Digitised directly from 'The Native Races of the British Empire: Victoria' Black and white Image of Aboriginal club shields and spear sheildsaborigine, aboriginal, shields

The Royal Warrant assigning the Armorial Bearings to Victoria was signed on the 6th June, 1910 by King George V. The motto Peace and Prosperity was the first to be in English among the Arms of any Public Authority in Australia. In 1958 the Pink Heath was proclaimed as the floral emblem of Victoria. This led to a request to have it included somewhere in the Armorial Ensigns of the State. The solution was to have the plant shown growing from a grassy mound. On the 28 March 1973 Queen Elizabeth II signed a further Royal Warrant which added the mound. This shield is the official emblem of the State of Victoria. It can only be displayed in limited place such as Law Courts and Victorian Government offices with permission of the Victorian Government.2 Victorian Coat of Arms from the Victorian State Government offices in Wodonga. The kangaroo at the top holds a crown. The shield also features the Southern Cross. Two female figures represent Peace and Prosperity. The figure on the left wears a laurel wreath crown and carries a sprig of olive in her hand, representing Peace. The other figure wears a crown of golden cereal and holds the horn of cornucopia, representing abundance or Prosperity. The first one is mounted on a wooden, varnished board.At the bottom of each shield "'PEACE AND PROSPERITY"shield, heraldry, victorian state government

Early mantles were made of cotton mesh, which would burn away upon first use to leave behind a fragile mesh of thorium and cerium oxides.Tilley lamp mantles, crucial for the kerosene pressure lamp's intense white light, evolved from delicate, early cotton-mesh designs to durable, modern materials. Two small white paper packets containing one silk double-tie mantle for all Tilley Lamp types with directions for use and manufacturing details printed in red print on the front. There is a blue shield at the top of the front of the packet underneath 'The Shields' brand. The silk mantle has a fine lace type appearance.'The Shields One Silk Double- Tie Mantle for all Tilley Type Lamps.' Directions are included below as well as manufacturing information.lighting equipment, lamps, kerosene lamps

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of four men and one woman standing in front of a brick wall of a house. The roof with several chimneys extend to the top of the photo. The people are from left to right Frank Wright, Geo Oliver, Bill Clegg, Mrs Oliver and Bill Oughton. The place is South Shields, England.Written in pencil of back - Frank Wright (left), Geo Oliver, Bill Clegg, Mrs Oliver, Bill Oughton at the home of Geo Oliver, South Shields. Sept 1934frank wright, george olver, bill clegg, mrs olver, bill oughton, south shields

Framed shields.shield, coat of arms, ballarat university college, ballarat school of mines

This photograph of Jane Shields was taken at the Burlington Studio, Melbourne in the late 19th to early 20th century. Jane Shields became friends with Eva Carmichael in 1878, a friendship that continued throughout their lives. The item was created by layering fabric glued onto card, the the oval-cut photograph blued onto the fabric. A tea set was given by Eva Carmichael, a survivor of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, who was the young woman who supported Eva during her recovery from the ordeal. Jane was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This photograph of Jane Osborne nee Shields is significant for its connection with Eva Carmichael and the wreck of the Loch Ard in 1878. Memorabilia connected to Eva Carmichael are precious and rare. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Photograph; studio portrait of the upper torso of a female. The photograph has been has been cut into an oval shape, glued on rectangular fabric that was already glued onto card. The woman is wearing a light-coloured jacket, white blouse and bow tie. The figure is Jane Osbourne, nee Jane Shields, a friend of Eva Carmichael. An inscription is handwritten on the matt card. Burlington, Melbourne, produced the photograph."Burlington, Melb." flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, china tea set, tea cup, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, eva townsend, jane osborne

Roger/Mrs Joan Stratton/(nee Shields)textile mills - staff textile mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l. stratton, mrs joan, textile mills - staff, textile mills - history, textile mills

Article published in the St John Ambulance Historical Society of Australia journal, volume 9 (2009-2010), about the life and nursing career of Emma Maud McCarthy. Maud McCarthy had a profound influence on nursing, serving overseas throughout WWI and then later becoming "one of the first senior nurses to recognise the impact of war on minds, she set up separate units for men who had self-harmed and she pioneered nurse anaesthetists in the British Armed Forces" (-Rosemary Shields). Photocopied article from the St John History Journal. The first page is a copy of the contents page of volume 9, followed by copies of pages 49-55 containing the article and photographs. nursing history, world war 1, world war 1914-1918, first world war, wwi, australian medical history, british medical history, nurses, emma maud mccarthy, maud mccarthy

