Photo is identified on rear as ? Colin Key. Colin Hutchinson Key (1907-1939) was the son of Albert Key (1872-1921) and Isabella Roberts (1875-1940) and the grandson of Frederick Key (1842-1908) and Jane Key (nee Dalrymple 1845-1931) Suspect the photo is misidentified and is actually Albert Key, Colin Key's father. Cabinet Photo Eden, Society Studios Photographer If indeeed Colin Key, photo would have been taken c.1925. The fashion is more indicative of late 1890s - c.1896 [Cataloguing Note: Identification of individual does not fit the time period for the photographer by about 15 to 20 years - possibly misidentified. Eden Studios was big in Sydney from 1895 through 1927+ but only appears to have operated in Melbourne at 284 Collins Street from 1896-1900 and 149 Swanston Street 1904-1906. These individuals were Melbourne based so unlikely to be the Sydney studios. Further, does not look like the same person when compared to other photographs on Ancestry family trees]On back in pencil ? Colin Keycolin key, eden society studios photographer, colin hutchinson key, albert key, pam thoonen (nee ingram) collection

Photo is identified on rear as ? Robbie Key. Robert Dalrymple Key (1905-1972) was the son of Albert Key (1872-1921) and Isabella Roberts (1875-1940) and the grandson of Frederick Key (1842-1908) and Jane Key (nee Dalrymple 1845-1931) Suspect the photo is misidentified and is actually Albert Key, Robbie Key's father. Cabinet Photo Eden, Society Studios Photographer If indeeed Robbie Key, photo would have been taken c.1925. The fashion is more indicative of late 1890s - c.1898 [Cataloguing Note: Identification of individual does not fit the time period for the photographer by about 15 to 20 years - possibly misidentified. Eden Studios was big in Sydney from 1895 through 1927+ but only appears to have operated in Melbourne at 284 Collins Street from 1896-1900 and 149 Swanston Street 1904-1906. These individuals were Melbourne based so unlikely to be the Sydney studios. Further, does not look like the same person when compared to other photographs on Ancestry family trees]On back in pencil ? Robbie Keyeden society studios photographer, robbie key, robert dalrymple key, albert key, pam thoonen (nee ingram) collection

.1 Black and white wedding photograph on a cream colored background .2 Ethel Smith, as a child, sepia photograph on black background .3. Elizabeth Garvey, nee Smith, sepia photograph on cream background .4 Harold Smith and Rupurt Smith sepia photograph on brown background .5 Alice and Florrie Hendri, sepia postcard .6 Memorial fold out card. Cream card with black borders..1 .2 Ethel Smith, father a minister .3. Elizabeth Garvey, nee Smith .4 Harold and Rupert Smith Corowa, 1894, Alice Watson, 7 Cromie Street Murtoa .5 Hendri girls, Alice and Florrie, writing on back, note to Edie from Alice Watson, 1911 .6 Memorial fold out card, in loving memory of Emma Watson, of Happy Valley,1888reverend charles ed, evelyn smith, ethel smith, corowa, mark allen studio, m.j. allen studio, harold smith, rupert smith, society studios, tesla studio, stella studio, alice watson, florrie hendri, emma keys smith, emma smith, george henry smith

sepia photograph on cream board. Young child in light coloured frock. Large collar with lace edge. Pintucking around hem and deep lace flounce, seated on brocaded cushion, placed on pedestal. 'Eden Society Studioes' embossed on bottom edge.Eden Society Studiosperson, individual, baby portrait

This photograph has been variously identified as "Miss Jennings", "Emily Jennings", and "Ilma Jennings", and also as "Reg Jennings' sister" and "Reg Jennings' aunt". It is most likely of Martha Emily Jennings, born 1876 (known as Emily), the oldest daughter of Jonathan and Martha Jennings (née Bersey). Martha Emily Jennings had a brother Reginald (born1899) and also had a nephew Reginald (the son of her brother William Jonathan Jennings). It is unlikely to be a photograph of Ilma Jennings (a daughter of William Jonathan Jennings and niece of Martha Emily Jennings) who was not born until 1909. The photograph was taken by "Eden Society Studios", a Sydney photographic studio which operated between 1895 and 1900.Sepia photograph of a young lady wearing a gown with pintucking on bodice and sleeves, and with a lace collar. She is standing with arms resting on the back of a chair.martha emily jennings

Photograph - black and white. Portrait of a woman. She has tight curls. Wearing a high collar, lacy neck tie, satin ribbon on shoulders and around neck. Wearing sleeper earring. Written on back 'Phoebe Jane Lansell, youngest child of Wootton Lansell, (brother of George and William).'Eden Society Studiosperson, individual, female portrait, photograph. portrait of phoebe jane lansell. daughter of wootton lansell.

