton, 1960-1962, nmit

Bendigo Advertiser ''The way we were'' from 2001. Top form: in 1949-50, Kangaroo Flat's B grade cricketers were premiers for the third successive year. Back row: K. Gibbs and Ross Lanyon. Middle row: Bert Rowe, A. Elliot, Clive Brown, Geoff Salathiel, Jake Shelton, W. Jackson and Ned Shelton. Front row: P. Sutton, H. Gillet, Les Shelton (captain), Ted Wingrave, F. Budge and Eric Lanyon (secretary). The clip is in a folder.newspaper, bendigo advertiser, the way we were

The poem was written in memory of John Magee a 19 year old RCAF pilot who died as a result of an aeroplane crash.A poem inspired by the Airmen of WWIIAn Airman's Inspiration - poem by MaGee JRA poem was supplied by Mr R.C Shelton in 1944 Written By Magee JRnewspaper article,, airmans inspiration, magee jr, high flight

Storyboard of Arthur Shelton, Platoon Commander, Battalion Senior Medic, Pleiku, Van Kiep, February 1969 - February 1970. Service Number 311517, AATTVstoryboard, behind the wire, arthur shelton, medical, pleiku, aattv

A black and white photograph of Arthur Shelton, Platoon Commander, Battalion Senior Medic, Pleiku, Van Kiep, February 1969 - February 1970. Service Number 311517, AATTVphotograph, behind the wire, arthur shelton, pleiku, aattv, medical

Vitrified/Globe Pottery Co .Ltd Shelton England. Supplied by John Dynon & Sons Melbourne.

Vitrified/Globe Pottery Co. Ltd Shelton England. Supplied by John Dynon & Sons Melbourne.