A2/4240-99-461-4625

Used by Victorian College of Agriculture and Horticulture for awards between 1983-1996. Found in Former Staff Room.VCAHawards, vcah awards, shield, plaque, vcah trophy, artifact

Mr John Wilson Gillie was born on the 31st of March 1864. On the 31st of July 1880 he was apprenticed for four years to J.J. Wilson and Sons, Nautical Instrument Makers of Sunderland. Following the apprenticeship he spent six months to a year as an ‘improver’ in Glasgow, and then started a new company ‘Wilson and Gillie’ in North Shields. At this time sail had just given way to steam and wooden ships to steel, and the railways were competing with colliers for the carrying of coal from the North East of England to London and the South. In 1858 only seven out of 44 shipyards on the Tyne were using iron, but by 1862 there were ten, employing around 4,000 men. These changes had a significant effect on nautical instrument manufacturers, as the magnetic compass for a wooden sailing vessel was very simple and required little in the way of compensation. For steel vessels much more was required and this was a period of great development, both in the compass bowl and the binnacle in which it was housed. In 1870 Sir William Thomson (later Lord Kelvin) designed his dry card standard compass, which completely replaced all previous designs. Wilson and Gillie started as agents for the Thomson compass, but later J.W. Gillie, using similar principles, redesigned the compass suspension and patented the ‘UNIT’ standard compass. It became popular with local shipowners and shipbuilders. In 1910 the firm of John Lilley and Son (which had been established in London in 1812), found themselves in financial difficulties and were saved with the help of John Wilson Gillie, who established, on the 8th of August 1911, a new firm of John Lilley and Son Limited. John Lilley and Son had been the sole London agents for Sir William Thomson, a very enviable position during this period, when the Thomson compass led the field. Unfortunately, Mr. Lilley had quarreled with the Glasgow company, who withdrew the agency and established their own branch in London (later to become Kelvin White and Hutton). On November 7th 1913, the firm of John Lilley and Son Limited of London amalgamated with Wilson and Gillie of North Shields, and after this date instruments manufactured by the two companies bore the name John Lilley and Son Limited of London and North Shields. During the 1930s many of the London nautical instrument makers were in difficulties, including John Lilley and Son Limited and Reynolds and Son, Dobbie and Clyde Limited, and Mr. J.W. Gillie arranged an amalgamation between these two companies. The new firm became Lilley and Reynolds Limited. In 1943, with estate duties in mind, the North Shields company was reconstituted and took the name of John Lilley and Gillie Limited, although the shareholders, directors and personnel remained unchanged In the early 1970s Lilley and Gillie developed close links with Observator in Rotterdam, who manufactured one of the first fully reliable transmitting magnetic compass systems. The Observator shareholders, Holland America Line, bought the share capital of John Lilley and Gillie Limited., but retained all the personnel and the directors. Tug Melbourne: The barometer was salvaged from a 496-ton tug that had been built in 1952 and had sunk in Port Philip Bay on the 9th of August 1972 after a collision with the SS Nieuw Holland, in 1973 it had been raised and scraped at this time the barometer was salvaged. The tug had been renamed from the Howard Smith to the “Melbourne” after the Adelaide Steamship Co was taken over by Howard Smith& Co, who were heavily involved in towage, salvage and the stevedoring industries in 1961.The significance is that the item was on a vessel that was evolved in a serious collision in Port Philip Bay in 1972. It is linked with the activities of the Port at that time and helps to form a picture of what the maritime industries that operated from Port Melbourne were like and the activities that stevedore and towage companies underwent.Ship Barometer, in brass caseInscribed "Compensated" , "John Lilley & Gillie Ltd London & North Shields." and "Millibars".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, barometer, ship's barometer, weather instrument, john lilley & gillie ltd, shipwreck artefact, the tigboat melbourne, north shields, howard smith, the melbourne, salvage