Head and shoulders, sepia, woman of middle age, short hair cropped close to head, wearing dress with shoulder overlay lace. Photo stuck on brown backing card with photographic studio's name."Mrs Breseford" scrawled on back, although the spelling of the name is not clear.breseford, eden society studios

Associated with - Eden Society Studios

Associated with - Eden Society Studios

Charles Wallace Gordon Graydon the First came out to Victoria on the S.S. Almora, the same ship on which Eliza Richardson and her family arrived on New Years Day 1875. Evidently C.W.G.G.1st. must have retained fond memories of a young fourteen-year-old girl named Elizabeth Richardson who travelled from Scotland with her mother and family (her father had arrived earlier) because three years later at Kyneton they were married. It was December 26th 1860, and Elizabeth was just seventeen. As the bridegroom’s age is written as 24 years on the wedding certificate, he certainly must have been more than eighteen when he sailed on the "Almora" in 1856. The newly married couple went to live at Taradale, Victoria, and they made a good life for themselves in that town which had then a thriving gold mine. They lived in a large two-storied house in Survey Paddock, and it was there that four daughters - Susan Emily (1861-1906), Elizabeth Constance (1863-1945), Amelia Amy (1865 -1952, Ada Mary Maude (1867-1901), and one son Newenham Edward Eustace (1869-1945) named after his Irish Grandfather, were born. On his wedding certificate C.W.G. Graydon, is described as a foreman. His father-in-law, Robert Richardson was employed as a time-keeper on the Melbourne to Bendigo Railway works, and he and his family lived first in Prahran, then Kyneton, and then Taradale. Perhaps Charles Graydon worked on the railway with him. In Taradale however, he worked for a gold mining company in a surveying capacity. C.W.G.G.1st was to become Shire President of the Shire of Metcalfe. That particular year the Graydon Family entertained the visiting English cricket Eleven at their home in Taradale. He was certainly regarded as an important man in the district when he was requested by a great number of the residents to nominate for the Legislative Assembly election. About 1876 the Graydons left Taradale, and went to live at Sandhurst, now Bendigo, at Barkly Place East. The Richardsons had also left Taradale to go into the grocery business in the same town. Charles Wallace Gordon Graydon the First became a legal manager of mines, and a well-known and popular resident. Sad to say he became ill with a lung infection, and on June 4th. 1885 he died, and was buried at Sandhurst, now Bendigo Cemetery, Back Creek Rd. Eliza Richardson's brother was Mr. James Richardson, the well-known grocer, of Pall Mall and Golden-square, who died at his residence, "Balgownie," Short street, on Thursday 22 Jan 1914. James Richardson was a native of Scotland. He was born at Glasgow in1849 and was only eight years of age when his parents sailed for Australia in the ship Balmoral. The family arrived in Melbourne in 1857 and went to Taradale, where Mr. Richardson, senr., acted as inspector of works during the construction of the Taradale Viaduct. James Richardson, who had commenced his educationin Glasgow, attended school at Taradale until the family removed to Bendigo at the time the railway was being built from Bendigo to Echuca. The contractors for this work engaged Mr Richardson, senr., as their timekeeper. When he left school James Richardson applied himself to learn the grocery business, and he gained a thorough knowledge of it with different employers at Bendigo, Taradale, and Daylesford. In 1872 he opened a grocery store on his own account in High-Street, Bendigo, but within a few months he had the great misfortune to be burnt out. The fire originated in an adjoining building early one morning and both places were burnt to the ground. In spite of his loss, Mr. Richardson was not discouraged, for he soon made another start. His trade improved and he extended his business, opening the Eclipse Cash Store at Golden Square. A little later another branch was opened at the Oddfellows' Hall, and subsequently this business was transferred to the Eureka Cash Store, in Pall Mall, which was the head depot. In addition to the retail trade, Mr. Richardson had, for many years carried on an extensive wholesale business with the Northern District, and had made a specialty of fodder seeds. James was a man of probity and sincerity in business, and as a citizen he was highly esteemed and respected. He was a prominent member of the Bendigo Caledonian Society in the earlier days of his citizenship. He was a staunch member of St Andrew's Presbyterian Church, and was a member of the board of management. In the Easter Fair procession, Mr Richardson's display was always a prominent and attractive one. Mr. Richardson was a member of the Masonic Order, and was a life member of the Bendigo Art Gallery and the old Mechanics Institute. He was married at Daylesford in 1871. Mr James Richardson was interred in the Presbyterian section of the Bendigo Cemetery.A selection of black and white Graydon and Richardson family photographs taken by Bendigo photographers. All photos unnamed. Mounted as Cabinet cards. Photographers - D. Mendelfson, Bartlett Bros., The Studio - Chuck, Eden Society Studios, Alan Spicer, R. Bloomfield Rees,graydon, richardson, cabinet card

