Flinders St City bound W5 681 passes the GPO in Elizabeth St on a warm summers day with some weather blinds and saloon windows open. The newly fitted side lights and the driver still wearing his cap suggest this is the first half of the 1970s. Yields information about Elizabeth Street tramsBlack and white photograph with no note on rearweather blinds, w5, saloon, flinders st city, 681, gpo, elizabeth st, side lights, cap

Photograph of W2 class tram 511 in suburban street displaying destination "City route 11". The tram is fitted with side lights installed in the early 1970s and appears to be freshly painted in green and cream livery. A man stands in the driver's cab hands on controls and the off-side weather blinds are down, but no passengers or conductor appear to be in the tram. The incorrect destination and lack of run number and passengers suggest the tram is being moved by workshop staff.Yields information about W2 class tram in 1970s. Black and white photograph with nothing on rearw2 class, tram number 511, city route 11, side lights, livery, workshop staff

Photograph of L class tram 102 on Swanston Street in revenue service to East Brighton route 64. The photograph looks northward over Lonsdale Street with a W class tram in the distance along with several motor vehicles. A passenger safety zone with flashing lights is in clear view along with Christmas decorations hanging from the span wires. During the 1960s, L class trams were brought back into revenue service because of a shortage of rollingstock. Because the W class tram in the distance does not appear to be fitted with side lights, this suggests the photograph is from the 1960s. Yields information about shortage of rollingstock and L class trams in 1960s. Black and white photograph with nothing on rearside lights, l class, tram 102, swanston street, east brighton, rout 64, safety zone, rollingstock shortage, w class

The Special Sport Sedan is a rear wheel drive saloon (sedan) motor car with a front located engine, manufactured by Buick. The Special Sport Sedan is part of Buick's Series 40 family of cars. It is powered by a naturally aspirated engine of 4.1 litre capacity. This unit features overhead valve valve gear, in line 8 cylinder layout, and 2 valves per cylinder. It has an output of 107 bhp (108 PS/80 kW) of power at 3400 rpm, and maximum torque of 275 N·m (203 lb·ft/28 kgm) at 2000 rpm. A 3 speed manual transmission transmits the power. Buick scored another first in 1939 when it became the first company to introduce turn signals, which did not appear on other car brands until almost a decade later.[ All 1939 models also had a steering column mounted shift lever1938 Buick Sedan . Bodied in Australia by GMHBurgundy 4 door rear wheel drive sedan, white wheels. Spare wheel holder both sides, side lights. Steel front and back bumper bars, steel strip around car Buick badge on front grille. Bonnet vent with "SPECIAL' badge. Two Buick badges behind front bumper, Buick badge on boot.automobile, bodied, car, buick

Lakes Entrance Prince Regent Theatre was built on block at right of Maranui in 1926Black and white photograph of Broomes Maranui House, showing a double storied timber building with balcony, sash windows, doors with fan lights and side lights. Hedge and picket fence at front. Part of Police Station visible at left, vacant block at right with picket fence. Lakes Entrance VictoriaMaranui House Lakes Entranceguesthouses, architecture, township, fences

Photograph of W7 class tram 1004 westbound in Collins Street approaching Swanston Street displaying destination "City Spencer St route 11". The photograph looks westward, showing a long length of Collins Street with numerous trams and motor vehicles including a taxi. The trams are fitted with side lights from the early 1970s and most trees are without leavesYields information about trams and traffic in Melbourne CBD. Black and white photograph with nothing on rearfnptt, r class, plenty road, preston, span poles, track loop, melbourne and metropolitan tramways board, fnptt number 1, tram number 151

Black and white photograph of Hoopers Maranui Guest House. A timber double storied building with upstairs balcony and down stairs veranda across front, sash windows, doors with side lights and fan lights, hedge at front enclosed by picket fence. On right of photo, fibro cement Prince Regent Theatre, built 1926. Lakes Entrance VictoriaMaranui Lakes Entranceguesthouses, architecture, entertainment

Laminated drawing of entrance hall to Fortuna Villa. Drawing is hand coloured and depicts stone building, entrance steps leading to double glass doors with side lights beside and above doors. Turret on top of building. On bottom of drawing is written 'Elevation' on top of plan Proposed Entrance Hall Fortuna Villa for G. Lansell Esq. Signed by W. Beebe, Architect.bendigo, buildings, fortuna villa

