Poster for St Kilda Musicale at St Kilda Town Hall on 28 October 1973, featuring the Southern Command Army Band. Part of a program of light music presented by the City of St Kilda to the public for free.Buff coloured card printed in black on one sidest kilda musicales, city of st kilda, southern command army band

Poster for St Kilda Musicale at St Kilda Town Hall on 20 July 1975, featuring the Victorian Naval Band. Part of a program of light music presented by the City of St Kilda to the public for free.Buff coloured card printed in blue on one sidest kilda musicales, city of st kilda, victorian naval band

Poster for St Kilda Musicale at St Kilda Town Hall on 18 August 1974, featuring the National Boys' Choir. Part of a program of light music presented by the City of St Kilda to the public for free.Buff coloured card printed in black on one sidest kilda musicales, city of st kilda, national boys' choir

Program for St Kilda Musicale at St Kilda Town Hall on 24 September 1972, featuring organist John Atwell and vocalist Geraldine Dee. Part of a program of light music presented by the City of St Kilda to the public for free.White paper, discoloured with age, printed in black on one sidest kilda musicales, city of st kilda, john atwell, geraldine dee

This book has had two owners – St. Paul’s Anglican Church Allansford and Cecil Snook of Toorak but it is not known who had the book first. Nothing is known of Cecil Snook and the name does not appear to be of local interest. St. Paul’s Anglican Church in Allansford was established in 1882. It became part of the Panmure Parish in 1936 and in 1951 it was transferred to the Warrnambool Parish. This book is of interest as an example of a music book used at St. Paul’s Anglican Church in Allansford early in the 20th century. This is a hard cover book containing musical notations and text. The cover is black with embossed lettering and ornamental patterns on the front. The cover has come apart from the binding and has been re-attached with brown tape. The inscriptions are handwritten in black ink and pencil. There is some scribble on the back page. The cover is torn at the edges and the first and last pages are a little tattered. ‘St. Paul’s Allansford’ ‘All Saints Grammar School, East St. Kilda, Cecil Snook. 2 Baxter Street, Toorak, 11-6-1916’ history of warrnambool, st. paul’s anglican church allansford

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. He was the youngest of eleven children. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967 and he died in November 1970. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A 43 page, black and white booklet with a brown cover printed with black and red, containing the programme for New Zealand Centennial Championship Brass Band Contest, held in Wellington on the 18th to 24th of February 1940. On page 3 is a photograph and short bio of Frank Wright who was the Chief Musical Adjudicator. There are also photographs of the previous years winners of the Championship Gold Cup - the Woolston Band and the winners of New Zealand Marching Championship - St. Kilda Municipal Band and on page 33 is a photograph of the Wellington Garrison Band at the Christchurch contest in about 1892. On many of the pages are Frank's handwritten notes and point scores for the contestants. From page 15 onward are handwritten point scores beside the performers and the names on the 1st, 2nd and 3rd place winnersfrank wright, new zealand centennial championship brass band contest, wellington, brass band, adjudicator, wellington garrison band, the woolston band, st kilda municipal band

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a man dressed in a three-piece suit and hat and a woman in a dark dress and hat sitting on the beach. In the background are many other people similarly dressed as well as a few in bathing suits of the 1930's. In the far background are the buildings on the Esplanade. The place is St Kilda Beach and the people are William and Sarah Wright.Written in pencil on the back - Mum & Dad, taken on St Kilda beach, New Years Day 1930, 01/01/1930frank wright, william wright, sarah wright, ballarat, cornet, conductor, smeaton, saint kilda, st kilda, st kilda beach, beach