School exercise book- Agnes (Aggie) Miles, dated 23/9/1892 - address is given on inside cover as High St, Kew (but refer to #4302 which indicates that she was at Kamarooka Central State School later in 1894). Contents - handwritten in ink, includes English grammar, arithmetic and history. F- Family Group sheet for Agnes and Mark Miles providing Ancestry details b -large colour photo featuring three smartly dressed ladies Circa 1960's .A blue Holden ? Car is to the left with a Cemetery behind. On the back is written -Daughter Clarice ?, Norma Marie, Ron Pickles a--Large photo of a young lady wearing Victorian clothing taken by Eden Society Studios - on the back is written Agnes Miles Age 13 c-Large group photo - on the back is written Agnes Miles .Old lady, Lindsay Gronow , grandson in front of her d Large photo - on the back is written Agnes Miles Wedding Stewart Roy Gronowperson, individual, agnes miles

This photograph shows the islands in the Hopkins River in 1911. This section of the river is in the Allansford area, near Jubilee Park (Hopkins River Caravan Park). It was, and still is, a picnic and fishing spot. On one of the islands is an unmarked grave which may be that of Jemima Christine Allan, the first wife of one of the first European settlers in the Allansford area, William Allan. She died in 1842. The photograph was taken by Jordan Studios so the photographer may be either Joseph Jordan, one of the best-known Warrnambool photographers of the past, or his son Arthur, also a well-credentialled photographer.This photograph is considerable historical importance, showing a section of the Hopkins River in the Warrnambool region in 1911.This is a black and white photograph in a wooden frame with a patterned edging. The photograph is inset with a gilt metal edging and enclosed in glass. The backing is wooden with a wire cord for hanging. The photograph shows the river with islands covered in vegetation. On the river are two boats, one wuih four occupants standing up in the boat and the other with two occupants. In the ccntre of the photograph is a tree stump and a dead tree.The Islands Hopkins River Warrnambool 1911 Jordan Photohopkins river, jemima allan, jordan studios

Martha Wright was the proprietor of a fancy goods store in Liebig Street, Warrnambool opposite Jordan's studio. She took art needlework classes offering seven lessons for 5 shillings . Her pupils were successful at local shows and she herself won second prize in the Australian Womens Work Exhibition of 1907 for the best made washing dress for a girl of 12. This item is significant as Mrs.Wright was a prominent business woman in Warrnambool in the early 20th century.White rectangular label with dark blue lines and background .ART NEEDLEWORK AND REQUISITES From Mrs. Wm. Wright LIEBIG ST. WARRNAMBOOL Telephone 158 GOLFERS & KNITTED SUITS A SPECIALITY martha wright, fancy goods, australian womens work exhibition

