Image appears to show part of the backwash process when preparing dyed wool tops for gilling and recombing. The wool top slivers are fed into two or three bowls, the first bowl containing warm soapy water, the latter bowls warm water in order to rinse. Slivers pass though squeeze rollers and then into a dryer and dried to a specific moisture content, on exiting the dryer slivers are lubricated in order to reduce static and fed into a Gill box machine to begin the fibre parallelisation process. Backwashing is also sometimes used after the Carding process prior to first combing, it is a secondary wash and gives the end product a much cleaner result. Source: Greg Aldrige35mm coloured slide in presentation folder with wool sample set no 447. 6wool processing, top making, card clothing, combing, backwashing, gilling, slivers

Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe

This card is the seventh in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of wool combing and shows a Noble comb.Card no. 7 from the Crusader Mills information card set, c.1945-55. Verso of card no. 7 from the Crusader Mills information card set, c.1945-55.No. 7 Combing the carded slivers at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, combing, noble comb

The Taylor Slate was developed by Rev. William Taylor in England in the mid 19th century it was in common use until the early 1970's and enabled blind or vision impaired students to do maths calculations by arranging metal pegs in the slate. The main part of the slate is a metal sheet with 432, 8 sided holes which small metal pegs are inserted. The pegs have different shapes on their ends. These are used to represent different numbers and symbols depending on the way the pegs are placed in the slate and which combinations of pegs are used.39 sliver rectangular cubed pegs braille equipment, education

In the 1650s, the newest exciting development had arrived on Britain’s shores, this time it was tea from China. As it was brought back from overseas, tea was incredibly scarce and as such its price was very high; in 1664, the cost of tea was already 40s per pound, although this is not as high as what it would become when taxed in the 18th century. This resulted in only the social elite enjoying a cup of tea, and most commonly tea was enjoyed in coffee houses, and teapots were therefore not yet a household item. As the East India Company imported larger quantities of tea, it became more widely available and a larger section of the British population were able to enjoy it meaning that, by 1669, tea was available nearly everywhere. Likely due to the fact that tea was first enjoyed in coffee houses, the first known teapot resembles a coffee pot, with a tapering cylindrical shape and standing much taller than what we now know as a teapot at 13.5 inches tall. Into the 1680s, these teapots were given a conical cover for the spout that was fixed to the pot via a chain. As Queen Anne took the throne in 1702, teapots had become much more widely used and had formed two common groups. The first style of teapot was the pear shaped style which began to appear in 1705. The pear shaped pot usually had a domed lid and sometimes featured a finial. This form was generally supplied with a heater and stand as well as having a baluster shaped handle on one side. This iteration would disappear by 1725 but does make a reappearance in the 1740s, only this time as an inverted pear shape. The second group was the more spherical, or globular, shape which appeared in 1710. The globular teapot had a flush, hinged lid as well as a narrow moulded rim foot and a straight sided, tapering spout. Both generalised groups of teapots have polygonal examples – that is, teapots that are made up of straight sided segments – but six or seven sided teapots are incredibly rare. There is one known example of a seven sided globular teapot, made by Isaac Ribouleau in 1724. This is so unique because polygonal teapots are much more technically difficult and time consuming to make. Other than the occasional band of engraving round the shoulder of the teapot, they remain quite plain until c.1740 when scrollwork and chased shells begin to be applied for decoration. ‘Chasing’ is the process of decorating the front of a piece of metal by indenting the back, without cutting or engraving. From 1755 until 1770, silver teapots became incredibly uncommon and it is likely that this either reflects a change in drinking habits or changing trends producing a favour for porcelain. This dip in popularity could also be in response to the outrageous taxes placed on tea, up to 119%! In 1765, the Leeds creamware globular teapot seemed to kickstart a resurgence and this, combined with the Commutation Act of 1784 – which reduced tax on tea from 119% to 12.5% – saw teapots return in all their forms. It’s around this time, in 1780, that a form of teapot with a detachable, openwork stand appeared; however, the plain, oval teapot remained the most popular in the 1780s and 90s. In the later years of George III’s tenure on the throne, during the last decade of the 18th century, there was a revival of chasing and embossing teapots with flower and foliage designs. At the turn of the century, the spherical, partly fluted teapot with classical decoration was superseded by a more oblong shaped pot that sat on four spherical feet. This was then changed again when teapots became more melon shaped. It was at this time that the capacity of a teapot greatly increased and the previously wooden or ivory handles were replaced by silver handles with ivory washers for insulation. As Britain entered into the Victorian era, the design quality often suffered as there was a tendency to over-decorate the silver. In the early 19th century, the last major addition to the shape of the teapot, a raised collar was added between the cover and body. Whilst this seems to just be for decoration, there is some speculation that it could also be to prevent overspills. https://www.marklittler.com/silver-teapots-history/ This item shows that silver and silver plated teapots were used for tea making.Plain sliver teapot. Heavy oxidation. Dented.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, silver, siver plate, tea