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. These boxes were designed to be reused, with a pop out section in the base.2 x metal coin collection tins with printed sidesFront: The Royal Victorian Institute for the Blind St Kilda Road The only Institute in Victoria for teaching blind adults trades & professions educating & maintaining blind children & babies (Lighthouse with words radiating out from light) Modern cottage homes Pensions - after care & sick fund Prevention of blindness lectures, etc. Free wireless radio for needy cases Boat shed & club house Professions & trades Blind babies nursery Wireless sets Social club Happiness for the blind every day & night Musical education Higher education Domestic science classes for blind women & girls A free education Maintenance of blind children The Lighthouse! As a thanksgiving for sight Please place a coin in this box and help to keep the Beacon Light flashing for the Institute's Blind Adults, Babies and Children Side: (Picture of two girls playing with dolls house) Our blind babies and pupils will probably spend 70 years in our Royal Victorian Institute for the Blind St Kilda Road As a thanksgiving for sight please help make their years very happy ones by placing a coin in this box! Reverse front: (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body.) It might hit You or Me! Please! Will You? As a thanksgiving for the sight you and your dear ones possess, please place a coin in this box to assist the Royal Victorian Institute for the Blind, St Kilda Road, and its Blind Adults, Children and Babies! Reverse side: (picture of workshop at RVIB) One of our many spacious workshops provided by public subscription! The Royal Victorian Institute for the Blind is faced with the problem of employing and otherwise assisting its blind workers. It gives them charitable allowances in addition to their earnings, amounting to approximately 15,000 (pounds) every year, to enable them to support their wives and families! No profits can therefore be made! This 15,000 (pounds) is distributed because the great handicap of blindness prevents blind persons from earning as much as their more fortunate sighted fellows. Please! Ask Storekeepers for our Baskets, Mats, Brooms, etc. And as a thanksgiving for Your Sight place a coin in this box for our blind adults, children and babies! Embossed on the top of the box is Royal Victorian Institute for the Blindfundraising, royal victorian institute for the blind

SUNDAY SCHOOL DEMONSTRATION. With three times three we coo-ee, The Prince we meet again; Our Princess May we welcome, With heart and voice amain. This was the welcome of the children of the Melbourne Sunday schools. The greeting came from over 30,000 youthful voices to the accompaniment of as many waving flags of diminutive size, held by the children. Probably not one of those who sang so lustily had witnessed the previous visit of his Royal Highness; or knew anything of it except as a traditional event, but the sentiment was a good and proper one all the same. The children were massed on the rising ground in the Domain, and apparently the long wait was not at all wearying. It was to most of them a huge picnic. They lunched on the grass, and filled in the intervening lime with games such as the juvenile heart delights in. At intervals something approaching order, was observed, and then songs, which have been in rehearsal for some weeks past, were sung under the baton of Mr. D. R. Davies, musical director, and to the lead of a united brass band of over a hundred instrumentalists under Bandmaster E; T. Code. A solo was also sung by Mr. H. J. Floyd. At all times the scene was an exceedingly animated one. Most of the children were attired in light costumes, and those in whose dress there was some color provided the necessary variety to make up a most picturesque scene. Probably there were nearly 35,000 adults and children at this spot. They occupied the frontage to St. Kilda-road, from Government House gates to the intersecting thoroughfare beyond. As the children were confined to the high ground, there was a green strip in front of them, and the dark green of the fir trees at the top of the slope made a most suitable background. Between these two lines of even coloring the children, with the easy freedom of youth, made perhaps as pretty a feature of the pageant as could be found anywhere in the whole route of the procession." (The Age, Tues 7 May 1901, p.6)This tiny battered piece of ephemera recording the United Sunday School Demonstration of 1901 must once have been exceedingly common, however in the context of the growing collection that the Society has relating to the opening of the first Commonwealth Parliament in Melbourne it has historic and social significance.Embossed red leather bookmark commemorating the 'United Sunday Schools Demonstration' in St Kilda Road in 1901 to welcome the Prince and Princess of Wales to open the first Commonwealth Parliament in the Royal Exhibition Building."United Sunday Schools Demonstration, Melbourne Australia, Melbourne May 6 1901"opening of the first commonwealth parliament - 1901, sunday schools - victoria, federation events - victoria - 1901, ephemera

Event at the St Kilda Town Hall in recognition of the St Kilda Cricket Club First Eleven winning the VCA Premiership in four successive seasons - 1923-24, 1924-25, 1925-26, 1926-27. Details of the matches are set out on the back of the program. A smoke social was a predominantly Australian form of male only social event in the late nineteenth and early twentieth century, until about the 1940s, where men would gather to smoke. Smoke socials were often coupled with a formal dinner, an annual general meeting or a musical revue and were run by football clubs, charitable organizations, civic organizations, trade unions, and governments.Folded cream coloured paper, printed in bluest kilda cricket club, maynard dakin, j alexander browne, norman bradshaw, fred champion, dave bell, w burrell

Promotion and program for a lecture and concert that was arranged by the City of St Kilda at St Kilda Town Hall on 19 June 1942. The lecture topic was 'The Empire's Air Forces at War', by British War Correspondent William Courtney, and the entertainment included musical performances and a film screening.Cream coloured paper (discoloured with age) printed in black on one sidewilliam courtney, margaret schofield, arnold matters, thea phillips, noel nickson, city of st kilda, arnold colman