These four pages from the Australasian newspaper of January 1904 contain three pages of black and white photographs of Warrnambool. These include photographs of golfers, both men and women, the Hopkins River, the Ozone Hotel, Sheldrick’s Brewery and Wilmot in his mia mia. The photographs have been taken by Jordan Studios, Warrnambool. This studio, a prominent one in Warrnambool, was operated by Joseph Jordan and his son Arthur from 1890 to the 1930s.The accompanying text in the ‘Australasian’ appears to come from a booklet published about that time which was produced as an advertising tool for the Ozone Hotel and its proprietor, Thomas Randall. The Ozone Hotel, originallly called the Grand Ozone Coffee Palace, was opened in 1890 as a temperance hotel. Thomas Randall was the proprietor of the Ozone Hotel from 1894 to 1907 and it then had a wine licence. In 1920 the building was known as Hotel Mansions and in 1923 it gained a full liquor licence. The building was destroyed by fire in 1929. These newspaper pages are of importance as some of the photographs have not been found elsewhere and give a good picture of Warrnambool and district at the beginning of the 20th century. These are four pages from the Australasian newspaper of 1904. The pages contain black and white photographs and text. The pages are partly torn across and have ragged edges.ozone hotel, warrnambool, jordan studios, warrnambool, history of warrnambool

This scrapbook features newspaper cuttings about the Western District Dance Academy ( also called a Dance Club). The Academy appears to have operated from the late 1960s to 1982 and two teachers named in the scrapbook were David and Audrey Nunn. There is reference also to the Warrnambool Dancing Studio, the East Warrnambool School of Dancing and the Y.M.C.A. Dance Club. Most of the cuttings are not dated but appear to be from the 1970s.This scrapbook is of interest as a memento of a dance club that operated in the Warrnambool district forty to fifty years ago.This is a scrapbook with a green cover with black printing and black and white images. The front page has a cut-out of a dancing couple with the figures coloured in and and glitter and cotton material added for the lady's dress. The pages contain newspaper cuttings, some of them loose but most have been pasted in. There are some blank pages and the cover is partly detached.W.D.D.A. Teachers: Mr and Mrs David Nunn Western District Dance Cubdance clubs in warrnambool, western district dance academy

This folder came from the photographic studio of Alex Wilkins. For over 35 years in the 20th century he was one of the best-known commercial photographers in Warrnambool. In 1938 he purchased the building known as Jordan Studios (94 Liebig Street) and worked there until the 1960s. In the 1940s he became interested in producing movie films documenting local news and scenes. The name ‘McKinney’ on this folder indicates that the contents belonged to someone in the Warrnambool area as William McKinney had a general store in Lava Street in the 1870s and 80s and there are still McKinney residents in Warrnambool today. This folder is of some interest as it comes from the studio of Alex Wilkins, one of Warrnambool’s most important photographers in the 20th century. This is buff-coloured paper folded in three places to make a folder with sleeves at each end to insert photographs or photograph negatives. The folder is stitched with cotton at the top and the bottom and some of the stitching is coming undone. The inside sleeves have black printed advertising material on them and the front cover has a red and black image of two little girls. The back cover has a red and black advertisement for Kodak Verichrome film.Back Cover: ‘McKinney’ Front Cover: ‘Alex Wilkins, Photographer, 94 Liebig St., Warrnanmbool’ (stamp) alex wilkins, mckinney family, warrnambool

Booval Hill was an early name for the area to the north east of the Princes Highway and Liebig St intersection. The winning horse being a horse named Bloodstain which is recorded on the mount of the photograph. This item has a social and historical significance. Socially, it shows an early association which Warrnambool has had with steeple-chasing, with jumps racing still representing an important part of the horseracing calendar. The photo has a strong link with Warrnambool, being one of many photographs taken by The Jordan studios which operated out of premises in Liebig Street .Two black and white photos mounted on card showing the first and second last jumps of the Booval Steeplechase in 1921. There is text handwritten below the photographs and there is damage to the top right hand corner of the top photograph.Bottom photo signed Arthur Jordan 6 W'bool.steeplechase, warrnambool, booval, bloodstain, booval hill1921, jordan studios, horse racing

The book contains a series of exercises which would have been used by artists and art teachers at the beginning of the 20th century. Mary Norman, the original owner of this book was both artist and teacher. Mary Norman worked in Warrnambool, and has left a significant amount of work of scenes from around the district. The Warrnambool and District Historical Society has five in its collection, Gaul’s Cave, Mermaid Cave, Seascape, Wreck of “La Bella”, Clifton Banks, Hopkins River.Fawn card cover with maroon cloth binding. Title in black. Back cover has black text with Dr Beach’s Entertaining readers and a list of testimonials from teachers.Stamped inside front cover, Mary L Norman the Studio Araratwarrnambool, mary norman, perspective projection, e.g.baker