MOK001.1 - MOK001.10 Methodist Order of Knights Pages yellow cotton shields with a vertical light blue ribbon and a navy blue vertical ribbon. Each shield has an officer bearer's metal symbol in the top right quadrant. The collar is of white cotton. MOK001.1 Court Leader; MOK001.2 Dean; MOK001.3 Marshall; MOK001.4 Secretary; MOK001.5 Chancellor; MOK001.6 Companion; MOK001.7 Provost Marshall; MOK001.8 Marshall; MOK001.9 Guardian; MOK001.10 Minstrel.methodist order of knights

Mr John Wilson Gillie was born on the 31st of March 1864. On the 31st of July 1880 he was apprenticed for four years to J.J. Wilson and Sons, Nautical Instrument Makers of Sunderland. Following the apprenticeship he spent six months to a year as an ‘improver’ in Glasgow, and then started a new company ‘Wilson and Gillie’ in North Shields. At this time sail had just given way to steam and wooden ships to steel, and the railways were competing with colliers for the carrying of coal from the North East of England to London and the South. In 1858 only seven out of 44 shipyards on the Tyne were using iron, but by 1862 there were ten, employing around 4,000 men. These changes had a significant effect on nautical instrument manufacturers, as the magnetic compass for a wooden sailing vessel was very simple and required little in the way of compensation. For steel vessels much more was required and this was a period of great development, both in the compass bowl and the binnacle in which it was housed. In 1870 Sir William Thomson (later Lord Kelvin) designed his dry card standard compass, which completely replaced all previous designs. Wilson and Gillie started as agents for the Thomson compass, but later J.W. Gillie, using similar principles, redesigned the compass suspension and patented the ‘UNIT’ standard compass. It became popular with local shipowners and shipbuilders. In 1910 the firm of John Lilley and Son (which had been established in London in 1812), found themselves in financial difficulties and were saved with the help of John Wilson Gillie, who established, on the 8th of August 1911, a new firm of John Lilley and Son Limited. John Lilley and Son had been the sole London agents for Sir William Thomson, a very enviable position during this period, when the Thomson compass led the field. Unfortunately, Mr. Lilley had quarreled with the Glasgow company, who withdrew the agency and established their own branch in London (later to become Kelvin White and Hutton). On November 7th 1913, the firm of John Lilley and Son Limited of London amalgamated with Wilson and Gillie of North Shields, and after this date instruments manufactured by the two companies bore the name John Lilley and Son Limited of London and North Shields. During the 1930s many of the London nautical instrument makers were in difficulties, including John Lilley and Son Limited and Reynolds and Son, Dobbie and Clyde Limited, and Mr. J.W. Gillie arranged an amalgamation between these two companies. The new firm became Lilley and Reynolds Limited. In 1943, with estate duties in mind, the North Shields company was reconstituted and took the name of John Lilley and Gillie Limited, although the shareholders, directors and personnel remained unchanged In the early 1970s Lilley and Gillie developed close links with Observator in Rotterdam, who manufactured one of the first fully reliable transmitting magnetic compass systems. The Observator shareholders, Holland America Line, bought the share capital of John Lilley and Gillie Limited., but retained all the personnel and the directors. (See Links for more information)A significant item of early 20th century marine navigational equipment made by a leading manufacturer in the field from a company that is still producing marine navigational instruments today. John Lilleys company began in 1812 growing at a time when the transition of compasses from timber ships, to steel vessels. Compasses at this time required a method of compensation to allow their inclusion in steel vessels without magnetic deviation. This therefore was a period of great development, both in the compass bowl and the binnacle in which it was housed and the Lilley company were leaders in the field. Ships binnacle, wood with brass fittings, consists of 2 brass lamp holders, place for compass, Also has an inclinometer with a scale 40 to 0 to 40, one red and one green iron Kelvin compensation balls, one on each side of binnacle denoting port and starboard, a brass cylinder attached perpendicular at the rear for storing a Flinders Bar, 2 hinged cupboards containing adjustable wooden racks with drilled holes in them to hold iron Heeling error magnets.Textured brass plate attached to front stating "JOHN LILLEY & SON LTD (WILSON & GILLIE), NAUTICAL INSTRUMENT MAKERS, NORTH SHIELDS" . Inclinometer has "JOHN LILLEY & SON LTD (Wilson & Gillie) LONDON & NORTH SHIELDS" engraved. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, binnacle, john lillie & son ltd, compass