Invitation and ticket to a lecture and concert arranged by the City of St Kilda at St Kilda Town Hall on 19 June 1942. The lecture topic was 'The Empire's Air Forces at War', by British War Correspondent William Courtney, and the entertainment included musical performances and a film screening. Admission was free but donations were collected for the St Kilda Patriotic Society.Folded grey-brown coloured light card printed in dark bluewilliam courtney, margaret schofield, arnold matters, thea phillips, noel nickson, city of st kilda, arnold colman, st kilda patriotic society

Invitation/ticket and program for a screening of Sound Films made available by the Department of Information, held at St Kilda Town Hall on 12 November 1941. The films were of events in Tobruk, Bardia, Greece, Syria and Britain. Also during the evening, musical performances were provided by Amelia Scarce, J Alexander Browne, and City Organist Arnold Colman. Admission was free but donations were sought for the St Kilda Patriotic Society.Grey coloured card, folded and perforated at the fold and printed in bluecity of st kilda, wwii fund-raising, st kilda patriotic society, amelia scarce, j alexander browne, arnold colman

Promotion and program for a free lecture and concert at St Kilda Town Hall on 19 June 1942. The lecture topic was 'The Empire's Air Forces at War', by British War Correspondent William Courtney, and the entertainment included musical performances. Although free, silver coin donations for the St Kilda Patriotic Society were sought.Buff coloured paper printed in black on one sidewilliam courtney, arnold matters, thea phillips, city of st kilda, anthony ferrara, st kilda patriotic society

State reception by the Victorian Government, at the Exhibition Building, Monday, 8th March, 1954. Includes order of proceedings, musical programme, names of members of the Cabinet Reception Committee, the Music Committee, and the Music Sub-Committee.Booklet with cream coloured card cover, printed in blue with coloured royal crest above it, and a small blue reproduction of the Victorian coat of arms. Multi page insert on white glossy paper, printed in bluer. Attached by staples. Includes black and white photograph of the Queen, the Duke of Edinburgh and the Exhibition Buildings. The booklet includes the Order of Proceedings, the Musical Programme, a list of the Choirs Represented, and the names of the Cabinet Reception Committee and the Music Committee.royal visits, queen elizabeth ii, prince philip - duke of edinburgh, state receptions, royal exhibition building, wh greaves collection, greaves, city of st kilda

.1 - Foolscap duplicated sheet with changes marked in red ink and pencil notes along the bottom edge, titled "Christmas Eve - Sunday 24 December 1939 - Special late trams and buses to be run in connection with the choral and musical festival to be held in Alexandra Gardens from 11pm to Midnight". Lists routes, times from terminus, city, and arrive back at the depot. Gives details for both the Southern and Northern systems. Dated 21/11/1939, signed W. Simpson Assistant Manager. .2 - Associated passenger check sheet - completed for St Kilda Road at intersection of City Road - records 10 trams with passenger number - does not give car number. Form No 3/201 - July 1939. .3 - Notice to Conductors and Bus Operators - all depots except Footscray and Clifton Hill dated 21/12/1939 on foolscap duplicated paper, advising crews of the event, minimum fares of 6d, special tickets and completion of revenue journals. signed by S. M. Richardson as Manager (stamped signature).trams, tramways, mmtb, public transport, holiday arrangements, buses, services, christmas, tickets, revenue journal, conductors

Located on the Lower Esplanade at St Kilda, the Palais Theatre opened on 11 November 1927, replacing an earlier cinema destroyed by fire the year before. It accommodated nearly 3000 patrons. After the introduction of television, it became a venue for live performances including opera, classical ballet, folk and ethnic dance companies, musicals and concerts. The Australian Ballet performed there in the 1970s until the Victorian Arts Centre opened in 1984. The photograph was taken around the time of the Australian Ballet's 1981 season from July 23 to August 6, featuring ballets "The Hunchback of Notre Dame," "Onegin," "Suite en Blanc," "Carmen," "Variaciones Concertantes," "The Merry Widow," "Poems," "Kettentanz," "Monotones," and "Afternoon of a Faun". The image was published in Shout newspaper on two occasions, accompanying articles about the future of the St Kilda foreshore. Black and white photograph, unmounteddavid rae collection, st kilda, palais theatre