Nelson’s New Drawing Course was in use around the early part of the 20th century. The owner of this particular copy Mary Norman, was born in Ararat in July 1883. She produced her first public work in 1900 and came to Warrnambool in 1901 and worked with S. Pearce Fuller. She taught at Warrnambool Ladies’ High School at Upton in Canterbury Road and also took art classes at Fullers Art School. She left Warrnambool in 1906, going first to Echuca before returning to Ararat where she set up her studio and held her first public exhibition in 1908. She married Jesse Bail in 1922 and had one child Jessica in 1923. She died in 1962 in Ararat, aged 79. Mary Norman worked in Warrnambool, and has left a significant amount of work of scenes from around the district. The Warrnambool and District Historical Society has five in its collection, Gaul’s Cave, Mermaid Cave, Seascape, Wreck of “La Bella”, Clifton Banks, Hopkins River.Dark olive green hardcover book with black scrolling and coat of arms at bottom of cover. Text in black. It covers such subjects as freehand and freearm drawing, mechanical drawing clay modelling colour work and paper cutting. It contains diagrams as well as instructions. Handwritten in black ink inside front cover, “Mary Norman, Ch of Eng DHS Echuca May 1908. Black ink stamp, 1909 Mary Norman Studio Ingor St Ararat. Thomas Nelson and Sons London Edinburgh and New York 1905.warrnambool, nelson's drawing course, teacher's handbook, mary norman, warrnambool artists

This is a paper back book with a plasticized cove which has an image of Flagstaff Hill Maritime Village (reproduction of Daniel Clarke’s Studio) in the background in muted colours, photographs and paintings of Thomas and Susan Lawson in colour on the front cover and a photograph of and information on the author on the back. It has 37 pages, a Lawson family tree at the back and an introduction by Helen Jones. The book included printed material, black and white photographs and illustrative material.non-fictionFamily history of Thomas Lawson (1831-1907) and his descendants lawson family, warrnambool, cobden, camperdown

Joseph Jordan was born in 1841 in Leicester England and spent over a decade in India with his regiment. In 1867 he gained first prize for his views of Indian scenery. He followed the same profession when he came to Victoria in 1884 and set up a professional photographic studio in Warrnambool He became very well known in the Western District for family photographs as well as official photographs of local councillors and groups as well as views of local scenery. This album is one which was advertised in 1901. Of the two albums in the collection they seem to consist of a core number of the same photographs with others included in the selection. The business was taken over by his son Arthur around 1917. This album includes a number of professionally taken photographs which give a high quality view of Warrnambool and the popular spots around the district at the turn of the century.Faded Maroon cloth over card cover with title in gold lettering on front cover. Advertisements for local businesses inside front and back covers. The album contains a number of black and white photographs from around Warrnambool, including the Titan crane at the Breakwater, banks of the Hopkins, Stephens Coachbuilders, Grand Annual Show, panorama of Warrnambool and Suspension Bridge on the Merri. All are mounted on card. It includes advertisements of J J O Mullane, Bay View Hotel, Hopkins Hotel, T Redford, Royal Hotel, Robinson and Morse, H D Stewart & Co, F Uren.2142 in grey lead inside front cover.warrnambool, joseph jordan, views of warrnambool, photograph album of warrnambool, views of warrnambool 1891

A collection of photographs depicting numerous people. Some have been taken by studios such as Lovewell & Co, Hider, Jordan and Daniel Clarke of Warrnambool. Most of the photos are unnamed but of those that are there is a Thom Wickham, E. M. Fleming, Henry and Stanly Frisch. There are also a number of photographs depicting land clearing and wood cutting also a couple of cards, one happy New year and Glaedelig Jul( Danish Merry Christmas)An album typical of the era with local family connections as well as work by local photographersBrown leather cover with gold figure work over embossing on the front with possibly the letter,”C”. The back cover is entirely embossed. Edges of metal clasp are on front and back cover but clasp part is missing. Gold edges to pages, which are all heavy card. Front inside page has pink briar roses with “Album” on card inserted through it.Jan 17th 1888. To Morris from H Bambrick?warrnambool, warrnambool photographers, lovewell & co, jordan photographers, daniel clarke, thom wickham, e m fleming, henry frisch, stanley frisch

