Petrol rations tickets were first issued in October 1940 during World War II. Petrol rationing ceased in 1949. The ration tickets were produced by the Note Printing Branch of the Commonwealth Bank of Australia.Two Victorian motor spirit ration tickets, tickets were originally printed on a sheet divided by perforations. Each ticket reads "VICTORIA" / "SERIES B" / "VALID IN ALL STATES" /"TWO 2 TWO GALLONS". Fine print on each tickets reads "THIS TICKET MUST BE ENDORSED IN INK / BY CONSUMER WITH NAME, LICENCE NUMBER / AND VEHICLE REGISTRATION NUMBER". In handwriting on the back of the tickets, the signature "R.G. Preston" and "91/21856" (car registration number?).Text: " VICTORIA / MOTOR SPIRIT RATION / TICKET. "world war 1939-1945, petrol rationing, r.g. preston

"The idea behind this artwork installation ‘Spirit of the Ballarat Winter Festival’ was to incorporate arts and cultural symbology as if it were painted like a brush stroke upon the footpath yet embedded like a time stamp within the urban streetscape. ‘Spirit of the Ballarat Winter Festival’ offers an unexpected burst of colour and vibrancy within the Ballarat CBD." This artwork was created as pert of the Ballarat Winter Festival in 1998. The Spirit of the Ballarat Winter Festival mosaic is an interpretation of the Ballarat Winter Festival logo image designed by Paul McKenna. Principal Artist Belinda (Bel) Woodruff then trading as Deevine Mosaics received Project Support from Anne Bonighton and City of Ballarat Community Arts Department staff. Vitrified glass tiles adhered to a pre-cast concrete form - installed into the footpath.SPIRIT OF THE / BALLARAT WINTER FESTIVAL / MOSAIC BY/ DEVINE ORIGINALS / SUPPORTED BY / COMMUNITY ARTS - 1998

On Saturday 17 May 1947, an article on page 25 of the Australian Women’s Weekly reported on the formation of a new women's club: the East Kew Women’s Community Club. The article reads: "Wives and mothers in a Melbourne suburb, East Kew, have formed the East Kew Women's Community Club. While babies and young children are under the supervision of a play leader, wives and mothers follow up their own interests. The club caters for varying tastes, has musical appreciation, drama, and "Keep Fit" classes. President Mrs. Grace Thake says that the club hopes soon to have tennis, debating, and discussion groups. The club originated from a debate, "Should women take an active part in social and civic affairs?" Two days later their interest in these matters was proved by the forming of the club, which took for its motto: "To help others, improve ourselves, and foster the community spirit." Membership is open to all women, regardless of age, politics, and religion, and aims to co-operate with all societies working for the improvement of health and cultural standards." The article relates particularly to the plaque in the collection of the Kew Historical Society.The East Kew Women's Community Club, also called the East Kew Women's Community Club functioned from c. 1947 to the end of the 1960s (to be verified). The records of the Club were placed with Kew Historical Society to preserve them for posterity. The records and objects belonging to the East Kew Women's Community Club have significance socially for their capacity to illuminate women's associations in the post war period in Australia.Framed red and gold enamelled plaque belonging to the East Kew Women's Community Club."TO HELP OTHERS / IMPROVE OURSELVES AND / FOSTER THE COMMUNITY SPIRIT"east kew women's social club, community groups -- kew east (vic.)

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007..1) Barramundi Spirit .2) Mimi Spirit .1) and .2) are framed togetherart, artwork, eddie blitner, blitner, rarrk, aboriginal, barramundi, fish

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a Mimi Spiritart, artwork, eddie blitner, blitner, aboriginal, mimi, rarrk

My name is Deanne Gilson and I am a proud Wadawurrung woman living on my ancestral Country around Ballarat in Victoria. My practise aims to highlight and bring back traditional women’s symbols and ceremonial practises that reference the lived experience of my ancestors. By reviving traditional marks found on artefacts and women’s business, I am forming links with past ancestral knowledge so that is not lost and continues for the future generations. My art practice relies heavily on the use of symbols and form as a metaphor for the body. I have worked as a full-time artist for over thirty-five years. Many artworks tell stories of the spiritual aspects of culture and myths. Dreaming and Songlines, further creating a yarning space, bring the gap towards reconciliation and healing for my people and others through shared sharing stories. A main focus of my art practice tells the birthing tree and scar tree stories and how Wadawurrung women have evolved and survived, since before and after colonisation. The old symbols find new life, connecting to the contemporary ones, further connecting us all to this Country we all call home.Yaluk, Beep, Murrup, meaning Water, Country, Spirit, incorporates the traditional mark of the wave pattern (often found on wooden shields) used by my ancestors, along with the basalt plains across Wadawurrung Country. By depicting the interaction between the Water and Country, I use ancestral knowledges that are not seen but intuitive to myself, while juxtaposing them against the ancestral stone circle knowledges, embedded with the DNA of our stories. The ochre is reclaimed as real, it is marni-beek, meaning Country, in particular the white ceremonial ochre, often seen on the painted-up figure and used today to reconnect back to our ancestral memory. Reclaiming what was lost through colonisation, but still present in our Dreaming that flows on today through the water spirit. Country has no time limits and water connects to our bodies, which are made up of water. We as a clan, are still here today, living and being on Country, our ancestral spirits live on through us. The original painting is a contemporary account of using ochre to reclaim ancestral knowledge and to be part of the ceremony that is yaluk, beep, murrup. wadawurrung, deanne gilson, water, country, spirit, first nations art

