After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.Snail on red matt backgroundSigned Lyn Nicholls beneath imagesnail, australian bookplate design awards 2020, bookplate

. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools . With the advent of motorized vehicles in 20thC residents of the City of Moorabbin became accustomed to maintaining their own cars and trucksThese large graduated spanners are typical of the type used by residents and mechanics in the City of Moorabbin c19504 x Large graduated automobile Spanners c1950 a, b Snail Brand; c Husky England; d The Superwrenchspanners, motor cars , motor trucks, mechanics, automobiles, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd,

A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph

Jane Nicholas - designer/maker. Teacher of stumpwork embroidery.Glass paper weight, wooden base. Raised embroidery on heavy cream satin, mainly stranded cotton, depicting thistles, acorns, a snail and a bee.J.N. 93embroidery, stumpwork, small articles, 1980-2000, australia, paperweight

Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was given to students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.White hard covered book with black print of title at top centre. Below is a picture of a fairy girl in pink and a fairy boy standing on a large snail, waving. "An Australian Story Book" "Moorooba Books"Stamped. "Awarded to ... Class .... Teacher ..... From the Kergunyah Presbyterian Sunday School"religion, kergunyah, sunday school, religious education, aboriginal, moorooba., ewen wallace

Inspected by George Rawlings 6.2.2013. Gastropods are molluscs which include snails and slugs, living in fresh water or the sea. These fossils are possibly from the Newmerella cutting.Three small gastropod fossils from the Miocene Era.fossils gastropods shells

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, weatherboard and lattice. Brick and roughcast portico with snail-back scroll at apex. Plain slat timber fence, 1 chimney. Written on back of photo board ' Dale, McCrae St £1300'Frank A. Jeffree, Bendigoresidential, dale, mccrae street bendigo, t.c. watts and son

The collaborative sculpture was created for the Annual Portland Arts Centre Inside Out Exhibition 2025. The ceramics were created during a series of workshops. Participants were able to lean new creative practices in a safe supportive space whist creating original works for the exhibition. The ceramics workshop was led by Angela Ryks and Rory Carter.Sculpture was created to be acquired into the Glenelg Shire Council Cultural Collection.Piece 1/ 16 of a collaborative sculpture created for the Annual Portland Arts Centre Inside Out Exhibition 2026. Piece #1 hand created ceramic topper, shaped in a cactus like with 2 arms, etched images of fish jellyfish, snails, seaweed, waves a rose and hearts. Colours on a white background of red, orange, blue, yellow, green, pink, dark purple, and light purple.all abilities

The pulley block illustrates a moment in Harcourt history. According to the reminiscences of William Sanders the granite block for the Burke and Wills monument was of such weight that, in hauling it from the quarry, the weight split the yokes and snapped the chains of the bullock team employed in the task. "So Mr Blight got ropes and tackle, as, as there were plenty of trees along the route, they served as anchors to attach the ropes" Thus, with pulleys such as this, Joseph Blight moved the monolith, at snail's pace, to the Harcourt railway station in 1864.The object is significant for its connection with the explorers Burke & Wills and the foundation of the granite industry on Mount AlexanderA wooden pulley block designed for two ropes. Used for lifting heavy objects. A rope slung around the pulley block fixed the device to the rafters of the shed. Ropes were threaded over the pulley and used to lift heavy weights. Use of a pulley halves the effort required to lift or move an object. Possibly of nautical origin but applied to workshop use in later years.

7 Volume Set of Books with alphabetically listed words, their meanings and extensive additional information with illustrations both coloured and black and white interspersed throughout - cloth bound. Vol 1: A - Carnelian p1-632 plus Introduction at front p i-iviv (Roman numerals) Vol 2: Carnival - Druse p633-1304 Vol 3: Dry - Hark p1305-1976 Vol 4: Harken - Male p1977-2648 Vol 5: Male - Polder p2649-3320 Vol 6: Pole - Snag p3321-3992 Vol 7: Snail - Zymolic p3993-4664 incuding list of prefixesNo title on outside of volumes and pages missing from the front of all volumes so no indication of publishing details.children's encyclopedia's, dictionaries