Turned wood gavel sound block with engraved sliver plaque."Presented to the High Court of Victoria and Tasmania by N.S.W. Province 1950-1951"methodist order of knights

Sliver hand and pointing finger bookmark with engraving at cuff and hand detail."JM June 1922"

Part of a collection of photographs previously housed at Victorian Wool Processors (VWP), who were the last early stage wool processing company in Melbourne, and the second last in Victoria. The photographs were collected from other companies as they closed, and were donated to the museum by David Ritchie who was the General Manager at VWP. Victoria Wool Processors (Aust) Pty Ltd was founded by Jim Kim in 1983 as a dedicated international wool trading firm. Seeking greater quality control, the company opened its first physical processing plant in Melbourne in 1990 before scaling up to a state-of-the-art, 24-hour carbonising and scouring facility at Laverton North in 2002. For decades, it stood as one of the largest early-stage wool processing operations in the Southern Hemisphere, known for incorporating modern water-recycling and waste-management infrastructure. However, a severe domestic energy crisis and soaring natural gas prices forced the permanent closure of its manufacturing plant in December 2024, culminating in the company's official corporate liquidation in April 2026. This photo was previously in a frame with four others taken at the opening day of the modernised facility in Williamstown operated by Port Phillip Topmaking Pty Ltd on 18th June, 1990. One of the people depicted is John Kerin, MP.Colour photograph featuring a two men standing with wool slivers in the foreground.victorian wool processors, early wool processing, textile industry, jim kim, topmaking, port phillip topmaking pty ltd, john kerin

Part of a collection of photographs previously housed at Victorian Wool Processors (VWP), who were the last early stage wool processing company in Melbourne, and the second last in Victoria. The photographs were collected from other companies as they closed, and were donated to the museum by David Ritchie who was the General Manager at VWP. Victoria Wool Processors (Aust) Pty Ltd was founded by Jim Kim in 1983 as a dedicated international wool trading firm. Seeking greater quality control, the company opened its first physical processing plant in Melbourne in 1990 before scaling up to a state-of-the-art, 24-hour carbonising and scouring facility at Laverton North in 2002. For decades, it stood as one of the largest early-stage wool processing operations in the Southern Hemisphere, known for incorporating modern water-recycling and waste-management infrastructure. However, a severe domestic energy crisis and soaring natural gas prices forced the permanent closure of its manufacturing plant in December 2024, culminating in the company's official corporate liquidation in April 2026. This photo was previously in a frame with four others taken at the opening day of the modernised facility in Williamstown operated by Port Phillip Topmaking Pty Ltd on 18th June, 1990. The person depicted is John Kerin, MP.Colour photograph featuring a man standing amongst barrels of wool slivers.victorian wool processors, early wool processing, textile industry, jim kim, topmaking, port phillip topmaking pty ltd, john kerin

Presented to Mr. Connor, M.L.A., Colony of Victoria by the Electors of the district of Colac, inappreciation of his service as their representative. 27/6/1866This jug is part of a significant set of silverware made especially for the people of Colac in the early days of the settlement. It is of great local significanceSterling silver jug with ornate single handle and detailed embossing on the lip. Four filigree feet. Elaborate embossing on the bottom - an emu, three kangaroos and a man shootingSterling sliver hallmark on base and family intitals in script engraved on side of jug "JFC"presentation silver jug, connor mla