This is an early map of the Borough of Warrnambool (1872/3) showing the central town area of Warrnambool and the surrounding district. Reserves, public buildings and some businesses are marked. The map was photolithographed by John Noone, a Melbourne artist and photographer who claimed in 1858 to have the oldest-existing photographic studio in Melbourne. Photolithography was a process first developed in Melbourne. For several years Noone was the official photographer for the Victorian Crown Lands Office and for the Victorian Public Library and Museum. The map has the stamp of the seller of the map – Charles Hider, the well-known stationer and bookseller in Timor Street, Warrnambool. The owner of the map, Henry George Marfell, (1883-1962) was the son of John and Mary Ann Marfell. The Marfells were well-known in Warrnambool as grain merchants and managers of the Warrnambool Co-Operative Milling Company. It is surmised from the writing on the Marfell label that this map was at some stage given by Henry Marfell to the old Warrnambool MuseumThis map of early Warrnambool is of considerable significance, firstly because its original state and early date (1873) make it of antiquarian and historical interest. Also the connection with the names, Charles Hider and Henry Marfell and the old Museum gives it added provenance and interest.This is a wax paper map mounted on cloth. At the top it is attached by nails to a piece of wood and at the top it has a cloth ring for hanging the map. The map is in black shadings on a yellow background. The map is badly creased and coming away from the cloth at the edges and at other various points. There is some red or pink marking or staining on the township area of the map (originally the sold lands on this map were coloured in brown and the reserves, buildings, etc in pink). On the left hand corner there is a piece of paper glued on with some handwriting in ink (Marfell). There is also the stamp of the seller of the map – Charles Hider, stationer and bookseller, of Timor Street Warrnambool‘Early Map of W’bool, H.G. Marfell’ history of warrnambool, charles hider, henry marfell

This is a 1906 advertising poster for the photographic business, Jordan Studios, Liebig Street, Warrnambool. This business was established in 1890 by Joseph Jordan, an Englishman who had been in the British Army in India. He erected the Jordan Studios building (94 Liebig Street) in 1901. Joseph’s son, Arthur, was also a photographer and artist. He photographed and sketched Wilmot (Abraham) several times and used one of these sketches as a basis for this advertising poster. It was well-known at the time that Wilmot was always willing to pose for photographs or drawings. Wilmot (Corwhorong), called ‘the last of his tribe’, was a member of the Tooram group associated with the Kirrae tribe. He spent the early part of his life at the Allan ‘Tooram’ property and was later at the Murray Warrnambool home, ‘Waikato’. He died in 1916 and is buried in the Warrnambool CemeteryThis advertising poster is of considerable importance as it is an interesting example of advertising by a photographer at the beginning of the 20th century. It is also important because it advertises Jordan Studios, one of the most significant photographic businesses in Warrnambool’s history. It also is an example of Arthur Jordan’s artistic abilityThis is large advertising sheet of paper featuring a black and white sketch of the aborigine, Wilmot and Arthur Jordan, the artist/photographer. Jordan is seated and is sketching Wilmot who is sitting cross-legged. The sketch includes a mug, a billy can, a fire and a humorous caption. The edges of the sheet are somewhat tattered. ‘Notice. Visitors to Warrnambool, go to Jordan’s Studio, Liebig St, next Bank of Victoria, for your Portraits, Groups, Views and Postcards’ ‘Hurry up, old feller, I want to go to Jordan’s before I go to the races. A lady wants my photo very pertickler’ ‘Jordan ‘06’ jordan studios, arthur jordan, wilmot, warrnambool, corwhorong, advertising, liebig street