This Collection was produced in 2011.The Collection is an Artists impression of life on Gallipoli 25 April-19 December 1915Replica Knife Collection. There 10 knives in the collection. Timber construction with artists impressions of Gallipoli.On the front - The Spirit of Gallipoli. On the Back - No SG0565 First Issue in 'Spirit of Gallipoli' Replica Knife Collection.ww1 gallipoli collection of knives 1915

There is no known history connected to this item. A spirit lamp was an essential household item in the 19th century and the first three decades of the 20th century until electric lighting became a common feature of most homes. This lamp has no particular significance and is suitable for display as an example of family life in the past.This is a spirit lamp with a milk glass base in two sections (two pedestals in rings). The bowl is made of green glass emulating the shape of the base. There is a brass section connecting the bowl to the wick holder with the wick exposed. There is a small knob or handle external to the bowl for controlling the wick’s use. The clear glass lamp mantle is slim-line bulbous shaped. history of warrnambool, social history, spirit lamp

Holy Spirit Church of England Sunday School Watsonia c1968 Back row: Ian Hatfield, Front row: Julie Mullinger? Mark Miller, Mark Ballard, Ken Willimott & Ann Hogan. Behind the children are the Watsonia Road shops, corner Watsonia Road and Morwell Avenue.Black and white photograph"Holy Spirit C of E Sunday School Watsonia 1968? Back row Ian Hatfield Front row Julie Mullinger? Mark Miller, Mark Ballard, Ken Willimott & Ann Hogan"holy spirit church of england watsonia, willimott family, morwell avenue watsonia, watsonia road watsonia

Two small ration tickets printed in orange and blue allowing one gallon of motor spirit to be purchased before 31/7/1941. Both tickets are signed on the back by H.C. Cammeron with his licence number above.Front: (orange and blue). MOTOR SPIRIT RATION TICKET / ISSUED UNDER NATIONAL SECURITY (LIQUID FUEL) REGULATIONS / 1 ONE GALLON (on either side of Australian Coat of Arms) - blue / VALID ONLY UNITIL / 31st JULY / 1941 / NOT TRANSFERABLE / THIS TICKET MUST BE ENDORSED BY CONSUMER WITH NAME AND LICENCE NUMBERS / ENDORSED - 22a/8557 / H.C. CAMMERON.commonwealth liquid fuel control board, 1941, ww2, motor spirit ration ticket

On a drizzly day, viewed from from the beach at Port Melbourne, the Spirit of Tasmania sits waiting for her cargo at Station Pier.Maritime ArtLarge black and white painting depicting the Spirit of Tasmania in Port Melbourne"Greyer than ..."anl maritime art prize, lara bardlsey, 2013, larisa bardsley, spirit of tasmania, port melbourne, station pier, artwork-paintings

Framed Collage featuring an Australian Soldier, a 3D Australian Flag , a brass plated "ration pack" can opener, and campaign ribbons from all conflicts until 2001The Australian Army 1901-2001(Spirit Ordinary People Extraordinary Service)

A framed certificate given to Melbourne Legacy from the Returned and Services League of Australia (RSL) as a gesture of appreciation, for research into the Australian Spirit project in 1990. Both Legacy and the Returned and Services League (RSL) often combine together on projects of mutual interest.Glass surrounded by metal frame, colour gold. Grey background, changing from light grey at top to dark grey at bottom. Top left hand corner, globe featuring the Australian continent in yellow. Centre left, Legacy symbol. Centre right R.S.L badge. Bottom, in yellow, adults and children portrayed with arms upraised. One adult waving the Australian flag. Printing in white, black and yellow.Top:- in yellow print, The Australian Spirit. White globe, yellow continent of Australia. In white .Our Country . Our Achievments . Our Pride Centre :- Presented to Melbourne Legacy Club with appreciation for your generous support December 1990 Legacy symbol Signature of Chairman Legacy Co-Ordinating Council Signature National President, Returned Services League RSL symbol. In black type. Bottom:- Adult and child figures in yellow. One adult waving Australian Flag A Reseach Project into Australian Achievments, in white print. rsl, recognition