C & B = Cantebury & BalwynSliver plated communion set consisting of: S07.1 Communion Flagon; S07.2 Chalice; S07.3 Calice.S007.1 C & B 'Congegrational Church presented by Mrs M. T. Shierlaw 1891'. 'IHS'. S007.2 and S007.3 'C & B Congregational Church'.'IHS.'c & b congregational church, cantebury & balwyn congregational church

Object. Sliver serviette ring with out turned edges. embossed pattern of flowers and engraved initials GG.domestic equipment, table setting, silver serviette ring

This Planter was presented by the City of Caulfield in 1928 to Mrs E.F.S, England, in appreciation of her role as Mayoress of the City. Sliver bowl shaped planter with handles, wire insert and a separate wooden stand. Hallmark on side of planter."Presented to MRS E.F.S. ENGLAND by the COUNCILLORS, RATEPAYERS and CITIZENS TO COMMEMORATE HER OFFICE AS MAYORESS OF THE CITY OF CAULFIELD IN THE YEAR 1928."city of caulfield, mrs e.f.s.england, mayoress

Henry Berry was a British-born merchant who came to Melbourne in 1856 and established a successful business in salt and general goods. He later expanded into tea, flour, sugar and other commodities. He founded Henry Berry and Company (Australasia) Ltd1 which became one of the largest importers and distributors in Australia.Round tin container with purple and sliver coloured background, and purple writing. has round pull-off lidGlen Valley Tea glen valley, tea, tin container, henry berry

Invicta Razors were high-quality cut-throat razors made in Sheffield, England, a city famous for its steel, particularly around the late 19th to early 20th centuries.An empty brown vintage Invicta Cut Throat Razor case with the brand and manufacturer details printed in sliver lettering on the front.' W3/4 Invicta Razor' 'manufactured bu E.M.Dickinson. Ltd.. Sheffield-England'razors, shaving equipment, barbers

Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.Green coloured polyester webbing belt with silver coloured metal slide buckle. Opposite end is tipped with sliver coloured metal.Stamped on back of buckle: “AROS, (upwards arrow)”uniform, belt, kevin john herdman

This camera has representative significance as a replica of a model used widely during the 1950's.Black box with handle, lens and film opening clip on upper face, view finder, lens open close shutter and winder on left hand side, Inner compartment opens outwardly with clip to store film. Yellow and red descriptive sticker on upper lid, Use Kodak 620 Films. Front face gray and sliver striped plate,Brownie Flash II Camera , Kodet Lens ,Kodak Australia Pty Ltd Melbourne Australiacamera, pictures, film, photography, kodak

Part of a collection of photographs previously housed at Victorian Wool Processors (VWP), who were the last early stage wool processing company in Melbourne, and the second last in Victoria. The photographs were collected from other companies as they closed, and were donated to the museum by David Ritchie who was the General Manager at VWP. Victoria Wool Processors (Aust) Pty Ltd was founded by Jim Kim in 1983 as a dedicated international wool trading firm. Seeking greater quality control, the company opened its first physical processing plant in Melbourne in 1990 before scaling up to a state-of-the-art, 24-hour carbonising and scouring facility at Laverton North in 2002. For decades, it stood as one of the largest early-stage wool processing operations in the Southern Hemisphere, known for incorporating modern water-recycling and waste-management infrastructure. However, a severe domestic energy crisis and soaring natural gas prices forced the permanent closure of its manufacturing plant in December 2024, culminating in the company's official corporate liquidation in April 2026. This photo was previously in a frame with three others taken in 1984 at the Port Phillip Mills in Williamstown. This image shows the combing and finishing process.Colour photograph showing industrial wool processing machinery during the combing and finishing process, with slivers of wool in the foreground. Two women are shown in the background operating machinery.victorian wool processors, early wool processing, textile industry, jim kim, topmaking, port phillip topmaking pty ltd, williamstown, pressing, carding, combing, wool scouring