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton, which dates from 1850s. There are several works of art and photographs of Clifton Banks dating from the late 19th and early 20th centuries. Mary Norman (later known as Mary Norman=Bail) came to Warrnambool in 1901, residing with Canon and Mrs McGeorge. She studied art with Samuel Pearce Fuller and later taught art at Fuller's studio and at a local private school. She produced several seascapes and landscapes while she was in Warrnambool, leaving the town in 1905. She devoted the rest of her life to art as an artist and teacher. In 1922 she married Jess Bail. This art work of Clifton Banks won first prize at the 1902 Annual Ararat Art competitions. It was reported at the time that the work was not a copy but had been drawn from nature. The Warrnambool and District Historical Society has five of Mary Norman-Bail's art work.This is a most significant item as it is one of Mary Norman's art works and she was known in the early 20th century as a competent artist and a member of the Victorian Artists' Society. This art work also has historical significance as one of a number of Clifton Banks representations still surviving. Mary Norman also had an impact on the cultural life of Warrnambool during her short stay in the town. She also returned to teach in the town several times for short periods during the summer vacation times.This is a water colour mounted on art board and with a gilt framed and three outer layers of wooden gilded ornamental frames. The sides of the frames are broken in places and the guided material is somewhat discoloured. There are Les O'Callaghan handwritten notes and some typed material on the back giving information on Mary Norman and the art work. The back is sealed with pasted paper and there are both string and wire attached for hanging the pictureBack of art work: 'Diamond Bros, Photo Enlargers, Importers of Mouldings, Mounting Boards, Albums, Mirrors etc, Picture Framers. Mount Cutters and Plush Workers, Studio - 27 Bridge Road, Melbourne, Factory- 45 and 47 Duke Street, Richmond, Armstrong Street, Ballarat, Pirie Street, Adelaide, Brisbane, & Freemantle W.A.'mary norman, clifton banks, warrnambool

A collection of 20 photographs which shows different aspects of Warrnambool. In 1896 Joseph Jordan was given exclusive rights to produce a souvenir booklet for the 1896-97 Warrnambool Industrial and Arts Exhibition. The Jordan studio sold many publications such as albums, which featured local scenes, as well as postcards, and greeting cards for different occasions and portraits The Jordan studio was a significant photographic studio in Warrnambool. They produced a large volume of work which is a useful record of scenes of the Western District and Warrnambool. This Souvenir booklet was a memento of an important event in Warrnambool. The advertisements also provide a record of people in business at that time.Pale green light card cover with dark blue text and illustrations which consist of title in the middle of cover with floral border along bottom with drawing of bird inset in floral picture at the top. The contents consist of 18 illustrations and a number of advertisements. One loose page with same text as book and advertisement for R. F. Kennedy chemistPublished by J Jordan Warrnambool.j jordan, jordan photographers, warrnambool, jordan photographs, warrnambool souvenir

An unknown couple on their wedding day, photographed by Warrnambool photographer, Alex Wilkins. Alex was popular as a photographer and produced a large volume of work. This photograph was purchased by Les and Elizabeth O'Callaghan at a cost of $5. It is thought to be members of the Cassady family.The photo depicts styles of wedding dress popular in the 1940’s. Alex Wilkins commenced his photographic career working for a local chemist and worked for some time from a studio at 151 Fairy Street Warrnambool and in 1938 purchased the studio of Arthur Jordan and moved to Liebig Street. The business was sold in 1961 and for some time after he operated in a small studio and worked shooting film for local TV channels. Alex died in 1972 after a short illness. Sepia wedding photograph depicting bride and groom, in cream wooden frame with cream mount. A.Wilkins, W’Bool.warrnambool, warrnambool wedding, alex wilkins

Local farming familiesPhotos - 3 old photos of people A. Mr & Mrs Maddison B. Frederick Roper C. Jim Higginson? Geo Cooper?All have titles written on the back A. Coles Studio / Book Arcade Melbourne B. Barroni & Co. / 109 Elizabeth St. Melbourne Near Bour...? C. L.G. Thomas / Photographermaddison, frederick roper

This postcard may have belonged to the donor's paternal grandmother, Maggie Johnston Rees (1867-1964) as there is another postcard in the collection recounting a trip in Tasmania where the writer is 'M. J. Rees'. This postcard is probably post-1926 when the company had completed a renovation of their Devonport building (which included 'a large, illuminated clock'. These and other postcards and photos came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because it was part of a collection belonging to a community member who had a close association with a local historical society.Don Trading Company Building - building has three stories topped with a large clock.Printed on bottom L: 'DON STORE' Embossed on bottom R: 'A MARSHALLS / STUDIOS DEVONPORT'david moyle, police, emerald, belgrave, maggie johnston rees, don trading company, devonport, marshalls studios