The VF was the final Australian built Commodore and was the finest and best equipped car ever built by that companyManufactured by GMH 2017Blue Bodied VF2 Holden Commodore. Blue and white check banding on sides Police warning lights on top with scanners and six aerials. Police sticker on bonnet, Highway Patrol singage on sidesPolice on bonnet, Holden emblem on both boot and bonnet centresvehicle, commodore, police car, holden

The decorative art-nouveau style leadlight side and transom lights were a popular form of entrance lighting set into recessed panels in late Victorian homes at Ballarat. This home built by local architect/builder Thomas Turton features these popular glass lights.The side and transom lights at Hymettus form part of a significant and representative historical collection that reflects Ballarat's local history from a family perspective and popular art and architecture movements at the turn of the 19th and 20th centuries. They contribute to our understanding of social and family life in twentieth century Ballarat and providing interpretative capacity for family, local, art, architecture and social history themes.ballarat architects and architecture,, hymettus, taffe, art nouveau, leadlight

Sepia image mounted on board. Image shows large room in gold mine. 18 gold tables are arranged down centre, wheels/pulleys on LH side. Large electric lights hanging from ceiling. Goldmine unknown.bendigo, mining, gold tables, bendigo, sandhurst, goldmining, gold, tables

Photograph shows SW2 478 (City Route 70) in Riversdale Road at Tooronga Rd Hawthorn. The photographer notes the metal fascias on the tram. Note the lenses fitted to one side of the street lights to indicate a tram stop to the tram drivers.Yields information about tram 478 in 1956.Black and White SW2 478 Riversdale Road Hawthorn photo number N(m)(i)Has details and date written on the rear.tramways, trams, sw2 class, tram 478, riversdale road, route 70

Large round sign with yellow lighthouse shining yellow lights either side on blue background. Around the outside of the circle in yellow writing is: Royal Victorian Institute (upper half) and For the Blind (lower half). The words 'Mid Western' and 'District Office' sit either side of the lighthouse.Blue and yellow large round signRoyal Victorian Institute for the Blind Mid Western District Officenameplates, royal victorian institute for the blind

Digital image of a photograph from the Ron Scholten Collection of a conductress / conductor changing the points for the cross over in Latrobe St on the east side of Swanston St. The tram has terminated, for a Parade, possibly Moomba during the late 1960's or 1970 as the tram not fitted with side marker lights. In the background is the shot tower with a Penfolds Advert, the Argus building and the ? book Depot. A St Johns ambulance first aid van is parked. The tram has an advert for Queens Bridge Motor Holden and Viva cars (Vauxhall originally) and has a destination of Thornbury - Miller St Tram either SW6 855 or 955.trams, tramways, w6 class, latrobe st, crossover, events, swanston st, thornbury, conductors, conductresses, tram 855, tram 955