The handle of this hammer looks to be home-made and to have been used as a household tool. Most homes still today include a small hammer as a household item. The provenance of this hammer is unclear but it possible that it is the hammer found at ‘Guthrie’, a house in Merri Street, Warrnambool that was demolished. ‘Guthrie’ was the home of the Dickson family, prominent in Warrnambool business circles. James Dickson, with his friend John Cramond, established a store in Warrnambool in the mid 19th century and this department store, known as Cramond and Dickson, was a prominent business in Warrnambool until its closure in 1973. James Dickson’s son and his family lived at ‘Guthrie’ and the hammer may have belonged to the Dicksons or another family connected to that property. This hammer has a metal head and a wooden handle. The top of the handle has a metal screw inserted and small slivers of the wood are missing. The end of the metal section is much worn.household tools, history of warrnambool

The handle of this hammer looks to be home-made and to have been used as a household tool. Most homes still today include a small hammer as a household item. The provenance of this hammer is unclear but it possible that it is the hammer found at ‘Guthrie’, a house in Merri Street, Warrnambool that was demolished. ‘Guthrie’ was the home of the Dickson family, prominent in Warrnambool business circles. James Dickson, with his friend John Cramond, established a store in Warrnambool in the mid 19th century and this department store, known as Cramond and Dickson, was a prominent business in Warrnambool until its closure in 1973. James Dickson’s son and his family lived at ‘Guthrie’ and the hammer may have belonged to the Dicksons or another family connected to that property. This hammer has a metal head and a wooden handle. The top of the handle has a metal screw inserted and small slivers of the wood are missing. The end of the metal section is much worn.household tools, history of warrnambool, hammer

This knife and fork had been donor's mother's which she used quite frequently when she had friends over. They were treasured by her and very gently washed without putting the handles in water.Sliver plated mother of pearl handled knife and fork. The knife is engraved with vine leaves and grapes and a fairly plain base to the knife. The fork has a very decorative bas to the pearl handle.Knife 'Mappen and Webb Sheffield - London' Fork has no inscriptiondomestic items, cutlery

These vintage soap savers were used by the frugal housewife to use up pieces or slivers of leftover soap by swirling the soap saver in the water using up every last piece of soap.Three vintage wire mesh dish or clothes washing soap savers with a rectangular basket to contain the pieces of soap and a sliding wire clasp which allows opening and closing of the basket. Each holder has a thick long double wire handle to enable the user to froth the soap in a dish. Two have old soap pieces inside: one has Velvet soap, the other has half a piece of yellow soap with part of the brand ...TRY at the end of it.'Velvet' is stamped on one piece of soap and the broken piece has ...'TRY' on it.washing dishes, washing clothes, soap, soap savers, household item

During WW2 headlight covers were used for night driving during brown out periods. They were compulsory from late 1941 to the end of 1943 when it was thought that the danger of invasion had passed. They were designed to restrict the amount of light emitted by cars and vans.Head light covers used during WW2. Small rectangular opening to allow a sliver of light to shine at night .Metal round piece with metal shade for headlights to point to the ground. Originally painted black.Stamped Lucasww2, blackout, cars

This pencil is a souvenir of the Fun 4 Kids Festival, a children’s festival run by Warrnambool City Council from 1999 to 2018. It was held during a week in winter on the Civic Green at the corner of Timor and Liebig Streets with the site including temporary buildings as well as the adjoining permanent buildings. The festival was highly regarded and won the 2015 Gold Australian Tourism Award. Declining numbers and increasing costs led to its demise in 2018.This pencil is a memento of Fun 4 Kids, a children’s festival run by the Warrnambool City Council. Existing for 19 years, it was one of the longest surviving children’s festivals in Australia.This is a round wooden pencil containing a thin sliver of graphite. The pencil has a metal band and a rubber at one end and is sharpened at the other end. The pencil has an orange covering, black lettering and an image of a child and a sun.Fun 4 Kids Festivalfun 4 kids warrnambool

Piece of decorative timber from a washstand/dressing table. Each end is rounded and the top edge has a pointed piece like the end of a leaf offset from the centre. It has been varnished brown. The other piece is a sliver of wood.furniture, domestic, dressing table/washstand, furniture pieces m ballhause