One of three images featured in an article, published in the Argus in 1952, about the lonely life of a sailor and the entertainment at the Mission to Seamen Melbourne. The legend for the picture mentions : "John N. Thompson, a teenager from North Shields, England, plays table tennis."An identifiable image of a visiting seafarer at the Mission to Seamen, Melbourne in the 1950s. In the background we can see some photographs of crews and ships that are still in the collection.Black and white gloss photographic print depicting a young man in suit playing table tennis in the Mission to Seafarers on verso: indigo blue ink stamp : COPYRIGHT PHOTOGRAPH .../ .../ The Argus MELBOURNE AUSTRALIA / Negative no [in pencil] AG991(B) Reference No [ blank] At lwr right corner in pencil: "PH-8"table tennis, seafarer, shore leave, ping pong, sports, games, mission to seamen, seaman's mission, mission to seafarers, john n. thompson, north shields, england, sailors, costume, flinders street, ship crew, argus

An Octant is a doubly reflecting navigation instrument used primarily by sailors to measure the angular distance between two visible objects and was a forerunner of the sextant. The name comes from the Latin octo, or "one-eighth of a circle," for the Octan'ts arc which spans 45°, or one-eighth of a circle. The primary use of an Octant is to measure the angle between an astronomical object and the horizon for celestial navigation. The estimation of this angle, is known as sighting or shooting the object, or taking a sight. The angle, and the time when it was measured, can be used to calculate a position line on a nautical chart (latitude), for example, sighting the Sun at noon or Polaris at night (in the Northern Hemisphere) gives an angle by which the latitude can then be estimated. Sighting the height of a landmark on land can also give a measure of distance. This fine octant once belonged to Captain Farquhar Chisholm and was donated by his granddaughter, Margaret Ruth Greer (nee Chisholm, born 1914). The label inside the Octant's box reads “Thomas L. Ainsley, Instrument Maker … etc”. Farquhar Chisholm was born in 1832 in Inverness, Scotland. He regularly sailed on perilous voyages between Quebec, Canada and the Baltic ports of Europe. In 1854 he migrated to Australia during the Gold Rush, to a place called Fiery Creek (near Beaufort Victoria) where he was fairly successful in his quest for gold. In the years of the Great Gold Rush, it was said that there were over 40,000 diggers in the goldfields of the Beaufort area! In 1857 having made sufficient money, he hired another crew and returned to Clachnacuddin, Inverness shire, Scotland and in that same year, he studied and obtained his Master Mariner Certificate (which would have included the use of an octant for navigation). He was appointed to Mr George (or James) Walker, as commander of his sailing ship, the 3-masted ELIZABETH, built 1859 and known as “The Walker barque”. In 1870 he married, then in 1887 returned to Australia with his wife and children (Kenneth Chisholm (1871), Mary Bremner Chisholm (1873), Margaret Hood Chisholm (1874), Farquhar Chisholm (1878)). They arrived in Port Melbourne, Victoria and sadly, only six weeks after landing, his wife Caroline passed away (in Geelong,1888). In 1900 Capt. Chisholm lived in Camperdown (Victoria) and not long after this his daughter Margaret died of consumption. In his later years, he went to live in the manse of St. Paul’s Presbyterian Church, Wangaratta, with his son, Rev. Farquhar Chisholm. He died there on Sat, 23rd March 1912, 80 years old. He was known as “… quiet, unobtrusive and competent, respected by all with whom he came in contact”. Some other members of Captain Chisholm’s family are; his older son Kenneth Chisholm, who was a contractor in Camperdown; a nephew Donald Macintosh (of 23 Douglas Row, Inverness); a grandson Brian Jones (son of Caroline Belle-Jones nee Chisholm, who lived in Camperdown in the earlier part of her life).The octant, the forerunner of the sextant, was a significant step in providing accuracy of a sailors latitude position at sea & his vessels distance from land when taking sightings of land-based landmarks.Octant, once belonging to Captain Farquhar Chisholm. Wedge shape (the size of an eighth of a circle), made of wood, glass and metal. Used in the 1880s. Maker’s name across centre “L. SIMON - - - SHIELDS”. Three (3) light filtering, coloured glass shades. Two (2) eyepieces. Scale attached for measuring angles. Label inside the fitted, wedge-shaped case "Thomas L. Ainsley, Optician"Label inside case "Thomas L. Ainsley, Optician" Maker’s name across centre “L. SIMON - - - SHIELDS”.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, maritime navigation, navigation instrument, migration, captain chisholm, farquhar chisholm, sailing ship, the elizabeths, thomas l. ainsley, l. simons, shields england, octant, john hadley, chisholm