The donor recovered this navigation lamp before the 1980s from an old storage area in a South Melbourne factory where he worked. He asked about the lamp, but nobody there knew anything about its origin, and he was told that he could have it. This is a complete ship navigation lamp with its original oil burner. The internal red colour and shape indicate that the lamp was used for the port side of a vessel. The burner assembly is fixed to a removable tray, and the burner disconnects from the tank to allow fuel to be added. Light showing from the lamp is magnified by the polished brass reflector behind it, and the painted internal surfaces give the light its red colour. The lid on the chimney unclips for inspection purposes. The wedge shape of the lamp is intentional. It allows the light to be visible horizontally from up to a 112.5-degree angle, and to be invisible past that angle. The light's colour and position are part of the code of signals that inform viewers of the vessel’s position, direction of travel and status. The red lights indicate the port side of a vessel, green lights indicate the starboard side, and white lights are used on the masthead. From 1972, lights and signals on marine vessels are required to be fitted according to the International Regulations for Preventing Collisions at Sea. SEAHORSE lamp, made in Britain: The firm Bocock & Wilkinson was established in Birmingham in 1890 as an electroplate manufacturer. In 1900, Kelly’s Directory lists the firm as a ship lamp manufacturer. In 1910, the firm was listed Trading As “Seahorse” at 17 & 18 Mott Street, Birmingham. The firm later became Bocock & Son, and in 1932 was listed as George Bocock & Co. Ltd, and in 1973, it was still at that address. Ship’s navigation lamp: an original, galvanised metal, Port bow-side lamp. The wedge-shaped case has an arc front and two flat side panels that meet at the back, with a metal chimney and a swinging ‘C’ shaped handle on top. The curved, clear glass Fresnel has moulded ribs, top and bottom. The chimney has a hinged cap with a clip closure. One flat panel has a firmly attached, hollow rectangular channel for mounting onto a post or bracket. The other flat panel has a ‘D’ shaped, swinging handle, and slides upwards to access the burner assembly with its original brass burner. Concentric rings of ventilation holes are in the base. A removable tray, with ventilation holes on two edges, holds the round fuel tank and burner and the short post with the curved brass reflector. All internal metal surfaces, apart from the brass burner and reflector, were painted red sometime after the lamp’s manufacture. Inscriptions are embossed on the three brass plaques on the front; one has a rope design border and a seahorse emblem. Branded Seahorse, made in Great Britain, Ca. 1930s. Plaque on top, crescent shape: “PORT” Plaque in centre, square logo: “[rope design border] [Seahorse logo] “SEAHORSE / G B / TRADE / MARK / P55933” Plaque on base, rectangular: “PATENT NO. 546575 / AND OTHERS PENDING” flagstaff hill maritime museum and village, great ocean road, shipwreck coast, ship lamp, navigation lamp, masthead light, masthead lamp, port lamp, port light, bow side lamp, lighting device, navigation, marine light, marine lamp, marine equipment, marine technology, marine safety, running light, position light, code of lights, international regulations for preventing collisions at sea, antique, galvanised, seahorse, great britain, gb, patent 546575, seahorse logo, trade mark p55933, oil burner, bocock & wilkinson, bocock & sons, george bocock & co. ltd

This lantern would have been attached to a horse-drawn coach for lighting purposes and local coaches and other large-size horse-drawn vehicles would have had similar lights. It is a heavy object and may also have been used on early model automobiles or other motorised vehicles.This item has no known local provenance and is retained for display and research purposes.This is cylindrical metal lantern painted black. It has a glass covering on the rounded face and glass inserts on the back and the side. It has a metal-covered candle that is inserted into the lantern through an opening at the base. There are hinged clips to open the main glass and the back glass.vintage coach lighting, candle-lit lanterns

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. According to other documents included in this collection of papers is a lease of Coomete from John Kershaw to Augustus Bostock. This letter relates to an adjustment to the rent and some discussion over the terms of the lease and the control of rabbits. This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. This letter hi-lights the importance of the rabbit problem as early as 1895 to the extent that it was traded against a sizeable deduction in rent.Cream unlined paper, handwritten in black ink. Watermarked down left side. Writing is quite difficult to read.Signed John Kershaw. Dated 24th June* ’95.Addressed to Augustus Bostock.warrnambool, augustus bostock, john kershaw, coomete, 1895,

Small black and white photograph of the entrance to Victoria Park showing high iron gates that are open. The gates are open but the gate on the right is behind the fence. There are caste iron lamps at either side of the gates in front of the bowed-top picket fence. Between the gates, in the distance the fountain is visible. Murray pines are also visible. Wide dirt approach.Victoria Park is of social and historical significance to the people of Echuca and district. It includes a state park that has a natural dry schreyphyll forest with a canopy of eucalypts. The Park also includes sporting grounds and facilities and picnic areas. This photograph depicts the entrance to the Park in the 1920s showing a dirt approach with the caste iron lights, iron gates and caste iron gate posts and the bowed-top picket fence. Black and white photograph of the entrance to Victoria Park showing high iron gates and lamps with bowed-top picket fence. Wide dirt approach.On the back of photograph, in pencil, "Park Entrance"victoria park, echuca

International Search and Rescue Squad car, registration number HHK-504, with police insignia below side window, behind front door. There is a police light on the roof and spot lights at diagonals on the roof with a siren on right hand front light casing. Circa 1960police vehicles; motor transport branch; motor transport section; search and rescue squad