Motor Spirit Highly Inflammable Transporting Tin Container "Motor Spirit" is just another name for petrol. "K" and the "KS" Kasey Trolleys were two stroke petrol motors Operation, Care and Maintenance of Track Motors Victorian Railways, 1959 http://www.geoffsrailpix.com/Documents/Motors.pdf#zoom=100 gives the following : Inspection motor type B, - straight petrol Inspection motor type V, - pre-mixed petrol Motorised tricycle type M.T., - pre-mixed petrol Gang motor type K.S., - pre-mixed petrol Gang motor type K - pre-mixed petrol Motor cars altered for rail uses (Wiki) Petrol Inspection Car This was a small car numbered '1' and named the Inspection Car. It was built in England in 1923, but was not found in the 1936 stocktake. Gang Motor The eight-horsepower Gang Motor held five people, and was built at Arden Street in late 1923. In 1950 the vehicle was removed from the rolling stock register and given to "Way and Works" as a track motor. Motor Car The Motor Car was put into service in mid 1925, after being fitted with rail wheels in lieu of tyres. In 1927 the car was named "Mr Molomby's Inspection Car", and allocated to Seymour. It was scrapped in 1952. Dodge Cars There were seven Dodge cars in rail service. The cars were numbered 1 to 6, with car 7 listed "No 7 Repair". The cars were built by the Dodge Company of Melbourne and assembled at Newport. Construction was in 1925 and they lasted until 1949. Historic - Railways Permanent Way and Works - track equipment - Motor Spirit Highly Inflamable Transporting Tin ContainerMotor Spirit Highly Inflamable Transporting Tin Container made of tin Motor Spirit Highly Inflamable puffing billy, motor spirit transporting container

Written on back of photograph, "E620. 1981. Looking west from Jull Road. North Ringwood at Holy Spirit School".

This book contains interviews with 48 of the 300 centenarians listed by the Australian Bicentennial Authority, whose long lives together form an oral social history of the development of Australia over the past one hundred years. It includes reminiscences of Judy Bagu, Jimmy Bird, Paddy Djiaween and Walter Smith; brief accounts of bush foods, medicines, uses of plants, birth and mortuary rituals; working lives on cattle stations, missions, prospecting, dingo trapping, camel working, pearling, shire council; Kunmunyah, Beagle Bay Mission, Broome.This compilation of stories from centenarians is a contemporary social record of one hundred years of living through two world wars and the Great Depression in Australia. A 183 pp book with a light brown cover, darker spine. On the front cover is a photograph of a pair of hands. Print is black "A Ton of Spirit Australian Centenarians talk with Penny Smith".book-a-ton-of-spirit-penny-smith social-records-early-australia

black and white photograph, unmounted, original, good conditionOn back: Carlisle Street looking east past Coles, from outside Fogarty's Wine & Spirit store. The year is an approximation. 1960

Two colour photographs of religious ceremony.Written on back of photograph, 'Holy Spirit Parish, North Ringwood 20/9/81. Bishop ordains Len Phillips as a Deacon. The laying on of hands.'

This book was created as a celebration of the school's 140th year, that tells inspiring stories of Toorak Collegians Hard cover book, blue, white red gingham, fabric feel cover Left and right front cover end papers, red with inscription "Tradition." Left and right back cover end papers, blue with inscription "Spirit"book, toorak college, collegians, gingham, 140 celeabrations, inspiring stories

Newspaper article 'The Spirit of Israel', published in The Herald, 1 November 1967.shakespeare grove, hebrew school, meretz

This window along with the second window in the baptistry was donated by an anonymous donour. In Christianity, a dove is widely used as a symbol for the Holy Spirit, primarily because of the biblical account where the Holy Spirit descended upon Jesus at his baptism in the form of a dove, signifying purity and innocence associated with the bird. Lancet stained glass window depicting a dove altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, sailors, seamen, stained glass windows, win, memorial chapel, baptistry, dove, bird

Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th century.Checkers Wine & Spirit Store; Becks' Newsagency; Mann’s Supermarket. Checkers was opened C. 1965 by Wiltshire and Rattray. They operated under a liquor licence transferred from Hicks & Son. Frank Hicks worked as Manager at Checkers.wodonga businesses, high st wodonga, checkers, becks newsagency