Article published in the Journal of Medical Biography in 2014 about the life of Emma Maud McCarthy, "one of the most decorated nurses of the First World War". She had a profound influence on nursing, serving overseas throughout WWI and then later becoming "one of the first senior nurses to recognise the impact of war on minds, she set up separate units for men who had self-harmed and she pioneered nurse anaesthetists in the British Armed Forces" (from abstract).Black and white photocopy of an eight page, double-sided, journal article with text divided into two columns down each page. The article contains two photographic images of Maud McCarthy, one dressed as a Matron and the other as Dame on the occasion of the King's coronation. 'February 19, 2015' [Highlighted in yellow highlight marker at the top of the first page]nursing history, world war 1, world war 1914-1918, first world war, wwi, australian medical history, british medical history, nurses, emma maud mccarthy, maud mccarthy

Article published in the Journal of Medical Biography in 2014 about the life of Emma Maud McCarthy, "one of the most decorated nurses of the First World War". She had a profound influence on nursing, serving overseas throughout WWI and then later becoming "one of the first senior nurses to recognise the impact of war on minds, she set up separate units for men who had self-harmed and she pioneered nurse anaesthetists in the British Armed Forces" (from abstract). Collection of four typed letters. Two are on A4 paper and two on A5. Each one has the 'Returned Sailors, Soldiers & Airmen's Imperial League of Australia' title across the top, followed by the Victorian Branch emblem.'22.3.45 / papers are with books ?' [Handwritten in the top left corner of the second memorandum letter] '1.2.45. / Mrs Holland seen by ? + ? / + ? of honorary League Membership received but / no badges will be issued / unless the sister becomes a / ? League Member / ? suggest membership / of Womens League' [Handwritten in brown and red ink the bottom left corner of the final letter]nursing history, world war 1, world war 1914-1918, first world war, wwi, australian medical history, british medical history, nurses, emma maud mccarthy, maud mccarthy

The Sherbrooke Netball Association (SNA) ran competitions from the mid-1970s until 2017-18, with Emerald teams still competing in the final roster available online from August 2017. However, by this point the SNA had been in a slow decline for at least a decade, with teams gradually moving to the Mountain District Netball Association. This Perpetual Shield Trophy - a wooden trophy in the shape of a shield with metal mini-shields designed to have each year's winner engraved on them - only saw four winners engraved on it, with the other 15 slots left empty. The most recent winner was Emerald in 2013; given this was several years before the competition fully ended, it is possible that by 2014 there were alreeady not enough teams and players to continue running the open mixed championship. This shield recalls a long-standing, now-defunct local netball competition, including two consecutive victories by the Emerald team.This item is a wooden shield-shaped trophy. Affixed to it in a rectangular grid (four rows and five columns) are brass mini-shields, in the same shape as the wooden shield. The middle space of the second row of shields is replaced with a badge, showing the logo of the Sherbrooke Netball Association. The first four mini-shields are engraved with years (2010-13) and team names; the other 15 are left blank. At the top, the name of the league is displayed in black on a brass background, atop a title ribbon design.Top: "SHERBROOKE NETBALL ASSOCIATION / ** OPEN MIXED ** / PREMIERS" Centre: "SHERBROOKE / Netball Association" First Shield: "2010 / BEACONSFIELD" Second Shield: "2011 / SILVAN / (BLACK)" Third Shield: "2012 / EMERALD" Fourth Shield: "2013 / EMERALD"sports, 2010s, sherbrooke netball association

Article in The Courier, Ballarat 26/2/1997, page 3, written by Paul Nolan reporting on the proposals by Paul Jenkins MLA for Ballarat West that motor buses dressed as "trolleys" be used to transport visitors around Ballarat prior to the reintroduction of trams to Ballarat streets. Features a computer image by Glenn Shields of on the Disneyland "trolleys" superimposed on the photo of the Ballarat Town Hall. (btm1511i1) and a cartoon by Burns (btm1511i2)."Wednesday February 26 1997 pg3" in blue ink along top right hand edge.tourist bus, ballarat city tramway, ballarat revival, disneyland