Published by Semco Art Needlework Pty.Ltd> Semco Park Cheltenham Road Black Rock S.9. Farrow Falcon Press Pty. Ltd. 226 Lonsdale Place, Melbourne. For Girls learning embroidery- home/schoolSemco Embroidery Text Book. White outline around Black cover. Large red circle with girl siting in front doing embroidery wearing Victorian style short puffed sleeved dress polka dot pattern and pantaloons red stockings and lace up ballerina style shoes1st Edition Semco Embroidery Text Book 3D Free sampler transfer inside. Booklet contains illustrations and instructions for each stich. Pages 2 and 3 have pencil squiggles across the top.: Stem stitch, Snail Trail, Back Stitch, Lazy Daisy Stitch, Thousand Flower Stitch, Buttonhole Stitch, Long and short buttonhole stitch, Chain Stitch Seed Stitch, Arrow stitch, Feather Stitch, Herringbone Stitch, Cross Stitch, French Knots, Lattice Stitch. Illustrations of designs with stiches referred to on previous pages. stawell

Shiny black covered exercise book with hand written notes and ink illustrations, titled Nature Notes. Initials in the front J.C. 9/10/40. Written index in the front. Items mentioned are: The Dahlia, The peach, The Pear, The Cosmos, The Bathurst Burr, Autumn Leaves, Jonquil, Roots, The Wattle, Orange, An Insect, Mantis, Magpie, Mosquito, Termites, Jackass, Spider, Earth-worm, Violet, Cape-weed, Iceland Poppy, Beaks of Birds, Feet of Birds, The Snail, The Rose, Emperor Gum Moth, The Bee and the Chrysanthemum. From Page 101 on Observations in Nature. Book also includes the loose printed notes pasted to orange card titled Air, Evaporation and Smells and Growing Chrysalis. Some Nature Notes in the form of a diary at the back of the book.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - nature notes, observations in nature

Context: A brace is a hand tool used with a bit (drill bit or auger) to drill holes, usually in wood. The pressure is applied to the top and the tool is rotated with a U-shaped grip. Bits used to come in a variety of types but today the more commonly used Ridgeway and Irwin pattern bits also rely on a snail point (called the snail), which is a tapered screw point shaped the same as a wood screw thread, which helps to pull the bit into the wood as the user turns the brace handle and applies pressure. The designs used today come from an original idea and pattern invented by John S Fray. Company History: John S. Fray (1833 ) immigrated to Bridgeport Connecticut USA from England in the 1850s and established a working relationship with Nelson Spofford, who held an 1858 patent for a bit brace (the tool could be augured in a continuous circular motion by hand). He established the John S. Fray Co. around the same time and immediately began producing the Spofford bit brace. Fray himself held at least two patents: one awarded in 1869 for a boring brace attachment, and another awarded in 1883 for a tool handle. By 1889, the firm was located at the industrial complex that sits between the former International Silver Company and the former Bridgeport Chain Company on Crescent Avenue and is identified on the Sanborn Insurance Atlas as a manufacturer of Spofford bit braces, hollow handle awl, and toolsets. The company was in competition with Peck Stow and Wilcox Co. of Southington, and in 1898 was enjoined from making a ratchet bit brace for which the latter company held a patent. By the 1920s, the factory had been purchased by the Stanley Company of New Britain and leased to the American Tube and Stamping Company, a manufacturer of brass, copper, seamless, and bicycle tubing, which also ran a rolling mill to the south on Stafford Avenue (now demolished). The Stanley Company bought both mills in 1926, perhaps as a strategic move to be located along the Bridgeport Harbour, through which much of the raw material used in its operations throughout the state came. By the 1950s, the Crescent Avenue operations had been moved to other sites in Connecticut, and Stanley again leased the building to a company called Cornwall and Patterson, a manufacturer of piano hardware. Today the building appears to be vacant. An early carpenters tool made by a well known early manufacturer from America who instigated many innovations to the making of tools. His early pattern for the improvement of a tool that could be used for the boring of holes in wood was a significant step forward. His design for a boring brace attachment and later a specific handle is still in use today and his original brace and bit is now sought after by collectors of antique tools. Spofford Carpenter's Bit Brace metal has bit attached. Wing nut holds bit in place but nut missing. holds bit in place. 285mm long x 160mm Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

In the late 1970s, the must-have gadget in every forest office could be best characterised by the fax machine. Millions of people bought them because they represented a miracle. With a fax machine, you could send a sheet of paper to someone, anywhere in the country, or anywhere in the world, complete with a signature, in seconds. E-mail really didn't exist yet (except in military and university environments), so the fax machine was simply amazing. During the "golden age" of the fax machine, people faxed everything. Office lunch orders went to the local Chinese takeaway by fax rather than being phoned in, while fire maps, timesheets and other urgent documents, could all be sent out straight away. Nearly every legal document got faxed once it was signed. People also traded recipes, jokes, funny pictures and personal letters by fax rather than sending them in the snail mail. With the early machines, the output was printed onto a roll of thermal paper that regularly spewed out coils onto the floor if you weren’t watching. All this technology quickly faded, only to be superceded by the pervasive e-mail in the 1990s. But the humble fax machine gave us an early glimpse of what the office of the future would be like.Facsimile machinePitney Bowes 8050communications, forests commission victoria (fcv)