In the beginning of the19th century, the main mode of transportation was the horse and carriage. Even after the advent of the railway, remote areas still relied on the horse for local transport.Until Australian coachbuilders began making buggies from the 1860s, most were made in America Buggies with four wheels were light but comfortable. Many had hoods to keep the sun and rain off passengers. They were generally owned by doctors, ‘squatters’ and business people. Some had small turn-out seats at the back for children. Lamps are placed at different places on the carriage sides: 1 lamp on each side placed close to box seatThese lanterns are examples of lighting devices used in the time of horse and carriage transport.Two kerosene lanterns - buggy lamps.They are rectangular in shape and have a chimney on top. Both have carrying handles.There are 3 glass windows having two clear white lights and one small red round light on the back. The ceramic burner is made by Barton's.On ceramic wick holder - B in the middle of BARTONS B Underneath is TRADE MARK lighting kerosene-lights buggy-lamps transport lanterns

A large gas lantern with two lights, one on either side of a central hanging rod, each with a mantle. The fuel container is shaped like a ball. The lantern has a silver / metall apprearance. The glass shades which would have covered the mantles do not exisiting.gas-lantern mantle-lantern

The kerosene container was possibly used to fill slush lamps, hand lamps and train engine lights.Rusted, grey metal kerosene container with looped handle attached to the sides. A cork under the cap which has a metal chain attached to it, to secure the cap onto the container. Possibly used to fill slush lamps, hand lamps and train engine lights.metal, locomotive, railway, engine equipment, tin, kerosene

Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Glossy square-shaped card sleeve printed in colour with combination of text and black and white photographs arranged as though a newspaper page. From top left corner: green stripe, red album title, union jack, photograph of a young servicewoman, photograph of the Cliffs of Dover, photograph of St Mary's and various song titles in various serif fonts. Newspaper-style page set behind metal square fencing upon brick fence, simulating a newspaper being sold. Reverse features pastel-toned photograph of Vera Lynn, with smaller collage-style image of the newspaper-style text on front, below which are song titles for Side One and Side Two in a numbered list. vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary

Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Flat disc, black in colour, with an inscribed, modulated spiral groove across diameter. Centre has adhesive paper label bearing information about the songs on each side and artist/copyright information. Label is Mustard yellow to white in ombre fade effect. Centre of disk has round hole through which the disk is attached to a machine. Disc contained within plastic sleeve, fused on three sides.vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary, phonograph, vinyl record, gramophone record

The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Howard in four parts: Part 1.1 (0008.1) Envelope Part 1.2 (0008.2) First page of letter Part 1.3 (0008.3) Second page of letter Part 1.4 (0008.4) Third page of letter The envelope is blue grey in colour whilst the pages are creamy yellow in colour. Page 1 of the letter begins with the salutation "My dear Lillie, here comes the promised letter...". Page 2 of the letter begins with "...in her birthday book". Page 3 of the letter concludes with "...yours Joe".The envelope is torn across the top for access to its contents. It has two stamps, a circular one in black ink towards the top left of the envelope reading "Durban, 2, May 21, 5.45AM, 1925", and a rectangular one coloured red and white reading "Union of South Africa, Postage, 2d" on the left-hand side of the circle and the right-hand side circle seems to say the same in South African perhaps. It is obscured by 6 large ink lines covering the top portion of the envelope from left to right. Within the circle is a mans head showing his left side profile. He has a beard and short hair. On the right side of the red and white stamp there is a second ink stamp that is also obscured but seems to be the same ink stamp as the first. letter, joe, handwriting, 1925, lillie duncan, lhlg, durban, lillian duncan, ladies harbour lights guild, mission to seafarers, mission to seamen, seamen's mission, east malvern, my little melbourne girl

The St Peter Chapel opened in 1917. Funding came primarily from the Ladies Harbour Lights Guild. The artwork "And the Lord turned and looked upon Peter" was donated by Mr R. Stewart Murray in 1940. The procession cross was donated by the Ballarat Branch of the Harbour Lights Guild in 1958 helping dating the photograph to post 1958.St Peter the Mariner's Chapel is ..... by the relationship with the Anglican Church. Although Black and white photograph with a white border, of the interior of Saint Peter the Mariner's Chapel. Central is the aisle with pews on either side. Midground and on the left side is the pulpit and an altar in the background. melbourne, mission-to-seafarers, altar, pulpit, pews, choir-stalls, reverend w.f. haire, walter richmond butler, jesus, st peter chapel, lectern, hymn board