Centre Shield - In Acknowledgement To Year 12 Staff Of Parkwood High School For Their Perseverance, Encouragement, & Guidance To The 1984 H.S.C. Students A Special Thank You To Mr. J. Teasdale (Principal) and our Year 12 co-ordinator Mr. O. Boucher. Science Department - Mrs Bassett-Smith, DH Commons, Mr Hartwick, Mrs Nutter Art - Graphics Department - Mrs Blythman, Mr Waugh. Commerces Department - MrsJohnson, Mr Wembrdge. The Library Staff - Mrs McDonald, (Careers) Miss Sommerfeld, (Lab Tech). Mathematics Department - Mr Djoneff, Mr Mee, Mr Tiller. Humanities Department - Mr Davis, Mr Glynn, Mrs Quinn, Miss Sake.

A brown wooden award with the words 'Arthur Nothing Shield' inscribed at the top and, in white paint, 'For competition between Friendship Swish Club & Brighton Staff'. At the base is inscribed 'for Perpetual Competition'. There are 10 smaller silver plates, however only 3 of these are inscribed: Association Staff 1966, Friendship Swish Club 1967, Friendship Swish Club 1968.Image of wooden shield with metal plaquesArthur Nothling shieldassociation for the blind, recreation

Shield presented in 1939 and awarded to winning house at the annual CPLC Inter-House Athletics competition; Awarded 1939 - 1950. A note in Touchstone December 1939 p.9 reads, 'House rivalry was greatly stimulated on Sports' Day by the gift of the Bevan John Shield. The shield is made of rosewood with silver plates attached, on which is to be inscribed the name of the winning house. Also, each year, an enamel band of the colour of the victorious house is to be placed round the silver plate. We are very grateful to Mr John for his generous and much appreciated gift. A second shield was established in 1951 (see VC000355)Rosewood shield with ornate silver title plates and 15 silver inscribed plates;Inscribed on large central plate: CLARENDON / PRESBYTERIAN / LADIES COLLEGE / INTER-HOUSE / ATHLETICS Inscribed on scroll plate at top of shield: THE BEVAN A JOHN SHIELD bevan-a-john, clarendon-presbyterian-ladies-college, inter-house-competitions, athletics

Silver lighter with engraving. "1st Australian Field Hospital, Vietnam" and shield image on front.Front has"1st Australian Field Hospital, Vietnam" and an image of a shield with the words "Unite to Serve", Back If you can't eat it, drink it or fuck it, don't buy it. "Up yer bloody arse grouper". "Mike Shields Corps badge Infantry Vietnam".cigarette lighter, shields, mike, 1st australian field hospital

This junior football shield was given by James Fairbairn (1897-1940), a prominent Western District pastoralist, aviator, local politician and Federal Cabinet minister. He was killed in a Canberra air disaster in 1940. The shield shows that several football teams, including West End, Russells Creek and East Warrnambool won the shield in the 1930s. In 1936 the shield was won outright by West End Football Club. This club, founded in the late 19th century, played in Western District Leagues until 1946 when it joined the newly-formed Warrnambool District Football League. In 1971 it merged with the Allansford Football Club to become the West End-Allansford Club and in 2002 the name ceased to exist when the team name was changed back to Allansford Football Club. This trophy is of interest as a football trophy given over 80 years ago and as a memento of the Warrnambool West End Football Club, a team no longer existing. The sport of Australian football has been, and still is, highly prominent in the Warrnambool district with football first played in the town in 1861. This is a wooden shield with nine silver-coloured metal discs affixed to the shield with metal pins. Eight of these discs are shield-shaped. All of the discs have etched inscriptions. The discs are somewhat stained and the wooden shield has traces of paint on it. There is a wire attached to the back of the shield for hanging on a wall. ‘Warrnambool Junior Football League’ ‘Junior Challenge Shield presented by J.V. Fairbairn Esq. M.L.A. 1932’ ‘Won Outright West End Football Club 1936’ west end football club, warrnambool, j.v.fairbairn

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.