This piece of fabric, known Fälter (butterfly), was designed by Mathilda Flögl (1893-1958), who worked in the textile department of the Wiener Werkstätte in Vienna. It is a remnant of the fabric that was used to make a bedspread for Karl and Slawa’s bed in their Vienna apartment where it lay decoratively over a gold brocade eiderdown. The purchase demonstrated Slawa’s interest in and knowledge of modern design and her commitment to the idea of enriching everyday life with beautiful objects, a principal of the Viennese Secession. Following the Duldigs removal from Vienna, the original bedspread and remnant were safeguarded and preserved by Slawa’s sister, Rella, in the basement of her Paris apartment. In 1948 the bedspread and this remnant were sent to Australia. The bedspread was a much-loved item but deteriorated over the years. In 1955 it was made into curtains, which are held in the Duldig Studio Collection. The Photographs of the bedspread in its original location are also held in the collection. The remnant is in pristine condition. The Wiener Werkstätte (Vienna Workshop) was a guild of designers and craftsmen that was founded by the architect Josef Hoffman (1879-1956) and the designer Koloman Moser (1868-1918). The firm manufactured a range of interior furnishings between 1903 and 1932. The textile department opened in 1900, and produced about 1,800 designs, mainly for printed fabrics for furnishings and apparel. The designs were characterised by simplified forms and vivid colours, and inspired by Eastern European peasant art and geometric motifs in contemporary painting. The workshop had a profound impact of European art and design, and its work is still celebrated today. Mathilde Flögl was born in the Czech Republic in 1893, and studied at the Kunstgerwerbeschule in Vienna. In 1916 she began working at the Weiner Werkstätte, and where she designed more than 120 textile patterns. This fabric Fälter or Butterfly was designed in 1924. The butterfly was a favourite motif of Flögl. In this design she plays with a variety of whimsical abstractions and arrangement of both the butterfly and the snail on a background of abstract colour stripes and blocks. Ann Carew 2016The fabric is of great aesthetic interest as an example of the work of the Viennese workshops, and the noted designer textile designer Mathilde Flögl. The original pencil drawings, pencil and gouache designs, and fabric swatches for Fälter are held in the MAK Museum in Vienna, and the Victorian and Albert Museum in London have a sample of piece of the silk fabric in an alternate colour wave. The Museum of Applied Arts in Sydney holds a swatch book of textiles from the Wiener Werkstätte, however Flögl’s work is not represented. The National Gallery of Victoria holds a similar swatch book. The remnant has an excellent provenance, is associated with a powerful personal narrative, and is significant and rare item relating to history of the Wiener Werkstätte in Vienna, and the oeuvre of Matilda Flögl.   Ann Carew 2016Remnant of a block-printed silk fabric used to make the bedspread for Karl Duldig and Slawa Horowitz-Duldig's bed in Vienna.

Each year the Sunshine and District Historic Society held a trip to historic destination in Victoria. This trip to Castlemaine was on Saturday 22nd April 2006. This tape was filmed and edited by John Willaton and Melchior Bajada.Bus Trip from Sunshine to Historic Castlemaine Sat April 22 2006castlemaine, sunshine and district historical society

An image of contents is available. Ralph Tate (11 March 1840 – 20 September 1901) was a British-born botanist and geologist, who was later active in Australia. In 1875 Tate was appointed Elder Professor of natural science at the University of Adelaide in South Australia, teaching botany, zoology and geology. He became vice-president and then as president (1878–1879) of the Philosophical Society. It changed name to the Royal Society of South Australia in 1880 with Tate as its first president in that year[1] Tate encouraged members to send in original papers, personally contributing nearly 100 papers to its Transactions and Proceedings. (See http://en.wikipedia.org/wiki/Ralph_Tate)Blue half leatherbound book of 422 pages. Includes many black and white illustrations of shells. The book includes a series of articles by Prof. Ralph Tate from transactions of the Royal Society of South Australiasouth australia, ralph tate, royal society, royal society of south australia, gastropods, brachiopods, mollusca, snails, murray river, marine mollusca, brachiopoda